BEIN Z17 097 Copy 2: Imperfect, p. 547-553 wanting: 14018., BEIN Z17 097 Copy 2: From the library of the Press Club, London: 14018, 14055., BEIN Z17 097 Copy 2: Tax stamp: 14018., BEIN Z17 097 Copy 2: Manuscription annotations: 14055., BEIN Z17 097b: These are negative photostats made by Yale University Library from originals in the library of the American Antiquarian Society., BEIN Z17 097c: These are variant issues., BEIN 2007 +S15 2729-2979: Bound with Gazette de Londres issues of the same dates in chronological order. Autograph: JHG, with ms annotations in the same hand., BEIN 2014 +829: Title from spine: Ecclesiastical courts: acts & bills. From the library of William Stubbs, Bishop of Oxford. Perforated stamp of the American Congregational Association, Boston. No.1 of 2 titles bound together., Lewis Walpole Library 53 C292 821Su: Supplement announcing the death of Queen Caroline on August 7, 1821., Original editor: Henry Muddiman. (cf. NCBEL)., Title from caption., Below title: "Published by authority.", Imprint from colophon; printer's address changes., Colophon varies; later issues list Edw. Jones as printer, <1688>-1706; M. Jones, 1706-<1707>; J[acob]. Tonson, <1707>-1715; S[amuel]. Buckley, 1716-1730; Edward Owen, 1731-1756; E[dward]. Owen and T[homas]. Harrison (sometimes just Thomas Harrison), 1757-1788. Some colophons lack names., Price sometimes at end of colophon; in 18th century sometimes at foot of p. 1., Printed in two columns., Includes British and Parliamentary news, marriage and death notices, bankruptcies, official appointments, patent medicine advertisements at end of most issues., Also available on microfilm from Research Publications, Inc, Micro Methods Ltd. and British Library., and No. 1502 (!), April 27-May 1736 reprinted in New York gazette, no. 557, June 28-July 5, 1736.
"The Queen, grossly caricatured, sits on a zebra which stands in a round band-box with a hinged and upturned lid inscribed 'a Present from Baro Bergami'. The zebra has the (profile) head of Wood, looking with greedy and imbecile satisfaction towards a sieve of food inscribed '[Wa]rden of St Catherine'. This is held out by two hands projecting from the left margin. The Queen, with a grin both calculating and insane, sits full-face, negligently holding reins attached to Wood's mouth, her left hand on her hip. She sits in a smaller (bottomless) band-box which surrounds her from hips to knees, the left leg, in frilled drawers, being thrust forward from beneath it. She wears a décolletée dress; on her head is an erection of feathers and flowers rising from a circlet inscribed 'Wood'. An owl (cf. British Museum satires no. 14199) flies by her head. In the background is Brandenburgh House, in front of which is a braying ass."--British Museum online catalogue
Alternative Title:
Queen's ass in a band-box
Description:
Title etched below image., Attributed to Theodore Lane in the British Museum catalogue., Sheet trimmed within plate mark on three sides., Mounted on page 7 of: George Humphrey shop album., 1 print : etching with stipple on wove paper, hand-colored ; sheet 28.3 x 21.8 cm., and Sheet trimmed within plate mark.
Publisher:
Pubd. by G. Humphrey, 27 St. James's St.
Subject (Name):
Caroline, Queen, consort of George IV, King of Great Britain, 1768-1821, Wood, Matthew, Sir, 1768-1843, Bergami, Bartolomeo Bergami, Baron., and Brandenburgh House (London, England),
"The Queen, grossly caricatured, sits on a zebra which stands in a round band-box with a hinged and upturned lid inscribed 'a Present from Baro Bergami'. The zebra has the (profile) head of Wood, looking with greedy and imbecile satisfaction towards a sieve of food inscribed '[Wa]rden of St Catherine'. This is held out by two hands projecting from the left margin. The Queen, with a grin both calculating and insane, sits full-face, negligently holding reins attached to Wood's mouth, her left hand on her hip. She sits in a smaller (bottomless) band-box which surrounds her from hips to knees, the left leg, in frilled drawers, being thrust forward from beneath it. She wears a décolletée dress; on her head is an erection of feathers and flowers rising from a circlet inscribed 'Wood'. An owl (cf. British Museum satires no. 14199) flies by her head. In the background is Brandenburgh House, in front of which is a braying ass."--British Museum online catalogue
Alternative Title:
Queen's ass in a band-box
Description:
Title etched below image., Attributed to Theodore Lane in the British Museum catalogue., and Sheet trimmed within plate mark on three sides.
Publisher:
Pubd. by G. Humphrey, 27 St. James's St.
