"A hand-coloured print of a company of Paviors outside the Tun Tavern. The Paviors hold rammers resembling large bottles. A portly cleric walks over the paving with an air of solemnity during which the paviors all cheer. On the left stands a woman with a large basket on her head and another Pavior holds a cobble stone and a pick axe. Buildings and a church steeple stand in the background."--Royal Collection Trust online catalogue, RCIN 810446.
Description:
Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., Title etched below image., and Two lines of verse below title: When J-x walks the streets, the paviors cry ...
Subject (Name):
Auchincloss, Hugh Dudley--Ownership. and Harvey, Francis--Ownership.
"Lady Cecilia Johnston (three-quarter length), seated in an armchair in profile to the left, leans forward to kiss the nose of a large goat which puts a hoof on her chest. Identified by Grego as Sir W. W. Wynn, but improbably."--British Museum online catalogue.
Alternative Title:
Seduction of the Welch ambassador and St. Cecilia charming the brute
Description:
Day of publication in imprint seems to have been burnished from plate., Printmaker from British Museum catalogue., and Title etched above image.
Publisher:
H. Humphrey, No. 18 Old Bond Street
Subject (Name):
Auchincloss, Hugh Dudley--Ownership., Harvey, Francis--Ownership., Humphrey, Hannah, active 1774-1817, publisher., Johnston, Henrietta Cecilia,--Lady,--1727-1817--Caricatures and cartoons., and Williams-Wynn, Watkin,--1772-1840--Caricatures and cartoons.
Subject (Topic):
Courtship., Goats., Kissing., and National emblems--Welsh.
"The Emperor of China (left) reclines on a mattress on a low dais, smoking a long pipe and contemptuously watching, out of his slit-like eyes, Lord Macartney, who kneels on one knee, holding out the King's letter, which is signed 'GR \ WP [Pitt] Sec.' The Emperor emits a puff of smoke from a twisted mouth in a subtly insulting manner. Behind him stand two impassive mandarins, their folded hands concealed in their voluminous sleeves. Beside the dais (right) stands a soldier in armour, holding a sword in his clasped hands. The Chinese have pointed beards and moustaches, and long claw-like fingernails. Over the dais is an ornate canopy in the manner of a Chinese pagoda, ornamented with a dragon. Macartney, wearing the insignia of the Bath, kneels in profile to the left, indicating with his left hand a number of presents which have been placed at the Emperor's feet. Five members of his suite prostrate themselves behind Macartney, their heads touching the floor so that their faces are hidden and the backs of their breeches are ludicrously conspicuous. Behind are others bringing presents, the two most prominent are identified as Sir George Staunton, secretary to the Embassy, and Huttner, who published a German account of the expedition. Staunton, who is not caricatured but does not conspicuously resemble his portrait (by Engleheart, 1792, engraved C. Picart), stands full face behind Macartney, holding the string of a toy balloon decorated with the royal arms, to which is attached, in place of a basket, a cock standing on a pair of breeches. Huttner holds a magpie in a wicker cage. Men crowd behind them carrying, one, a toy coach complete with six horses, driver, postilion, &c, the whole on a small wheeled platform; another, a rocking-horse; a third holds a weathercock in one hand, a British flag in the other. The objects on the ground are: a volume of 'Boydell's Shakespeare' on which is a rat-trap; a bat, trap, and ball, dice-box and dice, a battledore and shuttlecock (on which is a crown); an oval miniature of George III, to which is attached a child's coral and bells; a toy windmill; a magic-lantern with a 'slider' (cf. BMSat 6287) which projects at each side showing devils, in the lantern is a figure of Punch; the model of a man-of-war flying a British flag, and an E.O. table."--British Museum online catalogue.
Alternative Title:
Reception of the diplomatique & his suite at the Court of Peking and Reception of the diplomatique and his suite at the Court of Peking
Description:
Title etched below image.
Subject (Name):
Auchincloss, Hugh Dudley--Ownership., Harvey, Francis--Ownership., Humphrey, Hannah, active 1774-1817, publisher., Hüttner, Johann Christian,--1766-1847--Caricatures and cartoons., Macartney, George Macartney,--Earl,--1737-1806--Caricatures and cartoons., Pitt, William,--1759-1806--Caricatures and cartoons., and Staunton, George,--Sir,--1737-1801--Caricatures and cartoons.
