"Lady Archer (left) and Lady Buckinghamshire (right) stand in the pillory as in BMSat 8876, their heads turned in profile towards each other. Lady Archer wears a feathered hat, riding-habit, and boots (cf. BMSat 7973, &c.); Lady Buckinghamshire wears feathers in her hair, her broad breast is immodestly bare, her face is patched. She stands on tip-toe on the top of her Faro 'Bank Box'. The shadow beneath the edge of the platform forms the base of the design; in front of it stands Lord Kenyon, half length, in wig and gown, ringing a hand-bell inscribed 'K' and shouting; he holds a large scroll: "Oh Yes - Oh Yes - this is to give notice that several silly Women in the Parish of St Giles, St James & St Georges [see BMSat 8880], have caus'd much Distress & uneasiness in Family by Keeping bad Houses late hours, & by Shuffling & cutting have Obtain'd divers valuabl Articles - Whoever will bring before me -""--British Museum online catalogue
Description:
Title etched below image., Sheet trimmed within plate mark., Printseller's announcement following publication statement: NB. Folios of caracatures [sic] lent out for the evening., Watermark: Strasburg lily., and Printseller's stamp in the lower right of plate, partially trimmed: S.W.F.
Publisher:
Pubd. May 16, 1796, by S.W. Fores, No. 50 Piccadilly, the corner of Sackville Street
Subject (Name):
Archer, Sarah West, Lady, 1741-1801, Buckinghamshire, Albinia Hobart, Countess of, 1738-1816, and Kenyon, Lloyd Kenyon, Baron, 1732-1802
In the image at the top: Four ladies, fashionably dressed, sit round a table dividing the profits of 'the Faro Bank'. On the table are heaps of guineas with cheques or banknotes, a sword, a ribbon and star, a paper: 'Bond 200 . . half Pay . . Faro'. The two central figures seated behind the table are Lady Archer (with an angry expression) and Lady Buckinghamshire facing each other in profile, their breasts much exposed. On the extreme left sits a young and good-looking woman, her chin concealed by a swathing round the neck; she watches the dispute warily, her arms folded. Facing her (right) an older woman reads through a glass a paper inscribed 'Hond Sir please to pay Lady Bilkem one Thousand Pound for your Dutiful Son Dupe'. These two are probably Mrs. Concannon and Mrs. Sturt, the other two fashionable and notorious holders of faro-banks. Lighted candle-sconces decorate the wall. The near edge of the table forms the lower edge of the design. In the image on the bottom, titled "St Giles's: Four prostitutes in a ramshackle room are grouped, much as the four above, round a table on which their night's plunder is spread: seals, watches, &c. They are younger, handsomer, and have pleasanter expressions than the women of fashion; their breasts are similarly exposed, though their dress is ragged
Alternative Title:
St. James's and St. Giles's
Description:
Title etched between the two images on one sheet., Sheet trimmed within plate mark., Printseller's announcement following publication statement: Folios lent out for the evening., Variant wtih artist's name. Cf. No. 8880 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 7., and Watermark: G R and date 1794 below.
Publisher:
Pubd. May 20, 1796, by S.W. Fores, No. 50 Piccadilly
Subject (Name):
Archer, Sarah West, Lady, 1741-1801 and Buckinghamshire, Albinia Hobart, Countess of, 1738-1816
Subject (Topic):
Gambling, Poverty, Prostitutes, and Social classes
Title from item., Printmaker from British Museum catalogue., Sheet trimmed to plate mark., Temporary local subject terms: Cards: faro -- Pillory -- Mrs. Sturt, fl. 1796 -- Mrs. Concannon, fl. 1796., Watermark: countermark E & P., and Printseller's stamp in the lower right of plate: S.W.F.
Publisher:
Pub. May 16, 1796, by S.W. Fores, No. 50 Piccadilly
Subject (Name):
Kenyon, Lloyd Kenyon, Baron, 1732-1802, Fox, Charles James, 1749-1806, and Buckinghamshire, Albinia Hobart, Countess of, 1738-1816
"A fashionable crowd, with two card-tables, a round table in the foreground (left) at which four persons play Pope-Joan; the most conspicuous is a pretty young woman directed to the left, her loose semi-transparent draperies revealing her person and leaving her breasts almost uncovered. A leering man stands behind her chair, negligently holding candle-snuffers to a candle on the table, in order to peer down her décolletage. A stout lady in back view, sitting on a stool (identified as Lady Buckinghamshire, but (?) Duchess of Gordon), a little girl, and an elderly man (identified as Dr. Sneyd) complete the table. On the right is another card-table at which three persons are playing. Standing figures freely sketched form a background, the whole design being dominated by the erect feathers of the ladies, usually springing from a turban."--British Museum online catalogue
Alternative Title:
Peeping-Tom spying out Pope-Joan
Description:
Title etched below image. and Sheet trimmed within plate mark.
