"Lord Cornwallis holds a levee in Government House, Calcutta, in a large room divided by a panelled partition which stretches across the design from left to right and is broken by three wide doorways, showing an inner room, crowded with guests, with three large windows between which are pier-glasses in ornate frames. In the spaces between the doorways are four candle-sconces placed above four of Thomas Daniell's 'Views of Calcutta', either the originals or (more probably) the aquatints. [Published by him at Calcutta 1786-8, reproduced in W. Corfield's 'Calcutta Faces and Places'. Cf. also 'Memoirs of William Hickey', iii. 327, 342.] In the nearer portion of the room the figures are dispersed; Cornwallis stands in the inner room on the right, his right hand on his breast, left in his breeches pocket. He is talking to Cudbert Thornhill, a grotesque-looking civilian who faces him in profile to the right. Behind Thornhill, waiting to approach Cornwallis, is King Collins wearing regimentals. Behind this group is a crowd of unidentified guests. The figures in the foreground (left to right) are: Lt.-Col. Alexander Ross, secretary to Cornwallis, who is talking to Colonel John Fullarton, senior officer at the Presidency ('East India Kalendar', 1791, p. 14). Next, a stout civilian, with legs thick to deformity, holds both hands of a very slim and foppish civilian; they are John Haldane and Claud Benizett, [Identified by Wright and Evans as John Wilton.] Sub-Treasurer. The centre figures are a very stout colonel talking to a thin and grotesque civilian holding a long cane; both wear spectacles. They are Colonel Auchmuty and William Pye, Collector of the Twenty-four Pergunnahs. A grotesquely ugly little civilian, standing alone in profile to the left, taking snuff, is W. C. Blaquiere. [Identified by Wright and Evans] On the extreme right an obese man and a cadaverously thin man, both civilians, take each other's hands in an affected manner; they are Robert MacFarlane, Clerk of the Market, and John Miller, Deputy of Police. From MacFarlane's pocket hangs a long paper: 'Price Current Calcutta Market Grain Rice Bran Paddy Agent'. Behind Pye stands the Rev. Thomas Blanshard, a very stout man in profile to the left with his hands behind his back. Behind him a civilian grasps the hands of a Greek priest wearing robes and a high hat. They are Edward Tiretta of the Bazaar and Father Parthanio. ..."--British Museum online catalogue.
Description:
Artist reputed to be General Stevenson. See British Museum catalogue., Sheet trimmed within plate mark on three edges., and Title etched below image.
Publisher:
H. Humphrey, No. 18 Old Bond Street
Subject (Name):
Auchincloss, Hugh Dudley--Ownership., Cornwallis, Charles Cornwallis,--Marquis,--1738-1805--Caricatures and cartoons., Gillray, James, 1756-1815, publisher. http://id.loc.gov/authorities/names/n50033402, Harvey, Francis--Ownership., Humphrey, Hannah, active 1774-1817, publisher. http://id.loc.gov/authorities/names/n97861435, Ross, Alexander,--1742-1827--Caricatures and cartoons., and Teignmouth, John Shore,--Baron,--1751-1834--Caricatures and cartoons.
"The interior of a latrine; a procession, headed by Talleyrand holding up a crozier, advances towards the seat; through the circular aperture looks out the head of a demon, saying, "Ca Ira! Ca Ira!" Talleyrand, as Bishop of Autun, wears mitre, lawn sleeves, long robes; he puts one knee on the seat, showing that his leg above the knee is bare, revealing him a sans-culotte; to his crozier are suspended his blazing breeches. He is followed by a French fish-wife, walking in profile to the right, and carrying a flaming torch inscribed 'Inflammatory Epis[tle]'; in her right hand is a document inscribed 'Instructions from the National Assembly to their Diplomatique'. Two fish hang from her waist. Behind and on the extreme left walk three small and ruffianly Frenchmen with tricolour caps carrying a lighted brazier, a red-hot poker, &c. On the wall (right), partly obscured by the smoke from the breeches and in danger of destruction, is a picture of 'The House of Commons'. ..."--British Museum online catalogue.
Alternative Title:
Bishop of Autun's breeches and Flaming eveque purifying the house of office
Description:
Dedication etched below title: To the patriots of France & England, this representation of the burning zeal of the holy "Attachè a la Mission," and his colleague "L'Envoié des Poissardes," is most respectfully dedicated., Printmaker from British Museum catalogue., and Title etched below image.
