"Frontispiece to 'All the Talents', 18th edition, satirical verses by 'Polypus', i.e. E. S. Barrett, attacking the late Ministry. The print (Hogarthian in manner) has little relation to the verses, and is probably adapted from an earlier satire, perhaps on Bute. A creature with the body of a man and the face of an ape, with a tail, tramples on burning papers. It wears spectacles, a large wig, bands, old-fashioned laced coat (with a star), and tattered breeches. On one foot is a shoe; the left. leg is in a large jack-boot (? originally an emblem of Bute). In the right hand is a crozier with which he pulls down two books from a shelf: 'Magna Charter' and 'Coronation Oath'. Behind him a musket inscribed 'Army', the barrel pointing upwards, is firing a blast at the falling books. His left hand rests on a book or ledger, open on a book-stand, in which he writes with the feathered end of his pen. The page is headed 'Finance'; from the book hangs a paper: 'Country Dances'. The burning papers are inscribed 'Negotiation' [bis], 'Sinecures'. He is smoking a pipe from which thick clouds of smoke rise and obscure a profile bust portrait of Pitt. Below the design: 'Monstrum horrendum, informe, ingens, cui lumen ademptum.'."--British Museum online catalogue. and British Museum curator's comments: The monster symbolizes the blind and reckless politician. The verses, though published after the fall of the Ministry ... were written before it, and do not allude to the Catholic question, here indicated by the treatment of the 'Coronation Oath'. Nor are the peace negotiations, ... directly referred to. They contain a tribute to Pitt, and gibes at Petty, ... here illustrated. They went through nineteen editions in 1807 ....
Description:
Lettered below title with a line from Virgil (Aeniad, III, 658): Monstrum horrendum, informe, ingens, cui lumen ademptum., Plate from: All the Talents, 18th edition, satirical verses by 'Polypus.', and Title etched below image.
Subject (Name):
Auchincloss, Hugh Dudley--Ownership., Barrett, Eaton Stannard, 1786-1820, artist., Harvey, Francis--Ownership., Pitt, William,--1759-1806--Caricatures and cartoons., and Stockdale, John Joseph, 1770-1847, publisher.
Subject (Topic):
Animals in human situations., Apes., and Pipes (Smoking)
"Mrs. Thrale (Piozzi) and Boswell are in heated argument: she (left) advances upon Boswell with her hands on her hips; he stamps violently and clenches his fists. An elderly man seated in an armchair looks at them in alarm, raising his hand in admonition. He is Sir John Hawkins: the 'rival wits' have agreed to let him 'Declare the prop'rest pen to write Sam's Life.' Beside him a 'cello leans against the wall, emblem perhaps of Sir John's interest in music, perhaps of Mrs. Thrale's marriage to Piozzi. Three shelves of books are above his head; the highest is filled with large volumes covered with a cobweb, one inscribed 'History of Musi[c]' ... Behind the two disputants is a draped sash-window. Beneath each part of the title a quotation from the verses is engraved: '[1] Who, madning with an Anecdotic Itch, Hath said that Johnson call'd his Mother, B-tch?' Boswell taunts Mrs. Thrale with her anecdote of Johnson's answer to his mother when she called him a puppy. '[2] Who, from Macdonald's Rage, to save his snout, Cut twenty lines of defamation, out?' She retorts with the slander which Boswell denied."--British Museum online catalogue.
Alternative Title:
Madame Piozzi
Description:
Frontispiece to: Pindar, P. Bozzy and Piozzi, or, The British biographers. London : Printed for G. Kearsley ..., [1786], Printmaker and date from British Museum catalogue., and Title etched below image.
Subject (Name):
Auchincloss, Hugh Dudley--Ownership., Boswell, James,--1740-1795--Caricatures and cartoons., Harvey, Francis--Ownership., Hawkins, John,--1719-1789--Caricatures and cartoons., and Piozzi, Hester Lynch,--1741-1821--Caricatures and cartoons.
"A room crowded with cooks and scullions : a tall cook addresses the others with clenched fist, holding the queue of his hair. The others make similar gestures of indignation ; one negligently holds a spit transfixing a bird which a dog is eating. Against the wall hang birds, &c., and a poster: Royal Bill of Fare ... second course."--British Museum Catalogue.
Description:
Frontispiece to: Pindar, P. The Lousiad. An heroi-comic poem. Canto II. London : Printed for G. Kearsley ..., [1787], Printmaker and date from British Museum catalogue., Title etched below image., and Variant state of plate issued with the title: Cooks, scullions, hear me evr'y mother's son. Cf. Grego, J. Rowlandson the caricaturist, v. 1, page 204.
Subject (Name):
Auchincloss, Hugh Dudley--Ownership. and Harvey, Francis--Ownership.
