Title from caption below image., Sheet trimmed., and Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires.
"Mrs. Cox, in décolletée evening dress with roses in her hair, sits on a sofa with Kean on her lap. He wears slashed doublet and trunk hose. She caresses him, saying, O Romeo, I would thy love were pure as is the virgin snow --. He gazes at her with an intent, cynical smile, answering, By Heaven 'tis as pure as ever lover felt in the purlieus of Drury -- pure as refined gold, as ere was seen in Great or little Britain dearest Juliet --!!!! He holds a glass of brandy; on a table (left) a decanter of Brandy, with a second glass, stands on a playbill: Theatre [Royal] Drury [Lane]. A bold Stroke for A Husband [Mrs. Cowley, 1783] with the Devil to Pay [Coffey, 1731]. On the sofa are a pile of 150 Love Letters; a book, Ovids Art of Love; a paper, Cox and Co. Above Mrs. Cox's head is a picture, Europa and the Bull, a nude woman astride the bull. On the right is a sash-window reaching to the floor. Through this stares Cox; on his head are bull's horns and huge antlers. He wears his alderman's chain, and holds a letter: Dear C- I advise you to keep a Keen eye on you [sic] wife, or Mr -- will --Yours truely E. K-. He shouts: Fire! Fury! and gold dust!! what do I see? K-Kissing my Wife! my head swims and my hair stands erect, but Damages, Damages, Damme!!!!- In front of the window two cats caterwaul angrily at each other: Waough!!! Waough!!!; Maoul Roouw!!"--British Museum online catalogue
Alternative Title:
Keenish sport in Cox's court! and Symptoms of crim. con in Drury Lane May 1824
Description:
Title from caption below image., Printmaker from British Museum catalogue., State with imprint. Cf. No. 14710 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 10., and Temporary local subject terms: Costume: male, female, 1824 -- Brandy -- Bull's horns -- Huge antlers -- Crim con -- Cox, Mrs. Charlotte (Newman), fl. 1824 -- Cox, Robert Albion, fl. 1794-1826.
Publisher:
Pubd. May, 1824 by J. Fairburn Broadway Ludgate Hill
Title from caption below image., Print signed using William Heath's device: A man with an umbrella., Publication date from unverified data from local card catalog record., Text following imprint: where political and other caricatures are daily pub., Sheet trimmed within plate mark., Text below title: Suppose any one could see us now., and Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires.
"Three men sit at a table absorbed in an oyster feast, while Richard Martin ..., sensing cruelty to oysters, enters, followed by a constable with his staff (left). Papers hang from his pocket: M . . . . s Bill to prevent Cruelty to Animals, and a book projects: Gullivers Travels--A Voyage to . . . Ho[uyhnhnms]. Martin points imperiously to the table, the constable makes a wry face. A lean elderly man ... sits with his back to the door on a piano-stool on which are sheets of music. At his feet is a paper: The Oyster crossed in Love as sung by Messs Sinclair & Gamon at Covent Garden O gentle Swain yr Knife [refrain] Nor Wound a Heart so soft as mine. Dr E----y, wearing tartan, stands over a tub of Natives, opening oysters. The third man's face is concealed. On the table, besides oyster-shells, &c, are a candle burnt low and a large jug of Hot Milk. The walls are covered with shelves. On one set (left), inscribed Larder of Death, are druggist's jars, &c. These include Opium, Oxalic Acid, Calomel, with a box of Gamboge. The other, inscribed Good Living, are laden with food: a pie, a chain of sausages, a sirloin, jar of Cherry Bounce, round of beef, a Scots Haggis, a hare, a bird. There is also (left) a high shelf of books."--British Museum online catalogue, description of a different state or version
Description:
Title etched below image., Different state or version, with variations in the text below image, of a plate to No. VI of The family oracle of health, economy, medicine, and goodliving (London : Walker [etc.], 1824-1829). Cf. No. 14696 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 10., Three of the figures are identified with etched text beneath lower border of image: [left to right] Martin; Dr. Kitchener; Dr. E-y., Cf. Cohn, A.M. George Cruikshank: a catalogue raisonné, 301., Cf. Reid, G.W. A descriptive catalogue of the works of George Cruikshank, 1265, 5259., and Temporary local Medical Library subject terms: Dr. Eady.