Publisher:
Pubd. March 12th, 1796, by H. Humphrey, New Bond Street
"A fashionable crowd, with two card-tables, a round table in the foreground (left) at which four persons play Pope-Joan; the most conspicuous is a pretty young woman directed to the left, her loose semi-transparent draperies revealing her person and leaving her breasts almost uncovered. A leering man stands behind her chair, negligently holding candle-snuffers to a candle on the table, in order to peer down her décolletage. A stout lady in back view, sitting on a stool (identified as Lady Buckinghamshire, but (?) Duchess of Gordon), a little girl, and an elderly man (identified as Dr. Sneyd) complete the table. On the right is another card-table at which three persons are playing. Standing figures freely sketched form a background, the whole design being dominated by the erect feathers of the ladies, usually springing from a turban."--British Museum online catalogue
Alternative Title:
Peeping-Tom spying out Pope-Joan
Description:
Title etched below image., Sheet trimmed within plate mark., 1 print : etching with stipple on wove paper, hand-colored ; plate mark 26.2 x 36.2 cm, on sheet 29.1 x 39.3 cm., and Mounted on leaf 7 of volume 9 of 12.
Publisher:
Pubd. March 12th, 1796, by H. Humphrey, New Bond Street
"A game at whist at a round card-table. 'Betty' (left) holds out, with a triumphant grin, the ace of spades with which she is about to take the seventh consecutive trick. Her mistress, Miss Humphrey, sits on her left. The two men are said to be Tholdal, a German, who turns his head in astonishment towards Betty, and Betty's partner, Mortimer, or, according to Wright and Evans, Mr. Jeffrey (presumably the enemy of Mrs. Fitzherbert) and Watson (presumably the printseller), but in 'Scientific Researches' (23 May 1802) the former is identified by Wright as Tholdal, and in 'Connoisseurs . . .' (16 Nov. 1807) 'Watson' is identified by him as Mortimer, a picture-dealer and restorer. A scene in Bond Street, shortly before the removal to St. James's Street. This print (reversed) appears in Humphrey's shop window in Gillray's 'Very Slippy-Weather', 1808."--British Museum online catalogue
Description:
Title etched below image., Sheet trimmed within plate mark., and Mounted.
Publisher:
Pubd. Jany. 11th 1796 by H. Humphrey, New Bond Street
A game at whist at a round card-table. 'Betty' (right) holds out, with a triumphant grin, the ace of spades with which she is about to take the seventh consecutive trick. Her mistress, Miss Humphrey, sits on her right. The two men are said to be Tholdal, a German, who turns his head in astonishment towards Betty, and Betty's partner, Mortimer, [or, according to Wright and Evans, Mr. Jeffrey (presumably the enemy of Mrs. Fitzherbert) and Watson (presumably the printseller), but in 'Scientific Researches' (23 May 1802) the former is identified by Wright as Tholdal, and in 'Connoisseurs . . .' (16 Nov. 1807) 'Watson' is identified by him as Mortimer, a picture-dealer and restorer. A scene in Bond Street, shortly before the removal to St. James's Street. This print appears in Humphrey's shop window in Gillray's 'Very Slippy-Weather',"--British Museum online catalogue
Description:
Title etched below image., Copy in reverse. Cf. No. 8885 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 7., No. 4 in an album of 10 prints., and Bound in half calf with marbled paper boards and spine title "Colored caricatures" in gold lettering.
Publisher:
publisher not identified
Subject (Topic):
Card games, Chairs, Floor coverings, Gambling, and Playing cards
"A game at whist at a round card-table. 'Betty' (left) holds out, with a triumphant grin, the ace of spades with which she is about to take the seventh consecutive trick. Her mistress, Miss Humphrey, sits on her left. The two men are said to be Tholdal, a German, who turns his head in astonishment towards Betty, and Betty's partner, Mortimer, [Or, according to Wright and Evans, Mr. Jeffrey (presumably the enemy of Mrs. Fitzherbert) and Watson (presumably the print-seller), but in 'Scientific Researches' (23 May 1802) the former is identified by Wright as Tholdal, and in 'Connoisseurs . . .' (16 Nov. 1807) 'Watson' is identified by him as Mortimer.] a picture-dealer and restorer. A scene in Bond Street, shortly before the removal to St. James's Street. This print (reversed) appears in Humphrey's shop window in Gillray's 'Very Slippy-Weather', 1808."--British Museum online catalogue
Description:
Title, printmaker, date, and publisher from finished state. and Cf. No. 8885 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 7.
