"A confused design: in the centre the kings of England (left) and Prussia (right) sit together under a canopy; they turn their heads in profile, gazing intently at each other. Behind George III's chair a British sailor lounges, behind Frederick's a Prussian grenadier with a musket stands erect. Frederick holds the ends of two chains attached to the necks of the Habsburg eagle beneath the feet of the two kings; the two beaks of the bird hold a scroll inscribed 'Universal Monarchy'; with its claws it strikes fiercely at the prostrate bodies of a man and woman, evidently intended for inhabitants of the United Provinces. Beneath the bird is the word 'Austria'. On the sides of the canopy under which the kings sit are shields, one (left) inscribed 'Hanover Brunswick Hesse', the other (right), 'Saxony Deux Pont Mayence &c', representing German States under the control or influence of England and of Prussia. On the left and right of the two kings, as if supporters to an escutcheon, are whole length figures on a large scale of military officers; each holds the hilt of his sword, saying, "Whilst you agree I am ready". One (left) is the 'Reigg Duke of Brunswick', the other 'Prince Ferdinand of Brunswick'. In the lower right corner of the design a Frenchman wearing a bag-wig milks a cow inscribed 'Holland'; a dog barks at him angrily. Next the cow a man seated on the ground, probably intended for the Stadtholder, holds up his hands imploringly to the two kings, saying, "Pray protect me". Isolated figures round the two sides and upper edge of the design represent the other Powers of Europe: a crowned bear (left) inscribed 'Russia', couchant, looks greedily towards a much smaller bear inscribed 'Poland'. Russia says, "Tortur'd by Ambition - back'd by Brother Joseph"; Poland answers, "I am not muzzled". The bust of an oriental wearing a turban (Turkey) looks over its shoulder (across Poland) towards Russia, saying, "By the great Prophet thou art but a Woman". A crowned monkey with a sceptre and shield, representing Louis XVI, is seated on a globe inscribed 'Holland', saying, "Mundus vult decipi". Down the right side of the print are three crowned busts looking towards the two kings: Sardinia says, "You shall not Settle without me"; Spain says, "Oh. give me the Rock" (cf. BMSat 6025, &c), Portugal says, "Oh! buy my Wine" (an allusion to the preference to Portuguese wines, given by the Methuen treaty and threatened by the pending commercial treaty with France). On the left side Sweden says, "I am in the pay of France"; Denmark says, "I lay by at present"."--British museum online catalogue
Description:
Title etched below image., Printmaker from Grego and British Museum Catalogue., and Sheet trimmed within plate mark.
Publisher:
Pubd. Feby. 10th 1786 by S. Hedges No. 91 Cornhill
Subject (Name):
George IV, King of Great Britain, 1762-1830, Frederick II, King of Prussia, 1712-1786, Ferdinand, Duke of Brunswick-Lüneburg, 1721-1792, Carl Wilhelm Ferdinand, Duke of Brunswick and Lüneburg, 1735-1806, Louis XVI, King of France, 1754-1793, Joseph II, Holy Roman Emperor, 1741-1790, Victor Amadeus II, King of Sardinia, 1726-1796, Maria I, Queen of Portugal, 1734-1816, Gustav III, King of Sweden, 1746-1792, Christian VII, King of Denmark and Norway, 1749-1808, Catherine II, Empress of Russia, 1729-1796, and Abdülhamid I, Sultan of the Turks, 1725-1789
"A companion print to British Museum Satires no. 6949. Design in a circle. The Prince of Wales (left) and Mrs. Fitzherbert (right) sit side by side on two upright chairs; she holds on her knee an infant in long clothes, which the Prince watches paternally. Behind her (right) is a cradle decorated with ostrich feathers."--British Museum online catalogue
Alternative Title:
Prince's nursery, or, Nine months after marriage and Nine months after marriage
Description:
Title etched below image; alternative title with filled-in blanks from British Museum catalogue. and Companion print to: An extravaganza, or, Young Solomon besieging Fitzhubbub.
