V. 4. Caricature magazine, or, Hudibrastic mirror.
Image Count:
1
Resource Type:
still image
Abstract:
"[Top image]: A plump, comely woman sits full-face behind a table whose surface forms the base of the design. Her dress is cut low, and her hair piled in a pyramid; her back is reflected in a large wall-mirror. On the table are trays filled with cards, dishes of fruit, a reading lamp, and a plant in a pot. A thin elderly woman, similarly dressed, stands looking at her in profile to the right. [Bottom image]: A fashionably dressed woman sits in profile to the left, at an ornate table raised above the floor of the café, studying a pamphlet or menu on which is the word 'Paris'. Her arm-chair is decorated with ornaments, the arm terminating in a ram's head. Customers and waiters (left) are on a smaller scale. Columns with ornate capitals support the roof, and the wall is decorated with large paintings of nude and heroic figures."--British Museum online catalogue, description of a variant state
Description:
Titles etched below images., Variant state lacking year in artist's signature. For a state with "1814" etched after both instances of John Nixon's "J.N." initials, see nos. 12409 and 12410 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 9., Publisher and date of publication from description of variant state in the British Museum catalogue., Two images on one plate, each with individual title and statements of responsibility etched below., Plate numbered "236" in upper right corner., Plate from: Woodward, G.M. Caricature magazine, or Hudibrastic mirror. London : Thomas Tegg, [1808?], v. 4., Also issued separately., Sheet trimmed within plate mark on three sides., and Watermark: Charles Wise.
Collection of four scrapbooks compiled by Marcel Jean between 1921 and 1940 containing over 150 tracts, exhibit catalogs, letters, advertisements, subscription forms, invitation cards, and other ephemera documenting Surrealism in France, Belgium, and other locations. Includes printed, typescript, and manuscript material relating to Surrealist exhibitions, publications, and political activity, including tracts on the Spanish Civil War and fascism. Printed ephemera feature artists and writers such as Salvador Dalí, Man Ray, Tristan Tzara, René Char, and André Breton. Correspondence includes letters from Georges Bataille, Henri Pastoureau, Remedios Varo, Sheila Legge, Wolfgang Paalen, Eduardo Westerdahl and others to Jean, 1935-1939. Contains one photograph of Benjamin Péret and Jean at Léo Malet's house, 1935 and Volume 1: 1921-1934. Volume 2: 1935-1936. Volume 3: 1937-1939. Volume 4: supplement, 1926-1940
Description:
Marcel Jean (1900-1993), French artist, member of the Paris Surrealist group and author of numerous publications on Surrealism., Largely in French., and Each volume includes original endpapers created by Marcel Jean with ex-libris and autograph list of contents.
Manuscript, in several hands, of the Martyrology of Usuard, with a tabulated martyrology arranged according to the calendar, with numerous added obituary notices for St. Nicholas, Beauvais
Description:
In Latin., Script: main text in early gothic. Additional obituaries in a variety of book and cursive scripts., Decoration: rubricated., and Binding: later medieval brown leather over beveled boards; some damage to upper board where a chain has been removed.
Subject (Geographic):
Connecticut, New Haven., France, Beauvais., and Beauvais (France)
Subject (Name):
Usuard, -876 or 877. and Cathédrale Saint-Pierre (Beauvais, France)
Subject (Topic):
Manuscripts, Medieval, Martyrologies, and Necrologies
Manuscript on parchment, in several hands, containing the Usuard Martyrology, with many added marginal obituary notices of Beauvais Cathedral from the twelfth through the early fourteenth centuries
Description:
In Latin., Rubricated., Decoration: Rubricated. Four large ornamental initials in red penwork, including scrollwork, geometric knotwork and animal masks., Endleaves reused from other manuscripts and contain notes and pen trials. Last endleaf contains polyphonic music on a five-line stave., and Binding: white leather over beveled boards. Spine title in a later hand: Martyrolog. d'alia Obituarium...
Subject (Geographic):
Connecticut, New Haven., France, Beauvais., and Beauvais (France)
Subject (Name):
Usuard, -876 or 877. and Cathédrale Saint-Pierre (Beauvais, France)
Subject (Topic):
Manuscripts, Medieval, Martyrologies, and Necrologies
Minerva Press broadside detailing the unfortunate end of Louis XVI on the guillotine, January 21, 1793 in Paris. The broadside includes a woodcut illustration of a man lying face down waiting for the blade of the guillotine to drop; the decree of the French National Convention authorizing the execution of "Louis Capet;" descriptions of his execution and of the guillotine--"the modern beheading machine"--and a few anecdotes indicating "that for some time [the king] had been expecting his fate."
