Three photograph albums documenting vacations and activities in Europe and southern California and Connecticut, loose photographic prints, and correspondence of Natalie Paley, circa 1930-1966, Two albums contain photographs of locations in Europe document the marriage of Paley with Lucien-Camille Lelong as well as their circle of friends, 1930-1932. Friends include actress Lady Iya Abdy (formerly Iya De Gay) and fashion model Liliane de Faucigny-Lucinge, also known as Baba de Lucinge, as well as art patrons Marie-Laure, Vicomtesse de Noailles and Arthur Anne Marie Charles, Vicomte de Noailles. One of the European albums also documents her relationship with Russian dancer Serge Lifar, and includes images from a vacation by Paley, Lelong, and Lifar in Venice, Italy, as well as two portrait drawings of Paley by stage designer Oliver Messel, 1931. The other album includes images of a vacation to Biarritz, France, and a skiing vacation. The European albums also include photographic prints and halftone images from society magazines, A series of loose photographic prints by Studio Dorvyne documents a masquerade ball hosted by Comte Étienne de Beaumont and his wife, Comtesse Edith de Beaumont, during the summer of 1931, with portraits of individuals in costume that include the Beaumonts, Liliane de Faucigny-Lucinge, Nimet Eloui Bey, Coco Chanel, Fulco Santostefano della Cerda, Serge Lifar, Natalie Paley, Howard Sturges, and Julian West, as well as Cole Porter and his wife, Linda Lee Thomas Porter, An album of locations in Hollywood, California and Connecticut documents the activities of Paley and her friends, 1935-1938. The album includes images from the set of the movie, Sylvia Scarlett (1935), in which she had a role, and includes images of Paley, actors Brian Aherne, Cary Grant, Edmund Gwenn, and Katharine Hepburn, as well as director George Cukor and producer Pandro S. Berman. Images of her friends in informal settings, probably parties hosted by Cukor, include Cukor, his parents Victor F. Cukor and Helen Gross Cukor, Hepburn, Zoë Akins, Freddie Bartholomew, Cecil Beaton, Ethel B. Borden, Ina Claire, Constance Collier, Gary Cooper, Lily Damita, Liev de Maigret, Marlene Dietrich, Tom Douglas, Peggy Fears, Winsor French, Clark Gable and his wife (Ria Franklin Prentiss Lucas Langham Gable), John Gilbert, Frances Howard Goldwin, William Haines, Rowland Leigh, Louis Mason, Oliver Messel, Carmel Myers, David Niven, Merle Oberon, Louella Parsons, Margaret Perry, Basil Rathbone, Dolores del Río, Ruth Selwyn, James Shields, Hugh Walpole, Victor William (Peter) Watson, Clifton Webb, and Julian West. There is a series of images of John Chapman Wilson, the second husband of Paley, and the business manager and confidant of Noel Coward, at the Fayreways estate on Sasco Hill, Fairfield, Connecticut, circa 1937-1938, Loose photographic prints include portraits of Serge Lifar by Studio Lipnitzki, Paris, France, and portraits of Natalie Paley and Jean-Louis de Faucigny-Lucinge Baba d'Erlanger, by Foto Giacomelli, Venice, Italy, 1931, as well as promotional photographic prints from movies that include images of Katharine Hepburn and Charles Boyer in Break of Hearts (1935), and Hepburn and Brian Aherne for Sylvia Scarlett (1935)., and Correspondence in the collection consists of a letter to Paley from an unidentified correspondent in French, May 194?; a condolence letter from Boris Kochno on the death of her husband, November 1961; and a letter from Noel Coward, April 17, 1966
Description:
Natalie Pavlovna Paley (1905-1981) was a French-born fashion icon, socialite, and film actress, as well as a granddaughter of Russian tsar Alexander II and cousin of Russian tsar Nicholas II. In 1927, she became the second wife of French couturier Lucien-Camille Lelong (1889-1958); they divorced in 1937, the same year she married theater producer John Chapman Wilson (1899-1961)., Title devised by cataloger., One of the European albums is missing many prints from its leaves, which may represent many of the loose photographic prints., Many of the halftones duplicate photographic prints in the European albums., The album of locations in the United States is disbound and has many manuscript inscriptions., and Letter in folder 21 formerly described as written by Antoine de Saint-Exupery is now described as from an unidentified correspondent
Subject (Geographic):
California, Biarritz (France), Hollywood (Los Angeles, Calif.), and Venice (Italy)
