One of two drawings of an Gothic chimneypiece mounted on page 26. On the verso of this drawing is a pencil sketch of a man in profile showing the left portion of the coat and sleeve
Alternative Title:
Design for a Gothic chimneypiece
Description:
Title from curator., Artist and date based on creation date of album., and Formerly mounted on the upper half of leaf 26 in an album assembled by Horace Walpole: Drawings and designs by Richd. Bentley ... [Strawberry Hill], [ca. 1760].
One of two drawings of an Gothic chimneypiece mounted on page 26. On the verso of this drawing is a pencil sketch of a man in profile showing the left portion of the coat and sleeve
Alternative Title:
Design for a Gothic chimneypiece
Description:
Title from curator., Artist and date based on creation date of album., and Formerly mounted on the upper half of leaf 26 in an album assembled by Horace Walpole: Drawings and designs by Richd. Bentley ... [Strawberry Hill], [ca. 1760].
Drawing of the front face of the chapel at Strawberry Hill, with quatrefoils and other Gothic elements present in the design. A scale bar in feet runs along the bottom of the image
Description:
Title devised by curator., Unsigned; attribution to John Chute from local catalog card. A note in W.S. Lewis's hand on mounting page suggests that Thomas Gayfere, the mason who built the chapel, might instead be the artist., Date of production based on John Chute's death date., and Mounted on page 172 of Horace Walpole's extra-illustrated copy of his: A description of the villa of Mr. Horace Walpole. Strawberry Hill : Printed by Thomas Kirgate, 1784. See Hazen, A.T. Bibliography of the Strawberry Hill Press (1973 ed.), no. 30, copy 12.
Subject (Name):
Walpole, Horace, 1717-1797 and Strawberry Hill (Twickenham, London, England)
An apothecary kneels at the feet of a pretty young woman, one hand on his breast, the other pointing to a cloth at his feet on which are spread a clyster-pipe, shears, pestle and mortar, a bottle, and a canister of "Love Pow[der?]". Behind them is a piano; in the background on the right is a slightly open door, around which an amused woman and man view the scene
Description:
Title devised by curator., Signed and dated by the artist in lower left., "VWN" within oval in lower right corner, probably a collector's stamp or mark, For a print after Rowlandson of similar design, see no. 11114 in the Catalogue of prints and drawings in the British Museum, v. 8., This record is derived from historic data and may not reflect our current information. Review and updating of records is ongoing., and Temporary local Medical Library subject terms: Apothecaries.
Subject (Topic):
Pharmacists, Courtship, Medical equipment & supplies, Mortars & pestles, Pianos, and Doors & doorways
Title devised by curator., In ink lower margin: Docr. Gall drawn by T. Rowlandson and given to his old friend Smith., Date of production based on artist's death date., Place of production based on artist's nationality., Ownership stamp in red ink, lower left: LSD., and This electronic record is derived from historic data and may not reflect our current information. Review and updating of records is ongoing.
An album of illustrations by various artists, probably compiled by a member of the Mordaunt family. The album contains views of coastlines and ports including Port Eliot, home of Mordaunt friends the Eliots of Port Eliot, in the Parish of St. Germans, Cornwall, drawings of ruins, rural scenes with livestock, and a pencil portrait of a girl aged about 10.
Description:
Charles Mordaunt (1771-1823), 8th Baronet, was a member of Parliament representing the constituency of Warwickshire. A Catholic and Whig, he married Marianne, daughter of William Holbech of Farnborough Hall, Warwickshire in 1807; the couple lived at Walton where they raised one son and two daughters: John Mordaunt (1808-1845), Mary Mordaunt Acland (ca. 1811-ca. 1851), and Emma Acland (1813-)., Title devised by cataloger., Drawings are dated from 1815 to 1829 and laid on 29 leaves of various colored paper. Two undated watercolors are signed by Lady Marianne Mordaunt; two other illustrations are initialled S.C.E., possibly Susan Caroline Eliot who was born in 1801. The pencil portrait is signed "M.E. by Miss Masters, 1824." A pencil sketch of a ruin on a cliff is signed F.J. as are two other watercolors with another three unsigned views. Other drawings are signed C.E.W (1824 and 1828) or C.W. Another drawing is signed "M.H. 1829"., Signed and dated drawings include: the William Tell in the market place of Altdorf, Canton of Uri, Switzerland, and Bound in original dark blue grained calf, initialled ‘T.[or C.]S.M.’ on front board, dated 1833 at foot of spine. Armorial bookplate initialled C.J., 1919, on front pastedown; later pencil book label of J.D. Derry, 1947, on first leaf.
Volume 2. Original drawings of heads, antiquities, monuments, views, &c. by George Vertue and
Image Count:
2
Resource Type:
still image
Description:
Title devised by curator., Contemporary annotation in ink on verso: This is the portrait of the Right Honorable Edward Harlay Earl of Oxford & Earl Mortimer, the great collecter, drawn from life by George Vertue, 1725., One of eight portrait drawings that were probably among the works purchased by Horace Walpole at the Vertue sale of 1757. A volume of ca. 50 additional drawings from this collection, now bound in red morocco, has Walpole's manuscript title-page: Original drawings of heads, antiquities, monuments, views, &c. by George Vertue and others., and Laid down on a wash-line mount, with a border of gold paint around the drawing.
Volume 1, page 9. Original drawings of heads, antiquities, monuments, views, &c. by George Vertue
Image Count:
1
Resource Type:
still image
Description:
Title devised by curator., Date supplied by cataloger., Laid down on an ink line mount., and Mounted on page 9 in a volume of ca. 50 drawings that was assembled from works purchased by Horace Walpole at the Vertue sale of 1757. Now bound in red morocco, this volume has Walpole's manuscript title-page: Original drawings of heads, antiquities, monuments, views, &c. by George Vertue and others.
Upper Ossory, Anne Liddell FitzRoy FitzPatrick, countess of, 1737 or 1738-1804, artist
Published / Created:
[1772]
Call Number:
Folio 49 3581 v.1
Collection Title:
Volume 1, page 23. Original drawings of heads, antiquities, monuments, views, &c. by George Vertue
Image Count:
1
Resource Type:
still image
Description:
Title devised by curator., Artist and date of production from Horace Walpole's note in ink above image: This head of Edward 6th was copied by Anne Liddel Countess of Ossory from a drawing by Vertue which I gave her, 1772. H.W., and Mounted on page 23 in a volume of ca. 50 drawings that was assembled from works purchased by Horace Walpole at the Vertue sale of 1757. Now bound in red morocco, this volume has Walpole's manuscript title-page: Original drawings of heads, antiquities, monuments, views, &c. by George Vertue and others.
