V. 1. Caricature magazine, or, Hudibrastic mirror.
Image Count:
1
Resource Type:
still image
Abstract:
"A sequel to No. 11384. A fantastic scene in Oxford representing Grenville's installation as Chancellor, which took place at Commemoration, 3 July 1810. Grenville rises in a balloon above a vast applauding crowd; his inflated and spherical posterior fits into the shallow bowl which forms the car. He wears a papal tiara and his Chancellor's gown; a large cross is on his posterior. He extends his arms horizontally, scattering symbolical objects. These are (left): a Cardinal's hat, a rosary, a mitre set in a ducal coronet, and a book, 'Liber Regis . . . Oxford . . .'; (right): three books: 'Letter to the Earl of Fingal'; 'Irish Mass Book'; 'Liber Valorum'. The spherical gas-bag of the balloon represents an inflated Lord Temple, the crown of the head at the summit, with upturned profile in the arc just below (left); shoes emerge from the opposite pole; from the posterior issues a tail or cloud, streaming upward, inscribed 'Promisses'. The car, decorated with Popish emblems, the Host between winged heads, hangs from cords suspended from a net covering the balloon. Three bishops, seated on asses which crouch in neighing obeisance towards Grenville, reach up eagerly towards the Cardinal's hat, &c. They are in back view, and in the foreground on the extreme left. Behind them is part of the Radcliffe Camera, the greater part being cut off by the left margin. By the door is a placard: 'Order'd That No Doctor of Laws shall be admitted without Bag Wig'. Two men are leaving the building: Lord George Grenville, followed by (?) Thomas Grenville. [Not Windham (as Wright and Evans say) who died in June. Lord Holland says Lord Grenville, but he does not resemble him, and his double appearance is unlikely.] The Marquis of Buckingham looks from the principal window under the dome; Lord Stafford leans from a smaller window below. All four wear bag-wigs and gowns. On a projection above the door stands a chicken with the head of M. A. Taylor (the 'Chick of Law', see No. 6777) puffing a blast up at the balloon. Spectacled and bewigged owls perch on the balustrade surrounding the dome. In the foreground on the right is a large group, many of whom wear doctor's gowns with black masks over their features, tied over bag-wigs that perch awkwardly on their heads. Three of them wave their mortar-board caps towards the balloon: Erskine, Tierney (without a mask and especially deferential), and Lord Holland, his face completely blackened by a mask and wearing a mob-cap. Behind (right) are Lord Grey, Sidmouth holding a clyster-pipe behind his back (cf. No. 9849), Lord Cholmondeley, whose wig is back to front and tilted tipsily over one eye, and Whitbread, who clutches his mortarboard in both hands. In front little Lord Lansdowne capers, holding up the brush and shovel of a chimney-sweep (as Lord Henry Petty he was satirized as an inveterate dancer, cf. No. 10589). Next him, but walking off to the right, is Sheridan, who, unlike the others, does not wear a gown and bag-wig, but is naked except for tattered Harlequin trousers (cf. No. 9916), shoes, and ruffles fastened round his wrists to indicate genteel poverty; he clutches his head with a despairing gesture. In the foreground on the extreme right. Dr. Crowe, the Public Orator, sits on the ground, leaning against a milestone with closed eyes and a contented smile; beside him are an overturned tankard inscribed 'Whitbread Entire' [cf. No. 10421], and papers, 'Oratio Croweiana', which a dog is befouling. The stone is inscribed [blank] 'Miles from Oxford to Rome'. The middle distance is filled with a dense crowd of spectators, receding into a sea of heads. Those in front are doctors in red gowns bowing low as Grenville ascends. In front of the crowd Sir W. W. Wynn and his two brothers (Grenville's nephews), sit together in a little chaise drawn by three galloping Welsh goats (as in No. 9760); they wear bag-wigs and gowns and raise their caps to Grenville. One of the goats gallops over a prostrate man in doctor's wig and gown. A bishop (the Archbishop of York) drives through the crowd (left to right) in an open barouche; he doffs his mitre; the coachman and three fat footmen standing behind wave their cocked hats. The crowd surrounds a wooden booth (left) and a high wagon which serves as platform for a rustic family group to view the display. The booth is placarded: 'Wonder of the World the biggest Flying Elephant in the Whole Fair'. Inside it, tiny figures peer at the posterior of a vast elephant with little wings and the head of Grenville. The background is a fantastic view of Oxford towers, which resembles, and is perhaps based on, a drawing by Rowlandson (reproduced, C. Hobhouse, 'Oxford', 1939, p. 60). The crowd fills a space between the Radcliffe Camera and the wall of All Souls abutting (right) on the west end of the Chapel. Behind (left) is the cupola over the gate of All Souls with (right) Hawkesmoor's twin towers flanking a 'Popish' cross. Tom Tower, Christ Church, much heightened and enlarged (right), behind the chapel, flies a Popish flag decorated with tiara and keys, and is traversed from top to bottom by a great fissure. Bats and carrion birds fly round it. Below the design: '-He steers his flight Aloft, incumbent on the dusky air That felt unusual weight,-Par, Lost, Lib: I. l, 225-'"--British Museum online catalgoue
Alternative Title:
He steers his flight aloft, incumbent on the dusky air that felt unusual weight. Par. Lost and Tentanda via est qua me quoque possim tollere humo. Virgil, Geor. ...
