A woodcutter dressed in tattered clothing is seated on the right in a wooded meadow landscape with hills in the distance. A clay pipe is stuck in a buttonhole of his coat. The woodcutter holds the handle of a shovel resting between legs. A scythe and pickax lie at his feet. A young boy dressed in green sits to the left on the foundation of a rudimentary structure and a rock wall. A curly-haired dog lies at his feet. Behind him a large ax leans against the post of a thatched structure. The two appear to be sharing a meal. The woodcutter balances a mug on his knee. A small wooden barrel with bread is visible in the right foreground. A basket of fruit sits on the ground between them while the boy holds a hat filled with apples on his lap
Description:
Title from 2005 Christie's appraisal. and Signed by the artist in lower left: Gill pinx/Bath.
Veritcal landscape with a large maple tree in fall foliage at the end of a field somewhere in Farmington
Description:
Title from appraisal report. and Signed with initials, dated illegibly, and inscribed "Farmington" in lower right; in a gilt molded frame, Moyer Gallery label on verso.
Title from inventory., Signed and dated LL with "L/ '51", in molded and painted barn board type frame., and Inscriptions and labels on verso: Newport (Rhode Island), Leonid '51 ; New Britain Museum of American Art label indicating it was deaccessioned and returned to owner in June 1996, #1982. 1 (T).
LWL Ptg. 100 Framed, on view in Administration Area
Image Count:
2
Resource Type:
still image
Abstract:
A view of the Thames from the right bank, nearly opposite Marble Hill Park. The white building visible through the trees on the right is Lady Suffolk’s House, Marble Hill. A sailboat floats on the water. A rider on horseback leads a second horse along the riverbank. Figures gather at leisure under the foreground tree, while across the river other stroll on paths through the lawn
Description:
Title from 2005 Christie's appraisal., Formerly attributed to Richard Wilson, now attributed to his circle., and Another version of this scene is in the National Gallery. This is reproduced in W.G. Constable, Richard Wilson, plate 57a. Horace Walpole records in his copy of the exhibition catalogue that Wilson exhibited a painting of the View of the Thames near Richmond at the Society of Arts 1762. This painting is not included in David Solkin’s Richard Wilson Online Catalogue Raisonné (Paul Mellon Centre for Studies in British Art).
This cityscape depicts a view of Westminster Bridge built in 1739-1750 with private funding under the direction of Swiss engineer Thomas Page. The painting features one of the stone arches that characterize the structure the bridge and frames a view of the city of Westminster in the distance. Abundant activity on the Thames includes several boats and barges loaded with goods. Figures on the bridge include a man on a ladder working on a lantern at the top of a pier
Alternative Title:
Westminister Bridge
Description:
Title from 2005 Christie's appraisal., A second, autograph copy of this composition is at the Yale Center for British Art. See https://collections.britishart.yale.edu/catalog/tms:365, and Temporary local subject terms: arches | architectural subject | baskets | bathers | boats | bridge (built work) | buildings | city | cityscape | costume | drinking | food | genre subject | leisure | men | nude | pipe | platform | river | smoking (activity) | swimmers | swimming | tankard | women.
A front view of the estate and building at Mount Vernon with a distant view of the Potomac River and mountain peak. Several tourists are scattered on the lawn and on the front colonnade
Alternative Title:
Front view of Mount Vernon from the north with the east front and lawn
Description:
Title from 2005 Christie's appraisal. and Artist unidentified. From 2005 Christie's appraisal: American School, 19th century.
LWL Ptg. 139 Framed, on view in Administration Area
Image Count:
1
Resource Type:
still image
Abstract:
A view with cloud-filled sky of the south face of Strawberry Hill House with white-washed façade, pinnacles and castellated walls and turrets. The house is situated in a treed landscape with a spacious expanse of lawn in the foreground that extends to the banks of the Thames River on the right. Several houses are visible across the river. A small sailboat is on the water. This is the only known view of the house between the completion of the Library and the Great Parlor in 1754 and the addition of the Long Gallery in 1761. A related view, likely a pair to this one, but from a slightly different angle and with an earlier architectural structure in brick to the left, has turned up in 2021 at auction
Description:
Title from 2005 Christie's appraisal. and Unsigned by artist.
LWL Ptg. 103 Framed, on view in Administration Area
Image Count:
1
Resource Type:
still image
Abstract:
A prospect of Twickenham in the distance from the grounds of Strawberry Hill. At middle distance is Mr. Biscoe’s house on the left. Next to it is Lord Radnor’s Chinese style summer house. Some livestock graze in the field and along the river
Description:
Title from 2005 Christie's appraisal., One of a pair of paintings; the other entitled: View of Richmond Hill from Twickenham Strawberry Hill (LWL Ptg. 104)., and In a period gilt frame.
A panoramic view towards St. Paul’s Cathedral includes a low horizon punctuated by Wren church steeples and a large expanse of cloudy sky. Fashionable figures stroll on the terrace of Somerset house while the river bustles with boats
Description:
Title from 2005 Christie's appraisal. and In the manner of Antonio Joli and formerly attributed to both him and Samual Scott.
