Kongōchō yugachū ryakushutsu nenjukyō, Kongōchō yugachū ryakushutsu nenzukyō , Tennin 1 [1108]. Kan daiichi., Kongōchōyugachūryakushutsunenzukyō, and 金剛頂瑜伽中略出念誦經, 天仁1 [1108]. 卷第一.
Description:
"A sutra, chapter 1. Original copy dated 1108, heavily marked in vermilion in 1122.", "The red marks are an aid to reading and intonation. The postscripts show that the copying was done on Mt. Kōya and the markings added at Ninna-zhi, Kyōto." (K. Asakawa. "Gifts of the Yale Association of Japan," 1945)., In Chinese., Scroll: 27.2 x 1118.5 cm rolled to 27.2 x 25.9 cm in diameter. One roll in a wood box., and Yale Association of Japan Collection original call number: Ab9.
Subject (Geographic):
Ninnaji (Kyoto, Japan)
Subject (Topic):
Buddhism, Japanese manuscripts, Shingon (Sect) --Early works to 1800, and Yale Association of Japan Collection
A fragment of a sutra copied in silver on indigo-colored paper. An 8th century copy. Original. This piece, retrieved from a fire at the monastery To-dai-zhi long ago, is one of the oldest remnants of the kind known in Japan. and Manuscript, in an unidentified hand.
Alternative Title:
Konshi ginji Kegonkyo, Konshiginjikegonkyo, Konshiginjikegonkyō, and 紺紙銀字華厳経, [8th cent.].
Description:
"A fragment of a sutra copied in silver on indigo-colored paper. An 8th century copy. Original.", "This piece, retrieved from a fire at the monastery Tō-dai-zhi long ago, is one of the oldest remnants of the kind known in Japan." (K. Asakawa. "Gifts of the Yale Association of Japan," 1945)., In Chinese., Scroll: 23.0 x 108.6 cm rolled to 23.0 x 26.7 cm in diameter. One roll in a wood box., and Yale Association of Japan Collection original call number: Ab2.
Subject (Name):
Tripitaka. Sutrapitaka. Avatamsakasutra
Subject (Topic):
Hua yan Buddhism, Japanese manuscripts, Tripiṭaka.--Sūtrapiṭaka.--Avataṃsakasūtra, and Yale Association of Japan Collection
Formed by long sheets of paper featuring hieroglyphic-like characters written in ink by Caruso over existing teletyped text.
Description:
Luciano Caruso (1944-2002) was an Italian experimental poet, editor, and art critic based in Naples until 1976 and in Florence thereafter. He was a prominent practitioner of Italian visual poetry ("poesia visiva").
Subject (Name):
Ruth and Marvin Sackner Archive of Concrete and Visual Poetry
Subject (Topic):
Experimental poetry, Italian--20th century, Poets, Italian--20th century, and Visual poetry, Italian--20th century