"The Prince of Wales (left) leads a goat with the head of Mrs. Fitzherbert (right) to the door of the forecourt of a large town-house, held partly open by the Duchess of York. She says, "O Dunder & Wonder! - what Cratur is dat which you are bringing here ? - relation of mine, indeed? - no, no! - me know no Nanny-goat-Princess! - so set off, with your bargain, you poor - Toasted - Cheese! you! - for she sha'nt come in here, to poison the house! - off! - off! - off." The Prince, who wears in his hat a leek, with his motto, 'ich dien', answers, "Not open the Toor ? - Cot-splutter-a-nails - when Nanny is come to see you, herself? - vhy isn't Nanny a Princess too ? - & a Velch Princess? - and hur is come to visit hur Brothers & hur Sisters! - & not to let hur in? why the Voman is mad, sure!" In place of a star he wears a medallion enclosing a pair of goat's horns. He holds his goat by a ribbon wreathed with roses. Mrs. Fitzherbert has goat's horns and wears a coronet with the Prince's feathers; she looks up at him with an expression of dignified surprise. ... The door of the Duke's house is surmounted by a pediment decorated with the Prussian eagle and pairs of doves (an emblem on the Duchess's state-bed, 'Lond. Chronicle', 21 Dec. 1792)"--British Museum online catalogue.
Alternative Title:
Prussian reception
Description:
Printmaker from British Museum catalogue. and Title etched below image.
Publisher:
H. Humphrey, No. 18 Old Bond Street
Subject (Name):
Auchincloss, Hugh Dudley--Ownership., Fitzherbert, Maria Anne,--1756-1837--Caricatures and cartoons., Frederica Charlotte Ulrica Catherina,--Princess, Duchess of York,--1767-1820--Caricatures and cartoons., George--IV,--King of Great Britain,--1762-1830--Caricatures and cartoons., Harvey, Francis--Ownership., and Humphrey, Hannah, active 1774-1817, publisher.
Subject (Topic):
Emblems., Goats., Lanterns., National emblems--Prussian., and National emblems--Welsh.
"A thin man stands in profile to the left, in the corner of a picture-gallery, inspecting through a glass a picture of a nude and buxom nymph or Venus. He holds a long cane and a 'Catalogue of Paintings'. He has a long pigtail queue and wears a cocked hat. Three other pictures are visible, all of nude women in the manner (burlesqued) of 'high art'."--British Museum online catalogue, description of a later state of the same composition.
Alternative Title:
Caleb curious
Description:
Early state, before addition of the title "Caleb curious" above image. Cf. No. 8169 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 6., One line of text below title: Ay he will wholesale you new wine, and anon retail you old wit. Shakespier., Printmaker from description of later state in the British Museum catalogue., and Title etched below image.
Publisher:
S. W. Fores, No. 3 Piccadilly
Subject (Name):
Auchincloss, Hugh Dudley--Ownership., Fores, S. W., publisher., Harvey, Francis--Ownership., and Whitefoord, Caleb,--1734-1810--Caricatures and cartoons.
