An etching from a broadside satirising Lord Bute, his Cider Excise scheme, and the Peace Treaty of Paris (1762), showing a podium with King George III seated on a throne, in front of him a group of men (aldermen) delivering a petition; on the right Lord Bute, dressed in tartan; with engraved speech bubbles and inscriptions, and with letterpress title and verses in one column
Alternative Title:
Sawney's oeconomy and Sawney's economy
Description:
Title supplied from letterpress broadside. See Catalogue of prints and drawings in the British Museum., Cf. No. 4009 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 4., Sheet trimmed within plate mark on right., Plate from: The Butiad, or, Political register ... London : Printed for E. Sumpter, 1763., and Mounted to 34 x 42 cm.
Publisher:
E. Sumpter
Subject (Geographic):
England and London.
Subject (Name):
George III, King of Great Britain, 1738-1820 and Bute, John Stuart, Earl of, 1713-1792
"Fox and Burke (half length) seen through the barred window of a brick building in which they are imprisoned. They are Hudibras and his squire as in British Museum Satires No. 6361, but in a prison instead of in the stocks. Above the barred aperture is inscribed 'Bailiffs for Middlesex' showing that it is a sponging-house for debtors (cf. British Museum Satires No. 6483, &c). Outside stands the Duchess of Devonshire looking at them over her right shoulder. She wears a hat with a 'Fox' favour, trimmed with feathers and fox's tails as in the canvassing caricatures, but wears a plain riding-dress of masculine cut [Cf. 'Her Grace sometimes rides about in a black riding habit, which is very convenient in case she should be obliged to enter into contact with a Chimneysweeper'. A newspaper paragraph quoted in 'Westminster Election', p. 246.] instead of the usual voluminous petticoats. Her left hand rests on a tasselled cane. She is Hudibras's Lady who visited the pair in prison and released them; her words are etched beneath the design: 'O heavens! quoth she, can this be true? I do begin to fear 'tis you: Not by your individual whiskers, But by your dialect and discourse. That never spoke to man or beast In notions vulgarly exprest: But what malignant star alas! Has brought you both to this sad pass? Hudibras, canto I mo.' [i.e. Part II, canto 1]. On the brick wall of the prison bills are posted: 'Several Pouting lips to be hired by the day by Deven'; [ One of the advertisements for Hood and Wray ran: 'To be hired for the day, several pair of ruby pouting lips, of the first quality, [etc. etc.].' 'Westminster Election', p. 99.] Hood Ray Fox; 'Hood and Wray for ever; Leakes justly famous pills for curing the veneral . . . [cf. British Museum Satires No. 6530]; No Coalition No Bribery'."--British Museum online catalogue
Description:
Title from British Museum catalogue., Temporary local subject terms: Allusion to Sir Cecil Wray, 1734-1805 -- Allusion to Samuel Hood, 1724-1816 -- Allusion to Walter Leake, fl. 1772- -- Literature: Butler, Samuel, 1612-1680, Hudibras, part II, canto 1 -- Medicine: Leake's pills for curing venereal disease -- Signs: 'Bailiffs for Middlesex' above prison window -- Placards on prison walls -- Coalitions: Allusion to Fox-North coalition, 1783 -- Female costume -- Election favors -- Debtors' prisons -- Sponging houses -- Walking staves -- Quackery: Leake, Walter, fl. 1772-., and Partial watermark in lower right corner.
Publisher:
Publish'd by I. Notice, Oxford Road
Subject (Geographic):
England) and London.
Subject (Name):
Cavendish, Georgiana Spencer, Duchess of Devonshire, 1757-1806, Burke, Edmund, 1729-1797, Fox, Charles James, 1749-1806, and Great Britain. Parliament
Subject (Topic):
Elections, 1784, Political elections, Prisons, and Riding habits
A group of drawings by George Vertue of items in the Earl of Oxford's collection, many presumably sold in the sale of 1741-2. Among the items depicted are urns, busts and statues, various fragments with Greek inscriptions, a medal, an ossuary, and a sarcophagus. The group of drawings ends with a copy the portrait by Van Dyck of Sir Kenelm Digby and his family, and it begins with Vertue's original drawing for the engraved frontispiece to: A catalogue of Greek, Roman and English coins, medallions and medals, of the Right Honourable Edward Earl of Oxford, deceased
Description:
Title devised by cataloger., Bound by George Vertue in a volume with Harleian catalogues and plates., and Original mottled calf, rebacked. Wilmarth Sheldon Lewis's notes on back endpaper.
Subject (Geographic):
England, London., and England.
Subject (Name):
Oxford, Edward Harley, Earl of, 1689-1741, Digby, Kenelm, 1603-1665,, and Digby, Venetia Stanley, Lady, 1600-1633,
Subject (Topic):
Art collections, Art, Private collections, Sculpture, Portraits, Urns, Medals, and Sarcophagi
Lying-In Hospital for Married Women (London, England)
Published / Created:
[1786]
Call Number:
File 66 786 L984
Image Count:
1
Abstract:
An invitation to a dinner with the president, vice president, and governors of the Lying-in Charity at the Pauls Head Tavern, Cateaton Street. Includes a list of 12 stewards and announces the date of the sermon to be preached by the Right Revd. Samuel Lord Bishop of Gloucester at St. Martin's in the Fields
Alternative Title:
Sir, your company is desired to dine with the president & governors of the Lying-in Charity for married women and Increase of children a nations strength
Description:
Title devised by cataloger., First line of text: Sir, your company is desired to dine with the president & governors of the Lying-in Charity for married women at their own habitations on Tuesday the 25th of April., Motto in banner at top of design: Increase of children a nations strength., Dated "10th March 1786"., All engraved. Plate mark 164 x 200 mm., and Numbered in mss. in upper left corner '839'. For further information, consult library staff.
