"Portrait of Henrietta Musgrave, later Morris, after Reynolds (Mannings 1296); half-length to left within oval frame, resting on her left arm, wearing loose, ermine-trimmed robes and pearls and feathers in her hair; published state. 1776."--British Museum online catalogue
Description:
Title from caption below image., Sheet trimmed close to plate mark., and "Oullette Albertina" stamped in black ink small circle on verso.
Publisher:
Published July 16th, 1776 by John Boydell engraver in Cheapside London
"Portrait of Mary 'Perdita' Robinson, half-length in an oval, directed to left but looking forward, with high dressed hair with a cap on top, and both hands in a muff."--British Museum online catalogue
Description:
Title from item., State from: Russell, C.E. English Mezzotint portraits and their states., Scratched-letter state with inscription space uncleaned., and Sheet trimmed to plate mark.
Publisher:
Publishd. August 25th, 1781, by J.R. Smith, No. 83, opposite the Pantheon, Oxford Street
"Double portrait of John and Henry Gawler after Reynolds (Mannings 711); as boys, half-length, Henry at left, his arm around and looking at John; John looking to front, his right hand patting dog; landscape surrounding"--British Museum online catalogue
Alternative Title:
Sons of Mr. Gawler, Attorney and Double portrait of John Belleden Gawler and Henry Gawler
Description:
Title etched below image., Probable publisher and date from state in British Museum. See Registration number: 1902,1011.4980., The two sitters' names appear in the two lower corners of the image, below each portrait: 'Master Henry Gawler' and 'Master Jno. Gawler.", John Bellenden Ker (1765?-1842); botanist, wit, and man of fashion; first called John Gawler, in 1804 he was granted license to take the name of Ker Bellenden in lieu of Gawler, invariable known as Bellenden Ker)., Description based on imperfect impression; sheet trimmed within plate mark resulting in probable loss of imprint. Bottom corners trimmed at an angle., and With ms. note in Horace Walpole's hand below title: "sons of Mr. Gawler attorney."
Publisher:
J.R. Smith?
Subject (Name):
Gawler, Henry, and Ker, John Bellenden, 1765?-1842,
published as the act directs [...] [not before 25 June 1774]
Call Number:
774.06.25.01
Image Count:
1
Resource Type:
still image
Abstract:
"Satire; an extravagantly dressed woman catches a fashionable man by the arm as she points with her fan at a mezzotint droll in a print-shop window; a small dog looks up at her; an old gentleman with a stick standing on the right, stares at the prints and is surprised by a man with a warrant for his arrest."--British Museum online catalogue
Description:
Title etched below image., Attributed to John Raphael Smith by Frankau., Later state, with plate number added. For an earlier state lacking plate number, see no. 3758 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 3., Date of publication inferred from earlier state with the date "25 June 1774" at end of imprint; see British Museum online catalogue, registration no.: 2010,7081.379., Sheet trimmed to plate mark on bottom edge., Description based on imperfect impression; date at end of imprint statement has been erased from sheet., and Plate numbered "300" in lower left corner.
Publisher:
Printed for Carington Bowles, at his map & print warehouse, No. 69 in St. Pauls Church Yard, London
Subject (Geographic):
England and London.
Subject (Name):
Bowles, Carington, 1724-1793.
Subject (Topic):
Dogs, City & town life, Clothing & dress, Stores & shops, Window displays, Dandies, British, Prints, Fans (Accessories), and Staffs (Sticks)
Half-length portrait in an oval frame, a young woman turned slightly left, facing front, wears a black veil over head and shoulders. She wears a pearl earring and necklace of several strands of beads (pearls?).
Alternative Title:
Venetian lady in the Sindall dress
Description:
Title from item. and Scratched-letter state of: A Venetian lady in the Sindall dress.
Publisher:
Publish'd 30 of July 1776, by J. Boydell, engraver in Cheapside, London
Volume 1, page 4. Etchings by Henry William Bunbury, Esq. and after his designs.
Image Count:
1
Resource Type:
still image
Abstract:
"A maid standing in a landscape with an empty basket in hand, looking out longingly, another behind her bends down to pick up a pail, in the distance across fields a steeple at left and cottage at right; after Bunbury."--British Museum online catalogue
Description:
Title etched below image., Printmaker from the British Museum online catalogue, registration no.: 1917,1208.2971., Sheet trimmed to plate mark., Two lines of verse etched below title: No care, but love, can discompose her breast. Love, of all cares, the sweetest, and the best., and Mounted on page 4 in volume 1 of: Etchings by Henry William Bunbury, Esq. and after his designs.
Publisher:
Publish'd March 20, 1782, by J.R. Smith, No. 83 opposite the Pantheon, Oxford Street
"A woman sitting in a chair at left reading from a book to a girl with a dog and boy standing and another girl sitting at right, all with sullen expressions; after Bunbury, second state before publication line altered."--British Museum online catalogue
Description:
Title engraved below image., Printmaker from the British Museum online catalogue, registration no.: 1917,1208.3002., Four lines of verse below title: By angels caught, all-hallow'd as they flow, are tears we shed for sorrows not our own; and bosoms heaving for anothers woe, waft their own incense to the heavenly throne. EW [monogram]., Temporary local subject terms: Literature: ?Waller, Edmund, 1606-1687., and Mounted on page 101 of: Bunbury album.
Publisher:
Pubd. July 29, 1782, by I.R. Smith, No. 83 Oxford Street
"A woman sitting in a chair at left reading from a book to a girl with a dog and boy standing and another girl sitting at right, all with sullen expressions; after Bunbury, second state before publication line altered."--British Museum online catalogue
Description:
Title engraved below image., Printmaker from the British Museum online catalogue, registration no.: 1917,1208.3002., Four lines of verse below title: By angels caught, all-hallow'd as they flow, are tears we shed for sorrows not our own; and bosoms heaving for anothers woe, waft their own incense to the heavenly throne. EW [monogram]., Temporary local subject terms: Literature: ?Waller, Edmund, 1606-1687., Mounted on page 101 of: Bunbury album., 1 print : stipple engraving in sepia ink on laid paper ; sheet 28.6 x 19.8 cm., and Sheet trimmed to plate mark.
Publisher:
Pubd. July 29, 1782, by I.R. Smith, No. 83 Oxford Street
Volume 1, page 26. Etchings by Henry William Bunbury, Esq. and after his designs.
Image Count:
1
Resource Type:
still image
Abstract:
"A young woman sitting to left, singing from the book of music she holds in her hand, turned slightly away from the viewer and dressed in volumptuous skirts and a turban; oval design after Bunbury."--British Museum online catalogue, description of a later state
Description:
Title etched below image., Probably engraved by John Raphael Smith; see British Museum online catalogue, registration no.: 1877,0512.533., Sheet trimmed to plate mark., Illustration to Sir William Jones's poem 'The palace of fortune, an Indian tale'., Two lines of verse below title: Through the calm air, the melting numbers float, and wanton echo lengthens every note., Temporary local subject terms: Music., and Mounted on page 26 in volume 1 of: Etchings by Henry William Bunbury, Esq. and after his designs.
Publisher:
Publish'd July 20, 1782, by J.R. Smith, No. 83 opposite the Pantheon, Oxford Street
