Volume 12, page 214. Horace Walpole and his world.
Image Count:
1
Resource Type:
still image
Abstract:
Drawing with two scenes: 'the back parlour" in an oval within a larger rectangular view of a 'park wall'. The park wall is covered in ivy and at its base, lush ferns and other plants and mushrooms, ferns and at the top a stand of trees. The oval inset in the lower right shows a man view from behind, sitting in a chair looking out a window at a city street scene and two birds at perched on the vine before a leadlight casement window
Description:
Title written below image, from a quotation by Horace Walpole's letter to Miss Berry December 1793: "A park-wall with ivy on it and fern near it, and a back parlour in London in summer, with a dead creeper and a couple of sooty sparrows, are my strongest ideas of melancholy solitude. A pleasing melancholy is a very august personage, but not at all good company.”, Signed and dated by the artist in lower left corner of image., Place of production inferred from artist's city of residence during this time period., Page reference for quotation written below title: Page 288., and Bound in as page 214 in volume 12 of M.C.D. Borden's extensively extra-illustrated copy of: Horace Walpole and his world / edited by L. B. Seeley ... London : Seeley, Jackson, and Halliday, 1884.
Subject (Topic):
Parlors, Garden walls, Casement windows, and Depression (Mental state)
In a circular drawing framed by trees in the foreground, a view of the cottage called Strawberry Hill in Twickenham, owned by the fashionable toy dealer Mrs. Chenevix and purchased in 1748 by Horace Walpole. The small ivy-covered house stands at center surrounded by green meadows divided by hedgerows; the Thames is barely visible in the distance on the right. In the foreground a gentleman with a walking stick passes a stile
Description:
Title written below image, from a quotation in Horace Walpole's letter to Henry Seymour Conway, 8 June 1747., Signed and dated by the artist in lower portion of image., Place of production inferred from artist's city of residence during this time period., Page reference for quotation written below title: Page 12., and Bound in as page 132 in volume 1 of M.C.D. Borden's extensively extra-illustrated copy of: Horace Walpole and his world / edited by L. B. Seeley ... London : Seeley, Jackson, and Halliday, 1884.
A view of a church steeple rising above a lush stand of trees in the foreground and middle distance, the arc of a rainbow directly behind the cross at its top and across the width of the drawing; with dark clouds above. On the hills on the right a tower and on the left the buildings of Claremont
Description:
Title written below image, from a quotation from Horace Walpole's letter to George Montagu, written in May, 1763: We walked to the Belvidere on the summit of the hill, where a theatrical storm only served to heighten the beauty of the landscape, a rainbow on a dark cloud falling precisely behind the tower of a neighbouring church, between another tower and the building at Claremont., Signed and dated by the artist in lower left corner of image., Place of production inferred from artist's city of residence during this time period., Page reference for quotation written below title: Page 84., and Bound in as page 112 in volume 4 of M.C.D. Borden's extensively extra-illustrated copy of: Horace Walpole and his world / edited by L. B. Seeley ... London : Seeley, Jackson, and Halliday, 1884.
A young girl carries a ladder back chair over her right shoulder and in her left hand she carrries basket with a bundle of reeds and scissors as she walks along a country road. A young dog sits on the ground looking up at her
Description:
Title etched below image. and Sheet trimmed within plate mark.
Publisher:
Published Novr. 1, 1812 S. & J. Fuller at the Temple of Fancy, Rathbone Place
Subject (Geographic):
London (England)
Subject (Topic):
Baskets, Chairs, City & town life, Dogs, Girls, and Reeds (Plants)
View of a large house, perhaps meant to be Houghton Hall, rising from a hill in the middle distance. Trees and thick undergrowth obscure the lower floors of the house and provide a green backdrop for an ornate staircase in the foreground, upon which a man with a walking stick stands
Description:
Title written below image., Signed and dated by the artist in lower right corner of image., Place of production inferred from artist's city of residence during this time period., Page reference for quotation written below title: Page 67., and Bound in as page 141 in volume 3 of M.C.D. Borden's extensively extra-illustrated copy of: Horace Walpole and his world / edited by L. B. Seeley ... London : Seeley, Jackson, and Halliday, 1884.
An imagined view, based on Horace Walpole's description, of the arch at Stowe that was erected in honor of Princess Amelia. The trestled arch, covered in ivy or other greenery, rises up at the center of the image, a medallion of the princess at its apex. Through the arch is seen a glade leading down to a river, the trees just beyond the arch framing the view further; a bridge and hills are visible in the distance beyond. Groups of white figures, presumably classical statues in marble, cluster around the two bases of the arch. In the left foreground a woman in a pink dress looks through the arch, her back to the viewer
Description:
Title written below image., Signed and dated by the artist in lower right corner of image., Place of production inferred from artist's city of residence during this time period., Page reference for quotation written below title: Page 117., and Bound in as page 189 in volume 5 of M.C.D. Borden's extensively extra-illustrated copy of: Horace Walpole and his world / edited by L. B. Seeley ... London : Seeley, Jackson, and Halliday, 1884.
