Manuscript on paper (sturdy; staggered thumb holes at bottom of leaves) of Antiphons for suffrages. With liturgies and offices for various occasions. Written during the 16th century presumably for Franciscan use and supplemented during the 17th century; the second portion may have been added for use of the Reform Congregation of the Spanish Discalceates of which Peter of Alcantara was the founder
Description:
In Latin., Script: Written by two scribes in a large round gothic bookhand. 1) ff. 1r-43v (16th century); 2) ff. 44r-50r (17th century). Scribe 2 attempts to replicate the work of Scribe 1, but uses 5-line staves rather than 4-line., Decoration for ff. 1r-43v: initials, with foliage designs, in rectangular frame, often with ground uncolored; colors range from vibrant blue, yellow, and orange to olive green and dark purple. Initials for ff. 44r-50r, of similar design, with more subdued shades, and no frames., and Binding: Seventeenth century. Vellum stays, contemporary paper flyleaves and pastedowns. Original sewing on five supports attached to very thick, square wooden boards. Beaded and colored endbands. Red edges. Covered in brown calf (cow?) reinforced at spine with additional leather and straps nailed to the boards. Traces of a strap and pin fastening. Vellum label with notation "Antiphonar. Com. sanctorum" nailed to lower board. The badly warped upper board is reinforced with two strips of wood placed vertically on the upper surface.
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Catholic Church and Franciscans.
Subject (Topic):
Liturgy, Antiphonaries, Illumination of books and manuscripts, Medieval, and Manuscripts, Medieval
Manuscript fragment on parchment of an antiphonary containing St. Cecilia (22 November).
Description:
In Latin., Script: written in a formal gothic bookhand (littera textualis formata)., and Decoration: musical notation in black on a five-line staff in red; on the recto there is a 2-line initial "C" in red and blue on a rectangular ground of red and blue penwork; the 2-line initial "E" on the verso and the 1-line initials are black; rubrics are written in red in the same script as the text, but in a smaller module; punctuated with the punctus; hyphenation is in the same ink as the text.
Manuscript fragment on parchment of an antiphonary containing Saturday throughout the year, matins
Description:
In Latin., Script: written in a formal gothic bookhand (littera textualis formata)., and Decoration: on the recto there is a 4-line initial "C", in red and blue on a ground outlined in purple and decorated with purple foliage on red cross-hatching; 1-line initials at the beginning of the hymn and the psalm are red; rubrics written in red in the same script as the text; punctuated with the punctus and the comma; hyphenation is in the same ink as the text.
Manuscript fragments on parchment of an Antiphonary by Petrus Ferdinandez of Leon
Description:
In Latin., Script: copied by a single hand in Southern Gothica Textualis Formata with Spanish features. Nota quadrata music notation. Additions of text and music by later hands., Paragraph marks and rubrics in red. Yellow heightening of majuscules. Large plain initials (height: 1 stave + 1 text line). Cadels of the same size., and Text and musical notation on a five-line staff. Large initials in red, brown, and blue. Rubrics and liturgical instructions in red. Additional antiphons with musical notation added in margins in a hand of the 17th-18th century.
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Ferdinandez, Petrus., Catholic Church, and Cistercians.
Subject (Topic):
Liturgy, Antiphonaries, Manuscripts, Medieval, and Monasticism and religious orders
Manuscript on parchment. Possibly produced at the Cistercian abbey of Fitero (between Pamplona and Tudela).
Description:
In Latin., Script: Copied by various hands in Iberian Praegothica., The original sections (articles 1, 2, 7 and 8) have red headings and red decorative line-fillers; 1-line plain initials and numerous 2-line (sometimes 3- or 4-line) plain or flourished initials or litterae duplices intermingled. Many round initials such as C, D, O, Q are filled with a human face ("face initials"); in art. 7 some initials I are zoomorphic and take the shape of a fish (ff. 127r, 134r). Red and purple initials normally alternate. Art. 4 has red initials. The remaining articles are undecorated., Lower edge of many leaves damaged, with loss of text. The final pages worn and smudged., and Binding: ca. 1800. Limp parchment with remains of two leather ties. On the spine the hand-written title "Charta charitatis, liber usuum et institut. Ordinis S. Bernardi. M.S." At the bottom of the spine a label with the handwritten modern number "1280".