"Illustration to a lampoon on the Gunning scandal. A series of portraits following [1] a letter directed to 'His Grace the D. . . of' [Marlborough, see BMSat 7980], beneath which is inscribed: 'This is the Note that Nobody wrote!' [2] A groom (three-quarter length) standing with folded arms: 'This is the Groom that carried the Note that Nobody wrote.' [3] Bust portrait of a stout woman in profile to the left: 'This is Madam Gun. . .g so very cunning that betrayed the Groom that carried the note that Nobody wrote.' [4] Bust portrait of a lean and wrinkled woman in profile to the right: 'This is Madam Bo. . .n [Bowen] to whom it was owing that Madam Gun. . .g so very cunning betrayed the Groom that carried the Note that Nobody wrote.' [5] Bust portrait of a young woman, full face, holding a handkerchief to her eye: 'This is the Maiden all For Lorn, all on a sudden so tatterd and torn, because Madam Bo. . .n to whom it was owing that Madam Gun. . .g so very cunning betrayed the Groom that carried the Note that Nobody wrote.' [6] Two bust portraits of young men, full face, wearing cocked hats: 'These are the Marquises shy of the Horn blown by the Maiden all For-Lorn all on a sudden so tatterd and torn because Madam Bo. . .n to whom it was owing that Madam Gun. . .g so very cunning betrayed the Groom that carried the Note that Nobody wrote.' [7] Two bust portraits of two men, full face, wearing ribbons, who look sideways at each other: 'These are the Dukes [Marlborough and Argyll] whose bitter rebukes made the two Marquisses shy of the horn blown by the Maiden all for Lorn all on a sudden so tatterd and torn, because Madam Bo. . .n to whom it was owing, that Madam Gun. . .g so very cunning betrayed the Groom that carried the Note that Nobody wrote.' [8] Bust portrait of a military officer, full face, wearing a cocked hat and gorget: 'This is the General somewhat too bold - whose head is too hot, and whose heart is too cold - who made himself single before it was meet and turn'd Wife and Daughter into the street, to appease the two Dukes whose bitter rebukes made the two Marquisses shy of the horn blown by the Maiden all For Lorn all on a sudden so tatterd and torn because Madam Bo. . .n to whom it was owing that Madam Gun. . .g so very cunning betrayed the Groom that carried the Note that Nobody wrote.' Beneath the title is etched: 'Adorned with Pretty Pictures for the Amusement of Grown up Masters and Misses \ To the Admirers of certain Mysterious Pamphlets & Paragraphs (published some time since but which ought never to be Forgotten) \ This Bagatelle is respectfully Dedicated with an humble intention (if possible) to render the Case more difficult then before.'"--British Museum online catalogue.
Description:
Attributed to Cruikshank in the British Museum catalogue. and Title etched below image.
Publisher:
S. W. Fores, No. 3 Piccadilly
Subject (Name):
Argyll, John Campbell,--Duke of,--1680-1743--Caricatures and cartoons., Auchincloss, Hugh Dudley--Ownership., Fores, S.W., publisher., Gunning, John,---1797--Caricatures and cartoons., Gunning, Miss (Elizabeth),--1769-1823--Caricatures and cartoons., Gunning,--Mrs.--(Susannah),--1740?-1800--Caricatures and cartoons., Harvey, Francis--Ownership., and Marlborough, George Spencer Churchill,--Duke of,--1766-1840--Caricatures and cartoons.
"Another version, reversed, of BMSat 8132. Paine (right) lies as before, but his legs and feet, which were hidden by straw and by cloud, project from under his coat, and the crisping of his toes indicates agitation caused by his dream. The three headless judges (left) with dependent scrolls are as before, with the addition of a cloud-shaped scroll ascending from the central wig, inscribed: 'Know Villain, when such paltry slaves presume To mix in Treason, if the Plot succeeds They're thrown neglected by - but if it fails Theyre sure to die like dogs! as you shall do.' In place of the prison wall is a glory of rays issuing from a sun in the centre of which are the scales of Justice. This is surmounted by shackles and by a scroll inscribed "The Scourge inexorable, and the tort'ring hour, awaits thee". Beneath are, as before, a gibbet (with the addition of a ladder) and a pillory. Between them are a scourge and birch-rod tied together. The inscriptions on the three scrolls are as before except that in 'Charges' 'Falshoods' takes the place of 'Lies', and to 'Punishments' is added 'Extinction from Society'. The inscriptions on Paine's book, &c, are as before except that the alternative title of 'Common Sense is or convincing Reasons for Britons turning Sans Culottes.' The fleurs-de-lis on the tattered curtain are larger and more conspicuous. Above the bed, in place of the crumbling wall, is an open casement window out of which flies a terrified demon with his tail between his legs; he holds a fiddle, but drops his bow and a sheet of music inscribed 'Ca-ira'. Through the window appear clouds and a full moon."--British Museum online catalogue.
Description:
Reversed version, with some different and some additional elements in the image, of a print with the same title published in November 1792. Cf. No. 8132 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 6. and Title etched below image.
Subject (Name):
Auchincloss, Hugh Dudley--Ownership., Fox, Charles James,--1749-1806--Caricatures and cartoons., Harvey, Francis--Ownership., Humphrey, Hannah, active 1774-1817, publisher., Paine, Thomas,--1737-1809--Caricatures and cartoons., and Priestley, Joseph,--1733-1804--Caricatures and cartoons.
