"A hand-coloured print of two men in a well appointed room, closely examining a menu or a bill. A pot bellied cook stands and watches the epicures with satisfaction, a knife hanging from his waist. On the right, a maid and a young boy bring in a platter with two fish which a cat pays close attention to. The maid's face has been drawn with precision and is the least caricatured of the group."--Royal Collection Trust online catalogue.
Subject (Name):
Auchincloss, Hugh Dudley--Ownership., Harvey, Francis--Ownership., and Rowlandson, Thomas, 1756-1827, artist.
"The King and Queen, much caricatured, sit side by side in a latrine, above which is part of the royal arms, the lion looking down apprehensively and excreting. They look in horror towards Pitt, who rushes in, terrified, from a door (right), holding out a paper inscribed 'News from Sweden', and saying, "Another Monarch done over!" He is grotesquely thin. The King rises slightly, holding his stomach, and saying, "What ? Shot ? What ? what ? what ? Shot! shot! shot!" He wears a nightcap tied with a ribbon inscribed 'Honi Soit qui M . . . '. The Queen is a shrunken and huddled figure; both have grotesquely agitated expressions."--British Museum online catalogue.
Alternative Title:
News of shooting the King of Sweden
Description:
Printmaker from British Museum catalogue. and Title from text in image.
Subject (Name):
Auchincloss, Hugh Dudley--Ownership., Charlotte,--consort of George III, King of Great Britain,--1744-1818--Caricatures and cartoons., George--III,--King of Great Britain,--1738-1820--Caricatures and cartoons., Harvey, Francis--Ownership., Humphrey, Hannah, active 1774-1817, publisher., and Pitt, William,--1759-1806--Caricatures and cartoons.
"The King sits in an armchair in profile to the left, bending forward to eat a boiled egg, holding the egg-cup in his left hand. Opposite him, and partly concealed by the left margin, sits the Queen, avidly stuffing salad into her mouth. On the small round table are a bowl of salad and two jugs or oil and vinegar. Everything in the room denotes miserliness: the King has tucked the end of the table-cloth into his collar to protect his dress; his breeches are patched; his chair is swathed in protective coverings, his feet rest on a mat which protects the carpet. A richly chased flagon, decorated with the royal arms, which stands on the ground beside him, is inscribed 'Aqua Regis'. The handle of the bell-pull is covered by a bag. Behind the King's back, and on the extreme right, is a fire-place; in the grate is a vase containing snowdrops, holly, and mistletoe, to show that although it is winter there is no fire (cf. BMSat 7322). A grotesque figure in relief squats above the oval grate, his hands in a muff. On the chimney-piece stand a small pair of scales such as were then used for weighing guineas; see BMSat 5128, &c, resembling those held by the Queen in BMSat 8081; a candelabra formed of a woman's figure, 'Munificence', holding two empty cornucopias; one candle is intact, the other has burned low and is covered by an extinguisher surmounted by a crown. Above the chimney-piece is a picture: 'The fall of Manna', in which the Bible story is realistically depicted: round cakes (? or coins) descend from Heaven and are caught in sacks by Jews wearing contemporary dress; behind are tents and a mountain. Above the King's head hangs an empty picture frame inscribed 'The Triumph of Benevolence'. Below it hangs an oval miniature of the King in profile to the right, inscribed 'The Man of Ross' (John Kyrle (1637-1724), noted for frugality and charity, see 'D.N.B.'), and above it is the lower arc of another empty frame inscribed 'Epicurus'. In the foreground (right) behind the King is an iron-bound and padlocked chest on and beside which are three books: 'Life of Old Elwes' (the miser, a popular work by Topham), 'Dr Cheyne on the benefits of a Spare Diet', and 'Essay on the dearness of Provisions' (cf. BMSat 6993). Behind the Queen is the heavily bolted door of a strong-room; on it hangs a placard: 'Table of Interest, 5 pr Cent. 5 Million . . . 250,000' (&c, the total interest forming a colossal but scarcely legible amount). Above the door is the lower part of an empty frame: 'Parting of the Loaves & Fishes.'"--British Museum online catalogue.
Description:
Companion print to: "A voluptuary under the horrors of digestion." and Title engraved below image.
