Page 25. George Humphrey shop album. Page 51. George Humphrey shop album.
Image Count:
1
Resource Type:
still image
Abstract:
"From two huge green bags, pear-shaped and broad-based, emerge respectively the heads of the King and Queen. They stand on the surface of a table forming the base of the design. The King's bag (left) is the larger; with averted head he looks sideways at his wife with an expression of terrified fury. She looks towards him with demure provocation. He wears a crown, she a triple ostrich plume in her hat to show that she is denied her status. Round the vast girth of the King's bag is a buckled garter; round the Queen's a blue (Garter) ribbon (cf. British Museum Satires No. 13802) inscribed '. . . Droit. Honi . Soit. Qui . Mal. y . Pense.' By the former bag is a paper: 'Ordered to lie [scored through] lay on the table'; by the latter: 'Secret Committe [sic]--'."--British Museum online catalogue
Description:
Title etched below image., Mounted on page 51 of: George Humphrey shop album., 1 print : etching on wove paper, hand-colored ; plate mark 25.5 x 38.9 cm, on sheet 28 x 40.9 cm., and With identifications of "George IV" and "Q. Caroline" written in pencil below image, as well as the explanation "the green bags with reference to their divorce were ordered to lie on the table" written in pencil below title.
Publisher:
Pubd. by G. Humphrey, 27 St. James's Street
Subject (Name):
Caroline, Queen, consort of George IV, King of Great Britain, 1768-1821, George IV, King of Great Britain, 1762-1830, Eldon, John Scott, Earl of, 1751-1838., and Brougham and Vaux, Henry Brougham, Baron, 1778-1868.
Subject (Topic):
Bags, Tables, Crowns, Feathers, Belts (Clothing), and Ribbons
Page 25. George Humphrey shop album. Page 51. George Humphrey shop album.
Image Count:
1
Resource Type:
still image
Abstract:
"From two huge green bags, pear-shaped and broad-based, emerge respectively the heads of the King and Queen. They stand on the surface of a table forming the base of the design. The King's bag (left) is the larger; with averted head he looks sideways at his wife with an expression of terrified fury. She looks towards him with demure provocation. He wears a crown, she a triple ostrich plume in her hat to show that she is denied her status. Round the vast girth of the King's bag is a buckled garter; round the Queen's a blue (Garter) ribbon (cf. British Museum Satires No. 13802) inscribed '. . . Droit. Honi . Soit. Qui . Mal. y . Pense.' By the former bag is a paper: 'Ordered to lie [scored through] lay on the table'; by the latter: 'Secret Committe [sic]--'."--British Museum online catalogue
Description:
Title etched below image. and Mounted on page 25 of: George Humphrey shop album.
Publisher:
Pubd. by G. Humphrey, 27 St. James's Street
Subject (Name):
Caroline, Queen, consort of George IV, King of Great Britain, 1768-1821, George IV, King of Great Britain, 1762-1830, Eldon, John Scott, Earl of, 1751-1838., and Brougham and Vaux, Henry Brougham, Baron, 1778-1868.
Subject (Topic):
Bags, Tables, Crowns, Feathers, Belts (Clothing), and Ribbons
Lord Conyngham, well dressed in a top hat and holding a pair of gloves, walks in front of a fence and the open window of a building behind it; sheets of paper inscribed "List of the Contents in the House" are on the sidewalk at his feet. George IV -- with the body, beard, and horns of a goat -- prods him from behind with his horns. A larger lady and a black man are seen laughing in the window in the background; posted on the wall to the left of the window is an advertisement for a Theatre Royal performance of "the farce of Husbands and Wives in which will be introduced a concerto of Horn's."
Description:
Title from quoted verse etched beneath image., Date from manuscript annotation in lower right corner of sheet., Sheet trimmed to plate mark leaving thread margins., Not in the Catalogue of prints and drawings in the British Museum., Mounted to 58 x 39 cm., Mounted (with one other print) on leaf 90 in volume 1 of the W.E. Gladstone collection of caricatures and broadsides surrounding the "Queen Caroline Affair.", and Figures of "Geo. IV" and "Ld. Conyngham" identified in ink below image; date "1820" written in pencil in lower right.
Publisher:
publisher not identified
Subject (Name):
George IV, King of Great Britain, 1762-1830, Conyngham, Henry Conyngham, Marquess, 1766-1832, and Conyngham, Elizabeth Conyngham, Marchioness, -1861.
