"Three busts on pedestals under two pictures: Fox, very lifelike, without inscription, between 'Demosthenes against Æschines' (left) and 'Cicero against Cataline' (right), both of whom look straight before them, frowning severely, as if outraged at their new companion. Above Demosthenes is 'Justice': a picture of Catherine II, raising a dagger to stab to the heart the Sultan, who lies on his back, his sabre and a bag of '16000000 Roubles' beside him. On the right is 'Moderation': the Empress in back view stands facing a wall-map of 'Moldavia Bessarabia Wallachia' over which she stretches her stout arms with widespread greedy fingers. Between the pictures and above Fox is a circle surmounted by an imperial crown and inscribed 'Conjugal Love A Cure for the Haemerroidical Cholic'. It encloses a noose of rope, and another rightope is looped round the exterior of the circle, indicating Catherine's complicity in the murder of her husband Peter III (cf. BMSat 8124). ..."--British Museum online catalogue.
Description:
Five columns of verse below image: The Grecian orator of old, with scorn rejected Philip's laws, indignant spurn'd at foreign gold, and triumph'd in his country's cause ..., Printmaker from British Museum catalogue., Text at bottom of plate: --"and so far will I trust thee gentle Kate." Henry 4th part 1st., and Title from text in image.
Subject (Name):
Auchincloss, Hugh Dudley--Ownership., Catherine--II,--Empress of Russia,--1729-1796--Caricatures and cartoons., Cicero, Marcus Tullius--Caricatures and cartoons., Demosthenes--Caricatures and cartoons., Fox, Charles James,--1749-1806--Caricatures and cartoons., Harvey, Francis--Ownership., Humphrey, Hannah, active 1774-1817, publisher., and Selim--III,--Sultan of the Turks,--1761-1808--Caricatures and cartoons.
"A pair of masculine legs from below the calf, the feet in large buckled shoes, between the tiny ankles and feet of the Duchess of York wearing jewelled slippers, placed horizontally."--British Museum online catalogue.
Alternative Title:
Duchess's little shoe yeilding to the magnitude of the Duke's foot and Duchess's little shoe yielding to the magnitude of the Duke's foot
Description:
Printmaker from British Museum catalogue. and Title etched below image.
Publisher:
H. Humphrey, No. 18 Old Bond Street
Subject (Name):
Auchincloss, Hugh Dudley--Ownership., Frederica Charlotte Ulrica Catherina,--Princess, Duchess of York,--1767-1820--Caricatures and cartoons., Frederick Augustus,--Duke of York and Albany,--1763-1827--Caricatures and cartoons., Harvey, Francis--Ownership., and Humphrey, Hannah, active 1774-1817, publisher.
Date assigned by curator., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., Title etched below images., and Two images on one plate, each individually titled.
Subject (Name):
Auchincloss, Hugh Dudley--Ownership. and Harvey, Francis--Ownership.
Design in two compartments contrasting on the left the poverty and depravity of "French Liberty" with the opulence of the British on the right "British Slavery." The thin, ragged sansculotte with a liberty cap on his head, warms his bare, talon-like feet before a fire, while eating his dinner of raw onions. Behind him snails overflow his chamber pot; above the fireplace a "Map of French Conquests". At his feet a sword lies across a violin like a bow. He extolls the virtues of the National Assembly and new won liberties. In contrast on the right, an obese, red-faced Englishman sits in a luxurious room before a table laden with a tankard of hock and a large joint of beef. His shoes are slashed to relieve his bloated, gouty feet. A gold statute of Britannia adorns the wall above him. He curses his ministry for imposing taxes and starving the British people.
Alternative Title:
British slavery
Description:
Title etched below image. and Two images on one plate.
Subject (Geographic):
France--History--Revolution, 1789-1799.
Subject (Name):
Auchincloss, Hugh Dudley--Ownership., Harvey, Francis--Ownership., and Humphrey, Hannah, active 1774-1817, publisher.