Three photograph albums documenting vacations and activities in Europe and southern California and Connecticut, loose photographic prints, and correspondence of Natalie Paley, circa 1930-1966, Two albums contain photographs of locations in Europe document the marriage of Paley with Lucien-Camille Lelong as well as their circle of friends, 1930-1932. Friends include actress Lady Iya Abdy (formerly Iya De Gay) and fashion model Liliane de Faucigny-Lucinge, also known as Baba de Lucinge, as well as art patrons Marie-Laure, Vicomtesse de Noailles and Arthur Anne Marie Charles, Vicomte de Noailles. One of the European albums also documents her relationship with Russian dancer Serge Lifar, and includes images from a vacation by Paley, Lelong, and Lifar in Venice, Italy, as well as two portrait drawings of Paley by stage designer Oliver Messel, 1931. The other album includes images of a vacation to Biarritz, France, and a skiing vacation. The European albums also include photographic prints and halftone images from society magazines, A series of loose photographic prints by Studio Dorvyne documents a masquerade ball hosted by Comte Étienne de Beaumont and his wife, Comtesse Edith de Beaumont, during the summer of 1931, with portraits of individuals in costume that include the Beaumonts, Liliane de Faucigny-Lucinge, Nimet Eloui Bey, Coco Chanel, Fulco Santostefano della Cerda, Serge Lifar, Natalie Paley, Howard Sturges, and Julian West, as well as Cole Porter and his wife, Linda Lee Thomas Porter, An album of locations in Hollywood, California and Connecticut documents the activities of Paley and her friends, 1935-1938. The album includes images from the set of the movie, Sylvia Scarlett (1935), in which she had a role, and includes images of Paley, actors Brian Aherne, Cary Grant, Edmund Gwenn, and Katharine Hepburn, as well as director George Cukor and producer Pandro S. Berman. Images of her friends in informal settings, probably parties hosted by Cukor, include Cukor, his parents Victor F. Cukor and Helen Gross Cukor, Hepburn, Zoë Akins, Freddie Bartholomew, Cecil Beaton, Ethel B. Borden, Ina Claire, Constance Collier, Gary Cooper, Lily Damita, Liev de Maigret, Marlene Dietrich, Tom Douglas, Peggy Fears, Winsor French, Clark Gable and his wife (Ria Franklin Prentiss Lucas Langham Gable), John Gilbert, Frances Howard Goldwin, William Haines, Rowland Leigh, Louis Mason, Oliver Messel, Carmel Myers, David Niven, Merle Oberon, Louella Parsons, Margaret Perry, Basil Rathbone, Dolores del Río, Ruth Selwyn, James Shields, Hugh Walpole, Victor William (Peter) Watson, Clifton Webb, and Julian West. There is a series of images of John Chapman Wilson, the second husband of Paley, and the business manager and confidant of Noel Coward, at the Fayreways estate on Sasco Hill, Fairfield, Connecticut, circa 1937-1938, Loose photographic prints include portraits of Serge Lifar by Studio Lipnitzki, Paris, France, and portraits of Natalie Paley and Jean-Louis de Faucigny-Lucinge Baba d'Erlanger, by Foto Giacomelli, Venice, Italy, 1931, as well as promotional photographic prints from movies that include images of Katharine Hepburn and Charles Boyer in Break of Hearts (1935), and Hepburn and Brian Aherne for Sylvia Scarlett (1935)., and Correspondence in the collection consists of a letter to Paley from an unidentified correspondent in French, May 194?; a condolence letter from Boris Kochno on the death of her husband, November 1961; and a letter from Noel Coward, April 17, 1966
Description:
Natalie Pavlovna Paley (1905-1981) was a French-born fashion icon, socialite, and film actress, as well as a granddaughter of Russian tsar Alexander II and cousin of Russian tsar Nicholas II. In 1927, she became the second wife of French couturier Lucien-Camille Lelong (1889-1958); they divorced in 1937, the same year she married theater producer John Chapman Wilson (1899-1961)., Title devised by cataloger., One of the European albums is missing many prints from its leaves, which may represent many of the loose photographic prints., Many of the halftones duplicate photographic prints in the European albums., The album of locations in the United States is disbound and has many manuscript inscriptions., and Letter in folder 21 formerly described as written by Antoine de Saint-Exupery is now described as from an unidentified correspondent
Subject (Geographic):
California, Biarritz (France), Hollywood (Los Angeles, Calif.), and Venice (Italy)
James D. Hutton collection of drawings and photographs.