"The King, Queen, and three princesses are seated at a small dinner-table, on which is a soup-tureen, &c. The King holds a plate on which is an insect, turning round to address angrily a cook (right), who stands trembling beside him. Two alarmed servants stand behind the King's chair. The Queen and princesses make gestures of alarm; one princess (left) has risen from her chair in horror. On the extreme left stands a beefeater holding a jug, who lets glasses fall from a salver in his consternation. A draped window forms a background."--British Museum online catalogue.
Description:
Date from British Museum catalogue., Frontispiece to: Pindar, P. The Lousiad. An heroi-comic poem. Canto I. London, G. Kearsley, 1787., Printmaker from Grego., and Title etched below image; source of the title "Lousiad canto 1st" as indicated.
Subject (Name):
Auchincloss, Hugh Dudley--Ownership., Charlotte,--consort of George III, King of Great Britain,--1744-1818--Caricatures and cartoons., George--III,--King of Great Britain,--1738-1820--Caricatures and cartoons., and Harvey, Francis--Ownership.
Subject (Topic):
Cooks. , Dining rooms., Eating & drinking., Interiors., and Servants.
The political and humourous works of Thomas Rowlandson, 1774-1825
Container / Volume:
Vol. 1 (Box 1 of 2) | Folder I-22b
Image Count:
1
Resource Type:
Prints & Photographs
Abstract:
"Design in an oval. Used as a frontispiece to second edition (1785) of 'The Westminster Election' and probably designed for it. Britannia seated on a throne (right) raised on three steps holds out a laurel wreath towards the Duchess of Devonshire who is led towards her by the draped figures of Liberty (left) holding the staff and cap of Liberty, and Fame (right) with her trumpet. The British lion lies at Britannia's feet (right) looking over its shoulder at the Duchess."--British Museum online catalogue.
Alternative Title:
Liberty and Fame introducing female patriotism to Britannia
Description:
Frontispiece to: Hartley, J. History of the Westminster election. London : Printed for the editors, and sold by J. Debrett ..., 1785., Printmaker and date of publication from Grego., Temporary local subject terms: British Lion -- Personifications: Liberty -- Fame -- Cap of Liberty -- Staff of Liberty -- Musical instruments: Trumpets -- Laurel wreaths -- Thrones -- Ships., Title etched below image., and Two lines of quoted text below title: "She smiles - infused with a fortitude from Heaven"! Vide Shakespears Tempest.
Subject (Name):
Auchincloss, Hugh Dudley--Ownership., Cavendish, Georgiana Spencer,--Duchess of Devonshire,--1757-1806--Caricatures and cartoons., Harvey, Francis--Ownership., and Riviere & Son Binding.
"Dedication sheet 'To the Queen' from the singer Harriet Abrams; three cherubs sitting facing right, singing, on clouds which curve up and support a lyre and laurel above them, below a crown in rays of light; for an unidentified publication."--British Museum online catalogue.
Description:
Print possibly designed as the frontispiece or title page for a musical work dedicated to Queen Charlotte. See Wright. and Title from text in image.
Subject (Name):
Auchincloss, Hugh Dudley--Ownership., Gillray, James, 1756-1815, artist., and Harvey, Francis--Ownership.
Date of publication based on that of the volume in which the print appears., Frontispiece to: Pindar, P. Sir Joseph Banks and the Emperor of Morocco. London : Printed by G. Kearsley ..., [1788], Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., Probably by Rowlandson. See simillar frontispieces by Rowlandson for Pindar's poems in the British Museum catalogue, nos. 7051, 7186, 7431., and Title assigned by curator.
Subject (Name):
Auchincloss, Hugh Dudley--Ownership., Banks, Joseph,--1743-1820--Caricatures and cartoons., and Harvey, Francis--Ownership.
"The King (right), standing in profile to the left, holds out to Peter a rolled document inscribed 'Pension'. Peter, a thin elderly man, turns away, holding out both hands to ward off the gift. From his pocket projects a paper inscribed 'Odes'. Both wear bag-wigs, and old-fashioned dress with flapped waistcoats; the King wears a sword."-- British Museum online catalogue.
Alternative Title:
Ah! let me Sire refuse it, I implore, ought not to be rich whilst you are poor
Description:
Frontispiece to: Pindar, P. Peter's pension. London : Printed by G. Kearsley ..., [1788], Printmaker and date from British Museum catalogue, and Title from British Museum catalogue; alternative title from text below image.
Subject (Name):
Auchincloss, Hugh Dudley--Ownership., George--III,--King of Great Britain,--1738-1820--Caricatures and cartoons., Harvey, Francis--Ownership., and Wolcot, John,--1738-1819--Caricatures and cartoons.
