V. 1. Caricature magazine, or, Hudibrastic mirror.
Image Count:
1
Resource Type:
still image
Abstract:
"A street scene. A stout ugly man on the extreme left turns to look through an eye-glass at a woman with a lean and grotesque profile. She wears a straw bonnet and is blown by the wind, her dress defining her figure, her hands in a large muff. Two men (right) walking hurriedly to the left are much caricatured; one rejects the outstretched hat of a ragged female crossing-sweeper. On the extreme right an ugly military officer puts his arm round a handsome courtesan. The windows of a corner-shop form a background: 'Chevalier Stinkpot Perfumer in General to the Court of St James's'. Large jars and bottles fill the window, some being inscribed 'court Sticking Plaister, Goula . . Lotion, Rouge, Pearl Dentrifice, Maccass[ar] Oil, Pomade Devine'."--British Museum online catalogue
Alternative Title:
Old ewe dressed lamb fashion
Description:
Title etched below image., Plate from: Woodward, G.M. Caricature magazine, or Hudibrastic mirror. London : Thomas Tegg, [1808?], v. 1., Text below title: Walking fast and far to overtake a woman, whose shape and air, as viewed en derriere, you have decided that her face is angelic, till on eagerly turning round as you pass her, you are petrified by a Gorgon., "Price one shilling coloured.", 1 print : etching on wove paper, hand-colored ; plate mark x cm, on sheet 25.6 x 41.8 cm., Watermark: 1815., and Leaf 39 in volume 1.
Publisher:
Pubd. October 25, 1810, by Thos. Tegg, No. 111 Cheapside
V. 1. Caricature magazine, or, Hudibrastic mirror.
Image Count:
1
Resource Type:
still image
Abstract:
"A street scene. A stout ugly man on the extreme left turns to look through an eye-glass at a woman with a lean and grotesque profile. She wears a straw bonnet and is blown by the wind, her dress defining her figure, her hands in a large muff. Two men (right) walking hurriedly to the left are much caricatured; one rejects the outstretched hat of a ragged female crossing-sweeper. On the extreme right an ugly military officer puts his arm round a handsome courtesan. The windows of a corner-shop form a background: 'Chevalier Stinkpot Perfumer in General to the Court of St James's'. Large jars and bottles fill the window, some being inscribed 'court Sticking Plaister, Goula . . Lotion, Rouge, Pearl Dentrifice, Maccass[ar] Oil, Pomade Devine'."--British Museum online catalogue
Alternative Title:
Old ewe dressed lamb fashion
Description:
Title etched below image., Plate from: Woodward, G.M. Caricature magazine, or Hudibrastic mirror. London : Thomas Tegg, [1808?], v. 1., Text below title: Walking fast and far to overtake a woman, whose shape and air, as viewed en derriere, you have decided that her face is angelic, till on eagerly turning round as you pass her, you are petrified by a Gorgon., "Price one shilling coloured.", 1 print : etching on wove paper, hand-colored ; plate mark 24.6 x 35.1 cm, on sheet 26.4 x 35.3 cm., Sheet trimmed to plate mark on right and left sides., Watermark, mostly trimmed: 181[...?]., and Mounted on leaf 20 of volume 11 of 14 volumes.
Publisher:
Pubd. October 25, 1810, by Thos. Tegg, No. 111 Cheapside
Print shows an ugly and leering elderly man, identified as the London banker Thomas Coutts, embracing the actress Harriet Mellon (later Mrs. Coutts, and subsequently Duchess of St. Albans).
Description:
Title from item.
Publisher:
Pub. 15 May, 1815, by T. Palser, Surry Side Westr. Bridge
Subject (Name):
Coutts, Thomas, 1735-1822 and St. Albans, Harriot Mellon, Duchess of, 1777?-1837
"A little elderly man lands on a steep slope after leaping a fence; he has lost his seat and sits on the horse's neck, clutching its ears, while his whip dangles from the rein. A reckless young woman (right) leaps the fence immediately behind him. Both are riding among the hounds. He wears a jockey cap, with half-boots without spurs."--British Museum online catalogue
Alternative Title:
Cockney hunt
Description:
Title etched below image., Reissue; the year "1807" following Rowlandson's signature has been mostly burnished from plate, and the year "1807" in imprint statement has been altered to "1811." See British Museum catalogue., Sheet trimmed within plate mark., For the original issue from 1807, see Lewis Walpole Library call no.: 807.07.14.01+., Watermark, partially trimmed: 1815., and Mounted on leaf 61 of volume 11 of 14 volumes.
