Above title are the phrases "Ever changing," "Ever new," and "Vive la bagatelle.", Plate numbered "100" in upper right corner., Reissue of the title page to: Woodward, G.M. Caricature magazine, or Hudibrastic mirror. London : Thomas Tegg, [1808?], v. 4., Reissue, with altered publication date, of a plate first published in 1809. See British Museum catalogue., Sheet trimmed within plate mark on top edge., and Title from text in center of image.
Subject (Name):
Auchincloss, Hugh Dudley--Ownership., Harvey, Francis--Ownership., Tegg, Thomas, 1776-1845, publisher., and Woodward, G. M. (George Moutard), approximately 1760-1809, artist.
"Mrs. Clarke's house is on the right. A military officer (Wardle) wrapped in a cloak slips a purse into the hand of a meretricious young woman at the door, with a belt inscribed Favorit. Mrs. Clarke, her breast much exposed, leans from a window to look down at him. Two other men look from other windows. Above the door is a lantern inscribed: Now Exhibiting Wonders upon Wonders or Mrs Clarkes Puppet Show Which has given satisn to Po[ ? pulace] and Prince. Below this is a board: All the World's a Stage and Men and Women merely Players-- some play the upper some the under part, but chief Play that--most foreign to their heart. On the door: Knock and you shall Enter. On the wall (by Mrs. Clarke) is a sign for "Globe Fire Insurance". On the right the Duke of York walks away from the house; he wears a mitre and carries a crosier; a bishop's robe, on which are the words "Men have their Entrances & their Exits". Next to him walks an elderly lawyer (Adam) and a fat parson (O'Meara) hurries after him. Facing Mrs. Clarke's house is a row of houses: Prospect Row; old women, Maiden Ladies, watch from upper windows, as does an old man with a telescope who puts a grotesque head out of an attic window inscribed Peeping Toms Observatory. He says: O the Devil choak her he's Waddling in as Im a prying Croaker. Two cats fight on the roof; words issue from one of them: "Come what come may the Cat will mew. The Dog will have his day"."--British Museum online catalogue.
Alternative Title:
Croaking member surveying the inside, outside and backside of Mrs. Clarkes premises
Description:
Printmaker from British Museum catalogue. and Title etched below image.
Subject (Name):
Adam, William,--1751-1839--Caricatures and cartoons., Auchincloss, Hugh Dudley--Ownership., Clarke, Mary Anne Thompson,--1776-1852--Caricatures and cartoons., Croker, John Wilson,--1780-1857--Caricatures and cartoons., Frederick Augustus,--Prince, Duke of York and Albany,--1763-1827--Caricatures and cartoons., Harvey, Francis--Ownership., Tegg, Thomas, 1776-1845, publisher., and Wardle, Gwyllym Lloyd,--1762?-1833--Caricatures and cartoons.
"Counsellor Clifford, realistically drawn, stands in profile to the left, his feet together, holding behind his back a flaming fire-brand, emitting thick clouds of smoke. He wears a hat, and has a sinister expression--a sly grimace with a hint of smile. His long, drink-blotched nose, projecting forehead and underlip are conspicuous. He stands on the cobblestones outside the east front of the new theatre, which forms a background, and is on fire. The façade is still intact but vast masses of flame and smoke rise from within, lighting up the windows. In the foreground lie three bottles, all labelled 'Brandy', and a paper: 'Clifford versus Brandon--Verdict by Blunder £5'. ..."--British Museum online catalogue.
Description:
Six lines of verse below title: In the sketch above we find, the face an index of the mind, but this face and body are, by nature destin'd for the bar, if in his proper sphere he'd shine, we recommend th' Old Bailey-line! and Title etched below image.
Publisher:
H. Humprey, No. 27 St. James's Street
Subject (Name):
Auchincloss, Hugh Dudley--Ownership., Harvey, Francis--Ownership., and Humphrey, Hannah, active 1774-1817, publisher.
A rider sits stiffly on a misshapen horse that wears blinkers. The rider's stirrups almost touch the ground, and his body and legs form a quasi-vertical line from head to heels. Above his hat is a dotted half circle labeled '90 degrees'. On the right in the middle distance another horse gallops out of control of its rider while further on top a hill in the distance is St. Paul's Cathedral and surrounding buildings.
Alternative Title:
Mathematical horsemanship ; plate 3
Description:
Date of publication from Grego. and Title etched below image; series title etched above image.
