"Design in two rows of eight sections, with 15 figures demonstrating a salute with the half-pike; at top, the title in an oval decorated with arms, and figures numbered 1-7, below, figures numbered 1-8 ..."--British Museum online catalogue
Description:
Title, printmaker, and imprint from Paulson., One of two folding plates to John Blackwell's A compendium of military discipline., Caption in the oval at the left: The several postures of [the] salute wth [sic] [the] half-pike. Describ'ed from order & on [the] long march, as it is practis'd in [the] Artillery Company of [the ] City of London. By Jon. Blackwell adjutant and clerk., Companion print to: Exercise for the Halberd., Sheet trimmed to plate mark., Ms. note in Steevens's hand above print: See Nichols's book, 3d edit. p. 439. Blackwell's figure in all, 26. Note below print: Given me by the Revd Dr. Lort., and On page 44 in volume 1.
Publisher:
John Blackwell
Subject (Name):
England and Wales. Army. Honourable Artillery Company of London.
A map of Stockholm with a medallion at the top depiciting the funeral memorial to Charles in gold, sent to high-ranking Swedes. The coins at the bottom represent Charles' sister and successor Ulrica Eleanora and her consort Frederick of Hesse. Other coins with runic characters and three alphabets decorate the perimeter of the map
Description:
Title, publisher, date, and state from Paulson., One of fifteen plates engraved for: A. de La Motraye's travels through Europe, Asia, and into part of Africa., "T. II"--Upper leftt corner., "XXXII"--Upper right corner., Sheet trimmed to plate mark., and On page 18 in volume 1.
Plate 3. Queen Charlotte's collection of Hogarth works.
Image Count:
1
Resource Type:
still image
Abstract:
Mary Hackabout, now a harlot and mistress of a wealthy London Jew, exposes her breast and kicks over a tea table to divert his attention from the presence of her younger lover who hides behind the door of the room with her maid servant. A monkey and young black servant boy in a feathered turban look on the scene with frighten expressions. The mask and mirror in the lower left corner and the paintings of scenes from the Old Testament (Jonah IV.8 and 2 Samuel VI.1-5) hanging on the wall further amplify the artist's moral message
Alternative Title:
Harlot's progress. Plate 2
Description:
Title devised by cataloger., Series title, state, and date from Paulson., Fourth state with black Latin cross in the center below design (from 2nd state) and extended shading of table leg. See Paulson., and On page 59 in volume 1. With a ms. note in Steevens hand above print: 2nd Impression. Plate trimmed to: 31 x 37.8 cm.
Publisher:
Wm. Hogarth
Subject (Topic):
Prostitution, Biblical events, Blacks, Boudoirs, Ethnic stereotypes, Jews, Masks, Monkeys, Paintings, Prostitutes, Relations between the sexes, Servants, Tea, and Rake's progress
"Satire on the "bad taste of the town" (as described by Hogarth, Daily Courant, 24.ii.1724); a composite street scene with a theatre on either side and an "Academy of Arts" (Lord Burlington's recently remodelled house in Piccadilly) beyond; on the left, a fool and a devil are leading a crowd of masqueraders into the Opera House in the Haymarket from which hang a banner advertising an opera (based on British Museum satire no. 1768 with the singers Cuzzoni, Senesino and Berenstadt) and a sign for "Dr. Faux's [Isaac Fawkes] Dexterity of Hand", the impressario John James Heidegger leans from an upper window; on the right, a crowd is flocking to see the pantomime "Dr Faustus"; in the centre, a woman pushes a wheelbarrow of waste paper including volumes of Congreve, Dryden, Ottway, Shakespeare, Addison, and Pasquin No. XCV"; the gate of the Academy beyond is topped with statues of Michelangelo, Raphael and William Kent, admired by three gentlemen."--British Museum online catalogue
Alternative Title:
Bad taste of the town
Description:
Titles, state, publisher, and date from Paulson., Text and image from two plates., "Price 1 shilling"--Before date, centered on lower edge., Two columns of four lines of verse engraved below image: Could new dumb Faustus, to reform the age, Conjure up Shakespear's or Ben Johnson's ghost, they'd blush for shame, to see the English stage Debauch'd by fool'ries, at so great a cost. What would their Manes say? should they behold Monsters and masquerades, where usefull plays Adorn'd the fruitfull theatre of old, And rival wits contended for the bays., Sheet trimmed to plate mark., and On page 26 in volume 1.