Subject (Name):
Caroline, Queen, consort of George IV, King of Great Britain, 1768-1821, Wood, Matthew, Sir, 1768-1843, Bergami, Bartolomeo Bergami, Baron., and Brandenburgh House (London, England),
The Queen, grossly caricatured, sits on a zebra which stands in a round band-box with a hinged and upturned lid inscribed 'a Present from Bart. Bergami'. The zebra has the (profile) head of Wood, looking with greedy and imbecile satisfaction towards a sieve of food inscribed 'Garden of St Cath[erine]'. This is held out by two hands projecting from the right margin. The Queen, with a grin both calculating and insane, sits full-face, negligently holding reins attached to Wood's mouth, her right hand on her hip. She sits in a smaller (bottomless) band-box which surrounds her entirely from just below her large waist down, with only one leg extended below. She wears a décolletée dress; on her head is an erection of feathers and flowers rising from a circlet inscribed 'Wood'. An owl (cf. British Museum satires no. 14199) flies by her head. In the background is Brandenburgh House, in front of which is a braying ass
Alternative Title:
Queen's ass in a band-box
Description:
Title etched below image., A reversed copy of a print attributed to Theodore Lane that was published 22 January 1821 by G. Humphrey. See no. 14110 in the Catalogue of prints and drawings in the British Museum, v. 10., and The letters "ee" have been added in ink to the censored word "Qu-n's" in title, to complete the intended word "Queen's".
Publisher:
publisher not identified
Subject (Name):
Caroline, Queen, consort of George IV, King of Great Britain, 1768-1821, Wood, Matthew, Sir, 1768-1843, Bergami, Bartolomeo Bergami, Baron., and Brandenburgh House (London, England),
"George IV sits on the throne with Caroline beside him; his arm is round her shoulders and he turns to her to say: "(He that findeth a wife findeth good.) My dear Q***n, If constancy & love can make any amends for my past follies, I still may hope of a Reconciliation, do not go abroad again, to stay at home, is a great sign of the loyalty of marriage. ''Beneath the glitt'ring weight of crowns he'd groan", "Unless the genial bed relieve the throne." You may depend on it, I have turn'd up all those wanton Devils, I am sick of fat, I think no better of them than M. Raggou's Mistress who was whore to the whole troop. "A worthy Woman, saith Solomon is a Crown to her Husband!" He is caricatured, wearing royal robes and ruff. The Queen, who wears a small crown and royal robes, is handsome, affectionate, and unrecognizable. Her foot is on the royal footstool, and the crown is beside her. Leaning against the dais is an open book: 'Proverbs. She will do him good not evil all the days of her Life.' In the foreground (right) lies a portfolio of 'Bought up Caricatures'. On a projecting print is 'Marks fect', which serves as signature. The King's left arm is extended towards a crowd of angry and weeping women who are in a landscape which serves as background. Five in the forefront wear coronets. These say: "Oh! the wicked deceiver he shall know that women are either Angels or Devils"; "Oh! the Jerry Sneak" [from Foote's 'Mayor of Garratt']; "Let me come past, let me come past I'm going to drown'd myself"; "I shall hang myself"; "I wont go home to the Old Stick of my husband he can do nothing for me"; "Who would have thougt [sic] it after I experienced so much of his favour." One of the undifferentiated crowd says: "I shall go to the Magdalen" [asylum]. In the background are tiny figures: on the left a woman hangs from the branch of a rotten tree, above water in which one woman is almost submerged; another is about to plunge in, while a third runs towards it. On a hill on the right six lean and antlered men wearing court-suits dance holding hands; one says: "Dance away my Bucks, we shall have all our Ribs returned.""--British Museum online catalogue
Alternative Title:
Royal libertine reclaimed, or, The anticipation of a reconciliation and Anticipation of a reconciliation
Description:
Title etched below image., Signed by the printmaker in lower right portion of image., and Date of publication from the British Museum catalogue.