Publisher:
publisher not identified
Subject (Geographic):
England and London.
Subject (Name):
Lying-In Hospital for Married Women (London, England)
"Satire on the "bad taste of the town" (as described by Hogarth, Daily Courant, 24.ii.1724); a composite street scene with a theatre on either side and an "Academy of Arts" (Lord Burlington's recently remodelled house in Piccadilly) beyond; on the left, a fool and a devil are leading a crowd of masqueraders into the Opera House in the Haymarket from which hang a banner advertising an opera (based on British Museum satire no. 1768 with the singers Cuzzoni, Senesino and Berenstadt) and a sign for "Dr. Faux's [Isaac Fawkes] Dexterity of Hand", the impressario John James Heidegger leans from an upper window; on the right, a crowd is flocking to see the pantomime "Dr Faustus"; in the centre, a woman pushes a wheelbarrow of waste paper including volumes of Congreve, Dryden, Ottway, Shakespeare, Addison, and Pasquin No. XCV"; the gate of the Academy beyond is topped with statues of Michelangelo, Raphael and William Kent, admired by three gentlemen."--British Museum online catalogue
Alternative Title:
Bad taste of the town
Description:
Titles, state, publisher, and date from Paulson., Text and image from two plates., "Price 1 shilling"--Before date, centered on lower edge., Two columns of four lines of verse engraved below image: Could new dumb Faustus, to reform the age, Conjure up Shakespear's or Ben Johnson's ghost, they'd blush for shame, to see the English stage Debauch'd by fool'ries, at so great a cost. What would their Manes say? should they behold Monsters and masquerades, where usefull plays Adorn'd the fruitfull theatre of old, And rival wits contended for the bays., Sheet trimmed to plate mark., and On page 26 in volume 1.
Publisher:
Wm. Hogarth
Subject (Geographic):
England and London.
Subject (Name):
Heidegger, John James, 1659?-1748, Senesino, -1759?, Kent, William, 1685-1748, Cuzzoni, Francesco, approximately 1680-1759, Fawkes, Isaac, -1731, Burlington, Richard Boyle, Earl of, 1694-1753, and Hercules (Roman mythological character),
Subject (Topic):
Britannia (Symbolic character), City & town life, Clergy, Costumes, Dogs, and Masquerades
A boisterous scene set in Covent Garden. It is likely early morning after a night of carousing. In which the market has been disrupted by a raucous crowd. A man sits atop a sedan chair occupied by a woman. A woman raises her arm to strike a man lying on the ground in front of the sedan chair which has apparently knocked over baskets of assorted produce that are strewn in the foreground. The scene is otherwise crowded with pedlars and other more smartly dressed persons. St. Paul’s Church designed by Inigo Jones is prominent in the left background along with other buildings in the market square
Description:
Title from 2005 Christie's appraisal. and Date based on Nebot's departure from London. See Finberg.
Probably a view of a section of St. Martin-in-the-Fields submitted by Sir James Thornhill for the 1720-1721 St. Martin-in-the-Fields project
Description:
Title devised by curator., Questionable attribution to Sir James Thornhill., Formerly housed as part of the SH Contents collection., and For further information, consult library staff.
Subject (Geographic):
England and London.
Subject (Name):
St. Martin-in-the-Fields (Church : Westminster, London, England)
"Two men stand in the pillory on a small platform (left); over their heads is a cask, inscribed 'Small Beer', erected on a pole. Over the head of one left is Judas, indicating Sir Cecil Wray, over the other 'J.. k-s..n' indicating John Jackson, steward of the Duke of Newcastle and a prominent supporter of Wray, see British Museum Satires No. 6492. A large key hangs from the corner of the pillory, the emblem of the back-stairs by which Pitt and his supporters were supposed to have obtained office, cf. British Museum Satires No. 6564. Behind (right) walks a procession of maidservants who look scornfully at the victims; one carries a flag inscribed 'Tax on Maid Servants'; others, a broom, a mop, and a shovel. Immediately behind the platform the heads of a crowd, a row of staves marking the constables who stand in front, are suggested. Fox (right) stands in the foreground haranguing the crowd; he holds a Union flag inscribed 'The Rights of the Commons'. Behind him is a mob of men waving their hats, among whom Sam House is conspicuous. The scene is by the hustings in Covent Garden, the portico of the church (right) being lighdy sketched behind Fox."--British Museum online catalogue
Alternative Title:
Rights of the commons
Description:
Title from British Museum catalogue., Text on flag within image: The rights of the commons., Reissue, with new imprint statement that is antedated. See British Museum online catalogue, registration no.: 1851,0901.144., Date of publication based on earlier state with the imprint "Publish'd as the act directs, May 7, 1784." See British Museum catalogue., Temporary local subject terms: Hustings -- Taxes: Tax on maidservants -- Brooms -- Mops -- Shovels -- Hats -- Election flags -- Election slogans: 'The rights of the Commons' -- Covent Garden: Piazza -- Portico of St. Paul's Church, Covent Garden -- Pillories -- 'Small beer' -- Key of the Back Stairs -- Allusion to secret influence -- John Jackson, Duke of Newcastle's steward., and Watermark in center of sheet.
Publisher:
Publish'd as the act directs, June 26th, 1783, by H. Humphreys, No. 51 New Bond Street
Subject (Geographic):
England and London.
Subject (Name):
Fox, Charles James, 1749-1806, House, Samuel, -1785, Wray, Cecil, Sir, 1734-1805, and Great Britain. Parliament
Subject (Topic):
Elections, 1784, Servants, and Political elections