Container / Volume:
Box 1 | Folder 11
Image Count:
1
Abstract:
Four salted paper prints made during the Raynolds expedition of 1859-1860 depicting Laramie Hills with tipis in the foreground; a fort, possibly Fort Union; two sets of group portraits of Arapahos, one of them of Arapaho chiefs Eagle Head, Split-nose, Little Owl, and Friday. There are 17 drawings by Hutton, 11 of them of western views, most probably made during the Raynolds expedition, depicting Fort Sarpy on the Yellowstone; Eagle Creek on the upper Missouri River; the valley of Wind River; Red Canon Creek, Big Horn Mountains; and Lodge Pole Peak and Crow Peak in the Black Hills. There are nine other drawings present, six by three other identified artists: R. W. Ingle, W. Taylor, Jr., and William Rich Hutton, James' brother. The drawing by William Rich Hutton is a view of San Francisco. Accompanied by a document made out to Miss Ellen S. Hutton in thanks for her work as church organist.
Description:
Accompanied by a container list., James D. Hutton headed the photographic unit of the 1856-1860 expedition led by Captain William Franklin Raynolds to the Yellowstone and the Wind River Mountains., See also Hutton photographs in the William Franklin Raynolds Papers, WA MSS 393., and Verso is blank.
Subject (Geographic):
Fort Union (N.D.)--Pictorial works, San Francisco (Calif.)--Pictorial works, Wind River Range (Wyo.)--Pictorial works, and Wyoming--Pictorial works
Subject (Name):
Hutton, Wm. R.--(William Rich),--1826-1901, Ingle, R. W.,--artist, and Raynolds, W. F.--(William Franklin),--1820-1894
Subject (Topic):
Arapaho Indians--Portraits and Indians of North America--Portraits
"James Allen, a woman, standing whole length in profile to left, dressed in man's clothes, holding a hat in her left hand, her right hand reaching out towards wife Abigail, standing in profile to right."--British Museum online catalogue
Description:
Title from captions below images., Design consists of two images side by side, each individually titled., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., and Pencil sketch of shoes and a ribbon[?] on verso.
Publisher:
Pub. by I.S. Thomas, 2 York Street, Covent Garden
Subject (Name):
Allen, Abigail Naylor, and Allen, James, 1787-1829,
James D. Hutton collection of drawings and photographs.
Container / Volume:
Box 1 | Folder 12
Image Count:
2
Abstract:
Four salted paper prints made during the Raynolds expedition of 1859-1860 depicting Laramie Hills with tipis in the foreground; a fort, possibly Fort Union; two sets of group portraits of Arapahos, one of them of Arapaho chiefs Eagle Head, Split-nose, Little Owl, and Friday. There are 17 drawings by Hutton, 11 of them of western views, most probably made during the Raynolds expedition, depicting Fort Sarpy on the Yellowstone; Eagle Creek on the upper Missouri River; the valley of Wind River; Red Canon Creek, Big Horn Mountains; and Lodge Pole Peak and Crow Peak in the Black Hills. There are nine other drawings present, six by three other identified artists: R. W. Ingle, W. Taylor, Jr., and William Rich Hutton, James' brother. The drawing by William Rich Hutton is a view of San Francisco. Accompanied by a document made out to Miss Ellen S. Hutton in thanks for her work as church organist.
Description:
Accompanied by a container list., James D. Hutton headed the photographic unit of the 1856-1860 expedition led by Captain William Franklin Raynolds to the Yellowstone and the Wind River Mountains., and See also Hutton photographs in the William Franklin Raynolds Papers, WA MSS 393.
