Manuscript fragment on paper of the Consolatio peccatorum of Jacobus de Theramo, here in Czech translation. The Consolatio describes a lawsuit between the Devil (Beilal) and Jesus Christ, with Solomon presiding, in which the Devil sues Christ for having trespassed by descending into Hell to redeem lost souls. Leaf was formerly used as a pastedown
Alternative Title:
Consolatio peccatorum. Czech, Processus Luciferi contra Jesum Christum, and Processus Belial
Description:
In Czech., Layout: 2 columns of 44 lines, with unknown number of lines trimmed from top of leaf., Script: gothic cursiva., and Decoration: one 3-line initial in blue wash, one 3-line initial in red wash.
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Jacobus, de Theramo, 1349-1417. and Jesus Christ
Subject (Topic):
Devil, Mock trials, Redemption, and Manuscripts, Medieval
Illuminated manuscript, on paper, of a cönk, a mecmū'a of folkloric poetry, containing ilahis (hymns), nefes (mystical poems), gazels, masnavis, and excerpts of Sufi mystical poets, written in several hands. Poets excerpted include Ahmedî, Pir Abdal (پير ابدال), Yunus Emre (يونس امري), Eşrefoğlu Abdullah Rûmî (أشرف أوغلو عبد الله الرومي), Âşık Viranî (ويرانى), Ismāʻīl I, Shah of Iran (Hatayî/خطايي), and Sezaî (سزائيى). Some pages blank
Description:
In Ottoman Turkish., Title assigned by cataloger. Title at head of table of contents, indicating the maqams: Fihrist-i maḳāmāt-ı be ḳavl-i [...] (...فهرس مقامات بقول)., Romanization supplied by cataloger., Layout: Single column of 10-20 lines. Catchword on each verso., Script: Nasta'liq., Binding: Gold-tooled central mandorla and frames over brown leather on paper pasteboard on covers, cloth tape spine., Decoration: Illuminated gold headpiece and frame on opening folio; text frames in green, writing surface painted silver; rubrication., and Contemporary manuscript annotations in several hands (f. ia): 'Alī (علي), Aliağa (علي اغا), Ḥasan (حسن), Ḥüseyin (حسين), Allāh (الله), Muḥammed (محمد).
Subject (Topic):
Illumination of books and manuscripts, Turkish, Masnavis, Turkish, and Turkish poetry
Illuminated manuscript, on paper, of Dīvān-ı Bāḳī Efendi, a poetry collection beginning with a ḳasīde (eulogy) for Sultan Süleymān II. Includes additional ḳaṣīdes (eulogies) and ġazels (lyric poems), as well as maṭla' verses, ḳıṭ'as (strophes), and mu'ammā (verse riddles).
Alternative Title:
Poems
Description:
In Ottoman Turkish., Title from text heading (f. 1b)., Romanization supplied by cataloger., Colophon indicates manuscript was copied by Ḥasan el-Dā'ī (حسن الداعي) in H. 991/1583-1584., Layout: Double columns of 15 lines. Catchword on each verso., Script: Nasta'liq., Binding: Flap binding, gold-tooled central medallion with floral designs; gold-tooled mandorla on flap; blind-tooled and gold-painted frames and decoration., Decoration: Illuminated headpiece and title strip; rubrication, including text frames., and Later contemporary manuscript annotations in several hands: doodles including test headpiece (verso front flyleaf); death dates of prominent scholars (f. 1a); short poetic excerpts (verso front flyleaf). Sparse marginal annotations in two hands, including poems in contemporary black ink and other reader notes in modern pencil.
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Baki, 1526-1600. and Süleyman I, Sultan of the Turks, 1494 or 1495-1566.
Subject (Topic):
Manuscripts, Turkish, Illumination of books and manuscripts, Turkish, Diwan, Turkish, and Turkish poetry
BEIN Mzd45 H6 1509: Hand-ruled and rubricated throughout; capitals supplies in gold on red and blue backgrounds. Hand-colored illustrations are: the printer's device on page [1], the skeleton and surrounding figures on page [2], full-page illustration of Bathsheba and David, full-page illustration of Mary surrounded by emblems (partially reconstructed when original text was removed and replaced with ms. insert?), and 18 small illustrations throughout., BEIN Mzd45 H6 1509: Imperfect: comprising 70 leaves (numbered in pencil), with lacunae after leaves 5, 6, 9, 12, 13, 17, 19, 20, 23, 30, 37, 51, 54. Text of leaves 59-60 and 65-66 has been cut out and manuscript text inlaid within the borders instead. The signatures appear to have been erased throughout., BEIN Mzd45 H6 1509: Printed on vellum. Bound in morocco with gilt tooling and edges; emblematical clasp. Dealer's description on front paste-down., BEIN 1971 439: Rubricated. Printed on vellum. Illustration of the Annunciation (page [25]) completely hand-colored. Armorial bookplate of Clarence Sweet Bement. Ownership inscription of Baron de Jean Haussonville. Contemporary manuscript annotations in several hands on the final pages, indicating events occurring in specific years. Brown blind-tooled leather binding., Signatures: A-L⁸ M⁴., Title from title-page on page [1], which bears Gilles Hardouyn's printer's device - all within an architectural frame. The device is repeated on page [184]., Imprint from colophon on page [184]: "Les presentes heures a lusaige de Ro[m]me tout au long sans rien requerir. Ont este acheuees a paris le huitiesme iour de Mars. Lan mil cinq ce[n]s et neuf. Par Gilet Hardouyn Imprimeur demourant au bout du pont au change a lenseige de la Rose desoub[-]z de la belle ymage"., Almanac on page [3] covers years 1508-1520, in French., In a Gothic type., Illustrated throughout with 19 full page illustrations, and several smaller cuts within the text., With a decorative border (primarily historiated or architectural) to every page., "R" (for Rome) on first four leaves of each quire, in a line with the signature., Initial spaces., and Collation and signatures given according to P. Lacombe, Livres d'Heures imprimés au XVe et au XVIe siècle, 199.
