Letterpress broadside with a hand-colored etched and engraved header illustrating the use of a fire-engine at the site of the Cornhill fire, which occurred on 25 March 1748
Description:
Caption title from letterpress text. and Annotations on verso. For further information, consult library staff.
A caricature of Queen Caroline embracing her lover Bartolomeo Bergami
Description:
, see LewisWalpoleLibrary call no
Publisher:
Pub. Aug. 28, 1820, by S.W. Fores, 41 Picadilli [sic]
Subject (Name):
Caroline, Queen, consort of George IV, King of Great Britain, 1768-1821, Bergami, Bartolomeo Bergami, Baron, Bergami, Bartolomeo Bergami, Baron., and Caroline, Queen, consort of George IV, King of Great Britain, 1768-1821.
A group of cats look at book opened to a musical score, on the right and images of mice on the left. Some of the cats are singing while one plays a trumpet; one of the cats wears spectacles. In the foreground are a violin and loose sheets of music. The book is propped against a birdhouse from which emerges a mouse; a cloth has been draped over the birdhouse
Description:
of cats". See LewisWalpoleLibrary call
Publisher:
publisher not identified
Subject (Topic):
Animals in human situations, Cats, Mice, Musical instruments, Musicians, and Singers
A trade card advertising the services provided by the printseller and picture restorer Robert Hulton, whose shop was at on the corner of Pall Mall facing the Haymarket. A medley print with text in image on the left "Paintings, prints & Indian picktures [sic] carfully [sic] clean'd. mended and lined" and on the right "The following particulars made & sold very cheap by Rt. Hulton at the corner of Pallmall facing [the] Hay-markett, St. James's, London
Alternative Title:
Maps and prints sold and framed for parlors, staircases and closets at reasonable rates
Five rows with titled dot-and-line figure vignettes engaged in various activities including fencing, duelling, interpersonal actions. Top row from left to right show the stick figures (or "pin men"): "Asking to dance", "Leading out", "Hands round", "Down the middle", "Right & left" and "Setting". Second row from left to right: "Cross hands", "Pousette", "Hornpipe", "Tete à tete", "Fainting", and "Taking home royal". Third row: "Battledore", Tight rope", "Single stick". Fourth row: "Believe me", "O' how lovely", "Don't [illegible] me", "Feeling queer". Fifth row: "Feeling querrer", "Attack", and "Friends arriving too late"
Description:
Title from related published print., Formerly mounted on blue paper with residue on the back of the sheet., The first two lines are identical (with the exception for a slight change in the title of the third figure, top row) to a plate entitled "Dottator et lineator loquitur" and published in: Ackermann's Repository of Arts for February 1, 1817, following page 90., An example of the "line and dot" caricature., The genre was perhaps originated by G.M. Woodward who designed two plates of acrobatic feats, &c., entitled 'Multum in Parvo, or Lilliputian Sketches shewing what may be done by lines and dots'. See Curator's note to British Museum online catalogue, Registration number: 1935,0522.10.220.b, and The published print was accompanied by a satirical poem from the artist's perspecive, scorning the great masters' classical training in figure drawing and sculpture.
