"Fox (right) kneels in profile to the left, firing point-blank from a blunderbuss at a post which roughly suggests George III in back view: it is surmounted by a short wig and a hunting-cap decorated with the royal arms; round a protuberance simulating posteriors a circle is drawn with a bull's-eye at which Fox is firing. He is much caricatured, with large head and short fat legs; he wears a slouch hat with the inscription 'Ca-Ira', and has a pleased and sinister smile. Behind him Priestley (left) and Sheridan (right) face each other in profile with conspiratorial smiles. Sheridan is ramming the barrel of a pistol, saying, "Well! this new Game is delightful! - O Heavens! if I could but once Pop the Post!!! then you and me, - Dear Brother P, - Would sing with glee, - Full merrily Ca-ira! Ca-ira! Ca-ira!" Priestley holds out to him two books: "on the Glory of Revolution and on the Folly of Religion & Order", saying, "Here's plenty of Wadding for to ram down the Charge with, to give it force, & to make a loud Report.""--British Museum online catalogue.
Alternative Title:
Swedes practising at a post
Description:
Printmaker from British Museum catalogue. and Title from text in image.
Subject (Name):
Auchincloss, Hugh Dudley--Ownership., Fox, Charles James,--1749-1806--Caricatures and cartoons., George--III,--King of Great Britain,--1738-1820--Caricatures and cartoons., Harvey, Francis--Ownership., Humphrey, Hannah, active 1774-1817, publisher., Priestley, Joseph,--1733-1804--Caricatures and cartoons., and Sheridan, Richard Brinsley,--1751-1816--Caricatures and cartoons.
"A central monument [1] representing the French Republic is flanked by figures on pedestals inscribed [2] 'Liberty' and [3] 'Equality'. [1] A stout and frantic man rises from a tottering armchair which is poised on a pile of fragments of columns inscribed 'Humanity', 'Social Happiness', 'Tranquiliy' [sic], 'Security', 'Domestic Peace', 'Laws', 'Urbanity', 'Order', 'Religion'. On the back of his chair are the words 'Republic of Paris', the word 'France' having been scored through; beneath is a serpent. He shrieks "Ca ira", and holds a print inscribed 'Religious Indifference', on which a bishop and a monk burn at the stake. From behind him leans a nude and ugly man, with small wings, holding out to the left a cornucopia from which issue six papers inscribed 'Assignat' (cf. BMSat 8145). Above his head is the word 'Plenty'. Four famished and grotesque heads, in profile to the right, in the upper left corner of the design, lean avidly towards the assignats. [2] On the left an arrogant embodiment of Liberty stands in profile to the left, one foot resting on two volumes inscribed 'Law'. He is a ragged soldier with bare legs, left hand on hip; in his right hand he holds a dagger on which is spiked a bleeding head. He says, "Ah Ca! f-----u Convention". At his feet, and on the extreme left, five men kneel abjectly, raising their hands in supplication; the man in the foreground wears a legal wig. [3] On the right Equality is symbolized by a well-dressed man grovelling on his hands and knees, while a burly, ragged, and half-naked ruffian stands on his back threatening him with a club. Beside them (right) is a pictorial banner inscribed 'Humanity': a grinning virago kneels on the body of a naked and mutilated man, a dagger in her right hand; she holds up the bleeding heart of her victim. Above this group stands a soldier in profile to the right, blowing from a trumpet the words 'Peace of Europe Establish'd'. He holds a match to the touch-hole of a mortar, inscribed 'Abolition of Offensive War', which is emitting cannon-balls; behind is a fortification inscribed 'Geneva'. He is inscribed 'Peace', and is a pendant to 'Plenty'."--British Museum online catalogue.
Alternative Title:
Stupendous monument of human wisdom
Subject (Name):
Auchincloss, Hugh Dudley--Ownership. and Harvey, Francis--Ownership.