Head and shoulders portraits, some in profile. Amistad captives depicted are captioned: Grabo, Little Kale, Fargina, Sar, Bungair, Bana, Bar, Farquanar, Kimbo, Kezzuza, Fuli (a younger man), Suma, Fuli (an older man), Boro, Malhue, Saby, Marqu, Pona (profile and front view), Yuang, and two unidentified men. Accompanied by a pamphlet by J. E. Twitchell on the Amistad captives, cataloged separately
Description:
The Amistad captives, Africans who were enslaved despite the abolishment of slavery throughout the Spanish dominions in 1820, revolted from their Cuban masters on board ship and ended up off the northern shore of Long Island in 1839. The captives were jailed in New Haven pending their trial to determine whether they were property. The case eventually came before the Supreme Court., Sketches captioned in pencil., Portrait of Grabo captioned at bottom, "The Armistad [sic] Negroes, Drawn from life, by Wm. H. Townsend.", and Negatives available
Head and shoulders portraits, some in profile. Amistad captives depicted are captioned: Grabo, Little Kale, Fargina, Sar, Bungair, Bana, Bar, Farquanar, Kimbo, Kezzuza, Fuli (a younger man), Suma, Fuli (an older man), Boro, Malhue, Saby, Marqu, Pona (profile and front view), Yuang, and two unidentified men. Accompanied by a pamphlet by J. E. Twitchell on the Amistad captives, cataloged separately
Description:
The Amistad captives, Africans who were enslaved despite the abolishment of slavery throughout the Spanish dominions in 1820, revolted from their Cuban masters on board ship and ended up off the northern shore of Long Island in 1839. The captives were jailed in New Haven pending their trial to determine whether they were property. The case eventually came before the Supreme Court., Sketches captioned in pencil., Portrait of Grabo captioned at bottom, "The Armistad [sic] Negroes, Drawn from life, by Wm. H. Townsend.", and Negatives available
A volume containing 145 pattern drawings for tattoos, including images of men, women, serpents, dragons, mottoes, birds, butterflies, fish, and patriotic figures for the United States and Great Britain, circa 1915. Four of the drawings are on translucent paper that is mounted in the volume. The majority of the drawings are ink line drawings, while two drawings are colored with crayon and depict dragons, one in a flight with an eagle. The author of the volume may be C. B. Davis, a tattoo artist based in London, Great Britain.
Description:
Label pasted on interior of back cover, "Sketch Book, Series 26, Containing 30 leaves of Whatman's Drawing Paper.", Purchased from Charles B. Wood III, Inc., on the Jonathan O. Bulkley Fund, 2007., and Title devised by cataloger.
Subject (Name):
Davis, C. B.
Subject (Topic):
Animals in art, Body art--Pictorial works, Emblems, Patriotism in art, Tattooing--Pictorial works, and Women in art
James D. Hutton collection of drawings and photographs.
Container / Volume:
Box 1 | Folder 13
Image Count:
2
Abstract:
Four salted paper prints made during the Raynolds expedition of 1859-1860 depicting Laramie Hills with tipis in the foreground; a fort, possibly Fort Union; two sets of group portraits of Arapahos, one of them of Arapaho chiefs Eagle Head, Split-nose, Little Owl, and Friday. There are 17 drawings by Hutton, 11 of them of western views, most probably made during the Raynolds expedition, depicting Fort Sarpy on the Yellowstone; Eagle Creek on the upper Missouri River; the valley of Wind River; Red Canon Creek, Big Horn Mountains; and Lodge Pole Peak and Crow Peak in the Black Hills. There are nine other drawings present, six by three other identified artists: R. W. Ingle, W. Taylor, Jr., and William Rich Hutton, James' brother. The drawing by William Rich Hutton is a view of San Francisco. Accompanied by a document made out to Miss Ellen S. Hutton in thanks for her work as church organist.
Description:
Accompanied by a container list., James D. Hutton headed the photographic unit of the 1856-1860 expedition led by Captain William Franklin Raynolds to the Yellowstone and the Wind River Mountains., and See also Hutton photographs in the William Franklin Raynolds Papers, WA MSS 393.
James D. Hutton collection of drawings and photographs.
Container / Volume:
Box 1 | Folder 15
Image Count:
1
Abstract:
Four salted paper prints made during the Raynolds expedition of 1859-1860 depicting Laramie Hills with tipis in the foreground; a fort, possibly Fort Union; two sets of group portraits of Arapahos, one of them of Arapaho chiefs Eagle Head, Split-nose, Little Owl, and Friday. There are 17 drawings by Hutton, 11 of them of western views, most probably made during the Raynolds expedition, depicting Fort Sarpy on the Yellowstone; Eagle Creek on the upper Missouri River; the valley of Wind River; Red Canon Creek, Big Horn Mountains; and Lodge Pole Peak and Crow Peak in the Black Hills. There are nine other drawings present, six by three other identified artists: R. W. Ingle, W. Taylor, Jr., and William Rich Hutton, James' brother. The drawing by William Rich Hutton is a view of San Francisco. Accompanied by a document made out to Miss Ellen S. Hutton in thanks for her work as church organist.
Description:
Accompanied by a container list., James D. Hutton headed the photographic unit of the 1856-1860 expedition led by Captain William Franklin Raynolds to the Yellowstone and the Wind River Mountains., See also Hutton photographs in the William Franklin Raynolds Papers, WA MSS 393., and Verso is blank.