Publisher:
Published 9th May 1786 by S.W. Fores at the Caracature Ware-house, No. 3 Piccadilly
Subject (Name):
George IV, King of Great Britain, 1762-1830 and Fitzherbert, Maria Anne, 1756-1837
"One of a set of prints on the marriage of the Prince of Wales, see BMSat 6924, &c. Mrs. Fitzherbert (left) and the Prince of Wales dance; she holds out her apron in her right hand, his left arm is raised as if dancing a Scots reel; he appears about to take her left hand. The musicians are Burke, Weltje, and Hanger: Weltje, wearing a hat, sits (left) on a low stool, beating a pistol upon a warming-pan which he holds between his knees. Burke stands behind him holding a gridiron in the manner of a violin and with a pair of tongs as bow. He says, "Oh Burn the Pan it is not Beautifull". Weltje answers, "Damme but 'tis Sublime" (one of many allusions to Burke's book). George Hanger stands (right) beating the heavy end of his bludgeon on a salt-box; he is stamping and dancing, his hat is on the ground at his feet. Through an aperture in the wall behind his head is seen an ornate bed, decorated with triple ostrich plumes; behind the pillows is a cross. Two pictures, both inscribed 'Hamlet', are on the wall: on the left the Lord Chamberlain with his wand (Lord Salisbury as Polonius) approaches George III, saying, "I will be brief your noble son is mad". On the right Laertes addresses Ophelia, saying: "He may not as inferior persons do carve for himself for on his choice depends the sanity [sic] & health of the whole state." On the floor, in the foreground, lie two books and a paper inscribed respectively, 'Bold Stroke for a Wife' [Mrs. Centlivre]; 'Clandestine Marriage' [Colman and Garrick]; and 'I'll have a Wife of my own'. Beneath the title is engraved, 'As performed at the Theatre Royal, C------n [Carlton] House for the Benifit of the Widow Wadman'. A patterned carpet completes the design."--British Museum online catalogue
Alternative Title:
Follies of a night
Description:
Title from item below image., Sheet trimmed within plate mark., Temporary local subject terms: Allusion to Edmund Burke's On the sublime and the beautiful -- Parody of Shakespeare's Hamlet -- Salt-box Pictures amplify subject -- Catholic Church -- Travesties., and Watermark in center of sheet: J. Whatman.
Publisher:
Published 1st April 1786, by S.W. Fores at the Caricature Warehouse, No. 3 Piccadilly
Subject (Geographic):
Scotland.
Subject (Name):
George IV, King of Great Britain, 1762-1830, Fitzherbert, Maria Anne, 1756-1837, Burke, Edmund, 1729-1797, Hanger, George, 1751?-1824, and Salisbury, James Cecil, Marquess of, 1748-1823
Subject (Topic):
Chandeliers, Cooking utensils, Dance, Firearms, Floor coverings, Marriage, Military uniforms, British, Musical instruments, and Sofas
"The Prince's stud, consisting of five asses with human faces, proceeds (left to right) past a signpost (right) pointing 'To Brighthlmstone'. The Prince, the central figure, rides an ass with the head of Mrs. Fitzherbert; he wears very long spurs. He is preceded by three animals, the foremost being George Hanger led by a groom (Captain Morris); on his saddle-cloth are the Prince's feathers, as if to show his privileged position. Next is Fox, his mouth wide open as if braying, next Weltje. Behind (left), apparently doubtful whether to proceed or not, is Lord Derby (or perhaps Lord North). Geese in the foreground (right) hiss at the procession."--British Museum online catalogue
Description:
Title etched below image. and On verso in pencil: George Townly Stubbs.
Publisher:
Pubd. July 20th 1786 by W.S. [sic] Fores at the Caracature Ware-house, No. 3 Piccadilly
Subject (Name):
George IV, King of Great Britain, 1762-1830, Fitzherbert, Maria Anne, 1756-1837, Hanger, George, 1751?-1824, Weltje, Louis, 1745-1810, Fox, Charles James, 1749-1806, and Smith-Stanley, Edward, 1752-1834
"One of a set of prints by one or more artists on the marriage of the Prince of Wales and Mrs. Fitzherbert. The interior of a well-furnished room. The Prince of Wales (left) takes the hand of Mrs. Fitzherbert and is about to put the ring on her finger. The officiating minister (left), Weltje, stands in profile to the right holding a book inscribed 'Matrimony' and 'Hoyle's Games'. From his pocket issues a paper, 'Weltjie's Natn Bill'. A cork-screw and another implement hang from his waist by a jewelled chain, simulating a rosary and cross; he wears a long gown over fashionably cut clothes. Next Mrs. Fitzherbert (right) stands George Hanger, giving her away; he wears regimentals with a huge cocked hat; under his left arm is a bludgeon (cf. BMSat 7116). The Prince wears the insignia of the Garter, Mrs. Fitzherbert (poorly characterized) wears a triple ostrich plume in her hair with the motto 'Ich dien'. On the wall are two pictures: a three quarter length portrait of Mrs. Fitzherbert, and (right) a Leda and the Swan, partly concealed by a curtain which fills the upper right corner of the design. Beneath the Leda is a semicircular table on which are vases and a book, 'Love's Last Shift' (Cibber's play). A hanging candelabra is part of the design."--British Museum online catalogue
Alternative Title:
Marriage of Figaro
Description:
Title from item., Sheet trimmed within plate mark., In lower right corner: Price 2s. 6d., Subjects of character identified by inscriptions on their clothing., Temporary local subject terms: Prussian officers' uniforms -- Furniture -- Pictures that amplify subject -- Literary allustions: Love's Last Shift by Colley Cibber -- Holcroft's Follies of the Day., Watermark in center of sheet., and In manuscript on verso: Horace Walpole sat 8:2.