"Lord Lonsdale as Satan is seated in triumph, his right foot resting on a sack of 'Coals from the Infernal Pitt.' (Pitt gave Lowther his peerage, see BMSat 6579.) Peter Pindar (Wolcot) (left) kneels on one knee at his feet, with clasped hands, beseeching mercy. A lawyer (right) whose legs are twisted serpents crouches at his left hand writing 'Peter Pindar' in a book inscribed 'Black List'; he is the coachman of BMSat 8155. Lonsdale is a magnificently arrogant figure with horns, wings, and muscular legs which are bare from the knee, his toes being talons; he resembles the Satan of BMSat 6027. He wears an earl's coronet inscribed 'Evil be thou my Good', and a military coat with epaulettes. From his mouth issues two streams of flame ... In his left hand, which rests on his knee, is a flaming torch inscribed 'Epistle to Lord Lonsd[ale] by Peter Pindar'. Behind his head is a large halo from which radiate tongues of flame that reach to the margins of the design, each with an inscription. ... The last inscription points at the lawyer as the first does at Pindar. Pindar's clothes are ragged, toes protrude through a tattered shoe. ... From his pocket project two books: 'Odes upon Cowardice' and 'Odes of Importance alias Conciliatory Odes'. The latter, published in 1792, contained an 'Ode to Lord Lonsdale', in which Lonsdale is urged to imitate the King's forbearance towards 'the poet's harmless wit'; it is by no means abject, and threatens him with an independent jury and Erskine's irony. ... Lonsdale's attorney holds 'Briefs' and 'Writs' under his left arm, on which a brief-bag is hung. The coals issuing from Lonsdale's sack are inscribed: 'Covetousness', 'Dissimulation', 'Rapine', 'Treachery', 'Malice', 'Cruelty', 'Envy', 'Pride', 'Ingratitude', 'Deceit', 'Swindling', 'Rapine', 'Meanness'. ..."--British Museum online catalogue.
Alternative Title:
Peter Pindar crouching to the devil
Description:
Dedication etched below title: To the worthy inhabitants of Cumberland, this impartial representation of the virtues of his Infernal Majesty, is respectfully dedicated., Printmaker from British Museum catalogue., Text following title: Sketch'd from the peep-hole at Scalegill., and Title etched below image.
Subject (Name):
Auchincloss, Hugh Dudley--Ownership., Harvey, Francis--Ownership., Humphrey, Hannah, active 1774-1817, publisher., Lonsdale, James Lowther,--Earl of,--1736-1802--Caricatures and cartoons., and Pindar, Peter,--1738-1819--Caricatures and cartoons.
"The heads and shoulders of two angry men are in close proximity, their profiles almost touching. The Scot (left) wears a Scots cap over his short unkempt hair, on it is an oval badge of a crowned thistle. Over his shoulders is a tartan plaid. The Englishman wears an ill-fitting wig, and on his coat the number '45', reminiscent of Wilkes and the North Briton, and a Tudor rose in a medallion. Each glares at the other with staring eye-balls; the Scot is lean and fierce, with closed mouth and projecting under jaw; John Bull is fat, with gaping mouth."--British Museum online catalogue.
Alternative Title:
Sawney Scot and John Bull
Description:
Questionable attribution to Gillray from British Museum catalogue. and Title etched below image.
Subject (Name):
Auchincloss, Hugh Dudley--Ownership., Harvey, Francis--Ownership., and Humphrey, Hannah, active 1774-1817, publisher.
"The heads and shoulders of the King and Queen (left) and of Dundas (right) face each other; Dundas holds a letter with a broken seal postmarked Bristol; he leans forward with a satisfied and cunning smile, saying, "Seringapatam is taken! Tippo is wounded! & Millions of Pagodas secured." He wears a plaid across his shoulders and a legal wig. The King and Queen, much caricatured, have expressions of surprised delight; George III, who wears a hunting-cap, raises his hands, saying, "Tally ho! ho! ho! ho!" Queen Charlotte, beside and behind him, says, "O the dear, sweet Pagodas"."--British Museum online catalogue, description of an earlier state of the same composition.
