Woodward, G. M. (George Moutard), approximately 1760-1809
Published / Created:
[between 1807 and 1809]
Call Number:
Folio 75 W87 807
Image Count:
99
Alternative Title:
Hudibrastic mirror and Rowlandson's caricature magazine
Description:
Titles and imprint vary. Volumes 4 and 5 have title pages dated 1808 and 1809 respectively., Volume 1 has a tailpiece with date: 1st Septr. 1807., Volume 2 and 3 by Thomas Rowlandson. Volume 3 with title: Rowlandson's caricature magazine., and Caricatures by Woodward, Rowlandson, Cruikshank, Gillray, Heath, C. Williams, and others, with imprints from 1808-1817.
Woodward, G. M. (George Moutard), approximately 1760-1809
Published / Created:
[between 1807 and 1809]
Call Number:
Folio 75 W87 807
Image Count:
97
Alternative Title:
Hudibrastic mirror and Rowlandson's caricature magazine
Description:
Titles and imprint vary. Volumes 4 and 5 have title pages dated 1808 and 1809 respectively., Volume 1 has a tailpiece with date: 1st Septr. 1807., Volume 2 and 3 by Thomas Rowlandson. Volume 3 with title: Rowlandson's caricature magazine., and Caricatures by Woodward, Rowlandson, Cruikshank, Gillray, Heath, C. Williams, and others, with imprints from 1808-1817.
Full length view of a young woman standing in profile looking to the right and front. Her hair forms an enormous pyramid and at its apex is pinned a frilled cap with long streamers of lace and ribbon. On the projection at the back of her skirt sits a poodle wearing a bow of ribbon. In her right hand she holds a spray of moss rose-buds. She wears an apron and a skirt which shows her ankles
Alternative Title:
Chloe's cushion
Description:
Title from item., Place of publication from Plomer; J. (John) Walker, was located at no. 13 Parliament St., London from 1776-1778., and Mounted to 35 x 25 cm.
Publisher:
Pub'd Novr. 19, 1776 by J. Walker, No. 13 Parliament St.
Subject (Geographic):
England
Subject (Topic):
Skirts, Hairstyles, Dogs, Hats, and Clothing & dress
"Heading to a printed song. Three fashionably dressed men sit at a round table under a mulberry-tree, over wine, pipes, and mulberries. One sings the song (as printed), glass in hand and pointing up to the tree. On the ground is a lighted lantern. In the background a park slopes upwards towards a country house."--British Museum online catalogue
Description:
Title from caption engraved below image at head of sheet., Place transposed from end of imprint statement., A ballad, with an illustration by Cruikshank., Numbered in upper left corner of image: 483., Signed in image: Cruikshank del. 1808., Imprint etched on plate: Publish'd Mar. 1, 1808, by Laurie & Whittle, 53 Fleet Street, London., 1 print : etching & engraving with stipple on wove paper ; plate mark 202 x 196 mm, on sheet 29 x 23 cm., and Watermark: 1814.
Publisher:
Published 1st March, 1808, by Laurie and Whittle, 53 Fleet Street
Title from printed label on portfolior cover., Printmaker's name from: Before and after Waterloo; letters from Edward Stanley ... London : T.F. Unwin, 1907., Date of publication from dealer's description. Edward Stanley was rector of Alderley, Cheshire, at that time, and this work was probably published locally., and Bound in quarter morocco with plain boards; oval illustrated title label pasted on front board. Two plates with punchline added in old ink manuscript. For further information, consult library staff.
Publisher:
publisher not identified
Subject (Topic):
Science, Demons, Dueling, Insects, Owls, and Quacks
A rare surviving example of a volume that a printseller would put together in order to showcase for clients visiting the shop the satirical prints available for purchase, either from existing inventory or to be printed on order from copperplates in the publisher's stock. Includes a complete copy of: Horrida bella : Pains and penalties versus Truth and Justice
Description:
Title devised by cataloger., Date based on dates printed on individual items bound in., House trade label pasted on the inside of both the upper and lower boards: Humphrey, Printseller, No. 27, St. James's Street / engd. by Lockington Shug Lane., Unidentified trace of a bookseller's pencil stock note from 1943 on first leaf., Binding very worn and soiled, spine missing. Some damage and some staining to the prints., and For further information, consult library staff.
Subject (Geographic):
Great Britain and England.
Subject (Name):
Caroline, Queen, consort of George IV, King of Great Britain, 1768-1821, George III, King of Great Britain, 1738-1820, George IV, King of Great Britain, 1762-1830, and Lockington, J., active 1776-1790,
Hogarth 940.00.00.01 Framed, shelved in LFS Bin 18
Image Count:
1
Resource Type:
still image
Abstract:
An Etchmaster etching on a copper-plate surface so as to resemble an antique copper etching plate with a reproduction (cropped) of the scene from William Hogarth's 1738 print "Morning," the first in his "Four Times of the Day" series. In the center, a middle-aged woman walks from the left towards St. Paul's church; the clock on the tower showing 6:55. She is followed by a servant boy carrying her prayer book under his arm as he tries to warm his hands in his pocket and jacket. St. Paul's is partially hidden behind a tavern identified by a sign reading "Tom King's Coffee House." In front of the tavern is a fire where two couples embrace as two women warm themselves, the one reaching out to beg of the well-dressed woman. To the left, in the middle distance, a small crowd mulls around the gate
Description:
Title supplied by cataloger from original title., Questionable productions information from seller., Possibly part of the Hogarth series: Copperplate Copper etching by Pleasure Reproductions"., Cf. Catalogue of prints and drawings in the British Museum, v. 3, no. 2357., and Cf. Paulson, R. Hogarth's graphic works (3rd rev. ed.), no. 146.