Publisher:
Pubd. by J.L. Marks, 37 Prince's St., Soho
Subject (Name):
George IV, King of Great Britain, 1762-1830 and Caroline, Queen, consort of George IV, King of Great Britain, 1768-1821
"George IV sits on the throne with Caroline beside him; his arm is round her shoulders and he turns to her to say: "(He that findeth a wife findeth good.) My dear Q***n, If constancy & love can make any amends for my past follies, I still may hope of a Reconciliation, do not go abroad again, to stay at home, is a great sign of the loyalty of marriage. ''Beneath the glitt'ring weight of crowns he'd groan", "Unless the genial bed relieve the throne." You may depend on it, I have turn'd up all those wanton Devils, I am sick of fat, I think no better of them than M. Raggou's Mistress who was whore to the whole troop. "A worthy Woman, saith Solomon is a Crown to her Husband!" He is caricatured, wearing royal robes and ruff. The Queen, who wears a small crown and royal robes, is handsome, affectionate, and unrecognizable. Her foot is on the royal footstool, and the crown is beside her. Leaning against the dais is an open book: 'Proverbs. She will do him good not evil all the days of her Life.' In the foreground (right) lies a portfolio of 'Bought up Caricatures'. On a projecting print is 'Marks fect', which serves as signature. The King's left arm is extended towards a crowd of angry and weeping women who are in a landscape which serves as background. Five in the forefront wear coronets. These say: "Oh! the wicked deceiver he shall know that women are either Angels or Devils"; "Oh! the Jerry Sneak" [from Foote's 'Mayor of Garratt']; "Let me come past, let me come past I'm going to drown'd myself"; "I shall hang myself"; "I wont go home to the Old Stick of my husband he can do nothing for me"; "Who would have thougt [sic] it after I experienced so much of his favour." One of the undifferentiated crowd says: "I shall go to the Magdalen" [asylum]. In the background are tiny figures: on the left a woman hangs from the branch of a rotten tree, above water in which one woman is almost submerged; another is about to plunge in, while a third runs towards it. On a hill on the right six lean and antlered men wearing court-suits dance holding hands; one says: "Dance away my Bucks, we shall have all our Ribs returned.""--British Museum online catalogue
Alternative Title:
Royal libertine reclaimed, or, The anticipation of a reconciliation and Anticipation of a reconciliation
Description:
Title etched below image., Signed by the printmaker in lower right portion of image., Date of publication from the British Museum catalogue., Mounted on page 48 of: George Humphrey shop album., and 1 print : etching with stipple on wove paper, hand-colored ; plate mark 24.9 x 35 cm, on sheet 27.8 x 44.7 cm.
Publisher:
Pubd. by J.L. Marks, 37 Prince's St., Soho
Subject (Name):
George IV, King of Great Britain, 1762-1830 and Caroline, Queen, consort of George IV, King of Great Britain, 1768-1821
Grant, C. J. (Charles Jameson), active 1830-1852, printmaker
Published / Created:
[approximately 1833]
Call Number:
Folio 75 G750 833 Copy 2 (Oversize) Box 2
Image Count:
1
Resource Type:
still image
Abstract:
"Tories complaining and walking on crutches with one leg left."--British Museum online catalogue
Description:
Title from item., Attributed to Charles Jameson Grant in the British Museum online catalogue., Date of publication from the British Museum online catalogue., Wood engraving with letterpress text., Imperfect; sheet trimmed with loss of imprint and series statement. Missing text supplied from impression in the British Museum., Numbered "82" in brown ink in lower left corner of design., and No. 82.
Publisher:
Printed and published by G. Drake, 12, Houghton Street, Clare Market
Grant, C. J. (Charles Jameson), active 1830-1852, printmaker
Published / Created:
[approximately 1833]
Call Number:
Folio 75 G750 833 Copy 2 (Oversize) Box 2
Image Count:
1
Resource Type:
still image
Abstract:
"Huge scroll representing the Whig amendment on the point of swallowing another smaller roll symbolizing the King's speech."--British Museum online catalogue
Description:
Title from item., Initials of printmaker Charles Jameson Grant in lower left portion of design., Date of publication from the British Museum online catalogue., Wood engraving with letterpress text., Imperfect; sheet trimmed with loss of imprint and series statement. Missing text supplied from impression in the British Museum., Numbered "77" in brown ink in lower left corner of design., and No. 77.
Publisher:
Printed and published by G. Drake, 12, Houghton Street, Clare Market
View of Winchester Tower, Windsor Castle, from the north east; two women and a dog on the terrace to the right; a gravel walkway in the foreground
Description:
Title engraved below image., Proof state of a plate issued in: Wyatville, J. Illustrations of Windsor Castle. London : Published for the son in law and executors of Sir Jeffry Wyatville by John Weale, Architectural Library, 59, High Holborn, London, MDCCCXLI [1841]., Sheet trimmed to plate mark on top edge., The Lewis Walpole Library: From the Topographical Prints collection., and With contemporary notes in pencil indicating changes to be made to the plate; these changes include a softening of lines on parts of the tower, a clearing out of some of the windows of the tower, and an overall reduction in plate size. A desired removal of dark markings and evening out of the gravel walkway in the foreground is indicated by the addition of white paint(?).