Subject (Topic):
Britannia (Symbolic character), Liberty, Poverty, Rugs., Taxation--France., Taxation--Great Britain., Taxes., and Wealth.
"Pitt stands, in profile to the right, on a fortified tower, or platform, in the crenellations of which are cannon; he looks through a spy-glass, his knees bending with fear, and clutches by the arm a stout John Bull (left), a yokel (as in BMSat 7889), who stands full face, almost equally terrified. He is watching a flight of geese advancing from the right, and says, "There, John! - there! there they are! - I see them - get your Arms ready, John! - they're Rising & coming upon us from all parts; - there! - theres Ten Thousand sans-Culottes now on their passage! - & there! look on the other side, the Scotch have caught the Itch too; and the Wild-Irish have begun to pull off their Breeches! - what will become of us John? - & see, there's Five Hundred Disputing-Clubs, with bloody Mouths; - & Twenty Thousand Bill-stickers with Ca ira pasted on the front of their Red-Caps ! - where's the Lord Mayor John ? - are the Lions safe ? - down with the Book-stalls! - blow up the Gin-shops! - cut off the Printers Ears! - O Lord John! - O Lord! - we're all ruined! - they'l Murder us, and make us into Aristocrat Pyes!" John Bull answers: "Aristocrat Pyes ? - Lord defend us! - Wounds, Measter, you frighten a poor honest simple Fellow out of his wits! - Gin-Shops & Printers-Ears! - & Bloody-Clubs & Lord Mayors! - and Wild-Irishmen without Breeches, & Sans-Culottes! Lord have mercy upon our Wives & Daughters! - And yet, I'll be shot, if I can see any thing myself, but a few Geese, gabbling together - But Lord help my silly head, how should, such a Clod-pole as I, be able to see any thing Right ? - I dont know what occasion for I to see at all, for that matter; - why Measter does all that for I, - my business is only to Fire when & where Measter orders, & to pay for the Gunpowder; - but Measter o' mine, (if I may speak a word,) where's the use of Firing now? - what can us two do against all them Hundreds of Thousands of Millions of Monsters ? - Lord, Measter, had not we better try if they won't shake hands with us, & be Friends ? - for if we should go to fighting with them, & They should Lather Us, what will become of you & I, then, Measter!!!" John Bull, frightened and bemused, holds a musket with a broken bayonet, his left hand is in his coat-pocket, and he wears very wrinkled gaiters. In his hat are two favours, one 'Vive la Liberte', the other 'God save the King'. A pamphlet projects from each waistcoat-pocket: one, Paine's 'Rights of Man' (see BMSat 7867, &c), the other 'Pennyworth of Truth'. This is the pamphlet 'One Pennyworth of Truth, from Thomas Bull to his Brother John' denounced by Grey (17 Dec.) as a libel. 'Parl. Hist.' xxx. 138 ff. It attacked Price and Priestley and was by the Rev. William Jones. 'Hist. MSS. Comm., Kenyon MSS.', p. 536. Pitt's hair rises on his head, and his face is blotched with drink."--British Museum online catalogue.
Alternative Title:
Geese alarming the Capitol and John Bull bothered
Description:
In upper right corner of plate: Price 3 shills., the engraving not having been paid for by the Associations for vending two-penny scurrilities., Title etched below image., and Two lines of text following title: Thus on the rock, heroic Manlius stood, spy'd out the geese, & prov'd Rome's guardian god.
Subject (Name):
Auchincloss, Hugh Dudley--Ownership., Harvey, Francis--Ownership., Humphrey, Hannah, active 1774-1817, publisher., and Pitt, William,--1759-1806--Caricatures and cartoons.
