"An old sow lies exhausted on a pile of straw outside a sty roofed with dilapidated thatch. She is beset by thirty-two voracious piglets with human heads. [The identifications are those of Miss Banks, confirmed by Lord Holland. The identifications of Wright and Evans are incomplete; Ellenborough is called the Speaker.] John Bull, a clumsy yokel in a smock, holding a pitchfork, looks over the low stone wall surrounding the sty. He exclaims: "O Lord - O Lord! - well! - I never had such a Litter of hungry Pigs in all my life before! - why, they's beyond all count! - where the devil do they think I shall find Wash & Grains for all their Guts? - zookers, why they a drain the poor old Sow to an Otomy! - 'e'cod She'll make but bad Bacon for Boney, when they's all done sucking o' her - !!!' In the centre of the struggling mass of pigs is Fox with Grenville on his left. and Grey on his right. He bestrides the Duke of Clarence, whose hind-quarters only (clad in blue and buff) are visible, and supports his right. hind-leg on the back of the Prince of Wales, who is in back view but wearing a ribbon and unmistakable. Grey also clambers over the Prince. On Grenville's l. is his fat nephew, Lord Temple. The head next Grenville is that of Sidmouth, across whose back Lord Henry Petty scrambles open-mouthed. Above Petty, Sheridan scrambles avidly over the sow; Erskine, in his Chancellor's wig scampers over the sow's hind leg. Lauderdale, whose body is chequered to indicate tartan, is behind Grenville, next him (l.) is Vansittart; on the left of the latter is a group of three plump pigs one with the head concealed, the others smiling with complacent anticipation; they are Sir Watkin Williams-Wynn and his two brothers, see BMSat 9760, &c. Behind them (l.) three pigs scamper towards the sow (l. to r.): Tierney, the Duke of Bedford, and Lord Derby. Behind again, and on the extreme left. are five rather smaller animals: George Walpole, Adair (half cut off by the margin), Burdett, Horne Tooke wearing clerical bands, and Lord Carlisle. On the r. of Grey and the Prince are Lord St. Vincent, with a foreleg on the Prince, Courteney, a foreleg on Grey, Lord Spencer who has secured a teat, and Windham who clambers downwards from the sow's shoulder. Between Courteney and Spencer is a pig whose head is concealed, 'not meant for any body'. Climbing up the farther side of the sow and on the r. are Lord Ellenborough in his wig, Lord Fitzwilliam, and Moira who scampers on the creature's back."--British Museum online catalogue
Alternative Title:
New litter of hungry grunters sucking John-Bulls-old-sow to death
Description:
Title etched below image., Watermark, partially trimmed: J. Whatman 1817., and Mounted on leaf 16 of volume 6 of 12.
Publisher:
Pubd. March 5th, 1806, by H. Humphrey, 27 St. James's Street, London
Subject (Name):
Fox, Charles James, 1749-1806, Grey, Charles Grey, Earl, 1764-1845, Grenville, William Wyndham Grenville, Baron, 1759-1834, George IV, King of Great Britain, 1762-1830, William IV, King of Great Britain, 1765-1837, Buckingham and Chandos, Richard Temple Nugent Brydges Chandos, Duke of, 1776-1839, Sidmouth, Henry Addington, Viscount, 1757-1844, Lansdowne, Henry Petty-Fitzmaurice, Marquess of, 1780-1863, Erskine, Thomas Erskine, Baron, 1750-1823, Lauderdale, James Maitland, Earl of, 1759-1839, Sheridan, Richard Brinsley, 1751-1816, Vansittart, Nicholas, 1766-1851, Williams-Wynn, Watkin, 1772-1840, Wynn, Charles Watkin Williams, 1775-1850, Wynn, Henry Watkin William, 1783-1856, Tierney, George, 1761-1830, Bedford, John Russell, Duke of, 1766-1839, Smith-Stanley, Edward, 1752-1834, Carlisle, Frederick Howard, Earl of, 1748-1825, Walpole, George, 1761-1830, Adair, Robert, Sir, 1763-1855, Tooke, John Horne, 1736-1812, Burdett, Francis, 1770-1844, Spencer, George John Spencer, Earl, 1758-1834, St. Vincent, John Jervis, Viscount, 1735-1823, Courtenay, John, 1738-1816, Ellenborough, Edward Law, Baron, 1750-1818, Hastings, Francis Rawdon-Hastings, Marquess of, 1754-1826, Windham, William, 1750-1810, and Fitzwilliam, William Wentworth Fitzwilliam, Earl, 1748-1833
Lord Conyngham, well dressed in a top hat and holding a pair of gloves, walks in front of a fence and the open window of a building behind it; sheets of paper inscribed "List of the Contents in the House" are on the sidewalk at his feet. George IV -- with the body, beard, and horns of a goat -- prods him from behind with his horns. A larger lady and a black man are seen laughing in the window in the background; posted on the wall to the left of the window is an advertisement for a Theatre Royal performance of "the farce of Husbands and Wives in which will be introduced a concerto of Horn's."
