The diary is concerned mostly with fashionable life in London, containing many lists of guests, descriptions of parties, masques, and "revels," details of evening dress and costumes, and sometimes sharp commentary on incidents such as waiting for her carriage for half an hour because her servants had been given "tickets for beer" by her hostess. De Crespigny sometimes quotes conversation extensively. The diary also details a trip to Brighton, where the writer was deeply offended at not being asked to dine at the Pavilion
Description:
Mary Champion de Crespigny (1750-1812) was married to the Admiralty official (later baronet) Claude William Champion de Crespigny. She entertained a fashionable Naval and court circle that included the Prince of Wales, and also published at least one novel, as well as a poem in tribute to Lord Collingwood (1810)., Phillipps MS 11956., Annotated on inside front cover: Journals in continuation of the year 1809., and Binding: marbled paper over cardboard, with title: Journals 1809 and 1810.
Subject (Geographic):
Great Britain
Subject (Name):
De Crespigny, Claude Champion, Sir, d.1818. and De Crespigny, Mary.
Subject (Topic):
Upper class, Social life and customs, Women authors, and Brighton (England)
Verse begins: "You brave loyal churchmen,"., Date suggested by cataloger., In this edition, the "C" of "Charles" in the title is above the "ne" in "Tune" in the second line; line 5 of the next-to-last stanza ends "haunt". In another edition with very similar typography (ESTC T29439), the "C" is above the space before "Tune; line 5 of the next-to-last stanza ends "cant"., Not in Foxon., Mounted on leaf 65. Copy trimmed., and Bound in three-quarters red morocco leather with marbled boards, with spine title stamped in gold: Old English ballads, woodcuts, vol. 1.
King Henry VIII leads Anne Boleyn towards the throne. A melancholy Cardinal Wolsey leans his head in his hand as he glances sideways toward the couple. In the background Katherine of Aragon sitting in another throne and turns away from the couple to converse with Anne's former lover, Lord Percy. A young page carries the train of Anne's dress as she enters the palace
Alternative Title:
King Henry the eighth and Anne Bullen
Description:
Title etched below image., Title from Paulson: King Henry the eighth and Anne Bullen, State, date, and publisher from Paulson., The caption from 1st state erased or stopped out and replaced with a quote from Allan Ramsay in letterpress beginning: "See here the Great, the daring Harry stands, Peace, Plenty, Freedom shining in his Face ...", Sheet trimmed within plate mark., and The subject alludes to the perceived threat to the political supremacy of Robert Walpole (here represented by Wolsey) at the accession of George II. The composition echoes the traditional iconography of the popular story of Fair Rosamond and Henry II. See O'Connell, S. The popular print in England, 1999, p. 20.
Publisher:
Wm. Hogarth
Subject (Geographic):
Great Britain
Subject (Name):
Henry VIII, King of England, 1491-1547,, Anne Boleyn, Queen, consort of Henry VIII, King of England, 1507-1536,, Walpole, Robert, Earl of Orford, 1676-1745., and Wolsey, Thomas, 1475?-1530.
Subject (Topic):
Politics and government, Cardinals, Castles & palaces, Ceremonial rooms, Children, Couples, Kings, Nobility, Queens, Reception rooms, and Thrones
King Henry VIII leads Anne Boleyn towards the throne. A melancholy Cardinal Wolsey leans his head in his hand as he glances sideways toward the couple. In the background Katherine of Aragon sitting in another throne and turns away from the couple to converse with Anne's former lover, Lord Percy. A young page carries the train of Anne's dress as she enters the palace
Alternative Title:
King Henry the Eigth & Anna Bullen, King Henry the Eight & Anna Bullen, King Henry the Eight and Anna Bullen, King Henry the eighth and Anna Bullen, and King Henry the eighth and Anne Bullen
Description:
Title etched below image., Title from Paulson: King Henry the eighth and Anne Bullen, State and publisher from Paulson., "Price 5s."--Lower right corner., and The subject alludes to the perceived threat to the political supremacy of Robert Walpole (here represented by Wolsey) at the accession of George II. The composition echoes the traditional iconography of the popular story of Fair Rosamond and Henry II. See O'Connell, S. The popular print in England, 1999, p. 20.