Publisher:
H. Humphrey, No. 18 Old Bond Street
Subject (Name):
Auchincloss, Hugh Dudley--Ownership., Charlotte,--consort of George III, King of Great Britain,--1744-1818--Caricatures and cartoons., George--III,--King of Great Britain,--1738-1820--Caricatures and cartoons., Harvey, Francis--Ownership., and Humphrey, Hannah, active 1774-1817, publisher.
"Lord Cornwallis holds a levee in Government House, Calcutta, in a large room divided by a panelled partition which stretches across the design from left to right and is broken by three wide doorways, showing an inner room, crowded with guests, with three large windows between which are pier-glasses in ornate frames. In the spaces between the doorways are four candle-sconces placed above four of Thomas Daniell's 'Views of Calcutta', either the originals or (more probably) the aquatints. [Published by him at Calcutta 1786-8, reproduced in W. Corfield's 'Calcutta Faces and Places'. Cf. also 'Memoirs of William Hickey', iii. 327, 342.] In the nearer portion of the room the figures are dispersed; Cornwallis stands in the inner room on the right, his right hand on his breast, left in his breeches pocket. He is talking to Cudbert Thornhill, a grotesque-looking civilian who faces him in profile to the right. Behind Thornhill, waiting to approach Cornwallis, is King Collins wearing regimentals. Behind this group is a crowd of unidentified guests. The figures in the foreground (left to right) are: Lt.-Col. Alexander Ross, secretary to Cornwallis, who is talking to Colonel John Fullarton, senior officer at the Presidency ('East India Kalendar', 1791, p. 14). Next, a stout civilian, with legs thick to deformity, holds both hands of a very slim and foppish civilian; they are John Haldane and Claud Benizett, [Identified by Wright and Evans as John Wilton.] Sub-Treasurer. The centre figures are a very stout colonel talking to a thin and grotesque civilian holding a long cane; both wear spectacles. They are Colonel Auchmuty and William Pye, Collector of the Twenty-four Pergunnahs. A grotesquely ugly little civilian, standing alone in profile to the left, taking snuff, is W. C. Blaquiere. [Identified by Wright and Evans] On the extreme right an obese man and a cadaverously thin man, both civilians, take each other's hands in an affected manner; they are Robert MacFarlane, Clerk of the Market, and John Miller, Deputy of Police. From MacFarlane's pocket hangs a long paper: 'Price Current Calcutta Market Grain Rice Bran Paddy Agent'. Behind Pye stands the Rev. Thomas Blanshard, a very stout man in profile to the left with his hands behind his back. Behind him a civilian grasps the hands of a Greek priest wearing robes and a high hat. They are Edward Tiretta of the Bazaar and Father Parthanio. ..."--British Museum online catalogue.
Description:
Artist reputed to be General Stevenson. See British Museum catalogue., Sheet trimmed within plate mark on three edges., and Title etched below image.
Publisher:
H. Humphrey, No. 18 Old Bond Street
Subject (Name):
Auchincloss, Hugh Dudley--Ownership., Cornwallis, Charles Cornwallis,--Marquis,--1738-1805--Caricatures and cartoons., Gillray, James, 1756-1815, publisher. http://id.loc.gov/authorities/names/n50033402, Harvey, Francis--Ownership., Humphrey, Hannah, active 1774-1817, publisher. http://id.loc.gov/authorities/names/n97861435, Ross, Alexander,--1742-1827--Caricatures and cartoons., and Teignmouth, John Shore,--Baron,--1751-1834--Caricatures and cartoons.
"The interior of a latrine; a procession, headed by Talleyrand holding up a crozier, advances towards the seat; through the circular aperture looks out the head of a demon, saying, "Ca Ira! Ca Ira!" Talleyrand, as Bishop of Autun, wears mitre, lawn sleeves, long robes; he puts one knee on the seat, showing that his leg above the knee is bare, revealing him a sans-culotte; to his crozier are suspended his blazing breeches. He is followed by a French fish-wife, walking in profile to the right, and carrying a flaming torch inscribed 'Inflammatory Epis[tle]'; in her right hand is a document inscribed 'Instructions from the National Assembly to their Diplomatique'. Two fish hang from her waist. Behind and on the extreme left walk three small and ruffianly Frenchmen with tricolour caps carrying a lighted brazier, a red-hot poker, &c. On the wall (right), partly obscured by the smoke from the breeches and in danger of destruction, is a picture of 'The House of Commons'. ..."--British Museum online catalogue.