Subject (Name):
Auchincloss, Hugh Dudley--Ownership., Chauvelin, Bernard-François,--marquis de,--1766-1832--Caricatures and cartoons., Harvey, Francis--Ownership., Humphrey, Hannah, active 1774-1817, publisher., Talleyrand-Périgord, Charles Maurice de,--prince de Bénévent,--1754-1838--Caricatures and cartoons., Walpole, Horace,--1717-1797--Ms. notes., and Walpole, Horace,--1717-1797--Ownership.
"The interior of Sir Robert Taylor's rotunda in the Bank of England when it was used as a stock exchange with the arc of the pilastered wall and part of the domed ceiling forming a background. The floor is covered with groups of small figures, only three ladies among them, who are drawn realistically with a certain humourous intention. On the left is a Jew who talks to a fashionable young man in top-boots. On the right a man wearing a cocked hat and holding a staff and waving a rattle stands above a crowd of excited bidders. On the wall above his head is the notice: 'No clerk to act as broker.' Behind is a table at which men stand to write. On the wall above it is the inscription: Navy &c. £5 pr. ctr. amnt."--British Museum online catalogue.
Description:
Attributed to Rowlandson by Grego., Cf. Grego, J. Rowlandson the caricaturist, v. 1, page 306., For an earlier state before the addition of Fores's name at the end of imprint, see no. 8204 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 6., and Title etched below image.
Publisher:
T. Rowlandson, Strand & S. W. Fores, No. 3 Piccadilly
Subject (Name):
Auchincloss, Hugh Dudley--Ownership., Bank of England., Fores, S. W., publisher., and Harvey, Francis--Ownership.
Subject (Topic):
Banks., Crowds., Interiors., Jews., Pilasters., Rotundas., and Stock exchanges--England.
"Pitt stands in profile to the right, right hand extended, left hand resting on the table of the House of Commons, on which are books, &c. He says, "If there is a Fundamental deficiency why call for Papers?" The title and phrase (used by Pitt in debate) express the exaggerated attenuation of Pitt below the waist. He wears court-dress with a sword. The print is said to give a realistic impression of Pitt in debate. Cf. BMSat 8097."--British Museum online catalogue.
Alternative Title:
Bottomless pit
Description:
Printmaker from British Museum catalogue. and Title etched below image.
Subject (Name):
Auchincloss, Hugh Dudley--Ownership., Harvey, Francis--Ownership., Humphrey, Hannah, active 1774-1817, publisher., and Pitt, William,--1759-1806--Caricatures and cartoons.
"Two medallions placed side by side illustrate 'British Liberty' and 'French Liberty', these titles being inscribed on the borders of the medallions. [1] Britannia seated in profile to the right under an oak with her shield and the staff and cap of Liberty; in her right hand is 'Magna Charta', in her left she holds out the scales of Justice. The British lion crouches at her feet. Behind (right) is the sea with a ship in full sail. [2] A ragged Fury runs forward in profile to the left, trampling on a decapitated body; in her right hand is a trident on which is a bleeding head flanked by two hearts. In her left hand is a long dagger. Writhing serpents form her hair and her girdle. Behind (right) a body hangs from a lamp-bracket. Beneath each medallion is an inscription in large letters: 'Religion. Morality. Loyalty Obedience to the Laws Independance Personal Security Justice Inheritance Protection Property. Industry. National Prosperity Happiness. Atheism Periury Rebellion. Treason. Anarchy Murder Equality. Madness. Cruelty. Injustice Treachery Ingratitude Idleness Famine National & Private Ruin. Misery WHICH IS BEST?'."--British Museum online catalogue.