Publisher:
Design'd, etched, & pubd. July 14, 1811, by T. Rowlandson, N. 1 James Street, Adelphi, London
"Satirical print showing a fat Englishman mocked by a group of Parisians. The Englishman, built along the lines of John Bull, stands at right in his shirtsleeves, clapping his right hand to his forehead in wonder; at left, at least five French people stand together within his buttoned up waistcoat, gesticulating festively; behind at left, a fat woman admired by sketchily drawn thin onlookers."--British Museum online catalogue
Alternative Title:
French people astonished at our improvement in the breed of fat cattle
Description:
Title etched below image., Sheet trimmed to plate mark on top edge., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., Temporary local subject terms: Wigs -- Male costume, 1812 -- Walking-sticks --Waistcoat., 1 print : etching with stipple on wove paper, hand-colored ; plate mark 24.8 x 35 cm, on sheet 28.1 x 36.8 cm., Watermark, trimmed: [...]ith 1815., and Mounted on leaf 26 of volume 12 of 14 volumes.
"Satirical print showing a fat Englishman mocked by a group of Parisians. The Englishman, built along the lines of John Bull, stands at right in his shirtsleeves, clapping his right hand to his forehead in wonder; at left, at least five French people stand together within his buttoned up waistcoat, gesticulating festively; behind at left, a fat woman admired by sketchily drawn thin onlookers."--British Museum online catalogue
Alternative Title:
French people astonished at our improvement in the breed of fat cattle
Description:
Title etched below image., Sheet trimmed to plate mark on top edge., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., Temporary local subject terms: Wigs -- Male costume, 1812 -- Walking-sticks --Waistcoat., and In contemporary hand in ink: 231.
Equestrian portrait of Prince Frederick Augustus, Duke of York and Albany, riding to the left, head turned to the right, one hand holding the reins and the other gesturing with his drawn saber; a bicorne with a feather cockade on his head, in military uniform with star on his breast; a landscape with a distant city in the background
Description:
Title etched below image., Sheet trimmed within plate mark., Plate from: Nicholson, W. The history of the wars occasioned by the French Revolution. London : R. Evans, 1816., Watermark: 1815., and Two impressions in the folder.
Publisher:
Published 18th of May 1815, by Richard Evans, Whites Row, Spitalfields
Subject (Geographic):
Great Britain.
Subject (Name):
Frederick Augustus, Prince, Duke of York and Albany, 1763-1827,
Equestrian portrait of Prince Frederick Augustus, Duke of York and Albany, riding to the left, head turned to the right, one hand holding the reins and the other gesturing with his drawn saber; a bicorne with a feather cockade on his head, in military uniform with star on his breast; a landscape with a distant city in the background
Description:
Title etched below image., Sheet trimmed within plate mark., Plate from: Nicholson, W. The history of the wars occasioned by the French Revolution. London : R. Evans, 1816., 1 print : etching with engraving and stipple ; sheet 22.8 x 34.5 cm., Printed on wove paper; hand-colored., Sheet trimmed within plate mark on three sides., and Bound in after page [28].
Publisher:
Published 18th of May 1815, by Richard Evans, Whites Row, Spitalfields
Subject (Geographic):
Great Britain.
Subject (Name):
Frederick Augustus, Prince, Duke of York and Albany, 1763-1827,
Four scenes in one plate, each with a separate title; the subjects are Napoleon's defeat in Russia, the Prince Regent, a domestic scenes, each characterised by a disaster, the first shows a man in a bedroom beside a coffin, dancing, and last, a man on the floor being beaten by his wife after upsetting the tea table (shown with two demons). catalogue
Description:
Title from text at center of plate., Four separately titled images on one plate, each signed by the printmaker., Date of publication from the British Museum online catalogue., Sheet trimmed within plate mark on two sides., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., and Watermark: 1815.
Publisher:
publisher not identified
Subject (Name):
Napoleon I, Emperor of the French, 1769-1821 and George IV, King of Great Britain, 1762-1830
A lengthy risqué poem suggestive of the sexual prowess of Bartolomeo Pergami, a close companion of Queen Caroline (1768-1821) who accompanied her during her Mediterranean travels in The Regency period. A woodcut portrait at the top of the sheet displays Pergami's handsome visage, curly locks and broad shoulders
Description:
Caption title below portrait of Pergami at head of sheet., Probably printed around 1815, during a time of heightened public speculation concerning the nature of the relationship between Pergami and Queen Caroline., In verse., First line: Oh! Pergami, thou wonder-working man! Nature's non-descript, blest beyond her plan ..., and For further information, consult library staff.
Publisher:
Published by M. O'Brien, No. 5 Newcastle-Street, Strand; and sold by all booksellers and newsmen and Edgerley, printer, 76 Fleet-St
Subject (Name):
Bergami, Bartolomeo Bergami, Baron. and Caroline, Queen, consort of George IV, King of Great Britain, 1768-1821.