Subject (Topic):
Adultery, Goats, Horns (Anatomy), Windows, and Fences
"Ministers and others, holding hands, caper in a ring round a pole to which are symmetrically attached the decollated heads of the Cato Street conspirators executed on 1 May, see British Museum Satires No. 13707, &c. Between Sidmouth and the smiling Castlereagh is a man wearing a black mask, and with a blood-stained knife in his mouth, perhaps one of the two who turned King's evidence. On the right, taking Castlereagh's left hand, is the Attorney-General, Gifford, grinning diabolically. Holding Sidmouth's left hand is Vansittart (in his gown). Facing these two are Canning and Chief Justice Abbott in his robes. Four others are poorly characterized. They dance to a fiddle played by Edwards who sits on a grassy mound (right), with an empty gibbet behind his head. He says: "Dance away my Friends, I have been the cause of all this fun by your Help and Money. "Edwards the Instigator!!!"."--British Museum online catalogue
Description:
Title etched below image., Sheet trimmed within plate mark., Mounted to 58 x 39 cm., Mounted (with two other prints) on leaf 9 in volume 1 of the W.E. Gladstone collection of caricatures and broadsides surrounding the "Queen Caroline Affair.", and With figures of "Sidmouth", "Londonderry", and "Gifford" identified in pencil below, the first two on mounting leaf and the last one in lower margin of print. Typed extract of twelve lines from the British Museum catalogue description is pasted opposite (on verso of preceding leaf).
Publisher:
Pubd. May 1820 by S.W. Fores, 41 Piccadilly, London
Subject (Geographic):
Great Britain.
Subject (Name):
Sidmouth, Henry Addington, Viscount, 1757-1844, Castlereagh, Robert Stewart, Viscount, 1769-1822, Vansittart, Nicholas, 1766-1851, Canning, George, 1770-1827, Abbott, Charles, Baron Tenterden, 1762-1832, and Edwards, George, 1788-1843
Subject (Topic):
Cato Street Conspiracy, 1820, Politicians, May poles, Dance, Decapitations, Heads (Anatomy), Criminals, Masks, Knives, and Violins
"Lord Eldon sits at a high desk above a table, with mace, &c., at which two barristers are writing. He raises his arms in astonishment at the sight of a still (left) inscribed 'The Q--n's Double Destlled [sic] Essence of Bergamot' [with 'ot' scored through and replaced by 'i']; from this the Queen's head emerges, facing the head of Bergami, which issues from an arm of the still. This is surrounded by smoke and stands on a bench, behind which on a low platform stand Louise Demont and Majocchi, pointing at the object, the latter saying: "Non me Ricordo." A barrister, probably Copley, stands near them, saying: "It's a strong proof but froieng [sic] brew'd and out of our power to discover the Makers." Eldon, dropping his pen, says: "This is cuesed [sic] strong it is certainly doubled proof of their Private works." A profile (? Liverpool) leans forward from the left margin, saying: "My L--ds he can swear to the Smell and Taste." Peers, some astonished, some amused, are seated on benches between Chancellor and witnesses. Only the Duke of York can be identified; he says: "I'll have one made for my Travelling Carriage." A bishop: "We must get Bergami to calk it up."."--British Museum online catalogue
Alternative Title:
Peer-les examination of the Royal private works in Italy and Peerless examination of the Royal private works in Italy
Description:
Title etched below image., Date of publication from the British Museum catalogue., Sheet trimmed within plate mark., Mounted to 58 x 39 cm., Mounted (with one other print) on leaf 32 in volume 1 of the W.E. Gladstone collection of caricatures and broadsides surrounding the "Queen Caroline Affair.", and Several of the depicted figures are idenitifed in pencil on mounting sheet; the names "Caroline & Bergami" and "Dukes of York & Clarence" are written below print, while "Eldon" is written to the right.
Publisher:
Pubd. by H. Fores, 16 Panton St., Haymarket
Subject (Geographic):
Great Britain.