BEIN Mzd45 H6 1509: Hand-ruled and rubricated throughout; capitals supplies in gold on red and blue backgrounds. Hand-colored illustrations are: the printer's device on page [1], the skeleton and surrounding figures on page [2], full-page illustration of Bathsheba and David, full-page illustration of Mary surrounded by emblems (partially reconstructed when original text was removed and replaced with ms. insert?), and 18 small illustrations throughout., BEIN Mzd45 H6 1509: Imperfect: comprising 70 leaves (numbered in pencil), with lacunae after leaves 5, 6, 9, 12, 13, 17, 19, 20, 23, 30, 37, 51, 54. Text of leaves 59-60 and 65-66 has been cut out and manuscript text inlaid within the borders instead. The signatures appear to have been erased throughout., BEIN Mzd45 H6 1509: Printed on vellum. Bound in morocco with gilt tooling and edges; emblematical clasp. Dealer's description on front paste-down., BEIN 1971 439: Rubricated. Printed on vellum. Illustration of the Annunciation (page [25]) completely hand-colored. Armorial bookplate of Clarence Sweet Bement. Ownership inscription of Baron de Jean Haussonville. Contemporary manuscript annotations in several hands on the final pages, indicating events occurring in specific years. Brown blind-tooled leather binding., Signatures: A-L⁸ M⁴., Title from title-page on page [1], which bears Gilles Hardouyn's printer's device - all within an architectural frame. The device is repeated on page [184]., Imprint from colophon on page [184]: "Les presentes heures a lusaige de Ro[m]me tout au long sans rien requerir. Ont este acheuees a paris le huitiesme iour de Mars. Lan mil cinq ce[n]s et neuf. Par Gilet Hardouyn Imprimeur demourant au bout du pont au change a lenseige de la Rose desoub[-]z de la belle ymage"., Almanac on page [3] covers years 1508-1520, in French., In a Gothic type., Illustrated throughout with 19 full page illustrations, and several smaller cuts within the text., With a decorative border (primarily historiated or architectural) to every page., "R" (for Rome) on first four leaves of each quire, in a line with the signature., Initial spaces., and Collation and signatures given according to P. Lacombe, Livres d'Heures imprimés au XVe et au XVIe siècle, 199.
Manuscript, on paper, of a mec'mua containing prayers and mystical poems: (1) unidentified Sufi theological text, ff. 1b-20b; (2) Münācāt-ı der tevhīd-i yā Rabbī teālā 'azze ve celle (مناجات در توهيد يارى تعالي عز و جل), ff. 21b-30b; (3) 'İbtidā-i Ġazeliyāt-ı fī ḥarf-i elif (ابتدائي غزليات في حرف الألف), ff. 31a-70a; (4) unidentified poem, ff. 71b-76a
Alternative Title:
Ṭariḳat-ı Bektāşiyye'den Divān-ı Ṣāfī and طريقات بكتاشيهدن ديوان صافي
Description:
In Ottoman Turkish and Arabic., Title assigned by cataloger. Variant title from contemporary manuscript annotation at head of text., Romanization supplied by cataloger., Layout: Single column of 15 lines (ff. 1b-20b). Double columns of 15 lines (ff. 21b-76a). Catchword on each verso., Script: Nasta‘līq., Binding: Modern three-quarter binding in light brown leather with marbled paper over paper pasteboards., Decoration: Rubrication., and Manuscript annotations in a later hand include a prayer (f. 90b) and a petition (f. 91b). Protective charm against bookworms: Yā Kebīkec (يا كبكج) (f. 1b).
Subject (Geographic):
Connecticut and New Haven.
Subject (Topic):
Manuscripts, Turkish, Sufi poetry, Turkish, and Sufism
Manuscript (incomplete) on paper and parchment of Philomena, a treatise on surgery written by John Bradmore, here in Middle English translation. Text discusses anatomy, apostumes (abscesses), wounds and ulcers, fractures and dislocations, other diseases treatable by surgery, and includes an antidotary and a summary of contents. Book I on anatomy and the opening of book II on surgery are wanting; another leaf wanting between fols. 59 and 60. Present manuscript begins in book II, chapter 4. Includes an account of how Bradmore saved the life of the young Prince of Wales (Prince Hal, the future King Henry V) after the Battle of Shrewsbury in 1403 and Also includes a short text on bloodletting, fols. 85r-87v; an unidentified "tretys of mynd," about mind and memory, fols. 234r-239r; and recipes for ointments, plasters, etc., ending imperfectly, fols. 239v-241v
Description:
John Bradmore (d. 1412) was a surgeon based in London from at least 1377. He was appointed an overseer of surgery in the City of London by the mayor in 1390. From at least 1399 he was associated with the royal household. Bradmore married twice, first to Margaret, with whom he had a daughter named Agnes, and second to Katherine. John Bradmore died on 27 January 1412 and was buried in the church of St. Botolph without Aldersgate., In Middle English., Title assigned by cataloger., Layout: single columns of 14-28 lines., Script: several secretary hands., Binding: modern blind-tooled morocco., Secundo folio: Plaster., Leaves are foliated in a modern hand starting with the first leaf as fol. 3, the second as fol. 4, and so on. This modern foliation is followed here., and Bibliographical file available.
Subject (Geographic):
Connecticut, New Haven., and England
Subject (Name):
Bradmore, John. and Henry V, King of England, 1387-1422.
Subject (Topic):
Manuscripts, Medieval, Medicine, Medicine, Medieval, and Surgery
