Volume 1, page 53. Original drawings of heads, antiquities, monuments, views, &c. by George Vertue
Image Count:
1
Resource Type:
still image
Alternative Title:
Brass term sold at Lord Halifax sale
Description:
Title from ink inscription in lower right corner., Date supplied by cataloger., With a "scale of feet" drawn to the left of image, and the note "brass- gilt- with gold" written to the right of image., and Mounted on page 53 in a volume of ca. 50 drawings that was assembled from works purchased by Horace Walpole at the Vertue sale of 1757. Now bound in red morocco, this volume has Walpole's manuscript title-page: Original drawings of heads, antiquities, monuments, views, &c. by George Vertue and others.
Volume 1, page 77. Original drawings of heads, antiquities, monuments, views, &c. by George Vertue
Image Count:
1
Resource Type:
still image
Alternative Title:
Bulla of Pope Boniface IX
Description:
Title from ink inscription below image., Date supplied by cataloger., and Mounted on page 77 in a volume of ca. 50 drawings that was assembled from works purchased by Horace Walpole at the Vertue sale of 1757. Now bound in red morocco, this volume has Walpole's manuscript title-page: Original drawings of heads, antiquities, monuments, views, &c. by George Vertue and others.
Volume 1, page 71. Original drawings of heads, antiquities, monuments, views, &c. by George Vertue
Image Count:
1
Resource Type:
still image
Description:
Title from ink inscription at top of image., Signed by the artist in ink in lower right, using his monogrammatic initials., Date supplied by cataloger., With a scale in feet drawn to the right of image. Also with the note "x this part pulld. down by the late Lord -", referring to an "x" marked on the top portion of the depicted structure., and Mounted on page 71 in a volume of ca. 50 drawings that was assembled from works purchased by Horace Walpole at the Vertue sale of 1757. Now bound in red morocco, this volume has Walpole's manuscript title-page: Original drawings of heads, antiquities, monuments, views, &c. by George Vertue and others.
Subject (Geographic):
Tottenham (London, England)
Subject (Name):
Coleraine, Henry Hare, Baron, 1636-1708
Subject (Topic):
Homes and haunts, Buildings, structures, etc, and Towers
A collection of six gaming counters or monetary tokens from the gambling houses and clubs of Georgian London. Four were made by John Milton (signed "J. Milton f." or "J.M" on the smaller pieces) with an ace of spades encircled with the quote "Honi soit qui mal y pense", wreathed and crowned. The two others by Milton have on the obverse the initials "S.F." (S. Fiuri, in Bury Street St. Mary Axe) and the date "1 May 1792" and a value of "XII" or "VI". The two other Milton counters are marked "S&L" indicating Smith & Lockwood and the other "JL" for John Lister in Haymarket. Another small token in white metal issued by the "Cocoa Tree" with the value on the obverse "One guinea". The last counter in gilt-brass issued by "Free Mason Tavern" and marked "462' in the center and on the obverse "M. Richold Guina." with laurels above and below
A collection of seven copper theater passes or tickets for London theatres dating between 1762 and approximately 1820, all blank on the obverse sides except for the token for the Box Prince's Side (BPS 1796) which is decorated with a chain of small linked circles around the perimeter. The 1788 token for a box at Covent Garden is the only token with a hole in the center
Description:
Title devised by cataloger. and For further information, consult library staff.
