A collection of pictorial conundrum cards from various unidentified sets of cards trimmed from larger sheets of etched images; also a single drawing signed "R. Ck." suggesting it is his work on the largest set (incomplete) of 19 cards. The other four sets, also incomplete, are grouped by the similarity in style and letterforms. All cards contain a humorously named person with an image and a riddle. Presumably the sheet from which these images were cut contained the answers to the riddles. Queen Victoria and Sir Edwin Eglinton (the Eglinton Tournament 1839) suggest the possible date of 1840
Description:
Title devised by cataloger., Each card shows an illustration and a query., Date range estimated base on pictorial images and design., and For further information, consult library staff.
One of two drawings of an Gothic chimneypiece mounted on page 26. On the verso of this drawing is a pencil sketch of a man in profile showing the left portion of the coat and sleeve
Alternative Title:
Design for a Gothic chimneypiece
Description:
Title from curator., Artist and date based on creation date of album., and Formerly mounted on the upper half of leaf 26 in an album assembled by Horace Walpole: Drawings and designs by Richd. Bentley ... [Strawberry Hill], [ca. 1760].
One of two drawings of an Gothic chimneypiece mounted on page 26. On the verso of this drawing is a pencil sketch of a man in profile showing the left portion of the coat and sleeve
Alternative Title:
Design for a Gothic chimneypiece
Description:
Title from curator., Artist and date based on creation date of album., and Formerly mounted on the upper half of leaf 26 in an album assembled by Horace Walpole: Drawings and designs by Richd. Bentley ... [Strawberry Hill], [ca. 1760].
Drawing of the front face of the chapel at Strawberry Hill, with quatrefoils and other Gothic elements present in the design. A scale bar in feet runs along the bottom of the image
Description:
Title devised by curator., Unsigned; attribution to John Chute from local catalog card. A note in W.S. Lewis's hand on mounting page suggests that Thomas Gayfere, the mason who built the chapel, might instead be the artist., Date of production based on John Chute's death date., and Mounted on page 172 of Horace Walpole's extra-illustrated copy of his: A description of the villa of Mr. Horace Walpole. Strawberry Hill : Printed by Thomas Kirgate, 1784. See Hazen, A.T. Bibliography of the Strawberry Hill Press (1973 ed.), no. 30, copy 12.
Subject (Name):
Walpole, Horace, 1717-1797 and Strawberry Hill (Twickenham, London, England)
Title supplied by curator., Signed by the artist at lower left: Wm. Steig., Date of production based on artist's date of death., Published in the New Yorker., and This electronic record is derived from historic data and may not reflect our current information. Review and updating of records is ongoing.
An album of illustrations by various artists, probably compiled by a member of the Mordaunt family. The album contains views of coastlines and ports including Port Eliot, home of Mordaunt friends the Eliots of Port Eliot, in the Parish of St. Germans, Cornwall, drawings of ruins, rural scenes with livestock, and a pencil portrait of a girl aged about 10.
Description:
Charles Mordaunt (1771-1823), 8th Baronet, was a member of Parliament representing the constituency of Warwickshire. A Catholic and Whig, he married Marianne, daughter of William Holbech of Farnborough Hall, Warwickshire in 1807; the couple lived at Walton where they raised one son and two daughters: John Mordaunt (1808-1845), Mary Mordaunt Acland (ca. 1811-ca. 1851), and Emma Acland (1813-)., Title devised by cataloger., Drawings are dated from 1815 to 1829 and laid on 29 leaves of various colored paper. Two undated watercolors are signed by Lady Marianne Mordaunt; two other illustrations are initialled S.C.E., possibly Susan Caroline Eliot who was born in 1801. The pencil portrait is signed "M.E. by Miss Masters, 1824." A pencil sketch of a ruin on a cliff is signed F.J. as are two other watercolors with another three unsigned views. Other drawings are signed C.E.W (1824 and 1828) or C.W. Another drawing is signed "M.H. 1829"., Signed and dated drawings include: the William Tell in the market place of Altdorf, Canton of Uri, Switzerland, and Bound in original dark blue grained calf, initialled ‘T.[or C.]S.M.’ on front board, dated 1833 at foot of spine. Armorial bookplate initialled C.J., 1919, on front pastedown; later pencil book label of J.D. Derry, 1947, on first leaf.
A series of six drawings illustrating the story of The prodigal son. The six scenes include: The prodigal son receives his patrimony; the prodigal son takes leave of his father; the prodigal son drinking and reveling in the company of harlots; the prodigal son destitute, seated in the countryside watching pigs eat at a trough; the prodigal son returns to his father's home and is embraced, at harvest time; the prodigal son at a feasting at the family table, in celebration of his return. Musicians play their instruments in the gallery above
Alternative Title:
Prodigal son
Description:
Title devised by cataloger., Attributed to Robert Dighton., Oval images (11.0 x 15.3 cm) drawn on rectangular sheets laid paper (12.5 x 16.5 cm), one with a partial watermark, tipped-in to 19th century album leaves; bound in later (probably 20th century) antique-style half morocco over marbled boards, with red morocco title 'Prodigal Son' to spine., and For further information, consult library staff.
Volume 1, page 57. Original drawings of heads, antiquities, monuments, views, &c. by George Vertue
Image Count:
1
Resource Type:
still image
Abstract:
Drawing of the eastern front of Chichester Cross, a 15th-century market cross that stands in the center of the city of Chichester
Description:
Title devised by cataloger., Date supplied by cataloger., Note in ink in upper left corner, partially trimmed from sheet: The east [front?]., Mounted on page 57 in a volume of ca. 50 drawings that was assembled from works purchased by Horace Walpole at the Vertue sale of 1757. Now bound in red morocco, this volume has Walpole's manuscript title-page: Original drawings of heads, antiquities, monuments, views, &c. by George Vertue and others., and George Vertue, English artist, 1684-1756.
Volume 1, page 57. Original drawings of heads, antiquities, monuments, views, &c. by George Vertue
Image Count:
1
Resource Type:
still image
Abstract:
Drawing of the eastern front of Chichester Cross, a 15th-century market cross that stands in the center of the city of Chichester
Description:
Title devised by cataloger., Date supplied by cataloger., Note in ink in upper left corner, partially trimmed from sheet: The east [front?]., Mounted on page 57 in a volume of ca. 50 drawings that was assembled from works purchased by Horace Walpole at the Vertue sale of 1757. Now bound in red morocco, this volume has Walpole's manuscript title-page: Original drawings of heads, antiquities, monuments, views, &c. by George Vertue and others., and George Vertue, English artist, 1684-1756.