Subject (Name):
Auchincloss, Hugh Dudley--Ownership., Harvey, Francis--Ownership., and Woodward, G. M. (George Moutard), approximately 1760-1809, artist.
"Scene in a handsomely furnished dining-room, probably in a club. The table is close to the large fireplace (right). The diners, eight elderly men, rise from their chairs to gaze in angry dismay at a calamity caused by a dog who has tripped up a servant in the doorway, making him spill the contents of a dish, while the man immediately behind him lets the contents of a tureen pour out. A third (left), gaping at the accident while drawing the cork of a bottle of 'Spruce Beer', lets the contents squirt at his fellow servants. Two of the 'epicures' grasp knife and fork, two have napkins tucked under the chin, one is in military uniform, two seem to be parsons. The room is pillared, with a handsome moulded ceiling and elaborate hanging candelabrum. On the chimney-piece tankards and goblets flank the squatting figure of a Chinese glutton. Above it is a large mirror in a heavy carved frame. Over the door is a picture of gormandizing monks."--British Museum online catalogue.
Alternative Title:
Disappointed epicures and Dissapointed epicures
Description:
Also issued separately., Plate from: Woodward, G.M. Caricature magazine, or Hudibrastic mirror. London : Thomas Tegg, [1808?], v. 1., Plate numbered "27" in upper right corner., Publisher from British Museum catalogue., and Title etched below image.
Subject (Name):
Auchincloss, Hugh Dudley--Ownership., Harvey, Francis--Ownership., Johnstone, Henry Arthur--Ownership., and Tegg, Thomas, 1776-1845, publisher.
"An obese old doctor sits between Mrs Clarke and a thin elderly officer (right), chapeau-bras, sitting grotesquely expectant on the edge of his Easy Chair. The doctor puts a money-bag inscribed 800 into the dress which Mrs. Clarke holds up to receive it, pointing to the officer, one Captain Tuck. From his pocket hangs a paper Doctor Doneover [Donovan] Agent to Old Nick-Deanery 2000, Commissary 1000, Majority 800 Mrs. Clarke (left) sits in a Ricketty Chair; its seat is Morocco Bottom [an allusion to Taylor, see No. 11218]; under her feet are three papers: My admirable angel My Dear dear pretty little darling; My Love my Life I cannot exist without you; Gazzette. She is one of Rowlandson's pretty meretricious women, and does not resemble Mrs. Clarke. Behind her is a curtained bed, its head inscribed Boudoir; above this hangs a bust profile portrait of Fredirick 2 beneath which a paper is pinned up: List of Candidates for Promotion Sums offered Clav . . . [Clavering, see No. 11247] 2000, Dow. [Dowler, see No 11253]-800, OM [O'Meara, see No. 11258] 300 .. . 200. Beside the bed is an ornate table with decanters and glass, and a paper: Rogues all sing tanta-ra-ra-Blood an Thunder when Whore and Rogue are rent asunder. On the floor is a book, Mrs Clarks Ledger, on which are papers spiked on a file: Promotions paid for. Two quotations from Gay's 'Beggars Opera' complete the design. Above the doctor's head, on a large scroll, are eight lines beginning:"Tis Woman that seduces all mankind, Under Tuck's chair is a paper: If you mention vice or bribe, Tis so pat to all the tribe-each cries that was levelled at me."--British Museum online catalogue.
Alternative Title:
Industrious Mrs. Clarke winding up her accounts
Description:
Printmaker from British Museum catalogue. and Title etched below image.
Subject (Name):
Auchincloss, Hugh Dudley--Ownership., Clarke, Mary Anne Thompson,--1776-1852--Caricatures and cartoons., Harvey, Francis--Ownership., and Tegg, Thomas, 1776-1845, publisher.
"An elderly parson (right) capers wildly, arms outstretched, wig flying off, his hat on the floor. On the left a comely wife and two boys watch him with astonishment. They sit by a table on which are wine and fruit. She says: "Why my Dear-you are quite frantic, what is the matter with you". He answers: "Frantic-I believe I am,-I have been preaching before Royalty, our Fortunes are made,-such a Sermon-neat text-quarter of an hours discourse-appropriate prayer at the conclusion,-O, to see them cry, it would have melted an heart of Stone,-Oh bless that Mrs Clarke I shall never forget her"."--British Museum online catalogue.
Description:
Printmaker from British Museum catalogue. and Title etched below image.
Subject (Name):
Auchincloss, Hugh Dudley--Ownership., Harvey, Francis--Ownership., and Tegg, Thomas, 1776-1845, publisher.