Gladstone, W. E. (William Ewart), 1809-1898, collector
Published / Created:
[ca. 1835?]
Call Number:
Folio 724 835G (Oversize)
Container / Volume:
v.1
Image Count:
226
Resource Type:
still image
Abstract:
A collection of 256 mostly British satirical prints and broadsides commenting on the scandalous relations between Queen Caroline and King George IV including those commenting on the "Queen Caroline Affair" of 1820, purportedly assembled by William Gladstone and mounted in chronological order in two albums. Many of the prints and broadsides are annotated apparently in W.E. Gladstone's hand, with the exact month and date of publication and the identities of the person being satirized. Later pencil annotations have been added to mounting sheet along with extracts from the description of the print from the Catalogue of prints and drawings in the British Museum, these later annotations probably added by the 20th-century owner of the volumes, Ernest R. Gee
Description:
William Ewart Gladstone (1809-1898) was a British statesman and Liberal politician for over 60 years, including 12 years as Prime Minister of the United Kingdom as well as 12 years as Chancellor of the Exchequer., Title devised by cataloger., Laid in volume 1, two plates removed from Impartial historical narrative of those momentous events ...r 1816 to 1823 (London: Robert Bowyer, 1823). 1) Fac simile of the autographs of the royal family: Also of those peers who voted during the investigation of the charges against Queen Caroline in the House of Lords, 1820. 2) Autographs of those peers who voted during the investigation of the charges against Queen Caroline 1820 ... ., Also laid in volume 1, one leaf (pages 39-40) of an unidentifed work that includes a table: List of names on the two engraved plates of autographs., One French print included: L'amour ainsi qu la nature n'connaissent pas ces distances lá / by Williams Jonhson., Date based on latest annotation in the album., and Bound in later 19th- or early 20th-century black morocco, boards and spine elaborately tooled in gilt.
Subject (Name):
Caroline, Queen, consort of George IV, King of Great Britain, 1768-1821, George IV, King of Great Britain, 1762-1830, Bergami, Bartolomeo Bergami, Baron, Denman, Thomas Denman, Baron, 1779-1854, Brougham and Vaux, Henry Brougham, Baron, 1778-1868, and Wood, Matthew, Sir, 1768-1843
Gladstone, W. E. (William Ewart), 1809-1898, collector
Published / Created:
[ca. 1835?]
Call Number:
Folio 724 835G (Oversize)
Container / Volume:
v.2
Image Count:
222
Resource Type:
still image
Abstract:
A collection of 256 mostly British satirical prints and broadsides commenting on the scandalous relations between Queen Caroline and King George IV including those commenting on the "Queen Caroline Affair" of 1820, purportedly assembled by William Gladstone and mounted in chronological order in two albums. Many of the prints and broadsides are annotated apparently in W.E. Gladstone's hand, with the exact month and date of publication and the identities of the person being satirized. Later pencil annotations have been added to mounting sheet along with extracts from the description of the print from the Catalogue of prints and drawings in the British Museum, these later annotations probably added by the 20th-century owner of the volumes, Ernest R. Gee
Description:
William Ewart Gladstone (1809-1898) was a British statesman and Liberal politician for over 60 years, including 12 years as Prime Minister of the United Kingdom as well as 12 years as Chancellor of the Exchequer., Title devised by cataloger., Laid in volume 1, two plates removed from Impartial historical narrative of those momentous events ...r 1816 to 1823 (London: Robert Bowyer, 1823). 1) Fac simile of the autographs of the royal family: Also of those peers who voted during the investigation of the charges against Queen Caroline in the House of Lords, 1820. 2) Autographs of those peers who voted during the investigation of the charges against Queen Caroline 1820 ... ., Also laid in volume 1, one leaf (pages 39-40) of an unidentifed work that includes a table: List of names on the two engraved plates of autographs., One French print included: L'amour ainsi qu la nature n'connaissent pas ces distances lá / by Williams Jonhson., Date based on latest annotation in the album., and Bound in later 19th- or early 20th-century black morocco, boards and spine elaborately tooled in gilt.
Subject (Name):
Caroline, Queen, consort of George IV, King of Great Britain, 1768-1821, George IV, King of Great Britain, 1762-1830, Bergami, Bartolomeo Bergami, Baron, Denman, Thomas Denman, Baron, 1779-1854, Brougham and Vaux, Henry Brougham, Baron, 1778-1868, and Wood, Matthew, Sir, 1768-1843
