Title from caption below image., Fourth plate in a series of 12 prints., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., Temporary local subject terms., and Mounted to 22 x 30 cm.
Publisher:
Published by Thos. McLean, Repository of Wit & Humour, 26 Haymarket
Title from caption below image., Seventh plate in a series of 12 prints., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., Temporary local subject terms: Carts and wagons -- Accidents -- Fairs -- Dogs., and Mounted to 22 x 30 cm.
Publisher:
Published by Thos. McLean, Repository of Wit & Humour, 26 Haymarket
Title from caption below image., Eighth plate in a series of 12 prints., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., Temporary local subject terms: Executions -- Priests -- Crowds-- Executioner -- Pleading., and Mounted to 22 x 30 cm.
Publisher:
Published by Thos. McLean, Repository of Wit & Humour, 26 Haymarket
"A farmyard scene, with a corner of the house on the left. A grossly fat and carbuncled parson on a quest for tithes encounters the farmer's wife, who runs towards him proffering an open bandbox, with a dangling lid inscribed 10th. A miniature hussar, very dandified in shako and pelisse, stands in it, superciliously inspecting the parson through an eye-glass. The woman, who is plump and well-dressed, wearing apron and bonnet, says: Seeing your Reverence comeing for your Tithes, I have brought you a Tenth. The parson, who holds a large book, Tithe list, and has a chicken in his capacious pocket, answers with a scowl and gesture of refusal: Take it back! take it back! good Woman; I never tithe Monkeys. The little hussar says: Eh! eh! what does that there fellow say? An amused yokel with a pitchfork leans over a gate (left). A cock crows on a dunghill, an ass brays. Corn-sheaves stand in a distant field."--British Museum online catalogue
Alternative Title:
Dandyfied coxcomb in a bandbox and Dandified coxcomb in a bandbox
Description:
Title etched below image., Attributed to Charles Williams in the British Museum catalogue., Sheet trimmed within plate mark., and Mounted to 28 x 39 cm.
Publisher:
Pubd. 10th April 1824 by John Fairburn, Broadway, Ludgate Hill
Subject (Topic):
Dandies, British, Military uniforms, Clergy, England, Obesity, Boxes, Farms, Donkeys, Roosters, and Pitchforks
Title from caption below image., Twelfth plate in a series of 12 prints., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., and Mounted to 22 x 30 cm.
Publisher:
Published by Thos. McLean, Repository of Wit & Humour, 26 Haymarket
A couple stand in their nightclothes in horror as they look on their bed which is in flames. An overturned table with a lit candle appears to be the cause of the fire, the other contents, a book, a rosary, a watch and chain, and spectacles are also on the floor. To the right is a dressing table with a mirror, scissors and comb; above, hangs a framed painting
Description:
Title and series title from caption below image., "Pl. 9"--Upper right corner., Ninth plate in a series of 12 prints., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., and Mounted to 19 x 30 cm.
Publisher:
Published by Thos. McLean, Repository of Wit & Humour, 26 Haymarket
A young boy holding a monkey looks admiringly at a girl who holds a dog
Description:
Title from caption below image., Publication date from unverified data from local card catalog record., and Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires.
Title from caption below image., Fifth plate in a series of 12 prints., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., and Mounted to 22 x 30 cm.
Publisher:
Published by Thos. McLean, Repository of Wit & Humour, 26 Haymarket
"George IV sits in an arm-chair, his gouty right leg in a bulky swathing rests on a cushion; the left leg is tightly bound between calf and ankle with a narrow bandage. He wears a loose fur-collared coat or gown over breeches and waistcoat. He leans back reflectively, an open book, Diversions of Purley [by Home Tooke, cf. British Museum Satires No. 9020], in his right hand. Phases of his past life are illustrated in a series of W.L. portraits on the wall behind him. [1] As a handsome young man he stands holding a long-bow, as if at an archery contest. [2] He stands, slightly obese, in his Light Horse uniform, see British Museum Satires No. 8800 (1796). [3] He stands in back view as in BM Satires 12803, facing a wall on which is a portrait of the Hottentot Venus [Saartjie Baartman], see British Museum Satires No. 11577, &c. [4] He stands in hussar uniform, with high curled wig and whiskers. [5] He stands directed to the right in Field Marshal's uniform (as 'especially in 1814). [6] He stands on the deck of a ship in yachting costume wearing loose jacket and trousers, his hands in his coat-pocket. The profile and paunch of Sir William Curtis are behind and on the extreme left. [7] The picture is partly concealed by a curtain, but the King sits near a chamber-pot. [8] He stands in coronation robes holding orb and sceptre (see British Museum Satires No. 14199). [9] He is in Highland costume (see British Museum Satires No. 14386). At the King's left hand is a small cheval-glass topped by a crown. His appearance has changed, he has no whiskers, and has a wig of lightly curled natural hair, parted in the middle, so that in place of the pear- or pineapple-shaped head resulting from a crest of curls and whiskers, as from c. 1811 [In caricature. An engraved H.L. portrait by Schiavonetti after T. Phillips, pub. Cadell & Davis, 11 Oct. 1809, has whiskers and crest of curls], his face seems rounder, and, in many prints, younger. His dress is less formal, and his appearance (confirmed by portraits from 1820) suggests a determination to depart completely from the appearance and costume of caricature."--British Museum online catalogue
Description:
Title etched below image., Attributed to William Heath in the British Museum catalogue., and Temporary local Medical Library subject terms: Theater -- Hottentot Venus.
Publisher:
Pub. March 15, 1824, by S.W. Fores, 41 Picadilly, London
Subject (Geographic):
Great Britain.
Subject (Name):
George IV, King of Great Britain, 1762-1830, Curtis, William, Sir, 1752-1829., Shakespeare, William, 1564-1616., Tooke, John Horne, 1736-1812., and George IV, King of Great Britain, 1762-1830.
Subject (Topic):
Fashion, Costume, History, Gout, Recluses, and Dandies
"Scene outside the closed iron gate of Covent Garden Theatre. A smartly dressed man swaggers tipsily and jovially along, both arms raised; clutching his arm is a dejected companion in a drunken torpor, fashionably dressed, and wearing a blue cloak lined with red over his evening suit. In the foreground (right) a well-dressed man reclines against a step, drunk and jovial, a battered top-hat on the pavement beside him. An old watchman stoops to lift him up. Behind them a fourth toper is jovially attempting to fight a watchman holding lantern and rattle, while a brother-watchman raises his staff. On the left a fat John Bullish fellow tries to waltz with a pretty little courtesan, while a second girl picks his pocket and holds up in triumph a watch and seals. Both are smartly dressed, wearing big feathered hats. Behind them an old bawd walks along taking by the arm a seedy rake. On the wall are playbills both headed Theatre Royal Covent Garden, [1] Tomorrow Night The Blue Devils [1798] Love's Labour Lost [2] The Road to Ruin [1792, see BM Satires 8074] Fortune's Frolic [1799]."--British Musem online catalogue
Alternative Title:
Amorous, clamorous, uproarious and glorious
Description:
Title from caption below image., Publication date from British Museum catalogue., Quote below title: All coming from a public dinner., Sheet trimmed within plate mark., and Watermark: J. Whatman.