Manuscript on paper (sturdy; various unidentified watermarks) of Virgil, Aeneis. Some lines lacking; most were presumably on leaves that became detached and have fallen out. Prefaced to each book are ten or eleven lines in verse. The text of Vergil is accompanied on ff. 1r-5v by marginal and interlinear glosses, the greater portion of which are derived from or an adaptation of Servius. The commentary does, however, include notes (some in Greek) independent of Servius
Description:
In Latin., Script: Part I (ff. 1-6): Written in humanistic cursive by a single scribe; apparently added later to replace lost leaves. Part II (ff. 7-57): Written in fere-humanistic script by one scribe. Spaces left for initials. A large gap in the text occurs between Parts II and III (6.587 to 7.744). Part III (ff. 58-112): Written by a single scribe in a script similar to that in Part II., Spaces left for initials., Many pages unattached due to the brittle binding., and Binding: 16th-17th centuries (?). Sewn on three slit leather straps. There is no indication of an earlier sewing, but the book was extensively mended before it was sewn. Tawed cores of plain wound endbands laid in grooves. Beech boards with rectangular channels on the outside in which the straps are nailed. The spine is lined with brown leather and the book covered in dark brown sheepskin faintly blind-tooled with a central diamond made up of arches with small ornaments scattered in and around it. Tongue turn-ins. There are two catches on the lower board and traces of red and cream silk ribbons nailed to the upper one with star-headed nails. The title is painted in red on the spine.
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Servius, active 4th century. and Virgil.
Subject (Topic):
Epic poetry, Latin, Manuscripts, Medieval, and Scholia
Manuscript on parchment of Virgil, Aeneis, in an Italian prose abridgement by Andrea Lancia
Description:
In Italian., Script: copied by a single hand writing Southern Gothica Textualis Libraria/Formata (Rotunda). Stroking of the majuscules. 2-line flourished initials with simple penwork at the opening of the chapters. More elaborate flourished initials, 2 to 7 lines, at the opening of the Books. On f. 1r an 8-line littera duplex., and Publius Vergilius Maro (70-19 B.C.), Aeneis, abridgement in Italian prose by Andrea Lancia (c. 1280-c. 1360). This Florentine notary and Dante commentator wrote various Italian translations or adaptations of classical Latin texts. There are occasionally interlinear glosses, more often marginal notes. Pointing hands.
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Lancia, Andrea, ca. 1280-ca. 1360. and Virgil.
Subject (Topic):
Epic poetry, Latin, Literature, Medieval, and Manuscripts, Medieval
In Latin., Script: Written in two sizes of round liturgical gothic script by several scribes: Scribe 1, ff. 1r-235r; Scribe 2, f. 235r-v, and Scribe 3, ff. 236r-245v., Three fine historiated initials, 4- to 2-line, shaded pink and/or green, with blue, yellow, green and orange foliage and knots, with gold dots and orange frame; figures against blue ground. 3- to 2-line calligraphic initials, divided, red and blue with red penwork, with blue and red penwork flourishes. 1-line initials red or blue with blue or red penwork, sometimes with black and green; some initials with guide-letters in outer margin. 1-line initials with yellow. Square notes on 4-line red staves. Rubrics throughout, with notes to rubricator in margins. One very crude 4-line initial (s. xvii) on f. 1r, in red, yellow, blue, green and purple., and Binding: Eighteenth century. Rebound in brown cowhide (?), blind-tooled, with numerous metal bosses. Pastedowns from the same 17th-century antiphonary used as flyleaves.
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Catholic Church
Subject (Topic):
Liturgy, Antiphonaries, Illumination of books and manuscripts, Medieval, and Manuscripts, Medieval
Manuscript fragment on parchment of portions of the biblical book of I Samuel
Description:
In Latin., Script: written in an Italian rotunda script., Decoration: initials in red., and These fragments, from the same manuscript, are contained in Zi +4439 (Josephus, Opera), in which they are used as front and back flyleaves.
Manuscript fragment on parchment of a commentary on chapters of either Innocent IV's third collection of Decretals from the first council of Lyon in 1245 or the Sixth Book of Decretals of Pope Boniface VIII
Description:
In Latin., Script: written in gothic script (littera textualis) with frequent abbreviations., and Decoration: 2-line chapter initials are in red; 1-line initials within text are in brown capitals; rubrics written in red minuscule; guide letters for the rubricator in the margins; punctuated with the punctus.
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Boniface VIII, Pope, -1303. and Innocent IV, Pope, approximately 1200-1254.
Cassian, John, approximately 360-approximately 435
Published / Created:
[between 1300 and 1400]
Call Number:
Beinecke MS 996
Image Count:
276
Resource Type:
unspecified
Abstract:
Manuscript on parchment of Iohannes Cassianus, Collationes
Description:
In Latin., Script: copied by one hand in Southern Gothica Textualis Libraria. Headings and running headlines in red. 2-line flourished initials, protruding into the margin or intercolumn, alternately in red and blue with penwork in the contrasting colours, at the opening of the chapters. Historiated initials on square background and with long marginal extensions (foliate bar borders) at the opening of the Prologue and of the Collationes., and Binding: de luxe binding s. XIX by Thibaron (d. c. 1880): blind-tooled brown morocco over cardboard boards, both covers decorated with fillets and flowery ornaments.