A thin, ragged group of sansculottes sit on corpses around a table and feast on a decapitated head; behind them and above them are piles of body parts. An old woman squats before a fire basting the body of child that has been lashed to a spit. Three small children sit on the floor before a tub filled with entrails. On the wall above the fireplace is a stick figure labelled 'Petion' ; he holds an axe in one hand and a decapitated head in the other. To the sideis another drawing of a headless man labelled "Lewis le Grand."
Alternative Title:
Family of sansculottes refreshing after the fatigues of the day and Family of sans-culottes refreshing after the fatigues of the day
Description:
Printmaker from British Museum catalogue., An epigram in three columns etched on a separate plate, printed below title: Epigram extempore on seeing the above print. "Here as you see, and as 'tis known ..., and Title etched below image.
Subject (Geographic):
France--History--Revolution, 1789-1799. and France--History--September Massacres, 1792.
Subject (Name):
Auchincloss, Hugh Dudley--Ownership., Harvey, Francis--Ownership., Humphrey, Hannah, active 1774-1817, publisher., Louis--XVI,--King of France,--1754-1793--Caricatures and cartoons., and Pétion, J.--(Jérôme),--1756-1794--Caricatures and cartoons.
Subject (Topic):
Cannibalism. and Sansculottes--Caricatures and cartoons.
"A design in four compartments divided by lines intersecting at right angles. [1] 'Avarice'. The King and Queen, three-quarter length, sit facing each other across a round table, hugging large moneybags. Those of the King are inscribed '5 Millions', those of the Queen '3 Millions'; facing her is an open account book: 'Account of Money at interest in Germany' [cf. BMSat 7906]. See BMSat 7836, &c. [2] Next (right) is 'Drunkenness'. The Prince of Wales, drunk and incapable, is being taken home by two watchmen. Behind (left) is an open door in which stands a fat bawd watching her visitor depart. Above it are the Prince's feathers and motto, and 'Neat Wines'. The figures are three-quarter length. [3] Below (left) is 'Gambling'. A crowd of figures surround a circular gaming-table, half of which fills the foreground. The Duke of York raises a dice-box, next him is a military officer wearing a gorget. On the other side (left) sits a ruffianly-looking fellow wearing a slouch hat and coachman's coat. Behind is a man with a croupier's rake. (See BMSat 7301 (5), &c.) [4] Next (right) is 'Debauchery'. The Duke of Clarence and Mrs. Jordan sit together on a settee, embracing each other. He wears a naval officer's coat, with a star, and sailor's trousers. On the wall is the print of a chamber-pot inscribed 'A Jordan' (see BMSat 8057, &c). ..."--British Museum online catalogue.
Alternative Title:
Vices overlooked in the new proclamation
Description:
Dedication etched below title: To the commons of Great Britain this representation of vices which remain unforbidden by proclamation is dedicated, as proper for imitation and in place of the more dangerous ones of thinking, speaking & writing now forbidden by authority., Printmaker from British Museum catalogue., and Title etched below image.
Publisher:
H. Humphrey, No. 18 Old Bond Street
Subject (Name):
Auchincloss, Hugh Dudley--Ownership., Charlotte,--consort of George III, King of Great Britain,--1744-1818--Caricatures and cartoons., Frederick Augustus,--Duke of York and Albany,--1763-1827--Caricatures and cartoons., George--III,--King of Great Britain,--1738-1820--Caricatures and cartoons., George--IV,--King of Great Britain,--1762-1830--Caricatures and cartoons., Harvey, Francis--Ownership., Humphrey, Hannah, active 1774-1817, publisher., Jordan, Dorothy,--1761-1816--Caricatures and cartoons., and William--IV,--King of Great Britain,--1765-1837--Caricatures and cartoons.
"Dundas in Highland dress, wearing a Scots cap over a legal wig, crouches with his head turned in profile to the right. With his voluminous tartan plaid he covers Pitt, who sits close against him in profile to the left on the pan of a close-stool inscribed 'Extracts from the Treasury', his profile, feet, and ankles alone being visible."--British Museum online catalogue.
Description:
Printmaker from British Museum catalogue. and Title etched below image.
Subject (Name):
Auchincloss, Hugh Dudley--Ownership., Harvey, Francis--Ownership., Humphrey, Hannah, active 1774-1817, publisher., Melville, Henry Dundas,--Viscount,--1742-1811--Caricatures and cartoons., and Pitt, William,--1759-1806--Caricatures and cartoons.