Publisher:
Published by J. Walker
Subject (Name):
Martin, Richard, 1754-1834 and Kitchiner, William, 1775?-1827
"Three men sit at a table absorbed in an oyster feast, while Richard Martin (M----n), sensing cruelty to oysters, enters, followed by a constable with his staff (left). Papers hang from his pocket: M . . . . s Bill to prevent Cruelty to Animals, and a book projects: Gullivers Travels--A Voyage to . . . Ho[uyhnhnms]. Martin points imperiously to the table, the constable makes a wry face. A lean elderly man (Dr K----r) sits with his back to the door on a piano-stool on which are sheets of music. At his feet is a paper: The Oyster crossed in Love as sung by Messs Sinclair & Gamon at Covent Garden O gentle Swain yr Knife [refrain] Nor Wound a Heart so soft as mine. Dr E----y, wearing tartan, stands over a tub of Natives, opening oysters. The third man's face is concealed. On the table, besides oyster-shells, &c, are a candle burnt low and a large jug of Hot Milk. The walls are covered with shelves. On one set (left), inscribed Larder of Death, are druggist's jars, &c. These include Opium, Oxalic Acid, Calomel, with a box of Gamboge. The other, inscribed Good Living, are laden with food: a pie, a chain of sausages, a sirloin, jar of Cherry Bounce, round of beef, a Scots Haggis, a hare, a bird. There is also (left) a high shelf of books."--British Museum online catalogue
Description:
Title etched below image., Plate to No. VI of: The family oracle of health, economy, medicine, and goodliving. London : Walker [etc.], 1824-1829., Three of the figures are identified with etched text beneath lower border of image: [left to right] M-n; Dr. K-n; Dr. E-y., Temporary local Medical Library subject terms: Dr. Eady., and 1 print : etching and aquatint ; image and inscription 12.5 x 19.2 cm.
Publisher:
Published by J. Walker
Subject (Name):
Martin, Richard, 1754-1834 and Kitchiner, William, 1775?-1827
"Three men sit at a table absorbed in an oyster feast, while Richard Martin (M----n), sensing cruelty to oysters, enters, followed by a constable with his staff (left). Papers hang from his pocket: M . . . . s Bill to prevent Cruelty to Animals, and a book projects: Gullivers Travels--A Voyage to . . . Ho[uyhnhnms]. Martin points imperiously to the table, the constable makes a wry face. A lean elderly man (Dr K----r) sits with his back to the door on a piano-stool on which are sheets of music. At his feet is a paper: The Oyster crossed in Love as sung by Messs Sinclair & Gamon at Covent Garden O gentle Swain yr Knife [refrain] Nor Wound a Heart so soft as mine. Dr E----y, wearing tartan, stands over a tub of Natives, opening oysters. The third man's face is concealed. On the table, besides oyster-shells, &c, are a candle burnt low and a large jug of Hot Milk. The walls are covered with shelves. On one set (left), inscribed Larder of Death, are druggist's jars, &c. These include Opium, Oxalic Acid, Calomel, with a box of Gamboge. The other, inscribed Good Living, are laden with food: a pie, a chain of sausages, a sirloin, jar of Cherry Bounce, round of beef, a Scots Haggis, a hare, a bird. There is also (left) a high shelf of books."--British Museum online catalogue
Description:
Title etched below image., Plate to No. VI of: The family oracle of health, economy, medicine, and goodliving. London : Walker [etc.], 1824-1829., Three of the figures are identified with etched text beneath lower border of image: [left to right] M-n; Dr. K-n; Dr. E-y., and Temporary local Medical Library subject terms: Dr. Eady.
Publisher:
Published by J. Walker
Subject (Name):
Martin, Richard, 1754-1834 and Kitchiner, William, 1775?-1827
The quadrangle at Tattersalls (1823) is filled with groups of betting men, 'the greater part ... are portraits' (p. xx). The three men on the extreme left are Mr. Tanfield, Lord Sefton, and Colonel Hylton Jolliffe. In the extreme right corner is Sir L. Skeffington; near him, but not identifiable, is John Gully the ex-pugilist. A Jew sells wares from a basket-tray. Over the doorway: Houses must not be taken away without being paid for
Alternative Title:
Heroes of the turf paying & receiving at Tattersals and Heroes of the turf paying and receiving at Tattersals
Description:
Title from caption below image., Sheet trimmed within plate mark., and For published state see, no. 14944 in: Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 10.
