Manuscript fragment on parchment bifolium of an unidentified text that discusses the nature of man's hereditas (christus est hereditas nostra) and the distinction between serui boni and serui mali (perhaps referring to Luke 12:42?); text appears to be continuous
Description:
In Latin., Script: Written in upright Visigothic minuscule., Traces of small, 2-line, decorative initial and rubric on f. 1r. Otherwise, text on this folio virtually illegible., and Removed from a binding: ff. 1r and 2v much damaged with loss of text.
Subject (Geographic):
Connecticut and New Haven.
Subject (Topic):
Catenae, Manuscripts, Medieval, and Theology, Doctrinal
Manuscript bifolia, on parchment, from an unidentified theological work. Subjects include prayer, the Trinity, creation, and Revelations 6:21.
Description:
In Latin., Bottom of sheets trimmed with loss of margin and at least one line. One column of each bifolium largely cut away., Recovered from a binding., Script: small cursive gothic hand., Decoration: rubricated., and Layout: 20 columns, originally 50 lines each?, now 49 lines.
Fragment of an unidentified prose romance in French
Description:
In French., Script: copied by a single hand in Northern Gothica Textualis Formata. Red paragraph marks and red heightening of the majuscules., Fragment of an unidentified prose romance in French about a king (Alexander?) travelling with his army in the East and meeting with Jewish culture., and Binding: the leaves have been folded parallel to their short side to be used as a cover for an archival register, f. 3v being at the outer side as appears from the smudging around the fold.
Manuscript on parchment of Valerius Maximus, Factorum et dictorum memorabilium libri novem. With Dedication to Giovanni Colonna of the commentary of Dionysius de Burgo Sancti Sepulchri; Commentary on Valerius Maximus by Dionysius de Burgo Sancti Sepulchri; Julius Paris, Epitome of Valerius Maximus
Description:
In Latin., Large historiated initial, f. 5r, 17-line, mauve with white filigree and stylized foliage in red and green against gold ground, thickly edged in black. Initial filled with a half-length portrait in profile of a man in black robes and a black cap, probably Dionysius de Burgo Sancti Sepulchri. Foliage serifs, blue, red, mauve, and green with gold balls thickly edged in black extending into the upper and inner margins to form a partial border, which extends as stylized foliage scrolls, blue and purple into the lower margin. Gold balls partially or completely flaked. Numerous illuminated initials, 9- to 4-line, mauve with white highlights, filled with stylized foliage, green, red and blue on blue grounds with white filigree. Initials for the text against gold grounds, thickly edged in black; initials for commentary against blue ground with white filigree. Some initials with foliage serifs, pink, red and/or blue and gold balls thickly edged in black extending into margins. Pen and ink initials, 3-line, alternate blue and red with red and purple penwork. Headings in red. Plain initials touched with yellow., and Binding: Fifteenth century, Spain. Own parchment endleaves, one cut out in back. Original sewing on five tawed skin slit straps laid in channels on the outside of wooden boards and fastened. Yellow edges. The natural color, plain wound endbands are sewn through the spine lining on tawed skin cores which are laid in grooves on the outside of the boards. The spine is lined with vellum extending inside the boards between supports. Covered in red-brown goatskin blind-tooled with an X in an outer frame and crosses made of decorated circles in the divisions. Four fastenings, truncated diamonds at head and tail and shields at the fore edge, on the lower board. The clasp straps are attached with star-headed nails. Traces of five small round bosses on each board. Traces of incised inscription near the head of the lower board. Spine leather missing.
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Valerius Maximus.
Subject (Topic):
Illumination of books and manuscripts, Medieval, Latin literature, Manuscripts, Medieval, and Scholia
Manuscript on parchment (trimmed) of 1) Bible in the usual order with some prologues and later additions. 2) Index of Hebrew names generally attributed to Stephen Langton. 3) List of readings for year, beginning with the first Sunday in Advent through Monday after Easter. 4) Another list of readings from the first Sunday in Advent (f. 427r) through the 25th Sunday after Trinity, for the dedication of a church, for the sanctorale from Andrew through Cecilia, for the common of saints and for Trinity, Holy Spirit, Holy Cross, Virgin Mary, and the dead
Description:
In Latin., Script: Written in small gothic textura; a few corrections added in a tiny neat cursive hand. Marginal notes in several cursive hands of 14th-15th centuries., The historiated initials, 11- to 6-line (not including ascenders or descenders), are pink and blue, with dragons, against pink and blue grounds with gold dots and triplets of white dots. Initials for prologues 6- to 4-line (without ascenders or descenders), as above, filled with intertwining vines, blossoms, dragons, occasionally birds or fish; 4- to 1-line initials, red or blue with blue and red penwork. Headings, chapter numbers, red and blue alternating letters with blue and red penwork. Capitals stroked in red. Some rubrics missing., Rectangular pieces cut out of lower margin, ff. 266-69; no loss of text., and Binding: Nineteenth century. Red, straight-grained goatskin, gold-tooled.
Subject (Geographic):
Connecticut and New Haven.