"A caricature of the famous scene in the House of Commons on 28 Dec. 1792. Burke (right) stands in profile to the left, his hands extended, having just thrown down the dagger, which lies at his feet; he looks with a contemptuous frown at Pitt and Dundas, who are seated on the Treasury Bench (left). On the extreme left the Speaker is represented by his hat, wig, and gown; his headlessness perhaps indicates Gillray's opinion of Addington. On the opposite side of the table Fox clutches his hat, looking at Burke out of the corners of his eyes with an alarmed expression; Sheridan, equally alarmed, clutches Fox's shoulder; behind them sits M. A. Taylor, clasping his hands. Burke, whose corpulence and a bag-wig suggest that he is now drawing funds from the Treasury, says: "There! that is what you are to gain by an alliance with France! - such are the Instruments with which they have determin'd the destruction of the Human race! - Three Thousand such Daggers are now manufacturing for this Country! - for where French principles are introduced, you must prepare your hearts for French Daggers! - Nineteen Assassins are already here, who aided & abbetted by wretches who do not believe in a God, are preparing to scour the filth from your Streets with the Blood of all who are Virtuous & Honorable!!" Pitt, seated in profile to the right, very thin, with his hair rising on his head in terror, says, "The blood of the Virtuous & Honorable ? then Lord have mercy upon Me!" Dundas, wearing a tartan plaid, adds, equally terrified, "And upon Me!" Fox says "Confusion! - one of Our daggers, by all thats bloody! how the devil did he come by that ? - ha! what's that ? Nineteen Assassins ? - O damnation! - we're found out & all our schemes ruin'd for ever!!!" Sheridan says: "O Charley, Charley! - farewell to all our hopes of Levelling Monarchs! - farewell to all our hopes of paying off my debts by a general Bankruptcy! - farewell to all hopes of plunder! - in a moment of Victory we're trap'd & undone!!!"."--British Museum online catalogue.
Alternative Title:
Plot discover'd and Plot discovered
Description:
Title etched below image.
Subject (Name):
Auchincloss, Hugh Dudley--Ownership., Burke, Edmund,--1729-1797--Caricatures and cartoons., Fox, Charles James,--1749-1806--Caricatures and cartoons., Harvey, Francis--Ownership., Humphrey, Hannah, active 1774-1817, publisher., Melville, Henry Dundas,--Viscount,--1742-1811--Caricatures and cartoons., Pitt, William,--1759-1806--Caricatures and cartoons., Sheridan, Richard Brinsley,--1751-1816--Caricatures and cartoons., Sidmouth, Henry Addington,--Viscount,--1757-1844--Caricatures and cartoons., and Taylor, Michael Angelo,--1757-1834--Caricatures and cartoons.
"Thurlow, seated on the Woolsack, and George III who stands on the extreme left, tug at the bag of the Great Seal, while Pitt and Grenville (right) attempt to dislodge the Chancellor. The King, in profile to the right, tugs with both hands, saying, "What! What! What! - pull against me Neddy? pull against me? - no! no! no! - 'twont do! Neddy! 'twont do! leave go! leave go! Neddy - dont put me in a passion Neddy - but leave go Neddy - " Thurlow, holding one tassel, says: "Take it ingrate! - and then farewell, - O damnation I've touched the highest point of all my greatness - damnation And from that full meridian of my glory - damnation I haste now to my setting - I shall fall - damnation Like a bright exhalation in the evening - damnation And no man see me more - Damnation! O damnation" Pitt, kneeling on one knee, tugs with both hands at the back of the woolsack, saying, "Yeo! Yeo! - this one pull more Billy-Ranger, and we shall secure every thing into our own Family, and then leave me alone to take a pull at Old Nobbs [the King], & John Bull." Grenville, also on one knee, pulls with both hands at the Chancellor's wig; he says, "Bravo! Cousin Billy! - pull away! - now again! - I have a mighty fancy for this Wig! I think it would add dignity to my Ranger, & Secretaryship!"."--British Museum online catalogue.
Description:
Printmaker from British Museum catalogue. and Title etched below image.
Subject (Name):
Auchincloss, Hugh Dudley--Ownership., George--III,--King of Great Britain,--1738-1820--Caricatures and cartoons., Grenville, William Wyndham Grenville,--Baron,--1759-1834--Caricatures and cartoons., Harvey, Francis--Ownership., Humphrey, Hannah, active 1774-1817, publisher., Pitt, William,--1759-1806--Caricatures and cartoons., and Thurlow, Edward Thurlow,--Baron,--1731-1806--Caricatures and cartoons.
Subject (Topic):
Great Britain--Politics and government--1789-1820--Humor.