Composite image, set against a gray background pattern with images of leaves, flowers, and birds, including ten small rectangular views of English scenery, some drawn to overlap and partially obscure others. The scenes include: a view of a bridge and cathedral and several views of the English countryside, with fields, trees, roads, small houses, and rivers with the occasional figures, including a man on horseback, a man lying on a hill, and people riding in a carriage
Description:
Title written at bottom of image., Signed and dated by the artist in lower left corner of image., Place of production inferred from artist's city of residence during this time period., Page reference for quotation written below title: Page 262., and Bound in as page 180 in volume 11 of M.C.D. Borden's extensively extra-illustrated copy of: Horace Walpole and his world / edited by L. B. Seeley ... London : Seeley, Jackson, and Halliday, 1884.
Subject (Topic):
Nature, Plants, Bodies of water, Cities & towns, and Dwellings
Volume of etchings, engravings, and four drawings by amateur artists, collected and heavily annotated by Horace Walpole and assembled and bound by him around 1774. Artists included are: C.W. Bampfylde, Lady Beaumont, Miss C.S. Blake, the Earl of Buchan, the Countess of Burlington, Hon. Richard Byron, Emma Crewe, Lady Cunynghame, the Countess of Drogheda, Lord Grantham, Eliza Gulston, E. Haistwell, Sir William Hamilton, Mary Hartley, Georgina Keate, Ellis Cornelia Knight, Lady Elizabeth Montagu, the Duchess of Newcastle, Viscountess of Polwarth, Sir Thomas Reeve, Catherine St. Aubyn, the Earl of Sunderland, J. Tobin, Caroline Yorke (engravings from drawings by her mother Mrs. Agneta Yorke), and others; some of the engravings are after the work of Lavinia Countess Spencer and Lady Diana Beauclerk
Description:
Title from item., Bound in red morocco, gilt, with Horace Walpole's coat of arms on sides. Bookplate of John Waldie, Hendersyde., and With three additional title pages, formerly thought to have been printed at Strawberry Hill Press: Etchings by Isabella Byron, daughter of William Lord Byron, and second wife of Henry Harcourt, fourth Earl of Carlisle; Etchings by Lady Louisa Augusta Greville, eldest daughter of Francis Earl of Brooke and Warwick; Etchings by George Simon Harcourt Viscount Nuneham, eldest son of Simon Earl of Harcourt.
Volume of etchings, engravings, and four drawings by amateur artists, collected and heavily annotated by Horace Walpole and assembled and bound by him around 1774. Artists included are: C.W. Bampfylde, Lady Beaumont, Miss C.S. Blake, the Earl of Buchan, the Countess of Burlington, Hon. Richard Byron, Emma Crewe, Lady Cunynghame, the Countess of Drogheda, Lord Grantham, Eliza Gulston, E. Haistwell, Sir William Hamilton, Mary Hartley, Georgina Keate, Ellis Cornelia Knight, Lady Elizabeth Montagu, the Duchess of Newcastle, Viscountess of Polwarth, Sir Thomas Reeve, Catherine St. Aubyn, the Earl of Sunderland, J. Tobin, Caroline Yorke (engravings from drawings by her mother Mrs. Agneta Yorke), and others; some of the engravings are after the work of Lavinia Countess Spencer and Lady Diana Beauclerk
Description:
Title from item., Bound in red morocco, gilt, with Horace Walpole's coat of arms on sides. Bookplate of John Waldie, Hendersyde., and With three additional title pages, formerly thought to have been printed at Strawberry Hill Press: Etchings by Isabella Byron, daughter of William Lord Byron, and second wife of Henry Harcourt, fourth Earl of Carlisle; Etchings by Lady Louisa Augusta Greville, eldest daughter of Francis Earl of Brooke and Warwick; Etchings by George Simon Harcourt Viscount Nuneham, eldest son of Simon Earl of Harcourt.
"A procession of Queen Caroline on a carriage through central London, with six horses pulling the carriage to the left, followed by another coach, two cavalries in the right foreground, the public along the street in the background, all cheering towards the Queen."--British Museum online catalogue
Description:
Title etched below image., Sheet trimmed within plate mark., and Mounted on page 19 of: George Humphrey shop album.
Publisher:
Pubd. by G. Humphrey, 27 St. James's Street, London
Subject (Geographic):
London (England)
Subject (Name):
Caroline, Queen, consort of George IV, King of Great Britain, 1768-1821.
Subject (Topic):
Parades & processions, Carriages, Crowds, Cheering, and Cavalry