Description:
Title etched below image., Date based on publication date of the original print by Gillray, of which this is a reduced copy. Cf. No. 11570 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 8., Plate numbered "34" in upper right corner., Plate from: Woodward, G.M. Caricature magazine, or Hudibrastic mirror. London : Thomas Tegg, [1808?], v. 1., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., and Leaf 93 in volume 1.
Publisher:
publisher not identified
Subject (Name):
Eldon, John Scott, Earl of, 1751-1838, Grenville, William Wyndham Grenville, Baron, 1759-1834, Nugent, George Nugent Grenville, Baron, 1788-1850, Lansdowne, Henry Petty-Fitzmaurice, Marquess of, 1780-1863, Wynn, Charles Watkin Williams, 1775-1850, Wynn, Henry Watkin William, 1783-1856, Taylor, Michael Angelo, 1757-1834, Erskine, Thomas Erskine, Baron, 1750-1823, Harcourt, Edward, 1757-1847, Fingall, Arthur James Plunkett, Earl of, 1759-1836, Crowe, William, 1745-1829, Cleaver, William, 1742-1815, Randolph, John, 1749-1813, Grenville, Thomas, 1755-1846, Holland, Henry Richard Vassall, Baron, 1773-1840, Whitbread, Samuel, 1764-1815, Tierney, George, 1761-1830, Sutherland, George Granville Leveson-Gower, Duke of, 1758-1833, Sidmouth, Henry Addington, Viscount, 1757-1844, Grey, Charles Grey, Earl, 1764-1845, Sheridan, Richard Brinsley, 1751-1816, Cholmondeley, George James Cholmondeley, Marquess of, 1749-1827, and Moss, Charles, 1763-1811
V. 1. Caricature magazine, or, Hudibrastic mirror.
Image Count:
1
Resource Type:
still image
Abstract:
"The Archduchess Marie Louise lying in a canopied bed with Napoleon; she lies back languidly but with her feet overhanging the edge, remarking, 'My dear Nap: your bed accommodations are very indifferent! Too short by a yard! I wonder how Josephino put up with such things even as long as she did!!!' Napoleon lies beside her, resting on his right elbow and looking off discontentedly to right, replying, 'Indeed Maria I do not well understand you? The Empress Josephino who knew things better than I hope you do, never grumbled - Le Diable! I see I never will be able to get what I want after all!!!' In the left foreground, a dog is just seen leaping over a tumbled pile of crowns, two labelled 'France', 'Spain'."--British Museum online catalogue
Alternative Title:
Arch Duchess Maria Louisa going to take her nap and Archduchess Maria Louisa going to take her nap
Description:
Title etched below image., Printmaker from the British Museum online catalogue, registration no.: 1995,0618.19., Plate from: Woodward, G.M. Caricature magazine, or Hudibrastic mirror. London : Thomas Tegg, [1808?], v. 1., "Price one shilling coloured.", Watermark: 1817., and Leaf 84 in volume 1.
Publisher:
Pubd. April 12, 1810, by Thos. Tegg, No. 111 Cheapside
Subject (Name):
Napoleon I, Emperor of the French, 1769-1821 and Marie Louise, Empress, consort of Napoleon I, Emperor of the French, 1791-1847
V. 1. Caricature magazine, or, Hudibrastic mirror.
Image Count:
1
Resource Type:
still image
Abstract:
"Marie Louise (left) sits on the edge of a canopied bed adjusting her garter (she is perhaps adapted from Mrs. Fitz-herbert in Gillray's 'The Morning after Marriage', British Museum Satires No. 7298). Her back is to Napoleon, who sits up in bed turning to the Devil (right) who approaches from behind the curtain, pitchfork in hand. The Emperor's hand rests on an open book: 'Aristotle's Master-piece or the Secrets of Nature Reveal'd'. He says: "My good friend I smell your approach, and know what you are come about, I am loth to part with Maria yet, and am consulting this book before I determine, yes! yes! she must sleep with her Aunts & Cousins if it is necessary for my Reputation I'll not he laughd at". The Devil, who is nude, with horns, webbed wings, and barbed tail, answers: "Poh! Poh! dont gammon me about books, you know your impotence, send her to Heaven, or I'll withdraw my protection and you'll come to Hell presto". Marie Louise says: "Oh dear! if this is the deligt's of Love I am surfeited already, to be sure few husbands disturb their wives rest more than mine does, but it's with starting & kicking in his sleep & crying have mercy on me. I suppose Josephine used to worry him so. bless me what a smell of brimstone there is!" On the floor (right) lie a book, 'Life of Henry the VIII of England', and two documents: 'Medical opinion on ...' and 'Progeny of the Emperor of Persia'. The canopy of the large ornate bed with fringed curtains is decorated with crowns."--British Museum online catalogue
Alternative Title:
Devil and his protégé, or, Another separation in contemplation and Another separation in contemplation
Description:
Title etched below image., Printmaker from British Museum catalogue., Plate numbered in upper right corner: No. 27., Plate from: Woodward, G.M. Caricature magazine, or Hudibrastic mirror. London : Thomas Tegg, [1808?], v. 1., "Teggs caricatures, No. 111 Cheapside."--Upper left corner., Watermark: 1817., and Leaf 92 in volume 1.
