Manuscript fragment on parchment of a contract concerning land near Bruneck, a description in Latin of the damage to Mohammed's tomb in Mecca by a storm in 1481, and an account of the coronation of Emperor Maximilian I at Aachen in 1486, written in southern German dialect
Description:
In German and Latin., Script: written in a cursive gothic script (littera cursiva) in a hand similar to that of the scribe who wrote the document in MS 482.144., and Decoration: the first word of the document ("Ich") is enlarged, with the initial "I" trailing down the margin of the entire text; there is no punctuation.
Manuscript fragment on parchment of a legal document containing a document concerning tenure of land; an account of the election of Maximilian, Archduke of Austria and Duke of Burgundy, as Emperor of the Holy Roman Empire in 1486; and a brief description of how one is to celebrate the feast of a newly canonized saint
Description:
In German and Latin., Script: written in cursive gothic script (littera cursiva), similar to that of the scribe who wrote the document in MS 482.143., and Decoration: the document begins with a flourished initial; there is no punctuation.
Two small manuscript fragments said to have been removed from a sixteenth-century German binding. Bound with a speculative partial transcript, typed, which interprets the fragments as having formed part of a "love letter" (Liebesbrief). The transcript is preceded by an account of the removal of the fragments from the binding of an unidentified sixteenth-century volume held by an unidentified German library
Description:
In German., Bookseller description available., Script: German cursive., and Binding: bound with a typed partial transcript/reconstruction of the text of the fragments in twentieth-century half machine-grained morocco over marbled calf. "Liebesbriefe. Handscrift, Um 1528" in gold tooling on upper morocco.
Manuscript on paper of prescriptions against various illnesses of horses, Latin and German benedictions for various illnesses and wounds, and a formulary for Latin letters and documents, mostly concerning ecclesiastical matters
Description:
In German and Latin., Script: copied by several hands very close to each other but of various sizes and various degrees of compression, writing Gothica Cursiva Libraria/Currens (Bastarda). No decoration., Watermark: Bull's head, var. Briquet 14448 (1383-1386); Piccard, Ochsenkopf I, 191 and 195 (1385)., and Binding: 20th century quarter binding: brown leather and marbled paper over cardboard. Marbled pastedowns.
Subject (Geographic):
Connecticut and New Haven.
Subject (Topic):
Benediction, Manuscripts, Medieval, and Medicine, Medieval
Manuscript on parchment. The Obituary was organized in the early 16th century, obits being transcribed from a 15th-century manuscript recording the deaths of members and benefactors; the majority of the obits were entered subsequently, at the time of the decease of the persons involved. Includes a sealed transcription of a charter, granted by Joseph Bergaigne, Provincial of the Franciscan Order, dealing with the lightening of the obligations incurred towards the benefactors and drawn up in the Convent of Poor Clares at Trier, Jan. 1618, and confirmation of that charter drawn up at Trier, 16 May 1725. Its patronym "Sta. Maria Magdalena" is mentioned in one of the printed documents kept together with the manuscript
Description:
In German., Script: Many Gothic hands ranging from the early 16th to the 19th centuries, but mostly from the 16th and 17th centuries., The Day Letters are in red ("A") or stroked with red ("B-G"). Names of months and feasts in red., and Binding: Original brown blind-tooled leather over oak boards, decorated with double fillets and small lozenge tools ("Ihesus" and "Maria" monograms) and rosettes; bound on five white leather thongs. Spine with five raised bands, rebacked. Remnants of one brass clasp attached to the rear cover. The front pastedown is detached.
Subject (Geographic):
Connecticut, New Haven., and Trier (Germany)
Subject (Name):
Poor Clares.
