Bretherton, James, approximately 1730-1806, printmaker
Published / Created:
[3 February 1773]
Call Number:
Folio 75 B87 770 (Oversize)
Collection Title:
Page 91. Bunbury album.
Image Count:
1
Resource Type:
still image
Abstract:
A scene from Tristram Shandy in which Susannah stands holdings her nose with her right hand while in her left she holds a candle over the cradle where the swaddled infant Tristram lies with a plaster on his nose. She addressed the doctor with obvious fury, her mouth agape. On the left Dr. Slop raises his left fist at her while in his right he holds a cataplasm in a ladle, ready to fling at her. His hat lies at his feet, and his wig is ablaze. Obadiah stands behind him carrying in his hands a chamber pot and a bowl, a medicine bottle tucked under his arm. The two men stand before a screen. The walls of the room are hung with portraits and a mirror; a grandfather's clock showing the time as 6:15 stands against the wall behind the cradle and Susannah. Two medicine bottles sit on a table partially hidden behind the screen. In the foreground lies an over-turned chair
Description:
Title etched below image., Initial letters of artist's name in signature form a monogram., Sheet trimmed within plate mark., Eight lines of quoted text below image, four on either side of title: "Susannah rowing one way & looking another, set fire to Dr. Slop's wig, which being somewhat bushy & unctuous withal was as soon burnt as kindled ..." Vide Tris. Shandy vol. 4., Temporary local subject terms: Medical: Cataplasm -- 'Dr. Slop' -- Dishes: Bowls -- Lighting: Long handle candlesticks -- Domestic service: Maid -- Furniture: Hall clock -- Folding screen., and Mounted on page 91 of: Bunbury album.
Publisher:
Publish'd as the act directs, 3d February 1773, by J. Bretherton, No. 134 New Bond Street
Subject (Name):
Sterne, Laurence, 1713-1768.
Subject (Topic):
Illustrations, Cradles, Longcase clocks, Physicians, Quarreling, Screens, Servants, and Women domestics
A large woman, her dress thrown up revealing her legs and part of her bottom, crashes to the floor, having broken her commode The contents of the commode spills out much to the anger of a lap dog and the terror of a cat who flees by climbing a curtain. To the left, another older woman, probably the maid, with a look of alarm, rushes towards the falling woman
Description:
Title etched below image., Possibly by Isaac Cruikshank, who produced (often anonymously) many of Williamson's prints around this time. See British Museum catalogue., and Not in the Catalogue of prints and drawings in the British Museum.
Publisher:
Published by T. Williamson, No. 20 Strand, London
Subject (Topic):
Washstands, Falling, Dogs, Cats, Draperies, Women domestics, and Obesity
Volume 1, page 4. Etchings by Henry William Bunbury, Esq. and after his designs.
Image Count:
1
Resource Type:
still image
Abstract:
"A maid standing in a landscape with an empty basket in hand, looking out longingly, another behind her bends down to pick up a pail, in the distance across fields a steeple at left and cottage at right; after Bunbury."--British Museum online catalogue
Description:
Title etched below image., Printmaker from the British Museum online catalogue, registration no.: 1917,1208.2971., Sheet trimmed to plate mark., Two lines of verse etched below title: No care, but love, can discompose her breast. Love, of all cares, the sweetest, and the best., and Mounted on page 4 in volume 1 of: Etchings by Henry William Bunbury, Esq. and after his designs.
Publisher:
Publish'd March 20, 1782, by J.R. Smith, No. 83 opposite the Pantheon, Oxford Street
Wilson, James, approximately 1735-approximately 1786, printmaker
Published / Created:
[between 1751 and 1774]
Call Number:
751.00.00.49+
Image Count:
1
Resource Type:
still image
Abstract:
With one arm encircling her waist, a man holds the hand of a young woman outside a fashionable residence, unaware that another gentleman kisses the woman's other hand behind his back. Above the doorway of the residence is etched he name "Notaris” and “Slik-op Notaris” on the left door frame. In the background a third gentleman smiles and points to the grouping in the foreground. In the distance at the back of the residence a maid stands in an archway; beyound her a view of the town
Alternative Title:
Guardian coax'd and Guardian coaxed
Description:
Title etched below image, between verses., Numbered '134' in upper right corner above image., Publication date from: Maxted, I. London book trades, 1775-1800., Image from a scene in Molière's L'École des maris, 1661; translated by IJsbrand Vincent as De listige vrijster of de verschalkte voogd, 1690: Troost, Possibly after a painting by Jan Josef Horemans (1714-1792)., Four stanzas of verse in two columns on either side of title: Chloe 'tis true with charming leer, you coax your am'rous guardian here ... and bless thy youthful lover., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., and For further information consult library staff.
