The first drawing in a series of twelve on modern morals, a tradition established earlier in the 18th century by artists such as William Hogarth. In this series, twin brothers are bestowed an equal fortune. One brother, Edward, husbands his wealth and on his death, passes on his fortune; whilst the other brother, Charles, squanders his, leaving his family destitute and In this first drawing, blind Fortune stands on a wheel with large bags in each hand. The brother on the left, Edward, kneels as he accepts the gift from Fortune. Behind him in the mid-distance a couple is shown depositing coins in the hat of a beggar while in the far distance is a church. The brother on the right, Charles, stands arrogantly with his left hand on his hip as he accepts his good fortune. On the right in the mid-distance a couple is shown riding in an elegant carriage; in the distance is a large house with grain (?) pouring from the loft unattended
Description:
Title from pencil notes below image., Text in faint pencil above image: Twelve prints representing the contrast between virtuous harmony and vicious extravagance., Signed "Dodd" in lower left and numbered '1' in ink in the upper right., Date range based on artist's active dates., and For further information, consult library staff.
Subject (Topic):
Fortune, Allegorical drawings, Brothers, Parables, and Wealth
Title derived from verse written in ink below image., Inscription in ink., This electronic record is derived from historic data and may not reflect our current information. Review and updating of records is ongoing., and Temporary local subject terms: Corns.
Title written in ink at center margin, Artist's name in ink at lower right., Pencil notation verso, "By Robert Cruikshank not signed by him ND 1830"., and This electronic record is derived from historic data and may not reflect our current information. Review and updating of records is ongoing.
Title devised by curator., Possible artist's name in ink at lower right., Formerly catalogued as Hungarian., Date of production based style., and This electronic record is derived from historic data and may not reflect our current information. Review and updating of records is ongoing.
Page 173. Portfolio containing 50 drawings by Lady Diana Beauclerk and her daughter Mary, Miss
Image Count:
1
Resource Type:
still image
Description:
Title devised by curator., Artist's name and date written in ink in lower left corner., and Mounted on page 173 in a volume containing Horace Walpole's extra-illustrated copy of his Description of the villa of Horace Walpole (Hazen 2523) and his Catalogue of pictures and drawings in the Holbein Chamber at Strawberry-Hill (Hazen 2619.4). Part of the collection: Portfolio containing 50 drawings by Lady Diana Beauclerk and her daughter Mary, Miss Sebright, Miss Knight, Mrs. Damer, John Gooch, Samuel Lysons, Sir Edward Walpole, and Thomas Walpole (Hazen 3641).
Title devised by curator., Unsigned; artist unidentified., Date of production based on Thomas Kirgate's death date; this drawing was presumably inserted in the volume before it was sold at Kirgate's sale following his death in 1810., Sheet numbered "24" in pencil in lower right., and Mounted opposite title page of Poems by Anna Chamber, in a volume with the binder's title: Loose pieces printed at Strawberry Hill.
Volume 2. Original drawings of heads, antiquities, monuments, views, &c. by George Vertue and
Image Count:
2
Resource Type:
still image
Description:
Title devised by curator., Date supplied by cataloger., Contemporary annotation in ink on verso: This is the portrait of Antony Wood, the biographer of Oxford, drawn after a painting by George Vertue., One of eight portrait drawings that were probably among the works purchased by Horace Walpole at the Vertue sale of 1757. A volume of ca. 50 additional drawings from this collection, now bound in red morocco, has Walpole's manuscript title-page: Original drawings of heads, antiquities, monuments, views, &c. by George Vertue and others., and Laid down on a wash-line mount, with a border of gold paint around the drawing.
Volume 2, page 158a. Catalogue of the classic contents of Strawberry Hill collected by Horace
Image Count:
1
Resource Type:
still image
Abstract:
Four designs showing partial decorative borders, probably those of the 16th-century illuminated psalter of Don Giulio Clovio, owned by Horace Walpole and sold in lot 90 on the fifteenth day of the 1842 Strawberry Hill Sale
Description:
Title devised by cataloger., Unsigned; artist unidentified., Date of production based on the 1842 publication date of the Strawberry Hill sale catalogue, into which this drawing was inserted as an illustration., Upper right design has the note "ground all blue" written vertically in blue watercolor., and Bound in as page 158a in volume 2 of Thomas Mackinlay's extra-illustrated copy of A catalogue of the classic contents of Strawberry Hill collected by Horace Walpole.