Publisher:
Published March 1, 1824 by Sherwood, Jones, & Co.
Subject (Geographic):
Great Britain.
Subject (Name):
Gully, John, 1783-1863., Skeffington, Lumley St. George, Sir, 1771-1850., and Tattersalls (Firm)
Subject (Topic):
Jews, Horse buyers, Horse trading, Crowds, and Street vendors
"The actor stands directed to the left, head in profile, with a whimsical expression, holding up the right coat-tail. He wears the costume of c. 1821, with long tight pantaloons, and tied shoes, with gloves and without hat."--British Museum online catalogue, description of an earlier state
Alternative Title:
Mr. Charles Kemble as Charles Surface, in The school for scandal
Description:
Title etched below image., Reissue of a print published by Richard Dighton himself; a blank space in the statement of responsibility, between "etchd." and "by Richd. Dighton", contained the words "& pubd." in the original issue. See No. 14271 in the Catalogue of prints and drawings in the British Museum, v. 10. See also: Catalogue of engraved British portraits preserved in the Department of Prints and Drawings in the British Museum, v. 2, page 677, no. 2., Date of publication from the British Museum online catalogue entry for publisher Thomas McLean, which notes that "all prints dated before 1824 are reissues of 1824 or later"., Sheet trimmed within plate mark., Window mounted to 51 x 36 cm., and Mounted opposite page 184 (leaf numbered '226' in pencil) in volume 1 of an extra-illustrated copy of: Moore, T. Memoirs of the life of the Right Honourable Richard Brinsley Sheridan.
Publisher:
Pubd. by T. McLean, Haymarket
Subject (Name):
Kemble, Charles, 1775-1854, and Sheridan, Richard Brinsley, 1751-1816.
Portrait of the actor William Farren, in character as Sir Peter Teazle in Sheridan's 'School for Scandal'; whole length, standing facing right, his right hand tucked inside his waistcoat
Description:
Title etched below image; the letter "z" in "Teazle" is etched backwards., Reissue of a print likely published by Richard Dighton himself; a blank space in the statement of responsibility, between "etchd." and "by Richd. Dighton", probably contained the words "& pubd." in the original issue of the print., Date of publication from the British Museum online catalogue entry for publisher Thomas McLean, which notes that "all prints dated before 1824 are reissues of 1824 or later"., Imperfect; sheet trimmed within plate mark with partial loss of statement of responsibility and imprint statement., Window mounted to 51 x 36 cm., and Mounted opposite page 166 (leaf numbered '207' in pencil) in volume 1 of an extra-illustrated copy of: Moore, T. Memoirs of the life of the Right Honourable Richard Brinsley Sheridan.
Publisher:
Pubd. by T. McLean, Haymarket
Subject (Name):
Farren, William, 1786-1861, Farren, William, 1786-1861,, Sheridan, Richard Brinsley, 1751-1816., and Farren, William, 1786-1861.
Subject (Topic):
Performances, Teazle, Peter, Sir (Fictitious character), Actors, and British
"Below the title: Dedicated without permission, to the Church Commissioners--Nash, much caricatured, is spiked by the seat of his trousers on the spire of All Souls Church, Langham Place, the upper part of the ring of pillars below the spire forming the base of the design. He is suspended like a scarecrow, large in proportion to the building, his arms extended horizontally from the shoulders and hanging limply from the elbow, his head is turned to the left. Carrion birds fly round him. There is a background of clouds. Below the dedication: Providence sends meat, Parliament sends Funds-- The Devil sends cooks-- But, who sends the Architects?--!!!"--British Museum online catalogue
Alternative Title:
National taste!!!
Description:
Title from caption below image., Print signed using George Cruikshank's device: Q in the corner., Sheet trimmed to plate mark., Four lines of text below title: Providence sends meat, the devil sends cooks ..., Temporary local subject terms: Churches: All Souls Church, Langham Place., and Manuscript "97" in upper center of plate.