Description:
Title from quoted verse etched beneath image., Date from manuscript annotation in lower right corner of sheet., Sheet trimmed to plate mark leaving thread margins., Not in the Catalogue of prints and drawings in the British Museum., Mounted to 58 x 39 cm., Mounted (with one other print) on leaf 90 in volume 1 of the W.E. Gladstone collection of caricatures and broadsides surrounding the "Queen Caroline Affair.", and Figures of "Geo. IV" and "Ld. Conyngham" identified in ink below image; date "1820" written in pencil in lower right.
Publisher:
publisher not identified
Subject (Name):
George IV, King of Great Britain, 1762-1830, Conyngham, Henry Conyngham, Marquess, 1766-1832, and Conyngham, Elizabeth Conyngham, Marchioness, -1861.
Subject (Topic):
Adultery, Goats, Horns (Anatomy), Windows, and Fences
"A toilet scene. The Regent stands in profile to the right at his dressing-table, rouging his cheek with a small brush. An attendant, resembling McMahon, laces the stays which in front resemble a waistcoat; he tugs at the lace, standing on a low stool, using one foot as a fulcrum against his master's posterior (cf. British Museum Satires No. 8287), a small buffer ornamented with goats' heads being attached to this foot. On the oval mirror which reflects the Prince's face sits a monkey, holding on its head a wig with a pyramid of curls above the forehead with large side-whiskers attached. The Prince's hair is similarly arranged. The Prince's tail-coat, in back view, is spreadeagled on a stand. On an ornate wall-bracket inscribed 'Bills' and 'Recetts' are two ornamental files, one filled with bills: 'hatters Bill', 'Poulterers Bill', 'Fishmongers B', 'Hair Dresser', 'Taylors Bill', 'Butchers Bill', 'Docters Bill', 'Silve smiths Bill'; the other empty. A bracket-clock, surmounted by a figure of Time shearing a triple ostrich plume, points to two o'clock (reversed). A round wall-mirror and candle-sconce is surmounted by a figure of Bacchus bestriding a cask. On the dressing-table are pots and jars of 'Tooth Powder', 'Rouge', 'Otto of Roses', and 'Secilian Wash for the Skin'. On the floor is a book, 'The Stripes Poem', which a small dog shaved like a poodle is befouling."--British Museum online catalogue
Alternative Title:
Regency a la mode
Description:
Title etched below image., Imprint statement burnished from plate and mostly illegible; it appears to begin "Pub. Feb. 1st [...?]"., Sheet trimmed within plate mark., and Laid down on modern laid blue-grey THS Kent paper. Mounted to 49 x 36 cm.
Publisher:
publisher not identified
Subject (Name):
George IV, King of Great Britain, 1762-1830, McMahon, John, approximately 1754-1817, and Dionysus (Greek deity),
George IV, wearing a coat and top hat, punches a plainly dressed Caroline in the face on a dirt street in front of buildings; blood gushes from her nose as she falls backwards from the blow. Lady Conyngham, elegantly dressed, stands behind the King and converses with a soldier on the left edge of the design. Another man, dressed as royalty in a fur-lined cape, stands in a doorway on the right, angrily pointing and yelling at a woman; a sign posted next to the doorway advertises "The Life of King Henry VIII." A dog runs in the foreground on the right, its collar reading "John Bull."
Alternative Title:
A Royal example!, or, A Westminster blackguard illusing his wife, Westminster blackguard illusing his wife, and Westminster blackguard ill-using his wife
Description:
Title etched below image., Print signed twice; "Marks fect." is etched within bottom center portion of image, and "Marks" is etched beneath lower right corner of image., Sheet trimmed within plate mark., Not in the Catalogue of prints and drawings in the British Museum., Watermark (mostly trimmed)., Mounted to 58 x 39 cm., Mounted (with one other print) on leaf 62 in volume 1 of the W.E. Gladstone collection of caricatures and broadsides surrounding the "Queen Caroline Affair.", and Figures of "Lady Conyngham," "George IV," and "Caroline" identified in pencil at bottom of sheet; a mostly illegible note, with the date "1820" at the end, is written in pencil in lower right.