Subject (Name):
Caroline, Queen, consort of George IV, King of Great Britain, 1768-1821, Bergami, Bartolomeo Bergami, Baron, Eldon, John Scott, Earl of, 1751-1838, Demont, Louisa, active 1814-1820, Majocchi, Theodore, active 1820, Lyndhurst, John Singleton Copley, Baron, 1772-1863, Liverpool, Robert Banks Jenkinson, Earl of, 1770-1828, and Frederick Augustus, Prince, Duke of York and Albany, 1763-1827
Subject (Topic):
Ceremonial maces, Stills (Distilleries), Smoke, Benches, Lawyers, Witnesses, Politicians, Bishops, and Hand lenses
George IV, wearing a coat and top hat, punches a plainly dressed Caroline in the face on a dirt street in front of buildings; blood gushes from her nose as she falls backwards from the blow. Lady Conyngham, elegantly dressed, stands behind the King and converses with a soldier on the left edge of the design. Another man, dressed as royalty in a fur-lined cape, stands in a doorway on the right, angrily pointing and yelling at a woman; a sign posted next to the doorway advertises "The Life of King Henry VIII." A dog runs in the foreground on the right, its collar reading "John Bull."
Alternative Title:
A Royal example!, or, A Westminster blackguard illusing his wife, Westminster blackguard illusing his wife, and Westminster blackguard ill-using his wife
Description:
Title etched below image., Print signed twice; "Marks fect." is etched within bottom center portion of image, and "Marks" is etched beneath lower right corner of image., Sheet trimmed within plate mark., Not in the Catalogue of prints and drawings in the British Museum., Watermark (mostly trimmed)., Mounted to 58 x 39 cm., Mounted (with one other print) on leaf 62 in volume 1 of the W.E. Gladstone collection of caricatures and broadsides surrounding the "Queen Caroline Affair.", and Figures of "Lady Conyngham," "George IV," and "Caroline" identified in pencil at bottom of sheet; a mostly illegible note, with the date "1820" at the end, is written in pencil in lower right.
Publisher:
Pubd. by Benbow, St. Clemends [sic] Church Yard, Starnd [sic]
Subject (Name):
Caroline, Queen, consort of George IV, King of Great Britain, 1768-1821, George IV, King of Great Britain, 1762-1830, and Conyngham, Elizabeth Conyngham, Marchioness, -1861
Subject (Topic):
Fighting, Family violence, Mistresses, Soldiers, Doors & doorways, and Dogs
"George IV, on a galloping horse, aims an arrow at the crowned head of the Queen (left), which emerges above the clouds of dust raised by his horse. He wears military uniform, with peacock's feathers (see British Museum Satires No. 13299) in his cocked hat. In the distance (right) are the domes of the Pavilion. The plate faces lines beginning: A, for an Archer, who wounded a Queen, The stoutest Apollo that ever was seen, ..."--British Museum online catalogue
Alternative Title:
A, for an archer, who wounded a queen, the stoutest Apollo that ever was seen ...
Description:
Title etched below image., Alternative title from letterpress text on facing page of the bound work., Attributed to Theodore Lane in the British Museum catalogue., Sheet trimmed within plate mark., Plate from: Rosco. Horrida bella. London : G. Humphrey, 1820., Mounted on page 9 of: George Humphrey shop album., and Mounted opposite the sheet of corresponding letterpress text that would have faced the plate in the bound work.
Publisher:
Pubd. by G. Humphrey, 27 St. James's St.
Subject (Name):
George IV, King of Great Britain, 1762-1830, Caroline, Queen, consort of George IV, King of Great Britain, 1768-1821, Rosco., and Royal Pavilion (Brighton, England),
Subject (Topic):
Horseback riding, Feathers, Bows (Weapons), and Archery
"Ministers, much burlesqued, registering terror or anxiety, are grouped on either side of a large bottle of 'Evidence against the Queen' from which rise clouds of smoke, inscribed 'Lies' (four times) and 'Non mi Ricordo' [five times]. On the left sits Liverpool, saying: "We shall be all sent to the Devil." Next him Eldon scowls: "D--n that Non mi Ricordo." Wellington, fiercely anxious, stands behind Liverpool's chair holding a scimitar. Facing Liverpool sits Sidmouth, holding his clyster-pipe to his nostril, and exclaiming: "O! how reviving." Castlereagh exclaims: "Oh! L--d we shall be cast." Gifford says: "Oh! the secrets will come out." A seventh, (?) Harrowby, stands with a hand on the heads of Sidmouth and Castlereagh."--British Museum online catalogue
Alternative Title:
Song of sixpence
Description:
Title etched below image., Sheet trimmed within plate mark., Six lines of verse in two columns below title: Sing a song of sixpence a bag full of lies, Four and twenty witnesses all prov'd to be Spies, Before the bag was open'd the ministers 'gan to sing, Oh! here we have a dainty dish to set before the King. But when the bag was open'd the Lords began to stare, To see their precious evidence all vanish into air., Mounted to 58 x 39 cm., Mounted (with one other print) on leaf 80 in volume 1 of the W.E. Gladstone collection of caricatures and broadsides surrounding the "Queen Caroline Affair.", and Figures of "Wellington," "Liverpool," "Eldon," "Castlereagh," and "Sidmouth" identified in ink at bottom of image; date "8 Sep. 1820" written in lower right corner. Typed extract of two lines from the British Museum catalogue description is pasted beneath print.