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Cassian, John, approximately 360-approximately 435.
Subject (Topic):
Christian literature, Latin, Manuscripts, Medieval, Theology, and History
Manuscript, on parchment, in at least two hands, of the commentary on the fourth book of Peter Lombard's Sentences by Petrus de Tarantasia's (later Pope Innocent V). This manuscript is a palimpsest; the parchment is from at least three unidentified thirteenth century Italian manuscripts. The first, apparently a glossed legal text, is most apparent at f21-22v
Description:
In Latin., Ff. 89-80, back flyleaf and former pastedown, is a bifolium in a different, round gothic bookhand, containing part of an alphabetical index to an unidentified legal text., Foliation given as found in the manuscript, including six foliated stubs., Ownership inscription in the lower margin of f1r: Iste liber est conventus sancti dominici de gayeta ordinis predicatorum..., Laid in: fragment of a description of the manuscript, in French, in a nineteenth-century hand., Layout: double columns throughout, mostly of 60-65 lines each. Four-column list of chapter headings on f87v-88v., Script: semi-cursive gothic bookhand., Decoration: two-line initials in pen and ink., and Binding: eighteenth-century half sheep; patterned paper over pasteboards.
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Innocent V, Pope, approximately 1224-1276., Peter Lombard, Bishop of Paris, approximately 1100-1160., Dominicans., and San Domenico (Church : Gaeta, Italy)
Subject (Topic):
Manuscripts, Medieval, Palimpsests, and Theology, Doctrinal
Manuscript on parchment (thick, mottled) of Nicolas Trevet, Commentarius in Boethium
Description:
In Latin., Script: Written in neat round gothic by one scribe who also made corrections to the text., Large initial, f. 1r, in red, with black penwork designs (worn). Plain initials and paragraph marks, in red, throughout. Spaces left for rubrics., Several folios, including first and last, are illegible in sections due to rubbing., and Binding: Nineteenth century. Brown, hard-grained goatskin, blind- and gold-tooled.
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Boethius, -524. and Trivet, Nicholas, 1258?-1328.
Subject (Topic):
Manuscripts, Medieval, Philosophy, Medieval, and Scholia
Manuscript on parchment containing 1) Iacobus de Blanchis de Alexandria OFM (Giacomo Bianchi, 1300-1350), Commentum in XII libros Metaphysicorum Aristotelis. 2) Table of contents of art. 1. 3) Gonsalvus de Vallebona OFM (Gonsalvus Hispanus, c. 1255-1313), Conclusiones Metaphysicae Aristotelis. 4) Table of Contents of Aristoteles, Metaphysica
Description:
In Latin., Script: Copied in a small, highly abbreviated Gothica Semitextualis Libraria with southern features., Uneven lower edges. First and last page dampstained, with loss of some text., Numerous alternately red and blue paragraph marks. Alternately red and blue 2-line flourished initials with penwork in the opposite colours; there are 3-line initials of the same type at the beginning of each book in art. 1 and at the opening of art. 4 (in the latter case a red letter with mauve penwork). A 4-line flourished initial in the same colours with develped penwork at the opening of art. 1, and space for a similar one has been reserved at the opening of art. 3. There is space and there are instructions for the rubricator in view of the adding of headings in art. 2, but these have not been executed. The headings of artt. 1 and 3 have been deleted or rubbed off., and Binding: ca. 1900. "Bound by Birdsall, Northampton" (blind-stamped inscription on the inside front cover): blond-tooled brown morocco over cardboard, spine with four raised bands. Gold-tooled title on spine in Gothic script: "Jacobus / Alexan/driae / Com-/pilatio / Metrice [sic] / distincta / Capitu-/lorum / MS. / xiv Cent."
Manuscript on paper (watermarks: unidentified mountain) and parchment (inner and outer bifolios, of poor quality) of Boccaccio, De claris mulieribus; translated into Italian by Donato degli Albanzani
Description:
In Italian., Script: Written by three persons in round gothic script: Scribe 1, ff. 1r-33v (except f. 8, replaced in 16th century); Scribe 2, ff. 33v-36v; Scribe 3; ff. 37r-74r. In portions written by Scribes 1 and 2 some elaborate ascenders and descenders in upper and lower margins, touched with red., Initials, 3- to 2-line, in red or blue, sometimes with red penwork. Rubrics throughout. Initial added [date?], f. 2v, to replace one removed: blue, with leafy filler in green outline, and foliage extending down margin and across top and bottom of column, drawn in green, red, and blue., Initial removed from f. 2v; leaf was then reinforced with paper covering f. 2r, col. b (blank). Lower margins of ff. 1, 33 and 37 cut off., and Binding: 19th-20th centuries. Vellum spine and fore-edge strip with marbled paper sides. Label on spine: "Donne Illust. del Boccacc. MS".
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Boccaccio, Giovanni, 1313-1375.
Subject (Topic):
Illumination of books and manuscripts, Medieval, Latin literature, Medieval and modern, and Manuscripts, Medieval