Publisher:
Printed for Robt. Sayer, print & map seller, opposite Fetter Lane, Fleet Street
"A pretty young woman leans back in an arm-chair while a hairdresser applies paint to her face from a small box. She wears a morning-gown which leaves her breast much exposed. A woman (left) stands full-face behind her chair pouring out a glass of 'Hollands'. On the right is a dressing-table. L. & W., No. 127 (where the title continues, 'of an Impure's Face')."--British Museum online catalogue
Description:
Title from item., Printmaker from the British Museum catalogue; original drawing is in the Huntington Library., No. 127 in Laurie & Whittle Drolls series., Temporary local subject terms: Trades: hairdressers -- Female costume: morning dress -- Furniture -- Domestic service: woman-servant -- Beverages., and Watermark (partial): Strasburg bend, top of sheet.
Publisher:
Published 13th Octr. 1794 by Laurie & Whittle, No. 53 Fleet Street, London
Subject (Topic):
Cosmetics, Dressing tables, Women domestics, and Wine
Title etched below image., Early state, before plate numbering altered. For a later state numbered "274" in upper right, see: Grego, J. Rowlandson the caricaturist, v. 2, page 265., Publisher and date of publication from later state described in Grego., Sheet trimmed within plate mark., Numbered "320" in upper right corner of design., and Not in the Catalogue of prints and drawings in the British Museum.
Publisher:
Thomas Tegg
Subject (Topic):
Gluttony, Eating & drinking, Food, Dining tables, Servants, Women domestics, and Dogs
V. 5. Caricature magazine, or, Hudibrastic mirror.
Image Count:
1
Resource Type:
still image
Description:
Title etched below image., Later state, with altered plate numbering. For an earlier state numbered "320" in upper right corner, see Yale Medical Library call number: Print00257., Publisher and date of publication from Grego., Plate from: Woodward, G.M. Caricature magazine, or Hudibrastic mirror. London : Thomas Tegg, [1808?], v. 5., Also issued separately., Numbered "274" in upper right corner of design., Not in the Catalogue of prints and drawings in the British Museum., Temporary local subject terms: Cruet -- Night cap., 1 print : etching with stipple on wove paper, hand-colored ; plate mark 24.8 x 35 cm, on sheet 25.6 x 41.8 cm., and Leaf 37 in volume 5.
Publisher:
Thomas Tegg
Subject (Topic):
Gluttony, Eating & drinking, Food, Dining tables, Servants, Women domestics, and Dogs
V. 5. Caricature magazine, or, Hudibrastic mirror.
Image Count:
1
Resource Type:
still image
Description:
Title etched below image., Later state, with altered plate numbering. For an earlier state numbered "320" in upper right corner, see Yale Medical Library call number: Print00257., Publisher and date of publication from Grego., Plate from: Woodward, G.M. Caricature magazine, or Hudibrastic mirror. London : Thomas Tegg, [1808?], v. 5., Also issued separately., Numbered "274" in upper right corner of design., Not in the Catalogue of prints and drawings in the British Museum., and Temporary local subject terms: Cruet -- Night cap.
Publisher:
Thomas Tegg
Subject (Topic):
Gluttony, Eating & drinking, Food, Dining tables, Servants, Women domestics, and Dogs
A pretty young maid seated at a table is flirting with a footman leaning with his arms on the back of her chair. She is petting a cat; two kittens are playing in a basket on another chair. In the background, another maid, busy mending a garment, looks at them with disapproval and jealousy. Behind on the wall hangs a shelf with plates, a warming pan and a placard (playbill?) entitled, "The Rival Maids."
Description:
Title from item., Four lines of verse in two columns on sides of title: His lordship loves the amourous game; His gadding lady does the same ..., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., and Temporary local subject terms: Domestic service: maidservants -- Footman -- Furniture -- Dish rack -- Warming pan -- Romantic jealousy -- Domestic life -- Dishes: forks and spoons.
Publisher:
Printed for Robt. Sayer, No. 53 in Fleet Street, London
Subject (Topic):
Women domestics, Servants, Envy, Baskets, Cats, Chairs, and Tables
Title from item., Numbered '19' in upper left of plate., Initial letters of publisher's name in imprint form a monogram., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., Temporary local subject terms: Female dress, 1774., and Watermark : countermark IV.