Alternative Title:
Bishop of Autun's breeches and Flaming eveque purifying the house of office
Description:
Dedication etched below title: To the patriots of France & England, this representation of the burning zeal of the holy "Attachè a la Mission," and his colleague "L'Envoié des Poissardes," is most respectfully dedicated., Printmaker from British Museum catalogue., and Title etched below image.
Subject (Name):
Auchincloss, Hugh Dudley--Ownership., Chauvelin, Bernard-François,--marquis de,--1766-1832--Caricatures and cartoons., Harvey, Francis--Ownership., Humphrey, Hannah, active 1774-1817, publisher., Talleyrand-Périgord, Charles Maurice de,--prince de Bénévent,--1754-1838--Caricatures and cartoons., Walpole, Horace,--1717-1797--Ms. notes., and Walpole, Horace,--1717-1797--Ownership.
"The interior of Sir Robert Taylor's rotunda in the Bank of England when it was used as a stock exchange with the arc of the pilastered wall and part of the domed ceiling forming a background. The floor is covered with groups of small figures, only three ladies among them, who are drawn realistically with a certain humourous intention. On the left is a Jew who talks to a fashionable young man in top-boots. On the right a man wearing a cocked hat and holding a staff and waving a rattle stands above a crowd of excited bidders. On the wall above his head is the notice: 'No clerk to act as broker.' Behind is a table at which men stand to write. On the wall above it is the inscription: Navy &c. £5 pr. ctr. amnt."--British Museum online catalogue.
Description:
Attributed to Rowlandson by Grego., Cf. Grego, J. Rowlandson the caricaturist, v. 1, page 306., For an earlier state before the addition of Fores's name at the end of imprint, see no. 8204 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 6., and Title etched below image.
Publisher:
T. Rowlandson, Strand & S. W. Fores, No. 3 Piccadilly
Subject (Name):
Auchincloss, Hugh Dudley--Ownership., Bank of England., Fores, S. W., publisher., and Harvey, Francis--Ownership.
Subject (Topic):
Banks., Crowds., Interiors., Jews., Pilasters., Rotundas., and Stock exchanges--England.
"Pitt stands in profile to the right, right hand extended, left hand resting on the table of the House of Commons, on which are books, &c. He says, "If there is a Fundamental deficiency why call for Papers?" The title and phrase (used by Pitt in debate) express the exaggerated attenuation of Pitt below the waist. He wears court-dress with a sword. The print is said to give a realistic impression of Pitt in debate. Cf. BMSat 8097."--British Museum online catalogue.
Alternative Title:
Bottomless pit
Description:
Printmaker from British Museum catalogue. and Title etched below image.
Subject (Name):
Auchincloss, Hugh Dudley--Ownership., Harvey, Francis--Ownership., Humphrey, Hannah, active 1774-1817, publisher., and Pitt, William,--1759-1806--Caricatures and cartoons.
"Two medallions placed side by side illustrate 'British Liberty' and 'French Liberty', these titles being inscribed on the borders of the medallions. [1] Britannia seated in profile to the right under an oak with her shield and the staff and cap of Liberty; in her right hand is 'Magna Charta', in her left she holds out the scales of Justice. The British lion crouches at her feet. Behind (right) is the sea with a ship in full sail. [2] A ragged Fury runs forward in profile to the left, trampling on a decapitated body; in her right hand is a trident on which is a bleeding head flanked by two hearts. In her left hand is a long dagger. Writhing serpents form her hair and her girdle. Behind (right) a body hangs from a lamp-bracket. Beneath each medallion is an inscription in large letters: 'Religion. Morality. Loyalty Obedience to the Laws Independance Personal Security Justice Inheritance Protection Property. Industry. National Prosperity Happiness. Atheism Periury Rebellion. Treason. Anarchy Murder Equality. Madness. Cruelty. Injustice Treachery Ingratitude Idleness Famine National & Private Ruin. Misery WHICH IS BEST?'."--British Museum online catalogue.