Description:
One of several variants; in this edition, the text of the second column begins with the words: "middle of the square, directly facing the gate of the garden of the Tuileries..." See also English short title catalogue, nos. T194096 and T039027., Caption title., Text printed in two columns; text and illustration within double-ruled black border., "Price three-pence.", "Where may be had an exact and authenticated copy of his will, price one-penny"--Lower margin., and For further information, consult library staff.
Publisher:
Printed at the Minerva Office, for William Lane, Leadenhall-Street, and sold wholesale at one guinea per hundred and And retail by every bookseller, stationer, &c. in England, Scotland and Ireland
Subject (Geographic):
France and France.
Subject (Name):
Louis XVI, King of France, 1754-1793 and Louis XVI, King of France, 1754-1793.
Subject (Topic):
Death and burial, Politics and government, Foreign public opinion, British, and Public opinion
Autograph narrative, extensively illustrated by Mrs. Kenah, of two journeys in Europe taken by the Kenah couple with friends in 1821-24 and in 1827-29. On the first tour, accompanied by Walter Burrell, MP for Sussex, and "Mrs. Crutchley of Sunning Hill Park....and a Blenheim spaniel," the Kenahs traveled through France, Switzerland, Italy, and Bavaria; they were present in Naples for the 1822 eruption of Mount Vesuvius, and spent time in Rome and Lucca as well. In the later tour, they visited the Low Countries, Germany, and Trieste. The text is clearly drawn from diaries kept by Mrs. Kenah during the tours, and contains her often humorous responses, as an "Inexperienced Traveller," to tourist sights, local customs and manners, "foreign" food, and travel difficulties, Mrs. Kenah describes herself as "a woman in quest of the Picturesque," and over 80 of her watercolors and pen and ink sketches are mounted in her travel album. Subjects include "Eruption of Vesuvius, October 22, 1822 as it appeared at midday;" several portraits of Lucchese, Swiss and German figures in local costume; a portrait of Tommaso Sgricci, the famous improvvisatore; a memorial Mass in Caudenberg; the "table d'hote" at the Baths of Ems; the Salon at the Palazzo Ricasoli in 1824; and a variety of "picturesque" landscapes, including a view of the Bay of Naples, of a canal in Venice, and of several castles and mountain scenes in Germany. Also included are several printed views of German scenes which have been hand-colored, and In addition, there are watercolors of English subjects at the end of the volume: cottage scenes, rural landscapes, "view of Box Hill," "Grimsthorpe, 1826," and "Dunkeld from Dr. Fisher's garden. Sept. 9 1826."
Description:
Spine title reads: "Journal. Vol. I.", Annotated on front endpaper: "Mary Leigh Best, 1878.", and Binding: Contemporary calf, red gilt morocco spine label, gilt decoration.
Subject (Geographic):
Italy, Switzerland, Belgium, France, Lucca (Italy), Naples (Italy), and Vesuvius (Italy)
Ethnic costume, Grand tours (Education), Landscape drawing, Travelers' writings, English, Views, Women authors, Women travelers, Description and travel, Social life and customs, and Eruption, 1822
Organ part, holograph, with blank staves for voices, signed by Gounod on cover and initialed by him on several pages. The cover is annotated in an unidentified hand: "Propriété de la paroisse de St. François-Xavier, maître de chapelle Joseph Franck".
Alternative Title:
Masses, A♭ major
Description:
The composer Charles Gounod was appointed maître de chapelle at the Séminaire des Missions Etrangères, Paris, in 1843., Jean-Hubert-Joseph Franck, violinist, composer, and organist; younger brother of César Franck; succeeded Gounod as organist at the Séminaire des Missions Etrangères., and Title from cover.
Subject (Geographic):
France
Subject (Name):
Franck, Jean-Hubert-Joseph, 1825-1891. and Gounod, Charles, 1818-1893.
Opposite page 104. New London spy, or, A twenty-four hours ramble through the bills of mortality.
Image Count:
1
Resource Type:
still image
Description:
Title etched below image., Sheet trimmed within plate mark on left side., Not in the Catalogue of prints and drawings in the British Museum., Folded to 31.5 x 25.5 cm., and Bound in opposite page 104 in a copiously extra-illustrated copy of: King, R. The new London spy, or, A twenty-four hours ramble through the bills of mortality. London : Printed for J. Cooke [and 3 others], [1771?].
Publisher:
Pubd. March 18th, 1774, by H. Bryer, London
Subject (Geographic):
France
Subject (Topic):
Dandies, French, Clothing & dress, Hairstyles, and Snuff