Publisher:
Wm. Hogarth
Subject (Geographic):
England and London.
Subject (Name):
Heidegger, John James, 1659?-1748, Senesino, -1759?, Kent, William, 1685-1748, Cuzzoni, Francesco, approximately 1680-1759, Fawkes, Isaac, -1731, Burlington, Richard Boyle, Earl of, 1694-1753, and Hercules (Roman mythological character),
Subject (Topic):
Britannia (Symbolic character), City & town life, Clergy, Costumes, Dogs, and Masquerades
"Satire on the "bad taste of the town" (as described by Hogarth, Daily Courant, 24.ii.1724); a composite street scene with a theatre on either side and an "Academy of Arts" (Lord Burlington's recently remodelled house in Piccadilly) beyond; on the left, a fool and a devil are leading a crowd of masqueraders into the Opera House in the Haymarket from which hang a banner advertising an opera (based on British Museum satire no. 1768 with the singers Cuzzoni, Senesino and Berenstadt) and a sign for "Dr. Faux's [Isaac Fawkes] Dexterity of Hand", the impressario John James Heidegger leans from an upper window; on the right, a crowd is flocking to see the pantomime "Dr Faustus"; in the centre, a woman pushes a wheelbarrow of waste paper including volumes of Congreve, Dryden, Ottway, Shakespeare, Addison, and Ben John[son]; the gate of the Academy beyond is topped with statues of Michelangelo, Raphael and William Kent, admired by three gentlemen."--British Museum online catalogue
Alternative Title:
Bad taste of the town
Description:
Titles, state, and date from Paulson., "Price 1 shilling"--Before date, centered on lower edge., Two columns of four lines of verse engraved below image: Could new dumb Faustus, to reform the age, Conjure up Shakespear's or Ben Johnson's ghost, they'd blush for shame, to see the English stage Debauch'd by fool'ries, at so great a cost. What would their Manes say? should they behold Monsters and masquerades, where usefull plays Adorn'd the fruitfull theatre of old, And rival wits contended for the bays., Sheet trimmed to plate mark., and On page 26 in volume 1.
Publisher:
Wm. Hogarth
Subject (Name):
Heidegger, John James, 1659?-1748., Senesino, -1759?,, Kent, William, 1685-1748, Cuzzoni, Francesco, approximately 1680-1759, Fawkes, Isaac, -1731, Burlington, Richard Boyle, Earl of, 1694-1753, and Hercules (Roman mythological character),
Subject (Topic):
Britannia (Symbolic character), City & town life, Clergy, Costumes, Dogs, and Masquerades
Copy of William Hogarth's satire on the "bad taste of the town", with different verses engraved below. The image is of a composite street scene with a theatre on either side and an "Academy of Arts" (Lord Burlington's recently remodelled house in Piccadilly) beyond; on the left, a fool and a devil are leading a crowd of masqueraders into the Opera House in the Haymarket from which hang a banner advertising an opera (based on British Museum satire no. 1768 with the singers Cuzzoni, Senesino and Berenstadt) and a sign for "Dr. Faux's [Isaac Fawkes] Dexterity of Hand", the impressario John James Heidegger leans from an upper window; on the right, a crowd is flocking to see the pantomime "Dr Faustus"; in the centre, a woman pushes a wheelbarrow of waste paper including volumes of Congreve, Dryden, Ottway, Shakespeare, Addison, and Ben John[son]; the gate of the Academy beyond is topped with statues of Michelangelo, Raphael and William Kent, admired by three gentlemen."--British Museum online catalogue
Alternative Title:
Bad taste of the town
Description:
Titles, state, publisher, and date from Paulson., Text and image on one plate., Two columns of four lines of verse engraved below image: Long has the stage productive been, Of offsprings it could brag on, But never 'till this age was seen, A wind-mill and a dragon. O Congreve, lay they pen aside, Shakespear, thy works disown, Since monsters grim, * nought beside. Can please this senseless town., Sheet trimmed to plate mark., Cf. No. 1742 in Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 2., Copy of Hogarth print. See Paulson, R. Hogarth's graphic works (3rd ed.), no. 44., On page 26 in volume 1., Ms. note in Steevens's hand above print: Copy., and Lengthy ms. note in Steevens's hand to the right of print describing how the print was pirated very soon after its publication.