Publisher:
Printed for Robert Wilkinson, Cornhil, Carington Bowles in St. Pauls Church Yard & R. Sayer, in Fleet Street
Subject (Geographic):
Great Britain
Subject (Name):
Henry VIII, King of England, 1491-1547., Anne Boleyn, Queen, consort of Henry VIII, King of England, 1507-1536., Henry VIII, King of England, 1491-1547,, Anne Boleyn, Queen, consort of Henry VIII, King of England, 1507-1536,, Walpole, Robert, Earl of Orford, 1676-1745., and Wolsey, Thomas, 1475?-1530.
Subject (Topic):
Politics and government, Cardinals, Castles & palaces, Ceremonial rooms, Children, Couples, Kings, Nobility, Queens, Reception rooms, and Thrones
King Henry VIII leads Anne Boleyn towards the throne. A melancholy Cardinal Wolsey leans his head in his hand as he glances sideways toward the couple. In the background Katherine of Aragon sitting in another throne and turns away from the couple to converse with Anne's former lover, Lord Percy. A young page carries the train of Anne's dress as she enters the palace
Alternative Title:
King Henry the Eigth & Anna Bullen, King Henry the Eight & Anna Bullen, King Henry the Eight and Anna Bullen, King Henry the eighth and Anna Bullen, and King Henry the eighth and Anne Bullen
Description:
Title etched below image., Title from Paulson: King Henry the eighth and Anne Bullen, State and publisher from Paulson; this impression as the changes in publication line for state 4 but still Price 3s, "Price 3s."--Lower right corner., The subject alludes to the perceived threat to the political supremacy of Robert Walpole (here represented by Wolsey) at the accession of George II. The composition echoes the traditional iconography of the popular story of Fair Rosamond and Henry II. See O'Connell, S. The popular print in England, 1999, p. 20., Sheet trimmed within plate mark., and On page 51 in volume 1.
Publisher:
Printed for John Bowles at the Black Horse in Cornhil, Carington Bowles in St. Paul's Church Yard & R. Sayer in Fleet Street
Subject (Geographic):
Great Britain
Subject (Name):
Henry VIII, King of England, 1491-1547,, Anne Boleyn, Queen, consort of Henry VIII, King of England, 1507-1536,, Walpole, Robert, Earl of Orford, 1676-1745., and Wolsey, Thomas, 1475?-1530.
Subject (Topic):
Politics and government, Cardinals, Castles & palaces, Ceremonial rooms, Children, Couples, Kings, Nobility, Queens, Reception rooms, and Thrones
"The Prince of Wales lies on his back, much foreshortened, his head towards the spectator, arms outstretched, his feathers and coronet by his left hand. On his body stand the Duke of Grafton (left) and the Duke of Richmond (right); the former's right foot is on the Prince's left hand, his left foot on his chest, Richmond's left foot is on the Prince's right hand, his right foot on his chest; he stoops to look at the Prince, resting his hands on his knees. Lord Sydney, partly concealed by the legs of the two dukes, sits on the Prince, his head turned in 'profil perdu'. Pitt stands with his right foot on Grafton's shoulder, his left on that of Richmond, reaching up to a shelf on which is the crown on a cushion. In his right hand is a document inscribed 'Jo. Durnford's address'. Between Pitt's legs and above Sydney's head is a baron's coronet. Below this hangs a tailor's goose."--British Museum online catalogue
Description:
Title etched below image., Date precedes publisher's statement in imprint., Six lines of verse in two columns on either side of title: Still inimical to their country, see ..., and Folded and mounted to 37 x 56 cm.