Mounted on 34 leaves, a collection of 197 hand-written notes addressed to "the door keeper of the House of Lords" or specifically to Sir Thomas Tyrwhitt, requesting that the bearer of the ticket or the person named be admitted to the House of Lords in August 1820 for the trial of Queen Caroline, all signed and with wax seals. The collector has mounted on some of the tickets cropped portraits from prints, some trimmed from a mezzotint by John Charles Bromley published in 1832 after the painting of the trial by Sir George Hayter, View of the House of Peers During the Trial of Queen Caroline 1820 (now in the National Portrait Gallery, London). Other portraits have been trimmed from an engraving by John Murray and John Porter also after the same Hayter painting. Still other portraits have been trimmed from the engraving "View of the interior of the House of Lords, during the important investigation in 1820" after the painting by J. Stephanoff and engraved by John George Murray. The collection also includes later tickets for admission to the House of Lords in October and November 1822 and on the final leaf, a collection of autographs of other persons associated with the trial of Queen Caroline, such as Thomas Denman, the Lord Chief Justice or William Vizard, Solicitor to the Queen and Also mounted on the sheets are nine subscription forms for various prints published by R. Bowyer, with the signatures of many of the persons associated with the trial of Queen Caroline. Some of the subscription cards have been annotated to indicate a request for a print other than the one indicated on the form. All of this suggesting that the creator of this collection was associated with Robert Bowyer’s business as they had access to the subscription tickets
Description:
In English., Title devised by cataloger., The subscription ticket for "View of the interior of the House of Lords during the trial" signed by "Stafford" with two trimmed portraits., and For further information, consult library staff.
Subject (Geographic):
England
Subject (Name):
Caroline, Queen, consort of George IV, King of Great Britain, 1768-1821, Bowyer, Robert, 1758-1834., and Great Britain. Parliament. House of Lords.
A collection of prints and one drawing (tentatively attributed to Samuel Collings), mostly portraits of Samuel Johnson and James Boswell, mounted in Walpole's copy of James Boswell's The journal of a tour to the Hebrides, with Samuel Johnson (London : Henry Baldwin, for Charles Dilly, 1785).
Description:
Title devised by cataloger. and Also bound in are three prints described in the Catalogue of prints and drawings in the British Museum; these are cataloged separately.
Subject (Name):
Johnson, Samuel, 1709-1784,, Boswell, James, 1740-1795,, Boufflers, Marie Charlotte Hippolyte, countess of, 1725-1800,, Macpherson, James, 1736-1796,, and Boswell, James, 1740-1795.
"A caricatured old man shown half-length to right, sipping from a small glass and his arms around a bottle, resting his elbows on a table, wearing tattered clothes and a hat over a scarf around his head; in an oval."--British Museum online catalogue, description of the related print
Alternative Title:
Drap of whiskey
Description:
Title written in ink beneath image., Signed by the artist in lower right., Date from: Padbury, D. View of Dightons., Numbered "404" in ink in lower left., and For the related print, published by Bowles & Carver, see British Museum online catalogue, registration no.: 2010,7081.1738.
Page 164. Portfolio containing 50 drawings by Lady Diana Beauclerk and her daughter Mary, Miss
Image Count:
1
Resource Type:
still image
Alternative Title:
Noted butcher hollering at the Westminster Election 1782
Description:
Title and statement of responsibility from contemporary annotation in ink on verso. and Mounted on page 164 in a volume containing Horace Walpole's extra-illustrated copy of his Description of the villa of Horace Walpole (Hazen 2523) and his Catalogue of pictures and drawings in the Holbein Chamber at Strawberry-Hill (Hazen 2619.4). Part of the collection: Portfolio containing 50 drawings by Lady Diana Beauclerk and her daughter Mary, Miss Sebright, Miss Knight, Mrs. Damer, John Gooch, Samuel Lysons, Sir Edward Walpole, and Thomas Walpole (Hazen 3641).
Watercolor of a beggar dressed in ragged, patched clothes, leaning on two crutches and wearing a bag slung across his body with the words "Scraps thankfully received" lettered upon it. He wears an eye patch on his right eye; a pipe sticks out of his hat
Alternative Title:
Scraps thankfully received
Description:
Title, a quote from Hamlet, written in ink beneath image., Signed with the artist's initials and dated in lower portion of image. Artist's full name "Wm. Carruthers Esqre." is written within wash-line border at bottom., and For a lithograph of this design in reverse, published March 1825 by E. Hull and Rowe & Walker, see Wellcome Collection reference: 664653i.