Publisher:
Pubd. by Benbow, St. Clemends [sic] Church Yard, Starnd [sic]
Subject (Name):
Caroline, Queen, consort of George IV, King of Great Britain, 1768-1821, George IV, King of Great Britain, 1762-1830, and Conyngham, Elizabeth Conyngham, Marchioness, -1861
Subject (Topic):
Fighting, Family violence, Mistresses, Soldiers, Doors & doorways, and Dogs
"The Queen stands beside the King, taking his arm; he drives away and kicks Lady Conyngham, who is surrounded by four other fugitives. He says: "Out ye Harlots--for such as you Kings have come to beggary--for such as you Kings have been Idolist [sic]--for such as you Kings have been Adulterers;--yea even lost their crowns!--God save the Queen--." Lady Conyngham answers, weeping, "Ah G--ge there was a time you did not use me thus--when you call'd me your Cunning -one." One of the women has fallen prone; she exclaims: "O how hath the mighty fallen." On the extreme right and next the Queen stands a bishop with a drink-blotched profile. He reads from a book: "Thou shalt not commit Adultery.--Put no faith in a woman that is wife to another; for she who is not constant to her husband will never be so to you,--for she who hath her husband to deceive every day, can deceive a gallant at leisure!"."--British Museum online catalogue
Alternative Title:
Benefit of clergy
Description:
Title etched below image., Date of publication from the British Museum catalogue., Text following title: From the cottage to the crown, 'Tis folly all alike, he cries; How few endeavour to be wise. Royal Fables., Mounted to 58 x 39 cm., Mounted (with one other print) on leaf 46 in volume 1 of the W.E. Gladstone collection of caricatures and broadsides surrounding the "Queen Caroline Affair.", and Figures of "Lady Conyngham & other mistresses," "Geo. IV," and "Caroline" identified in black ink below image. Typed extract of three lines from the British Museum catalogue description is pasted beneath print.
Publisher:
Pubd. by J.L. Marks, 28 Fetter Lane
Subject (Name):
Caroline, Queen, consort of George IV, King of Great Britain, 1768-1821, George IV, King of Great Britain, 1762-1830, and Conyngham, Elizabeth Conyngham, Marchioness, -1861
Full, true and correct statement of the grand proceedings ...
Description:
Caption title., First line: "Your Majesty having been pleased to refer to your Privy Council the Queen's memorial ..., A broadside that lays out Queen Caroline's appeal to be rightfully crowned Queen alongside her estranged husband George IV. Despite the withdrawal of the Pains and Penalties Bill following Caroline's trial in the House of Lords, the King continued to shun his wife, culminating in his refusal to allow her entry into the coronation which took place at Westminster Abbey on July 19th, 1821., Ornamental border around imprint., "(Price one penny.)"--Lower right below imprint., and Laid down on modern paper backing. Date of George IV's coronation ("July 19, 1821") added in ink in a contemporary hand. For further information, consult library staff.
Publisher:
Henry Baird, printer, No. 21, Paul-Street, Cork
Subject (Name):
George IV, King of Great Britain, 1762-1830 and Caroline, Queen, consort of George IV, King of Great Britain, 1768-1821
"Cows and goats with distended udders are grouped outside a small thatched cottage (see British Museum Satires No. 13893). The King, wearing apron, over-sleeves, and top-boots, stands by a cow, an arm resting on her back, his pail at his feet, his stool behind him. Behind (right), a fat dairymaid, presumably Lady Conyngham, walks towards the cottage, her pail on her head. Three plump women watch from open casement windows."--British Museum online catalogue
Description:
Title etched below image., Attributed to Theodore Lane in the British Museum catalogue., Sheet trimmed within plate mark., Watermark: J. Whatman 1820., Mounted to 58 x 39 cm., Mounted (with one other print) on leaf 32 in volume 2 of the W.E. Gladstone collection of caricatures and broadsides surrounding the "Queen Caroline Affair.", and Figure of "Geo. IV" identified in ink at bottom of sheet; date "Dec. 1820" written in lower right corner. Typed extract of four lines from the British Museum catalogue description is pasted above print.
Publisher:
Pubd. by G. Humphrey, 27 St. James's St.
