"A ragged 'botching tailor' is climbing out of his bulk or stall (right) to attack with his goose a tailor who hastens from him, turning to snip his shears contemptuously. Above the penthouse stall is a placard, 'Simon Snip - maks & mendes Mens & Buoys reddy mad Close. N.B. nete Gallows for Breaches.' A garment and a pair of braces hang on a line; within a window is a sheet of patterns. The other, who is neatly dressed, carries a coat under his arm; a book of patterns protrudes from his coat pocket. A street receding in perspective (right) and the façade of a dignified house (left) form a background."--British Museum online catalogue
Alternative Title:
Quarrelsome tailors and Two of a trade seldom agree
Description:
Title engraved below image., Variant state, with publication date etched in lower right corner of plate. For state lacking publication date, see no. 8595 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 7., Numbered '644' in lower left of plate., No. 48 in a bound in a collection of 69 prints with a manuscript title page: A collection of drolleries., and Bound in half red morocco with marbled paper boards and spine title "Facetious" in gold lettering.
Publisher:
Printed for Bowles & Carver, No. 69 St. Paul's Church Yard
Subject (Topic):
Sewing equipment & supplies, Signs (Notices), Tailor shops, and Tailors
"An ugly woman shown half-length to left, a scarf wrapped over one eye and the other ear and tied under her chin, one arm around a tankard, holding up the other hand with thumb and forefinger pinched together; in an oval."--British Museum online catalogue
Description:
Title from caption below image., Numbered "375" in lower left corner., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., No. 20 in a bound in a collection of 69 prints with a manuscript title page: A collection of drolleries., Bound in half red morocco with marbled paper boards and spine title "Facetious" in gold lettering., and Sheet trimmed with loss of number "375".
Publisher:
Printed for & sold by Bowles & Carver, No. 69 St. Paul's Church Yard, London
"A pretty and coquettishly dressed milkmaid stands full-face, her pails hung from a wooden yoke across her shoulders. Her expression and pose suggest that she is about to receive favourably the overtures of an elderly beau who stands ogling behind her (right), holding coins in his hand. In the background are farm-buildings and cows."--British Museum online catalogue
Alternative Title:
Printems et l'hiver and Printemps et l'hiver
Description:
Title from caption below image., Numbered "562" in lower left corner., Sheet trimmed to plate mark., No. 33 in a bound in a collection of 69 prints with a manuscript title page: A collection of drolleries., and Bound in half red morocco with marbled paper boards and spine title "Facetious" in gold lettering.
Publisher:
Printed for & sold by Carrington Bowles, No. 69 St. Paul's Church Yard, London
Subject (Topic):
Milkmen & milkwomen, Pails, Villages, Seduction, Yokes, and Allegorical prints
"An illustration to the song 'By Mr. Dibdin' which is engraved beneath the title. The old pensioner with a wooden leg, a pipe in his left hand, a cudgel under his left arm, stands, directed to the left, pointing across the Thames at the river front of Greenwich Hospital, but looking towards the spectator. The stern of a ship with partly furled sails is visible on the left."--British Museum online catalogue
Description:
Title from text below image and above verses., Probably after Robert Dighton; see British Museum online catalogue, registration no.: 1935,0522.1.35., Text below title: By Mr. Dibdin., Sheet trimmed to plate mark., Verse in four columns below title: 'Twas in the good ship Rober, I sail'd the world around ... Altho I'm quite disabled And lie in Greenwich tier, The King, God bless his royalty, Who saved me from the main, I'll praise with love and loyalty, But ne'er to Sea again., Numbered "601" in lower left corner., No. 40 in a bound in a collection of 69 prints with a manuscript title page: A collection of drolleries., and Bound in half red morocco with marbled paper boards and spine title "Facetious" in gold lettering.
Publisher:
Printed for & sold by Carrington Bowles, No. 69 St. Paul's Church Yard, London
Title from text below image., Date of publication based on date of The Maine Law (or "Maine Liquor Law"), which was passed on 2 June 1851., Text below title: Grand Papa. "But for seventy years, my child, I have found the moderate use of the good things of this life has done me good." Young hopeful teeotaller. "All a mistake Granpa', total abstinence is the thing. Look at me! I've not tasted wine or beer for years!", Sheet trimmed to plate mark., No. 49 in a bound in a collection of 69 prints with a manuscript title page: A collection of drolleries., and Bound in half red morocco with marbled paper boards and spine title "Facetious" in gold lettering.
Publisher:
publisher not identified
Subject (Geographic):
United States.