Subject (Topic):
Versions, Illumination of books and manuscripts, Medieval, and Manuscripts, Medieval
Manuscript on parchment (trimmed) of Book of Hours with Full calendar, in French
Description:
In Latin., Script: Written in batarde script., Miniatures and an extensive cycle of border vignettes by Jean and Jacquelin Montlucon who were active in Bourges between 1477 and 1492. The calendar pages are framed by gilt columns and entablatures in the antique manner with the occupations of the month and signs of the zodiac in the outer margin and a Creation cycle in the lower margin. Eleven half-page miniatures framed in magenta and gold with cusping at the top; fanciful architectural bases, surrounded by simulated grey-black marble with joined wings and foliage branches in gold. Twenty-three miniatures, 8-lines in height, in magenta and gold frames, each with a full border of flowers and acanthus, birds and grotesques on compartmented gold and white grounds. Text pages with full borders: columns in inner margin; panels with masks, shields, garlands, and wings in upper margin; flowers and acanthus, as above, in outer margin; and, in the lower margin, one of the fullest known cycles devoted to the wild man (sometimes extended to include outer margin as well). Other manuscripts from the same shop, the Monypenny Hours and Grenoble Bibliotheque Municipale MS 1011, also contain extensive cycles of wild-man imagery; the artists Jean and Jacquelin de Montlucon lived in Bourges in a house "at the sign of the Wild Man.", 5- and 4-line initials with leafy branches, gold with fruits, flowers, profile heads on pink or mauve grounds. 2- and 1-line initials, line-endings, and KL monograms in the same style. Rubrics in red. Calendar entries alternate red and blue. F. i verso added in 16th century: the arms of Gian Francesco di Montegnacco in a frame closely modelled on the decoration of the calendar pages., and Binding: Nineteenth century. Tan goatskin, gold-tooled with concentric frames, the central panel daubed with green and red. Red label.
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Catholic Church
Subject (Topic):
Books of hours, Illumination of books and manuscripts, Medieval, and Manuscripts, Medieval
Manuscript on parchment of Ps.-Joachim da Fiore, Vaticinia Pontificum. With additional prophetic texts including a Sibylline tract entitled De imperatore; and a Version of the "Tripoli" prophecy, added by a late 15th- or early 16th-century hand, here recorded as a vision in a Cistercian monastery in 1346
Description:
In Latin., Script: Arts. 2-4 written in neat gothic bookhand. Art. 1 in a less formal bookhand and art. 5 in a notarial hand with various flourishes., 15 small miniatures, 12-line, within narrow ochre frames inserted into text column, one for each prophecy in art. 3, ff. 15r-22r. The miniatures depict a cycle of Popes and city scapes with emblematic attributes against pink, blue and ochre grounds with small white filigree designs along the edges. Numerous flourished initials, 2-line, alternate in red and blue with purple or red penwork designs. Headings in red. Paragraph marks alternate red and blue., and Binding: Fifteenth century (?). Tacketed through a limp vellum (palimpsest?) wrapper to thick leather pads with a basket weave around the sewing threads. Contemporary title in ink, on front: "De imperatore." Backs of quires cut in for sewing.
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Joachim, of Fiore, approximately 1132-1202.
Subject (Topic):
Illumination of books and manuscripts, Medieval, Manuscripts, Medieval, Papacy, History, Prophecies, and Visions
Manuscript on parchment of a collection of over 300 decrees issued by various Venetian governmental bodies: Maior Concilium (Maggior Consiglio), Concilium Sapientum (Consiglio dei Sapienti), Concilium X (Consiglio dei Dieci), Concilium Rogatorum (Consiglio dei Rogati), and others, and by several doges, between 1427 and 1540
Description:
In Latin and Italian., Script: copied by various hands in Humanistica Cursiva. No decoration., The manuscript also includes an oath formula for Jews, as well as a fragment of commentary on Psalm 96 from Pseudo-Jerome's Breviarium in Psalmos., and Binding: contemporary Venetian binding: blind-tooled calfskin over wooden boards, both covers decorated with two frames traced with quadruple fillets, one frame filled with a tulip roll stamp, the other one with various tools: a cherub's head, a ropework diamond, flowerets and a maple leaf. Five engraved brass bosses (four corner pieces and a center piece) on each cover (two are replacements). Four engraved brass clasps in the same style (two at the side edges and one each at the top and at the bottom edge).
Subject (Geographic):
Connecticut, New Haven., and Venice (Italy)
Subject (Topic):
Legal documents, Manuscripts, Medieval, and Politics and government
Manuscript on parchment of a Ducale issued in the name of Leonardo Loredan, doge of Venice (1438-1521), giving instructions to Andrea Marcello as Governor of Dulcigno (now Ulcinj, Yugoslavia). The document is dated 8 August 1513, and signed by "Victor Blanchus Secretarius," the same individual who signed Beinecke MS 104, a Venetian ducale dated 1515. On ff. 12v-13r is a directive from the Venetian Council of the X, signed by Rafael Iordannis, regarding Andrea Marcello, captain of Dulcingo, and the payment of custom duties; followed by a yearly and quarterly outline of salaries owed, in a different but contemporary hand, signed Zune (Giovanni) Spineli [?].
Description:
In Latin and Italian., Script: Written in elegant italic., One full border (f. 1r), flowers and swirling leaves extending from a vase in lower right corner, gold on a dark purple ground, executed in a style related to Benedetto Bordone; two inset panels at top of folio (framed by thick gold bands), the upper containing the lion of St. Mark stepping out of water and holding an open book, dolphins, and a castle on a cliff in the background, the lower an inscription in gold majuscules on blue ground. In lower margin the Marcello arms (azure a bend wavy or) against a landscape., 2-line initials, on f. 1r only, gold on green and on red grounds respectively. 1-line initials, red, for ff. 1v-10r., and Binding: 19th-20th centuries. Rigid vellum gold-tooled.
Subject (Geographic):
Connecticut, New Haven., and Venice (Italy)
Subject (Topic):
Illumination of books and manuscripts, Medieval, Manuscripts, Medieval, and Politics and government