"A young woman holds a little girl on her lap; an ugly elderly man (three-quarter length) leans towards the child, holding a piece of sugar between his lips. The child looks up delightedly. On a table beside them (right) is a tray of tea-things."--British Museum online catalogue, description of reissued state of similar composition.
Description:
Printmaker from British Museum catalogue. and Title etched below image.
Publisher:
Publish'd by T. Rowlandson, Strand
Subject (Name):
Auchincloss, Hugh Dudley--Ownership., Harvey, Francis--Ownership., and Wigstead, Henry, artist.
"The patient sits in an armchair in profile to the left, in the centre of a well-furnished room. He wears dressing-gown and nightcap, his arms are folded and he stares fixedly, assailed by ghostly visions which float before his eyes, emerging from smoke-like shadows: a skeleton, Death, poised just above him, raises his arrow to smite. A corpse-like half length figure offers him a pistol and a halter. A spectre with webbed wings holds out a cup. Two staring and decapitated heads glare from the shadows which fill the room. A hand raises a sword; a man with a knife is about to be stung by a serpent. A naked body (half length) falls head downwards. Above these spectres is a man (left) driving a hearse (right to left) at full gallop and looking round at the Hypochondriac. Behind the patient a good-looking woman speaks confidentially to a doctor who meditatively sucks his cane. He is dressed in an old-fashioned manner, wearing a tie-wig. A table covered with medicines stands behind the patient, who seems unconscious of the other two. A money-chest beside him suggests that he is miserly. Two landscapes hang on the wall ..."--British Museum online catalogue, description of earlier state.
Description:
Companion print to: Ague & fever., Four lines of verse etched on either side of title: The mind distemper'd say, what potent charm ..., Reissue of print published in 1788 by T. Rowlandson. Cf. No. 7449 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 6., and Title etched below image.
Publisher:
S. W. Fores, No. 3 Piccadilly
Subject (Name):
Auchincloss, Hugh Dudley--Ownership., Fores, S.W., publisher., and Harvey, Francis--Ownership.
"Lord Lonsdale with the head of a wolf sits in his carriage, from which the horses have been taken, and is drawn (left to right) by men past a row of two-storied cottages which are falling to pieces. He wears an earl's coronet, and a military coat with a shirt frill; from his rapacious mouth issue the words 'Dear Gentlemen this is too much, now you really distress me'. A large earl's coronet is on the carriage door. A hind wheel rolls over an open book, 'Peter Pindar'. A stout fierce-looking man wearing a legal wig sits on the box, raising a whip whose lashes are three scrolls inscribed (in legal blackletter), 'Littledale versus Lonsdale', 'Indemnifications', and 'Sham Trials'. He holds a bunch of reins attached to the necks of the men dragging the carriage, on whose faces are fixed, propitiatory grins. From his pockets issue a volume inscribed 'Blackstone', and a paper: 'Bills unpaid'; he is Lonsdale's 'clerk and attorney', see BMSat 8156. Two of the men whom he drives say: "No Ropes equal to mine, at a dead pull and A glorious night for my Brewery". Another man is in rags. In front of the procession and on the extreme right walk two couples holding hands. These carry three banners, inscribed: 'The good Samaritan', 'The Lion The Lamb', and: 'The Blues are bound in Adamantine Chains But Freedom round each Yellow Mansion reigns.' One of the men says slyly to the woman he walks with: 'And makes the Farmers Wives & Daughters Game' This is a quotation from Peter Pindar's 'Commiserating Epistle to Lord Lonsdale', see BMSat 8003. The context is: 'Yet why should Hares, and Partridges, and Grouse, Alone be ravish'd from the Farmer's house ? - Go, Lonsdale, get an Act to raise thy fame, And make . . .' Behind the carriage (left) is a cheering crowd; they wave their hats frantically shouting, "Liberty, Huzza, Huzza." The man in the foreground is a sailor with a bludgeon. Over the door of one of the ruined cottages is a placard: 'To lett convenient lodgings.'"--British Museum online catalogue.
Description:
Printmaker from British Museum catalogue. and Title etched below image.
Subject (Name):
Auchincloss, Hugh Dudley--Ownership., Harvey, Francis--Ownership., Humphrey, Hannah, active 1774-1817, publisher., and Lonsdale, James Lowther,--Earl of,--1736-1802--Caricatures and cartoons.
