Manuscript fragment on parchment of an antiphonary containing Saturday throughout the year, matins
Description:
In Latin., Script: written in a formal gothic bookhand (littera textualis formata)., and Decoration: on the recto there is a 4-line initial "C", in red and blue on a ground outlined in purple and decorated with purple foliage on red cross-hatching; 1-line initials at the beginning of the hymn and the psalm are red; rubrics written in red in the same script as the text; punctuated with the punctus and the comma; hyphenation is in the same ink as the text.
Manuscript fragments on parchment of an Antiphonary by Petrus Ferdinandez of Leon
Description:
In Latin., Script: copied by a single hand in Southern Gothica Textualis Formata with Spanish features. Nota quadrata music notation. Additions of text and music by later hands., Paragraph marks and rubrics in red. Yellow heightening of majuscules. Large plain initials (height: 1 stave + 1 text line). Cadels of the same size., and Text and musical notation on a five-line staff. Large initials in red, brown, and blue. Rubrics and liturgical instructions in red. Additional antiphons with musical notation added in margins in a hand of the 17th-18th century.
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Ferdinandez, Petrus., Catholic Church, and Cistercians.
Subject (Topic):
Liturgy, Antiphonaries, Manuscripts, Medieval, and Monasticism and religious orders
Manuscript fragment on parchment from a breviary or antiphonary, with musical notation above the texts without staves. The recto text is in late Caroline minuscule and the music is notated in Hufnagel neumes. The verso text is in transitional protogothic and music is in letter notation in the style of Saint Gall. Neither text has been identified
Description:
In Latin., Script: recto: late Caroline minuscule. Verso: transitional protogothic., and Decoration: recto: small capitals in red ink. Verso: Small capitals and letter musical notation in red ink.
Manuscript on parchment of Berengaudus of Ferrières (9th cent.): 1) Expositio super septem visiones libri Apocalypsis, falsely attributed to St Ambrose; and 2) auctoris admonitio, a supplement to art. 1.
Description:
In Latin., Script: the main part of the codex (quires I-XXII) is copied by three hands in late Caroline handwriting: A copied ff. 1r-12r and 38r20-172v; B copied ff. 12v-38r19; and C copied ff. 173r-180v., Decoration: extremely limited and applied inconsistently., and Binding: red morocco over pasteboard, dated 1904 and signed "K.A." [Katharine Adams at Broadway, Worcestershire]; and the spine has four raised bands and gold-tooled inscriptions. The previous binding was 19th century parchment over pasteboard.
Manuscript on paper of Apocryphal Gospel Books and Miracles of the Virgin, including 1) Evangelium infantiae; 2) Liber passionis et resurrectionis Iesu Christi; 3) miracle legends about the Virgin
Description:
In Italian., Script: Copied by two scribes. Hand 1, the notary Franciscus Salvator (Francesco Salvatore) from Ventimiglia, copied artt. 1-4 in Gothica Semihybrida Libraria (Mercantesca). Hand 2 copied artt. 5-6 in Gothica Hybrida Libraria/Currens (Mercantesca)., Decoration: Long red headings up to f. 29r (artt. 1-2). In artt. 3-4, space for headings was provided, but they were not executed. Space was reserved for 2-line initials, but these were not executed. Artt. 4 and 5 are undecorated; there are no guide letters for the 1-line initials at the opening of each of these articles, for which space was reserved., and Binding: 20th century, brown leather and wooden boards. Spine has three raised bands.
Manuscript on paper of Apollinaris Offredus Cremonensis (ca. 1450), Expositio in primum librum Analyticorum Posteriorum Aristotelis, Quaestiones super primum librum Posteriorum Analyticorum Aristotelis, Tractatus suppositionum, and Commentum super tractatu de instanti Petri Mantuani
Description:
In Latin., Script: Copied by two hands: A) copied ff. 1r-84r in Gothico-Humanistica; B) copied ff. 84v-92r (artt. 3-4) in Humanistica Cursiva, in pale brown ink. Large display script in Gothico-Humanistica (hand A) or in Capitalis (hand B)., Decoration: Stroking of majuscules and paragraph marks in red. 2- or 3-line red plain initials. Guide-letters for the rubricator in the part copied by hand A. Painted initials at the opening of artt. 1 and 2. On f. 1r, a 17-line historiated initial in red on a square blue background; in the letter, a scholar is shown studying a book on a desk. At the bottom a large coat of arms, apparently deleted, except for the letters P and A. On f. 21r, a half-inserted initial P in red, heightened with groups of white or blue dots, ending at the top in a green acanthus leaf and filled with flowery decoration which looks modern., and Binding: 17th century(?) parchment over cardboard, spine with four raised bands strengthened with parchment, and handwritten inscription.
Manuscript on parchment (goatskin) of Andrea Vendramin, Doge of Venice (1476-1478), Commission (dogale) to Girolamo Michiel as governor of Asolo, near Treviso
Description:
In Latin., Script: Art. 1 is copied by one hand in a narrow Humanistica Cursiva Libraria, art. 2 by a hand writing Humanistica Cursiva Currens., On f. 1r white vinestem initial (6 lines) with long extensions in the upper and left margins; in the lower margin partial border in white vinestem, containing three medallions: the two outer ones feature the initials “I” and “M” in gold on a blue background; the larger, central one contains the coat of arms of Girolamo Michiel on a purplish red background in a green wreath., and Unbound.
Subject (Geographic):
Connecticut, New Haven., Asolo (Italy), and Venice (Italy)
Subject (Name):
Vendramin, Andrea, 1392-1478.
Subject (Topic):
Illumination of books and manuscripts, Medieval, Manuscripts, Medieval, and Politics and government