Alternative Title:
Nincumpoop in high glee
Description:
Later state of a print originally published with the imprint: Pubd. May 23d, 1792, by J. Aitken, Castle Street, Leicester Fields. Cf. No. 8094 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 6., Printmaker from description of an earlier state in the British Museum catalogue., and Title from text in image.
Subject (Name):
Auchincloss, Hugh Dudley--Ownership., Charlotte,--consort of George III, King of Great Britain,--1744-1818--Caricatures and cartoons., George--III,--King of Great Britain,--1738-1820--Caricatures and cartoons., Harvey, Francis--Ownership., Humphrey, Hannah, active 1774-1817, publisher., and Melville, Henry Dundas,--Viscount,--1742-1811--Caricatures and cartoons.
"A satire on the struggle between Pitt and Thurlow travestied as a scene from 'Paradise Lost'. Pitt (left) is Death, wearing the king's crown and using a long sceptre as a weapon. Thurlow (right) is Satan; he raises the (breaking) mace to smite, and holds out an oval shield decorated with the bag of the Great Seal and a tiny woolsack. The Queen, as Sin, naked, with snaky locks (Medusa-like), and two writhing serpents for legs, interposes with outstretched arms, looking with terrified face at Thurlow in her desire to protect Pitt. She is a hideous hag with pendent breasts; from her snaky hair hangs a large key inscribed 'The Instrument of all our Woe', and evidently symbolizing Secret Influence ... Pitt's naked body is emaciated and corpse-like; from his shoulders hangs a long ermine-trimmed cloak; his sceptre radiates darts of lightning. His face expresses alarm and determination. Behind him, and guarding the gate of Hell which is indicated by a stone arch, is Cerberus, with the profile heads of Dundas, Grenville, and Richmond, looking up at Thurlow; their body terminates in a large serpent with a barbed tail. Thurlow has wings, and is naked except for a quasi-Roman kilt. He wears his Chancellor's wig, his profile and eyebrow are of a terrifying fierceness; serpents twine round his shield, and spit fire at Pitt and the Queen; a serpent entwined in Pitt's crown, and others in the Queen's snaky locks, retaliate. On the right are the flames of Hell in which demons are flying; smoke fills the background. Beneath the design is etched: 'NB: The above performance containing Portraits of the Devil & his Relatives, drawn from the Life, is recommended to Messrs Boydell, Fuselli & the rest of the Proprietors of the Three Hundred & Sixty Five Editions of Milton now publishing, as necessary to be adopted, in their classick Embellishments.'"-- British Museum online catalogue.
Description:
One line of text in bottom of design: NB: The above performance containing portraits of the Devil & his relatives ..., Printmaker from British Museum catalogue., Six columns of verse from Milton's Paradise Lost, four above the image and two below: "... black it stood as night, Fierce as ten Furies, terrible as hell, And shook a dreadfull dart: what seemd his head, The likeness of a Kingly crown had on;' ... "Had not the Snaky-Sorceress that sat, "Fast by hell-gate, and kept the fatal Key, "Ris'n, and with hideous outcry rushd between.'", and Title etched below image.
Subject (Name):
Auchincloss, Hugh Dudley--Ownership., Charlotte,--consort of George III, King of Great Britain,--1744-1818--Caricatures and cartoons., Grenville, William Wyndham Grenville,--Baron,--1759-1834--Caricatures and cartoons., Harvey, Francis--Ownership., Humphrey, Hannah, active 1774-1817, publisher., Melville, Henry Dundas,--Viscount,--1742-1811--Caricatures and cartoons., Pitt, William,--1759-1806--Caricatures and cartoons., Richmond and Lennox, Charles Lennox,--Duke of,--1735-1806--Caricatures and cartoons., Shakspeare Gallery., and Thurlow, Edward Thurlow,--Baron,--1731-1806--Caricatures and cartoons.