Subject (Topic):
Temperance, Girls, Clocks & watches, Grandparents, Pipes (Smoking), and Smoking
"A Welshman shown half-length seated looking towards the viewer, with left elbow on a table beside pipe, glass and carafe to right, pointing at his goat whose head appears to left, wearing plain coat over pale waist-coat, short powdered wig and broad brimmed hat to which a leek has been strapped."--British Museum online catalogue
Alternative Title:
Welch-man and his goat and Welshman and his goat
Description:
Title from caption below image., Sheet trimmed to plate mark with loss of imprint., Purchased from British Museum in 2010. Cf. British Museum number 2010,7081.2185., No. 16 in a bound in a collection of 69 prints with a manuscript title page: A collection of drolleries., and Bound in half red morocco with marbled paper boards and spine title "Facetious" in gold lettering.
"The interior of a farrier's smithy. A country woman sits on a low stool, while a farrier pulls at her tooth with a pair of pincers which he grasps in both hands. He presses one foot on her outstretched leg while a grinning assistant holds her head in both hands. A third man stands behind, also grinning and holding a stick above his head; one eye is bandaged. All three wear leather aprons. The wretched woman holds the tooth-drawer's left sleeve with one hand, his nose with the other; her eyes are closed. A boy (right) flourishes a broom. Behind (left) is the lighted forge. An anvil, horseshoes, and farrier's tools are in the foreground. A grinning face looks in through a wide-open window (right); on the sill is a large tankard. Thatched buildings and trees are seen through the window."--British Museum online catalogue
Description:
Title from text below image., Numbered "510" in lower left corner., No. 25 in a bound in a collection of 69 prints with a manuscript title page: A collection of drolleries., and Bound in half red morocco with marbled paper boards and spine title "Facetious" in gold lettering.
Publisher:
Printed for & sold by Carington Bowles, No. 69 St. Paul's Church Yard, London
Subject (Topic):
Blacksmiths, Dentistry, Forge shops, Pain, and Toothaches
"Design in an oval. A bust character-study of a fat and jovial man, directed to the right. He is plainly dressed, wearing a very bushy wig, and smokes a pipe."--British Museum online catalogue
Description:
Title engraved below image., Artist and date of publication from British Museum catalogue., Companion print to: The country curate. See British Museum catalogue no. 8420., Imperfect; sheet trimmed within plate mark with loss of number "378". Missing numbering supplied from impression in the British Museum., Numbered "378" in lower left. See British Museum catalogue no. 8419., No. 9 in a bound in a collection of 69 prints with a manuscript title page: A collection of drolleries., and Bound in half red morocco with marbled paper boards and spine title "Facetious" in gold lettering.
Publisher:
Printed for & sold by Bowles & Carver, No. 69 St. Paul's Church Yard, London
"The interior of a well-furnished room with a carpeted floor. A young woman turns aside with a gesture of disgust from a young man of simian appearance who is grinning sheepishly. Her father stands behind her with outstretched arms, pleading desperately for her acceptance of the man. The suitor, holding his hat in both hands, turns away from the lady with an imbecile grin, but is being pushed towards her by a third man, probably his father. Through two sash-windows (left) appear houses and the steeple of a church. Between them is an oval mirror in a carved frame. A landscape hangs on the other wall (right) perhaps symbolically amplifying the subject; a waterfall flows over a large stand of rocks with a sole tree bending in the wind
Alternative Title:
Happiness sacrifised to riches
Description:
Title from text below image., Artist identified as Robert Dighton in the British Museum online catalogue, registration no.: 1935,0522.1.136., Sheet trimmed to plate mark., Numbered "516" in lower left corner., No. 27 in a bound in a collection of 69 prints with a manuscript title page: A collection of drolleries., and Bound in half red morocco with marbled paper boards and spine title "Facetious" in gold lettering.
Publisher:
Printed for & sold by Carington Bowles, No. 69 St. Paul's Church Yard, London
Subject (Topic):
Children, Couples, Fathers, Interiors, Marriage, Mirrors, Parlors, and Rugs
A design in five compartments, each occupied by a figure in profile to the right. Above each is an inscription. On the extreme left is a parson preaching from a pulpit; the head of the precentor appears in his desk beneath. Inscribed: 'I pray for all'. Next an advocate in his gown, his right hand raised: 'I plead for all'. Next a corpulent well-dressed man, holding up a sickle in his right hand: 'I maintain all'. Next is a still more corpulent military officer with a drawn sword: 'I fight for all'. Next is the Devil (no wings in this early state), prancing among flames, his talons extended: 'I take all'.
Description:
Title etched below image., The characters are: Dr. Andrew Hunter of the Tron Church, with John Campbell (unrecognizable), the precentor, see BMSat 5894, below him; Henry Erskine, Dean of the Faculty of Advocates 1785-96; James Rocheid of Inverleith, a distinguished agriculturist and absurdly self-important laird; Quartermaster Taylor, one of the defenders of Gibraltar., No. 56 in a bound in a collection of 69 prints with a manuscript title page: A collection of drolleries., and Bound in half red morocco with marbled paper boards and spine title "Facetious" in gold lettering.
Publisher:
publisher not identified
Subject (Name):
Erskine, Henry, 1746-1817, Hunter, Andrew, 1743-1809, and Rocheid, James