Publisher:
Pubd. June 1810 by Thos. Tegg, 111 Cheapside
Subject (Name):
Napoleon I, Emperor of the French, 1769-1821 and Marie Louise, Empress, consort of Napoleon I, Emperor of the French, 1791-1847
"A clumsy lumbering diligence, with four horses, leaves the porte-cochère of an inn, part of whose ornate façade is on the left. The sign, 'Le Qoque [sic] en Pate', hangs from a wrought-iron bracket. Two postilions ride the near horses, flourishing their whips. The coach is full inside and out with typical French characters, humorously drawn, soldiers, monks, and women, with couples absorbed in conversation. An old couple beg from the passengers. A lean sow with small pigs scampers beside the coach. In the background (left) is the west end of a small church with a Calvary beside it at which nuns kneel in prayer; a group of monks approaches holding a cross. Down the hill leading from inn and church a post-chaise and pair and a post-boy on a horse are galloping, the latter wearing the huge 'milk-churn' boots which astonished visitors to France. A row of very ancient gabled houses forms part of the background, while on the extreme right is a large building of more recent date."--British Museum online catalogue
Alternative Title:
Paris diligence
Description:
Title from caption below item. and For a later state with imprint and plate number, see no. 11624 in Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 8.
Publisher:
publisher not identified
Subject (Geographic):
France.
Subject (Topic):
Beggars, Carriages & coaches, Cities & town life, Christianity, Crucifixions, Signs (Notices), Taverns (Inns), Passengers, Pigs, and Stagecoaches
Title from caption below item., Temporary local subject terms: Box bed -- Daughters -- Plate rack -- Chamber pots -- Brooms -- Chickens -- Hay stack., and Watermark: J. Whatman 1812.
V. 1. Caricature magazine, or, Hudibrastic mirror.
Image Count:
1
Resource Type:
still image
Abstract:
"The interior of a slatternly cottage. Three visitors, a well-dressed man in top-boots (Mr. Stewart), a comely woman (Mrs. Mason), and a fashionably dressed young girl (Mary Mason), stand before the fire surveying the disorder. The woman of the cottage (right) barefooted and brawny, sweeps the earth floor, looking over her shoulder at the lady, who asks: "Mistress Mclarty, why do you not make your Daughters assit [sic] you". She answers: "Indeed my Daughters can clean the House, or Milk the ky as wee'l as I can when they like but its no often that they will be Fashed". Two gawky shock-headed girls lounge with amused interest in the corner of the room (left). Two box-beds are on the right with household gear hanging over them, including twists of yarn, with a large cobweb against the wall. Small chickens peck at the contents of a large pot (a whey-pot) and plates on the floor. A cat laps from a bowl on a rough dresser above which plates and spoons are ranged. The doorway (left) gives immediately on to a pond in which ducks swim; beside it is a tall manure heap."--British Museum online catalogue, description of an earlier state
Description:
Title etched below image., Printmaker identified as Isaac Cruikshank in description of earlier state in the British Museum online catalogue., Later state; date has been removed from imprint statement., Date of publication based on complete imprint on earlier state: Pubd. by T. Tegg, 111 Cheapside, Sepr. 6, 1810. Cf. No. 11651 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 8., Plate from: Woodward, G.M. Caricature magazine, or Hudibrastic mirror. London : Thomas Tegg, [1808?], v. 1., Companion print to: Scotch cleanliness ..., Watermark: 1817., and Leaf 32 in volume 1.
Copy of a theatre ticket: a stage scene with six performers, a dog and a cat, and in the background two tightrope walkers accompanied by an ape; within a frame, a satyr on either side; a copy of a forgery purporting to be an admission ticket for a performance of Fielding's Pasquin at the Haymarket Theatre in April 1736
Description:
Title from caption at top of image. and Plate from: Nichols, J. The genuine works of William Hogarth, v. 3, page 134.
Publisher:
publisher not identified
Subject (Topic):
Actors, Actresses, Aerialists, Cats, Dogs, Satyrs (Greek mythology) in art, Theatrical productions, Tickets, and Ephemera
"'Cits' gallop (right to left) across a rough field near London, with one or two mongrel dogs under the horses' hooves. One leaps a small piece of water over the head of a man who has fallen in. A fat man is flung upwards from his prostrate horse. In the background is a 'cit's country box' surrounded by a wall, above which projects a gazebo, in the Chinese taste (cf. No. 8208 by Bunbury). Tiny figures watch from a window and from the wall. Near the wall ride two little chimney-sweeps on an ass, and a woman on a broken-kneed horse."--British Museum online catalogue
Description:
Title etched below image., Date of publication from British Museum catalogue., Sheet trimmed within plate mark on lower edge., Plate also published in: Caricatures. [London?], [1836?], page 48., and Window mounted to 28 x 41 cm.