Subject (Topic):
Cerberus (Greek mythology)--Caricatures and cartoons., Medusa (Greek mythology)--Caricatures and cartoons., and Serpents.
"The head and shoulders of Lady Archer at different stages of her toilet. In the first (right), wearing a night-cap, with unsightly pendent breasts, she looks up to the left, tears falling from an empty eye-socket, her gaping mouth showing toothless jaws. In the next she fits in an eye, in the third she places a wig on her head, in the fourth (below on the right) she fits in a set of false teeth; in the next she applies rouge to her cheeks with a hare's foot, holding a mirror. In the last (left) she appears a pretty young woman, holding a mask in her hand. In the last two stages her arms, which were skinny and muscular, have become smooth and rounded and her breasts have been covered with the gauze drapery then fashionable."--British Museum online catalogue
Description:
Attributed to Rowlandson by Grego., Companion print to: Six stages of marring a face., Line of text below title: Dedicated with respect to the Right Honble. Lady Archer., and Title etched below image.
Publisher:
S. W. Fores, No. 3 Piccadilly
Subject (Name):
Archer, Sarah West,--Lady,--1741-1801--Caricatures and cartoons., Auchincloss, Hugh Dudley--Ownership., Fores, S. W., publisher., and Harvey, Francis--Ownership.
Subject (Topic):
Clothing & dress--England--1790-1800., Grooming., Mirrors., Teeth., and Wigs.
"Fox (right), capering with excitement, raises a dagger in his right hand, as if to strike a grotesquely stout and short lady, who faces him, throwing back her arms. Both faces, especially that of Fox, have the exaggerated expressions of ranting actors in melodrama."--British Museum online catalogue.
Alternative Title:
"Strike home! and I will bless thee for the blow!"
Description:
Printmaker from British Museum catalogue. and Title etched above image.
Publisher:
H. Humphrey, No. 18 Old Bond Street
Subject (Name):
Auchincloss, Hugh Dudley--Ownership., Fox, Charles James,--1749-1806--Caricatures and cartoons., Fox, Elizabeth,--1750-1842--Caricatures and cartoons., Harvey, Francis--Ownership., and Humphrey, Hannah, active 1774-1817, publisher.
"A hand-coloured print of two men in a well appointed room, closely examining a menu or a bill. A pot bellied cook stands and watches the epicures with satisfaction, a knife hanging from his waist. On the right, a maid and a young boy bring in a platter with two fish which a cat pays close attention to. The maid's face has been drawn with precision and is the least caricatured of the group."--Royal Collection Trust online catalogue.
Subject (Name):
Auchincloss, Hugh Dudley--Ownership., Harvey, Francis--Ownership., and Rowlandson, Thomas, 1756-1827, artist.
"The King and Queen, much caricatured, sit side by side in a latrine, above which is part of the royal arms, the lion looking down apprehensively and excreting. They look in horror towards Pitt, who rushes in, terrified, from a door (right), holding out a paper inscribed 'News from Sweden', and saying, "Another Monarch done over!" He is grotesquely thin. The King rises slightly, holding his stomach, and saying, "What ? Shot ? What ? what ? what ? Shot! shot! shot!" He wears a nightcap tied with a ribbon inscribed 'Honi Soit qui M . . . '. The Queen is a shrunken and huddled figure; both have grotesquely agitated expressions."--British Museum online catalogue.
Alternative Title:
News of shooting the King of Sweden
Description:
Printmaker from British Museum catalogue. and Title from text in image.
Subject (Name):
Auchincloss, Hugh Dudley--Ownership., Charlotte,--consort of George III, King of Great Britain,--1744-1818--Caricatures and cartoons., George--III,--King of Great Britain,--1738-1820--Caricatures and cartoons., Harvey, Francis--Ownership., Humphrey, Hannah, active 1774-1817, publisher., and Pitt, William,--1759-1806--Caricatures and cartoons.