"A rich farmer's parlour or drawing-room, with curtains drawn over two high windows (right). Betty, plump and bucolic, wearing a high-waisted dress with short sleeves, sits at a square piano (left), in profile to the left, laboriously playing and singing, her eyes on the music: 'Bluebells of Scotland Sung by Mrs Jordan. O Where & O Where is my Highland Laddie gone'. The farmer and his wife stand by the piano, gaping in delighted admiration; they are stout, good-humoured, and plainly dressed. A younger girl, slimmer and less rustic, stands by the piano (left), singing; she holds up a fan. Under the piano is a book: 'Songs of Catalani'. Three elderly ladies sit at a card-table (right), on which are spread drawings or embroidery by 'B. Giles'. One sleeps, two gossip with spiteful zest. A son of the house sits primly with his back to the windows, in profile to the left, his hands folded, ill at ease in frilled shirt, and powdered hair. A small foot-boy enters from the right with a decanter and glasses on a salver and a cake-basket on his arm, the cakes falling out. A spaniel sits dejectedly in the foreground. The room is lit by two pairs of candles in sconces, two candles on the piano, and one on the table. The chairs are of modern shape, with stuffed backs and ormolu ornament. Above the chimney-piece is a heavily framed sampler with two alphabets, figures from 1 to 12, 'Evil communications Corrupt good Manners', and a design of two birds flanking two hearts pierced with arrows, inscribed: 'Betty Giles aged 16. 1808. Cheese Hall'. Over the piano in an oval frame is a view of 'Cheese-Farm': the corner of a house next a small thatched cottage and two haystacks. A gigantic horse looks over the cottage roof, and in the foreground a woman milks a large cow, beside which are two geese and a cock larger than the woman."--British Museum online catalogue.
Alternative Title:
Farmer Giles and his wife shewing off their daughter Betty to their neighbours on her return from school
Description:
Artist questionably identified as Col. Braddyll in the British Museum catalogue. and Title etched below image.
Publisher:
H. Humprey, No. 27 St. James's Street
Subject (Name):
Auchincloss, Hugh Dudley--Ownership., Harvey, Francis--Ownership., and Humphrey, Hannah, active 1774-1817, publisher.
"Lord Chatham (left) flies across the Channel towards the English coast on a wooden horse, mule, or ass with feathered wings. Two little puppets labelled 'Dutch Dolls' are placed before him on his saddle. From two ends of a rope passing across the animal's back fly out (left) five dismantled ships inscribed 'Castles in the Air Wooden Ones', and (right) three large labels inscribed respectively: 'Walcheren Beveland'; 'Plan and Fortifications of Flushing'; 'Loss in Killed & Wounded Sick List'. The animal emits a blast from its rump inscribed 'Rockets Devil take the hindmost'. Chatham, with drawn sword, blandly addresses John Bull and his wife who stand on the shore (right) looking up at him: "Here I am my Dear Johnny escaped from Fire, Water, Plague, Pestilence & Famine My Fireworks have given general Satisfaction abroad-I must now Couch on a bed of Roses [see British Museum Satires No. 10558, &c]- and hope when I awake to be rewarded with a Pension and Dukedom for brilliant Services". John, a fat 'cit', holding out a cudgel and clenching his fist, says: "General Cheathem flying back as I foretold garnish'd with dross and Dutch Metal Where is the Ten Million of British Bullion you Scarecrow-the Sinking Fund suits your talents better than Sinking of Ships". His fat wife, holding up a little parasol, exclaims: "Lord Mr Bull what a Man of Mettle it is". Sailing towards land is a small vessel, a sail inscribed 'Commodore Cur-Tis'; the only occupant is Curtis, waving his hat and shouting: "A New Contract for Mouldy Buisciuts-Expeditions for ever Huzza". On the horizon (left) land is indicated, with buildings and a flag; above are the words 'Mortality at Flushing'."--British Museum online catalogue.
Description:
"Price one shilling coloured.", Plate numbered "108" in upper left corner., Printmaker from British Museum catalogue., and Title etched below image.
Subject (Name):
Auchincloss, Hugh Dudley--Ownership., Chatham, John Pitt,--Earl of,--1756-1835--Caricatures and cartoons., Harvey, Francis--Ownership., and Tegg, Thomas, 1776-1845, publisher.
Subject (Topic):
John Bull (Symbolic character)--Caricatures and cartoons.