"A caricature of the famous scene in the House of Commons on 28 Dec. 1792. Burke (right) stands in profile to the left, his hands extended, having just thrown down the dagger, which lies at his feet; he looks with a contemptuous frown at Pitt and Dundas, who are seated on the Treasury Bench (left). On the extreme left the Speaker is represented by his hat, wig, and gown; his headlessness perhaps indicates Gillray's opinion of Addington. On the opposite side of the table Fox clutches his hat, looking at Burke out of the corners of his eyes with an alarmed expression; Sheridan, equally alarmed, clutches Fox's shoulder; behind them sits M. A. Taylor, clasping his hands. Burke, whose corpulence and a bag-wig suggest that he is now drawing funds from the Treasury, says: "There! that is what you are to gain by an alliance with France! - such are the Instruments with which they have determin'd the destruction of the Human race! - Three Thousand such Daggers are now manufacturing for this Country! - for where French principles are introduced, you must prepare your hearts for French Daggers! - Nineteen Assassins are already here, who aided & abbetted by wretches who do not believe in a God, are preparing to scour the filth from your Streets with the Blood of all who are Virtuous & Honorable!!" Pitt, seated in profile to the right, very thin, with his hair rising on his head in terror, says, "The blood of the Virtuous & Honorable ? then Lord have mercy upon Me!" Dundas, wearing a tartan plaid, adds, equally terrified, "And upon Me!" Fox says "Confusion! - one of Our daggers, by all thats bloody! how the devil did he come by that ? - ha! what's that ? Nineteen Assassins ? - O damnation! - we're found out & all our schemes ruin'd for ever!!!" Sheridan says: "O Charley, Charley! - farewell to all our hopes of Levelling Monarchs! - farewell to all our hopes of paying off my debts by a general Bankruptcy! - farewell to all hopes of plunder! - in a moment of Victory we're trap'd & undone!!!"."--British Museum online catalogue.
Alternative Title:
Plot discover'd and Plot discovered
Description:
Title etched below image.
Subject (Name):
Auchincloss, Hugh Dudley--Ownership., Burke, Edmund,--1729-1797--Caricatures and cartoons., Fox, Charles James,--1749-1806--Caricatures and cartoons., Harvey, Francis--Ownership., Humphrey, Hannah, active 1774-1817, publisher., Melville, Henry Dundas,--Viscount,--1742-1811--Caricatures and cartoons., Pitt, William,--1759-1806--Caricatures and cartoons., Sheridan, Richard Brinsley,--1751-1816--Caricatures and cartoons., Sidmouth, Henry Addington,--Viscount,--1757-1844--Caricatures and cartoons., and Taylor, Michael Angelo,--1757-1834--Caricatures and cartoons.
"Thurlow, seated on the Woolsack, and George III who stands on the extreme left, tug at the bag of the Great Seal, while Pitt and Grenville (right) attempt to dislodge the Chancellor. The King, in profile to the right, tugs with both hands, saying, "What! What! What! - pull against me Neddy? pull against me? - no! no! no! - 'twont do! Neddy! 'twont do! leave go! leave go! Neddy - dont put me in a passion Neddy - but leave go Neddy - " Thurlow, holding one tassel, says: "Take it ingrate! - and then farewell, - O damnation I've touched the highest point of all my greatness - damnation And from that full meridian of my glory - damnation I haste now to my setting - I shall fall - damnation Like a bright exhalation in the evening - damnation And no man see me more - Damnation! O damnation" Pitt, kneeling on one knee, tugs with both hands at the back of the woolsack, saying, "Yeo! Yeo! - this one pull more Billy-Ranger, and we shall secure every thing into our own Family, and then leave me alone to take a pull at Old Nobbs [the King], & John Bull." Grenville, also on one knee, pulls with both hands at the Chancellor's wig; he says, "Bravo! Cousin Billy! - pull away! - now again! - I have a mighty fancy for this Wig! I think it would add dignity to my Ranger, & Secretaryship!"."--British Museum online catalogue.
Description:
Printmaker from British Museum catalogue. and Title etched below image.
Subject (Name):
Auchincloss, Hugh Dudley--Ownership., George--III,--King of Great Britain,--1738-1820--Caricatures and cartoons., Grenville, William Wyndham Grenville,--Baron,--1759-1834--Caricatures and cartoons., Harvey, Francis--Ownership., Humphrey, Hannah, active 1774-1817, publisher., Pitt, William,--1759-1806--Caricatures and cartoons., and Thurlow, Edward Thurlow,--Baron,--1731-1806--Caricatures and cartoons.
Subject (Topic):
Great Britain--Politics and government--1789-1820--Humor.