Subject (Topic):
Cannons., Fortifications., and John Bull (Symbolic character)
"Two enormously fat courtesans sit side by side on a settee which they completely fill; between them and on the knees of both sits the Duke of Norfolk, a wine-glass in his left hand, in his right he holds the hand of one of the women at whom he gazes with a smile. Both women look amorously at him; they are dressed decorously and without extravagance. At the Duke's feet lies his baton as hereditary Earl Marshal. Above the two women is etched: (left) 'The Royal Sovereign, was formerly to be seen by all admirers of Natural Curiosities at Sixpence pr Head, & is reported to weigh near Forty-Stone', (right) 'Nell H--t--n, weighs rather under Thirty Stone; & in the absence of the Great Man, his place is agreeably filled by T------ W-----d, the celebrated collector on the Highway.' After the title is etched: 'Vide. Strand Lane; Temple Barr; &c. &c. &c.' [places frequented by prostitutes]."--British Museum online catalogue.
Alternative Title:
Rich pickings for a noble appetite
Description:
Printmaker from British Museum catalogue. and Title etched below image.
Publisher:
H. Humphrey, No. 18 Old Bond Street
Subject (Name):
Auchincloss, Hugh Dudley--Ownership., Harvey, Francis--Ownership., Humphrey, Hannah, active 1774-1817, publisher., and Norfolk, Charles Howard,--Duke of,--1746-1815--Caricatures and cartoons.
"Three burly French fishwives carry on their backs through the water three English visitors from a boat on the extreme right. Two other fishwives stand in the water by the boat trying to persuade a stout and angry lady to entrust herself to them; a Frenchman in the boat also addresses her. On the shore (left) a group of French people waits their arrival: foremost is a postilion standing in the huge milk-churn boots (worn only on horseback) which so much surprised English visitors. He holds out a paper inscribed 'Poste Royale'. A hotel servant holds back the postilion and proffers a card inscribed 'Hotel d'Angleterre'; he wears a nightcap with a bag-wig and ruffles and stands 'chapeau-bras'. Beside him is a rival tout, a dwarfish man or boy dressed in a slovenly manner, his feet in sabots stuffed with straw; he holds out a card inscribed 'Hotel.... Behind them' (left) are a monk and a fishwife with a basket on her back, her bare feet in sabots shaped like mules but stuffed with straw. A dog, grotesquely shaved in the French manner, completes the group. Cliffs (left) form a background. The foremost passenger is a typical John Bull wearing top-boots; he has an expression of fixed determination, his wig slips from his head and his hat is falling into the sea. Next is a lady wearing a riding-habit and a high-crowned hat. A younger man, fashionably dressed, with high hat, long breeches, and short boots, leers down at the woman who carries him. The fishwives are dressed alike with frilled muslin caps, loose jackets, and short petticoats; they wear ear-rings, and crosses hang from their necks."--British Museum online catalogue.
Alternative Title:
Landing of Sir John Bull & his family at Boulogne sur Mer
Description:
Printmaker and artist from British Museum catalogue. and Titles in French and English etched below image.
Publisher:
H. Humphrey, No. 18 Old Bond Street
Subject (Name):
Auchincloss, Hugh Dudley--Ownership., Bunbury, Henry William, 1750-1811, artist., Harvey, Francis--Ownership., and Humphrey, Hannah, active 1774-1817, publisher.
Subject (Topic):
John Bull (Symbolic character)--Caricatures and cartoons.
"A carriage (right) drives at a gallop towards the gateway of St. James's Palace; Lord Lansdowne, in peer's robes, puts his head out of the window to call to the coachman, who is lashing the pair of horses: "Drive you dog! drive! - now, or never! - aha the Coast is clearing!------drive! drive! you dog!" He has a sly smile. The carriage is decorated with coronets, and on the door is the beehive crest of Lord Lansdowne and the motto 'Ut Ap[es] Geometriam'. The coachman and three footmen who stand behind have enormous feather-trimmed cocked hats in the French fashion, with bag-wigs. Running behind the carriage with outstretched arms are: Fox, saying, "Stop! stop! - & take me in, - Stop!"; Sheridan saying, "And me too! stop", and (very small) M. A. Taylor, saying, "And me". In the background a similar carriage is driving yet more rapidly out of the Palace gateway; the tiny figures are recognizable: Dundas, the coachman, has dropped the reins, the horses are running away; Pitt, terror-stricken, puts his arms through the windows. Both look up at a dove with an olive-branch which flies over their heads towards the gateway. In the background are part of the Palace and the houses at the SW. corner of St. James's Street."--British Museum online catalogue.