Publisher:
publisher not identified
Subject (Name):
Heidegger, John James, 1659?-1748, Senesino, -1759?, Kent, William, 1685-1748, Cuzzoni, Francesco, approximately 1680-1759, Fawkes, Isaac, -1731, Burlington, Richard Boyle, Earl of, 1694-1753, and Hercules (Roman mythological character),
Subject (Topic):
Britannia (Symbolic character), City & town life, Clergy, Costumes, Dogs, and Masquerades
A christening scene: A group of full length figures stands around a table covered in a cloth on which sits a bowl of water. Behind it stands a clergyman in bands, wig, gown, holding child; pretty young woman stands to the left, older woman sits in a chair to the right with a man standing over her. A small child in the foreground reaching for the bowl of water, upsets it, spilling the water over the front of the table. On the left, "Sr Foling" primps in front of a mirror
Description:
Title from Paulson., Fourteen lines of verse in three columns: " Behold Vilaria lately brought to Bed, Her cheeks now Strangers to their rosy Red, Lanquid her Eyes, yet lovely she appears; And oh! what fondness her Lord's Visage wears! The pamper'd Priest, in whose extended Arms, The female Infant lies with budding Charms, Seeming to ask the Name e'er he baptise, Casts at the handsom Gossops his wanton Eyes, While gay Sr. Fopling, an accomplish'd Ass, Is courting's won dear Image in the Glass: The Midwide busied too, with mighty Care, Adjusts the Cap shews Innocency fair, Behind her stands the Clerk, on whose grave Face Sleek Abigal cannont forbear to gaze, But Master, wihtout thought, poor harmless Child, Has on the Floor the Holy-Water spill'd, Thrown down the Hat; the Lap-Dog gnaws [the] Rose; And at the Fire the Nurse is warming Cloaths. One Guest enquires the Parson's Name; says Friendly, Why, don't you know Sir? 'tis Hyp- Doctor H-y., Paulson indicates that "Price [illeg.] follows imprint, but does not mention 'London". Different states?, Sheet trimmed within plate mark., Not in Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., See reference in: Paulson, R. Hogarth's graphic works (1st ed.), p. 310-311., and On page 12 in volume 1. Ms. note in Steevens's hand: Given me by the Revd Dr. Lort.
Publisher:
Sold by J. Sympson at the Dove in Russell Court, Drury Lane, Lo[...]on
Subject (Name):
Henley, John, 1692-1756
Subject (Topic):
Baptisms, Children, Couples, Dandies, Dogs, Nannies (Children's nurses), and Preachers
As described in Book 3 of Milton's Paradise lost, God and Christ watch Satan as he struggles across Chaos headed for earth and vengeance. In the center angels play musical instruments including trumpets, harps, and an organ
Alternative Title:
Council in heaven
Description:
Title, state, and date from Paulson., According to Paulson this print was never published., Sheet trimmed to plate mark., Ms. note in Steevens's hand above print: Given me by the Rt Honble Willm Windham / original., and On page 55 in volume 1.
Subject (Name):
Milton, John, 1608-1674.
Subject (Topic):
Angels, Biblical events, Devil, Harps, Hell, Heaven, Organs, and Putti
As described in Book 3 of Milton's Paradise lost, God and Christ watch Satan as he struggles across Chaos headed for earth and vengeance. In the center angels play musical instruments including trumpets, harps, and an organ
Alternative Title:
Council in heaven
Description:
Title from original print as cited in Paulson., Date based on known dates of Ireland's years of activity., Sheet trimmed to plate mark., Cf. Paulson, R. Hogarth's graphic works (3rd ed.), no. 65, Ms. note in Steevens's hand above print: Copy. Paulson records a second state in Steevens that corresponds with this copy by Ireland., and On page 55 in volume 1.
Publisher:
publisher not identified
Subject (Name):
Milton, John, 1608-1674.
Subject (Topic):
Angels, Biblical events, Devil, Harps, Hell, Heaven, Organs, and Putti
As described in Book 2of Milton's Paradise lost, God and Christ watch Satan as he struggles across Chaos headed for earth and vengeance
Alternative Title:
Council in hell
Description:
Title from original print as cited in Paulson., Date based on known dates of Ireland's years of activity., Sheet trimmed to plate mark., Cf. Paulson, R. Hogarth's graphic works (3rd ed.), no. 64, Ms. note in Steevens hand above print: Copy., Paulson records a second state in Steevens that corresponds with this copy by Ireland., and On page 55 in volume 1.