Subject (Topic):
Manuscripts, Medieval, Monasticism and religious orders, and Necrologies
Manuscript on parchment. The Obituary was organized in the early 16th century, obits being transcribed from a 15th-century manuscript recording the deaths of members and benefactors; the majority of the obits were entered subsequently, at the time of the decease of the persons involved. Includes a sealed transcription of a charter, granted by Joseph Bergaigne, Provincial of the Franciscan Order, dealing with the lightening of the obligations incurred towards the benefactors and drawn up in the Convent of Poor Clares at Trier, Jan. 1618, and confirmation of that charter drawn up at Trier, 16 May 1725. Its patronym "Sta. Maria Magdalena" is mentioned in one of the printed documents kept together with the manuscript
Description:
In German., Script: Many Gothic hands ranging from the early 16th to the 19th centuries, but mostly from the 16th and 17th centuries., The Day Letters are in red ("A") or stroked with red ("B-G"). Names of months and feasts in red., and Binding: Original brown blind-tooled leather over oak boards, decorated with double fillets and small lozenge tools ("Ihesus" and "Maria" monograms) and rosettes; bound on five white leather thongs. Spine with five raised bands, rebacked. Remnants of one brass clasp attached to the rear cover. The front pastedown is detached.
Subject (Geographic):
Connecticut, New Haven., and Trier (Germany)
Subject (Name):
Poor Clares.
Subject (Topic):
Manuscripts, Medieval, Monasticism and religious orders, and Necrologies
Manuscript on paper of Heinrich von Sankt Gallen (c. 1350-after 1409), Passionstraktat, a treatise on the Passion. With various prayers
Description:
In German., Script: Two scribes: A, called S. Bawman (Baumann), from Nördlingen (Bavaria), writes Gothica Hybrida Libraria/Formata with calligraphic extensions on the top and bottom lines (ff. 2r-140v); B writes Gothica Cursiva Libraria/Currens (ff. 141r-168v)., Headings and names of quoted authorities in the text in red. Red stroking of the majuscules. Plain initials in red. Decorated initial (6 lines) in purple on gold background with floral engraving, in a rectangular trompe-l'oeil frame in the shape of a green and red stone slab, on f. 2r; with vegetal border (acanthuses in purple, blue, green and yellow in the four margins). On the facing page (f. 1v, art. 1) full-page miniature in a similar frame and with a similar engraved background in gold: the Annunciation, with God the Father in the upper left corner. Border decoration: at the four corners and in the middle of the sides a golden ball with sprays in ink., and Binding: Original (?) brown leather over wooden boards, blind-tooled with central panel and fillet frames with circular and lozenge-shaped stamps: one recognizes a Christ's head, an angel, birds, and a curious stamp in the form of a wooden branch. Remnants of two brass clasps fixed to the rear cover. Spine (repaired) with three raised bands, the upper and lower one over double thongs, the middle one over a single one.
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Heinrich von Sankt Gallen. and Jesus Christ
Subject (Topic):
Passion, Christian literature, German, Illumination of books and manuscripts, Medieval, and Manuscripts, Medieval
Manuscript on paper of a collection of prayers, written at the Benedictine monastery of Tegernsee. Bound in with the manuscript are 3 printed works, each paginated separately; all with full-page engravings and full engraved borders: Das Leben der allerheyligsten vnnd vbergebenedeyten Jungkfrawen vnd Mutter Gottes Maria (Augspurg: Christoff Mang, 1609); Von den Siben Engelfurstenbetrachtungen vnd Gebett. Item. Von dreyerley Ambtern dess Heiligen Schutz Engels (Augspurg: Chrisostomo Dahertzhofer, 1612); Sunder Spiegel, Das ist (Augspurg: Chrisostomo Dahertzhofer, 1612).
Description:
In German., Script: Written by Melchior Wigg (alias Bruder Paulus) in a small even gothic cursive script, with loops. The scribe's signature on f. 117v is executed in large gothic textura, in blue ink, with red., A few initial I's extend the length of the writing area, done in blue with red or red alone; crude. 7- to 5-line initials in blue, with red penwork. On f. 77r, an elaborately split uncial d in blue. 4-, 3-, and 1-line initials in red or blue, sometimes with black or red penwork. Capitals stroked with red. Rubrics and red paragraph marks throughout., Some water stains and wax spills, none affecting the text. Reinforced in gutter by adding paper strips. Many pages trimmed, with loss of text., and Binding: 18th century. Black goatskin over wooden boards; on spine, gold filets and stars. Remains of 2 fore-edge clasps. Edges gilt.
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Benedictines., Catholic Church, and Tegernsee (Abbey)