Description:
Title from item. and Year of publication from British Museum catalogue.
Subject (Name):
Auchincloss, Hugh Dudley--Ownership., Fox, Charles James,--1749-1806--Caricatures and cartoons., Harvey, Francis--Ownership., Humphrey, Hannah, active 1774-1817, publisher., Lansdowne, William Petty,--Marquis of,--1737-1805--Caricatures and cartoons., Melville, Henry Dundas,--Viscount,--1742-1811--Caricatures and cartoons., Pitt, William,--1759-1806--Caricatures and cartoons., Sheridan, Richard Brinsley,--1751-1816--Caricatures and cartoons., and Taylor, Michael Angelo,--1757-1834--Caricatures and cartoons.
Subject (Topic):
Great Britain--Politics and government--1789-1820--Humor.
"A scene at a faro-table; part of the table, including an angle of the central well, stretches across the foreground, players and spectators sit and stand behind it. Lady Archer is the most prominent; she holds a pack of cards in one hand, a knave in the other, looking with a triumphantly rapacious smile at a stout lady (? Mrs. Hobart) who sits (right) clenching her fists and scowling back. All the others have expressions of alarm or concern, the least agitated being the Prince of Wales, seated on Lady Archer's left. On the extreme right and next Mrs. Hobart is Fox, turning up his eyes. The guests (except the Prince) are much caricatured; one of Gillray's witch-like hags sits between the Prince and Mrs. Hobart. On the table are heaps of coins, notes or bills, and rouleaux of guineas. Above the design is etched 'The Knave wins all'. ..."--British Museum online catalogue.
Alternative Title:
Friendly party in high life and Knave wins all
Description:
Dedication following title: To those earthly-divinities who charmed 20 years ago this honorable method of banishing mortifying reflections is dedicated., One line of text below title: O Woman! Woman! Everlasting is your power over us, for in youth you charm our hearts, and in your after-years you charm away our purses., Printmaker from British Museum catalogue., and Title etched below image.
Publisher:
H. Humphrey, No. 18 Old Bond Street
Subject (Name):
Archer, Sarah West,--Lady,--1741-1801--Caricatures and cartoons., Auchincloss, Hugh Dudley--Ownership., Buckinghamshire, Albinia Hobart,--Countess of,--1738-1816--Caricatures and cartoons., Fox, Charles James,--1749-1806--Caricatures and cartoons., George--IV,--King of Great Britain,--1762-1830--Caricatures and cartoons., Harvey, Francis--Ownership., and Humphrey, Hannah, active 1774-1817, publisher.
"A satire on high collars and voluminous neck-cloths. A good-looking young man stands full face, holding out in his (gloved) left hand a round hat and bludgeon. His right hand is behind his back and under his coat, which is open to display a double-breasted waistcoat with wide lapels, within which is another collar and a swathed neckcloth tied in a bow. The high collar of his tail-coat adds to the numerous swathings round his neck. His (powdered) hair hangs loosely on the collar of his coat. He wears striped stockings and low shoes with rosettes."--British Museum online catalogue.
Description:
Companion print to: "A back view of the cape.", Printmaker identified as Gillray in the British Museum catalogue., and Title etched below image.
Publisher:
H. Humphrey, No. 18 Old Bond Street
Subject (Name):
Auchincloss, Hugh Dudley--Ownership., Harvey, Francis--Ownership., Humphrey, Hannah, active 1774-1817, publisher., and Keate, Georgiana Jane, 1770-1850, artist.