Publisher:
Pub. Sep. 8, 1820, by John Marshall Junr., 24 Little St. Martins Lane
Subject (Geographic):
Great Britain.
Subject (Name):
Caroline, Queen, consort of George IV, King of Great Britain, 1768-1821, Eldon, John Scott, Earl of, 1751-1838, Liverpool, Robert Banks Jenkinson, Earl of, 1770-1828, Sidmouth, Henry Addington, Viscount, 1757-1844, Castlereagh, Robert Stewart, Viscount, 1769-1822, Wellington, Arthur Wellesley, Duke of, 1769-1852, Gifford, Robert Gifford, Baron, 1779-1826, and Harrowby, Dudley Ryder, Earl of, 1762-1847
Subject (Topic):
Politicians, Anxiety, Fear, Bottles, Smoke, Evidence (Law), Chairs, Daggers & swords, and Medical equipment & supplies
"Cows and goats with distended udders are grouped outside a small thatched cottage (see British Museum Satires No. 13893). The King, wearing apron, over-sleeves, and top-boots, stands by a cow, an arm resting on her back, his pail at his feet, his stool behind him. Behind (right), a fat dairymaid, presumably Lady Conyngham, walks towards the cottage, her pail on her head. Three plump women watch from open casement windows."--British Museum online catalogue
Description:
Title etched below image., Attributed to Theodore Lane in the British Museum catalogue., Sheet trimmed within plate mark., Watermark: J. Whatman 1820., Mounted to 58 x 39 cm., Mounted (with one other print) on leaf 32 in volume 2 of the W.E. Gladstone collection of caricatures and broadsides surrounding the "Queen Caroline Affair.", and Figure of "Geo. IV" identified in ink at bottom of sheet; date "Dec. 1820" written in lower right corner. Typed extract of four lines from the British Museum catalogue description is pasted above print.
Publisher:
Pubd. by G. Humphrey, 27 St. James's St.
Subject (Name):
George IV, King of Great Britain, 1762-1830 and Conyngham, Elizabeth Conyngham, Marchioness, -1861
Depiction of George IV in a rage against family members (Frederick and William) who are unwilling to lend their support for his divorce from Caroline; he kicks a man (Bloomfield?) while pursuing his brothers, who are in uniform and seen fleeing on the right side of the design. Papers inscribed "Protocol" and "No devorce [sic]" fly in the air. A toppled chair rests on the floor to the left of the King; a bottle of wine falls off a table behind him, upon which fruit (including pineapples) rests. A John Bull figure watches the scene from the background on the left, an astonished look on his face
Description:
Title etched below image., Sheet trimmed within plate mark on three sides., Not in the Catalogue of prints and drawings in the British Museum., Mounted to 58 x 39 cm., Mounted (with one other print) on leaf 50 in volume 1 of the W.E. Gladstone collection of caricatures and broadsides surrounding the "Queen Caroline Affair.", and Figures of "Bloomfield," "P. Leopold," and "D. York" identified in ink at bottom of sheet; date "30 July 1820" written in lower right corner.
Publisher:
Pub. by H. Fores, Panton St., Haymarket
Subject (Name):
George IV, King of Great Britain, 1762-1830, Bloomfield, Benjamin Bloomfield, Baron, 1768-1846, Frederick Augustus, Prince, Duke of York and Albany, 1763-1827, William IV, King of Great Britain, 1765-1837, and Caroline, Queen, consort of George IV, King of Great Britain, 1768-1821.
Subject (Topic):
Divorce, Adultery, Anger, Kicking, Brothers, Pineapples, Military uniforms, and British