Subject (Name):
George IV, King of Great Britain, 1762-1830 and Conyngham, Elizabeth Conyngham, Marchioness, -1861
Depiction of George IV in a rage against family members (Frederick and William) who are unwilling to lend their support for his divorce from Caroline; he kicks a man (Bloomfield?) while pursuing his brothers, who are in uniform and seen fleeing on the right side of the design. Papers inscribed "Protocol" and "No devorce [sic]" fly in the air. A toppled chair rests on the floor to the left of the King; a bottle of wine falls off a table behind him, upon which fruit (including pineapples) rests. A John Bull figure watches the scene from the background on the left, an astonished look on his face
Description:
Title etched below image., Sheet trimmed within plate mark on three sides., Not in the Catalogue of prints and drawings in the British Museum., Mounted to 58 x 39 cm., Mounted (with one other print) on leaf 50 in volume 1 of the W.E. Gladstone collection of caricatures and broadsides surrounding the "Queen Caroline Affair.", and Figures of "Bloomfield," "P. Leopold," and "D. York" identified in ink at bottom of sheet; date "30 July 1820" written in lower right corner.
Publisher:
Pub. by H. Fores, Panton St., Haymarket
Subject (Name):
George IV, King of Great Britain, 1762-1830, Bloomfield, Benjamin Bloomfield, Baron, 1768-1846, Frederick Augustus, Prince, Duke of York and Albany, 1763-1827, William IV, King of Great Britain, 1765-1837, and Caroline, Queen, consort of George IV, King of Great Britain, 1768-1821.
Subject (Topic):
Divorce, Adultery, Anger, Kicking, Brothers, Pineapples, Military uniforms, and British
"King, Archbishop, Ministers, &c., and Green Bag are overturned or put to flight by the Queen mounted on a savage bull (J.B.). An 'Italian' dagger, a 'horse Leech', &c., &c., fall from the Bag."--British Museum catalogue
Description:
Title etched below image., Questionably attributed to Elmes in the British Museum catalogue., Sheet trimmed within plate mark., 1 print : etching ; sheet 30.1 x 40.2 cm., Printed on wove paper; hand-colored., Sheet trimmed within plate mark at top and bottom., Mounted to 39 x 58 cm., Mounted on leaf 61 in volume 1 of the W.E. Gladstone collection of caricatures and broadsides surrounding the "Queen Caroline Affair.", and Figures of "Liverpool," "Sidmouth," and "Eldon" identified in ink below image; date "Aug. 1820" written in lower right corner. Typed extract of two lines from the British Museum catalogue description is pasted to the left of print.
Publisher:
Pubd. Augt. 1820 by Benbow, corner of St. Clements Church Yard, Strand
Subject (Geographic):
England.
Subject (Name):
George IV, King of Great Britain, 1762-1830, Caroline, Queen, consort of George IV, King of Great Britain, 1768-1821, Liverpool, Robert Banks Jenkinson, Earl of, 1770-1828, Castlereagh, Robert Stewart, Viscount, 1769-1822, Wellington, Arthur Wellesley, Duke of, 1769-1852, and Leach, John, 1760-1834
"George IV sits on a small stone among tall bulrushes at the water's edge in profile to the left, fishing, his rod being a sceptre. Leaning forward, he looks anxiously at his tautening line. On his head is poised a small but massive crown, a creel hangs at his back; he wears quasi-military dress, white gauntlet gloves, and breeches with jack-boots (cf. British Museum Satires No. 14220). In the foreground, looking up at him, is a kingfisher. In the background, at the water's edge, is a small thatched peasant's cottage behind which is Windsor Castle, on its wooded hill, flying the Royal Standard (cottage and castle being mere symbols). Below the title is a circular garter inscribed Honi. Soit. Qui. Mal. Y. Pense."--British Museum online catalogue
Description:
Title etched below image., Sheet trimmed within plate mark., Fairburn published a similar print two months later (13 July 1826) entitled "A king-fisher, and a water-wag-tail," which depicts the king fishing alongside Lady Conynham; see Lewis Walpole Library call no.: 826.07.13.01. This later Fairburn print, in turn, was likely a copy of a print of the same scene published by S.W. Fores in June 1826; see no. 15137 in the Catalogue of prints and drawings in the British Museum, v. 10., and Removed from a blue paper mount leaving residue on verso.
Publisher:
Fairburn, Broadway, Ludgate Hill
Subject (Name):
George IV, King of Great Britain, 1762-1830 and Windsor Castle,