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Cistercians
Subject (Topic):
Illumination of books and manuscripts, Medieval, Manuscripts, Medieval, and Monasticism and religious orders
Manuscript on parchment containing Cistercian statutes and other texts
Description:
In Latin., Script: the original text is probably copied by a single hand (A) writing a small Gothica Textualis/Semitextualis Libraria. The additional texts are copied in 16th century hands: artt. 1 and 6 in Gothica Hybrida Libraria by hand B, who wrote also the majority of the marginal notes and additions; art. 7 by hand C, who used a bold Humanistica Cursiva., The manuscript contains: 1) Benedictus XII Papa (1334-1342), Constitutio pro reformatione Ordinis Cisterciensis (1335), c. 1, first part. 2) Benedictus XII papa, Constitutio pro reformatione Ordinis Cisterciensis (1335), cc. 1 (second part) - 42. 3) Statutes of the General Chapter of Cîteaux of 1335. 4) Benedictus XII Papa, Bulla "Regularem vitam professis", 4 July 1335. 5) Benedictus XII Papa, Bulla "Pastor bonus diligens", 17 June 1335. 6) Statute of the General Chapter of 1422, c. 24. 7) Part of the statute of the General Chapter of 1422, c. 23. 8) Carta caritatis, a later version of the original constitution of the Cistercian Order. 9) Statutes of the General Chapter of 1317, incomplete at the end: cc. 1-13., The additional texts are not decorated. The original parts have red headings, red paragraph marks, and red 2- or 3-line plain initials. Art. 2 opens f. 2r with a 7-line littera duplex with extensive penwork and extension in the inner margin in red and blue; art. 8 opens f. 42v with a 3-line flourished initial (Prologue) and a 4-line littera duplex with penwork, as in art. 2 (text). All initials are half inset and have guide letters in the margin., and Binding: blind-tooled white parchment over wooden boards, decorated with fillets in a frame and lozenges pattern. Spine with two raised bands.
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Cistercians.
Subject (Topic):
Manuscripts, Medieval and Monasticism and religious orders
Manuscript on paper and parchment of Walter Burley's Commentary on Aristotle
Description:
In Latin., Script: copied by one hand in highly abbreviated Gothica Cursiva Libraria., The entire manuscript is damaged by moisture and the text has become extremely pale or is entirely lost on sections of almost all pages. Brittle lower edges., and Binding: S. XVII (?) binding: brown blind-tooled leather over bevelled wooden boards. Both covers decorated with frames of fillets and rolls, the central panel with a strapwork pattern. Two clasps attached to the front board, with rectangular decorated brass catches on the rear board.
Manuscript on parchment (poor quality: holes, end pieces). The text is also accompanied by extracts from the gloss of Bernardus Parmensis on the Decretals of Pope Gregory IX; these were probably added ca. 1245 or later
Description:
In Latin., Script: Text portion written in cramped bookhand; gloss and additions in several contemporary and later hands, some more cursive, all highly abbreviated., Headings in majuscules alternating red and blue with simple pen scrolls in opposite color. Decorative initials, 5- to 2-line, set out in margins, red with blue designs alternating blue with red. Rubrics, and running titles (book numbers) in red for arts. 1-2. Spiral line-fillers and 1-line initials in red or blue. Notes for rubricator., Some leaves stained and/or mutilated, with loss of text and gloss: ff. 1-3, 45, 84. Defects in leaves repaired with red and blue thread., and Binding: 19th-20th centuries. Spanish (?). Rigid vellum case; lettering on spine, in black: "Inocenti Decreta". On upper cover, painted inscription in red and blue, that attempts to reproduce heading on f. 1r: "Innocentij".
Manuscript on parchment (thick, stiff) of 1) Record of those for whom memorial prayers were to be said during November, divided into 6 estaciones, with a total of 501 memoriae. The place where the prayer is to be said is often given; from those mentioned, the church in question can be identified as the Cathedral of Cordoba. Still at the Cathedral in 1625, when memoriae for Don Diego de Mardones were added. 2) Prayers for the Dead
Description:
In Latin and Spanish., Script: Written by a single scribe in rotunda, very well executed, with additions at end of estaciones in rotunda and humanistic script, by later hands., Initials, ff. 20r-21v (2-line), in alternating red with purple penwork and blue with red penwork. 1-line capitals sometimes have yellow wash. Rubrics in orange-tinted red, paragraph marks in blue. Added memoriae for Don Diego de Mardones have elaborate penwork cadeaux at the beginning., Offset impression of red lines (from pastedowns or flyleaves now lost?) appear on ff. 1r (running vertically) and 21v (horizontally); no loss of text., and Binding: Sixteenth century. Resewn on three small, vegetable fiber supports laced into wooden boards. The spine is square and lined with vellum between the supports. Covered in tan sheepskin blind-tooled with a floral roll border and arabesques in the center. A paper label on the upper cover: "Noviembre." Rebacked.
Subject (Geographic):
Connecticut, New Haven., and Córdoba (Spain)
Subject (Name):
Catholic Church
Subject (Topic):
Illumination of books and manuscripts, Medieval and Manuscripts, Medieval
Manuscript on parchment of Epistle readings for the temporale from Advent through the 25th Sunday after Pentecost
Description:
In Latin., Script: Written in large round gothic bookhand with red and black accent marks for recitation., The fourteen full-page miniatures constitute the most extensive extant cycle by the "Spanish Forger". All pages with miniatures have full borders of scrolling acanthus in red, blue, green and purple with hair-spray and gold balls. 3- and 2-line initials, red or blue, with purple or red penwork (6-line on f. 134r). Rubrics throughout., and Binding: Date? Worn red velvet with a silver-gilt crucifix (a fairly recent addition?) on the upper board. Brass clasp engraved with "S. Maria/ ora pro nobis." Rebacked.
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Catholic Church and Cistercians.
Subject (Topic):
Liturgy, Epistolaries, Illumination of books and manuscripts, Medieval, Manuscripts, Medieval, and Monasticism and religious orders