Publisher:
Publishd. by Mr. Bradshaw, Coventry Street, Miss Humphrys, Bond Street, No. 51
Subject (Geographic):
Great Britain
Subject (Name):
George IV, King of Great Britain, 1762-1830, Pitt, William, 1759-1806, Smith-Stanley, Edward, 1752-1834, Richmond and Lennox, Charles Lennox, Duke of, 1735-1806, and Grafton, Augustus Henry Fitzroy, Duke of, 1735-1811
"The Prince of Wales lies on his back, much foreshortened, his head towards the spectator, arms outstretched, his feathers and coronet by his left hand. On his body stand the Duke of Grafton (left) and the Duke of Richmond (right); the former's right foot is on the Prince's left hand, his left foot on his chest, Richmond's left foot is on the Prince's right hand, his right foot on his chest; he stoops to look at the Prince, resting his hands on his knees. Lord Sydney, partly concealed by the legs of the two dukes, sits on the Prince, his head turned in 'profil perdu'. Pitt stands with his right foot on Grafton's shoulder, his left on that of Richmond, reaching up to a shelf on which is the crown on a cushion. In his right hand is a document inscribed 'Jo. Durnford's address'. Between Pitt's legs and above Sydney's head is a baron's coronet. Below this hangs a tailor's goose."--British Museum online catalogue
Description:
Title from item, Date of publication from British Museum catalogue: December 29th, 1788., Six lines of verse inscribed below design: 'Still inimical to their Country, see Two Chips of Charles's block supporting me And Sy-y, well sirnam'd [the] Taylor's Goose, As Hot and Heavy as that Thing in use, Shall lend his Weight of Breech & length of Chin The Heir Apparent crush & poke me, in.', and Sheet trimmed within plate mark.
Publisher:
Publish'd by Mr. Bradshaw, Coventry Street : Miss Humphrys, Bond Street, No. 51
Subject (Geographic):
Great Britain
Subject (Name):
Dornford, Josiah, 1764-1797, Pitt, William, 1759-1806, George IV, King of Great Britain, 1762-1830, Grafton, Augustus Henry Fitzroy, Duke of, 1735-1811, Richmond and Lennox, Charles Lennox, Duke of, 1735-1806, Sydney, Thomas Townshend, Viscount, 1733-1800, and Charles II, King of England, 1630-1685
"John Bull stands full-face on the pavement outside a shop window, holding on his head a red cap (i.e., bonnet rouge) trimmed with fur of quasi-military, quasi-libertarian shape. He is the yokel with wrinkled gaiters ... with a tattered great-coat held together by a military belt. In his left hand is a ragged hat. He says, with a broad grin: "Wounds, when Master Billy sees I in a Red-Cap, how he will stare! - egad; I thinks I shall cook em at last. - well if I could but once get a Cockade to my Red Cap, & a bit of a Gun - why, I thinks I should make a good stockey Soldier!" The shop is that of 'Billy-Black-Soul [Pitt], Hatter, & Sword-cutler \ Licenced to deal in Hats and Swords.' Above the door (right) are the royal arms and 'Stamp-Office' (the tax on hats being levied by a stamp). Within the window are crossed swords and military cocked hats with a number of stamps bearing the royal arms. In the foreground (left) is a pile of dead cats with a paper: 'List of Cats Killed for making skin caps 20000 Red 5000 Tabb ...'"--British Museum online catalogue
Alternative Title:
John Bull evading the hat tax
Description:
Title etched below image. and Sheet trimmed within plate mark.
Publisher:
Pub. April 5th, 1797, by H. Humphrey, New Bond & St. James's Street
Subject (Geographic):
Great Britain and Great Britain.
Subject (Name):
Pitt, William, 1759-1806.
Subject (Topic):
Taxation, Taxation of articles of consumption, Law and legislation, John Bull (Symbolic character), Cats, Hats, Millinery, Slaughtering, Swords, Taxes, Show displays, and Window displays
Includes diary in an unknown hand, 1789. Mentions a number of prominent people including Horace Walpole, Mlle. D'Eon, Mrs. Garrick, and others. Daily entries about her life and social contacts, records purchases of ribbons, rollers, glvoes, etc
Description:
Plates wanting., Signatures: [A]-N⁶., Inscribed on flyleaf: "Given me by the Honble. Col. Cosmos Gordon. Margate, Nov. ye. 21st 1788.", and In bibliographical file: two slips of paper, one with names of people mentioned and page references, and the other with a single name: Louisa Paoline Angelina Cosway (aet. 8). 1789-96.