Publisher:
Published March 13th 1786 by S.W. Fores, at the Caracature Warehouse, No. 3 Piccadilly
Subject (Name):
George IV, King of Great Britain, 1762-1830, Fitzherbert, Maria Anne, 1756-1837, Hanger, George, 1751?-1824, and Weltje, Louis, 1745-1810
"A fox with the head of Fox sits in profile to the right, one paw on the forehead of a life-like bust of the Prince of Wales, which he has carved; his mallet and chisels lie on the ground. He says: "What a goodly figure this makes! what a Pity that it should want Brains. Esops Fab." Two other pieces of sculpture stand on pedestals: (left) a whole length statue of a woman, kneeling on one knee in profile to the left, partly draped, having a certain resemblance to Mrs. Fitzherbert; a head (right) wearing a laurel wreath in profile to the left, looking up at Fox and the Prince; it has the long nose of Hanger, but is perhaps intended for Aesop."--British Museum online catalogue
Description:
Title from item., Attributed to George Townley Stubbs in the British Museum online catalogue, registration no.: J,4.57., Sheet trimmed to plate mark on right and left sides., and Partial watermark at top center of sheet.
Publisher:
Pubd. Augt. 2, 1786 by W.S. [sic] Fores at the Caracature Ware-House, No. 3 Piccadilly
Subject (Name):
George IV, King of Great Britain, 1762-1830, Fox, Charles James, 1749-1806, Hanger, George, 1751?-1824, and Fitzherbert, Maria Anne, 1756-1837
Three oval designs, two above with a larger one below, illustrating three satirical toasts: Honor and honesty; Love and loyalty; Fitz and good company. In the first, a man sits at a table, in his hand is a cup for rolling dice and on the table some coins and a playing card (the knave of clubs). In the second image (upper right) a man, pen in hand, writes a letter "No. 45 To the ...", on the table a book entitled "Essay on woman". In the image at the bottom, a couple (George IV and Mrs. Fitzherbert) embrace; on the table in front of the pair is a book "Morris's songs."
Description:
Title engraved below image. and Sheet trimmed within plate mark.
Publisher:
Published by S.W. Fores, October 20, 1786 at the Caricature Warehouse, No. 3 Piccadilly
Subject (Name):
George IV, King of Great Britain, 1762-1830, Fitzherbert, Maria Anne, 1756-1837, Fox, Charles James, 1749-1806, and Wilkes, John, 1725-1797
"The white horse of Hanover, laden with two panniers (inscribed 'Sterling') overflowing with guineas, and a tea-tray with a tea-service, is being led off to the right by a scampering demon, wearing a high cocked hat and a coat, his hair in a queue. Under his arm is a sack inscribed 'light gold for charities'. A signpost (right) points 'To Hesse-Cassel'. A sack, labelled 'For Secret Services', with the legs and feet of an animal or demon walks behind the horse, which directs a blast of excrement towards the royal party. In the middle distance (left) the royal family stand disconsolately in a group: Queen Charlotte, much caricatured, holds up a slender purse to the King with a gesture of despairing astonishment. The King, who wears a hunting-cap, though melancholy, appears resigned. The younger children, ragged and in tears, surround their parents. Behind them is Windsor Castle. In the foreground (left) is the corner of a debtors' prison, a begging-box outside the barred window through which look the Prince of Wales, Burke, Fox, and North; George Hanger's profile is just visible within."--British Museum online catalogue
Description:
Title etched below image., Printmaker from British Museum catalogue., and Mounted on leaf 7 of volume 2 of 12.
Publisher:
Pubd. Novr. 10th, 1786, by W. Holland, No. 66 Drury Lane
Subject (Name):
George III, King of Great Britain, 1738-1820, George IV, King of Great Britain, 1762-1830, Hanger, George, 1751?-1824, Fox, Charles James, 1749-1806, Burke, Edmund, 1729-1797, and North, Frederick, Lord, 1732-1792
