Title from verse written below image. "Some write for pleasure, some for spite; But want of Money makes me Write.", Alternate title supplied by curator., From: The Passions Hummoursly Delineated by Timothy Bobbin, Esq., London: Edward Orme, 1810., Design trimmed from page and mounted., and This electronic record is derived from historic data and may not reflect our current information. Review and updating of records is ongoing.
Publisher:
Pub June 4 1810 by Edwd. Orme. London
Subject (Topic):
Poverty, Amputees, Crutches, Peg legs, Poor persons, and Beggars
"View of the Great Court of Somerset House, on the Strand; a large statue in centre of courtyard with surrounding ballustrade; a group of elegantly dressed figures give money to a beggar in foreground, other small groups of figures in space."--British Museum online catalogue
Description:
Title etched below image., Plate numbered in upper right, above image: Plate 73., Plate from: Microcosm of London. London : R. Ackermann's Repository of Arts, No. 101 Strand, [1808-1810?], v. 3, opposite page 86., and Watermark: J. Whatman 1808.
Publisher:
Pub. 1st June 1809 at R. Ackermann's Repository of Arts, 101 Strand
Title from item., Sheet trimmed within plate mark., Plate from: The Political register and London museum. London : Printed for J. Almon, v. 3(1768), p. 65., Temporary local subject terms: Altars: Baal's altar -- Reference to the liberty of the press -- Reference to the Constitution -- Reference to Habeas corpus -- Discharged sailor -- Scourge -- Bags of money -- Allusion to the East India Company -- Allusion to the Bank of England -- Allusion to the American colonies -- Emblems: an earl's coronet -- Pensions: allusion to Lord Chatham's pension., and Mounted to 32 x 41 cm.
Publisher:
publisher not identified
Subject (Name):
Bute, John Stuart, Earl of, 1713-1792, Grafton, Augustus Henry Fitzroy, Duke of, 1735-1811, Pitt, William, Earl of Chatham, 1708-1778, Hertford, Francis Seymour Conway, Marquess of, 1719-1794, Warburton, William, 1698-1779, Winchilsea, Daniel Finch, Earl of, 1689-1769, Mansfield, William Murray, Earl of, 1705-1793, Northington, Robert Henley, Earl of, 1708?-1772, Norton, Fletcher, 1716-1789, Granby, John Manners, Marquis of, 1721-1770, Rigby, Richard, 1722-1788, Rochford, William Henry Nassau de Zuylestein, Earl of, 1717-1781, and Wilkes, John, 1725-1797
Subject (Topic):
Britannia (Symbolic character), Gout, Beggars, Peg legs, and Musical instruments
"A clumsy lumbering diligence, with four horses, leaves the porte-cochère of an inn, part of whose ornate façade is on the left. The sign, 'Le Qoque [sic] en Pate', hangs from a wrought-iron bracket. Two postilions ride the near horses, flourishing their whips. The coach is full inside and out with typical French characters, humorously drawn, soldiers, monks, and women, with couples absorbed in conversation. An old couple beg from the passengers. A lean sow with small pigs scampers beside the coach. In the background (left) is the west end of a small church with a Calvary beside it at which nuns kneel in prayer; a group of monks approaches holding a cross. Down the hill leading from inn and church a post-chaise and pair and a post-boy on a horse are galloping, the latter wearing the huge 'milk-churn' boots which astonished visitors to France. A row of very ancient gabled houses forms part of the background, while on the extreme right is a large building of more recent date."--British Museum online catalogue
Alternative Title:
Paris diligence
Description:
Title from caption below item. and For a later state with imprint and plate number, see no. 11624 in Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 8.
Publisher:
publisher not identified
Subject (Geographic):
France.
Subject (Topic):
Beggars, Carriages & coaches, Cities & town life, Christianity, Crucifixions, Signs (Notices), Taverns (Inns), Passengers, Pigs, and Stagecoaches
Leaf 23. Caricatures drawn & etched by those celebrated artists Gillray, Rowlandson, Cruikshanks
Image Count:
1
Resource Type:
still image
Abstract:
"A blind beggar, Sir Cecil Wray, is led (right to left) by his dog, round whose neck hangs a 'Subscription Box'. He supports himself by a long staff; in his left hand is the dog's cord, and under his left arm is a larger box, inscribed 'Subscription Scrutiny Box'. He sings: "Pity the Weak, and Needy pray, Oh pity me, I've lost the day." Behind the dog is a placard inscribed: "See here the Dog, of all his kind, The fittest for a Beggar blind, The Beast can bark or grunt as Hog. His name is Churchill - Oh the Dog!"."--British Museum online catalogue
Description:
Title etched below image., Attributed to Rowlandson in the British Museum catalogue., Restrike. For original issue of the plate, see no. 6578 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 6., Plate from: Caricatures drawn & etched by those celebrated artists Gillray, Rowlandson, Cruikshanks, &c. [London] : [Field & Tuer], [ca. 1868?], Month of publication for original issue of plate from the British Museum catalogue., Four lines of verse below title: Ye Christians charitable, good and civil, pray something give to this poor wandering devil ..., Cf. Grego, J. Rowlandson the caricaturist, v. 1, pages 137-8., Temporary local subject terms: Elections: Westminster Election, 1784 -- Scrutiny of the Westminster Election -- Chruches: St. Paul's, Covent Garden -- Blind beggar -- Boxes: 'Poor box' -- Churchill, John, fl. 1784-1788 -- Blind beggar's dog -- Blind men., and On leaf 23 of: Caricatures drawn & etched by those celebrated artists Gillray, Rowlandson, Cruikshanks, &c.
Publisher:
Publd. 11th [May] 1784 by H. Humphrey, No. 227 Strand and Field & Tuer
Subject (Geographic):
England and London.
Subject (Name):
Wray, Cecil, Sir, 1734-1805 and Great Britain. Parliament
Subject (Topic):
Elections, 1784, Politics and government, Beggars, Blind persons, and Dogs
Heading to a printed broadside that begins: "Pity the sorrows of a poor old man, whose worn-out limbs have borne him to your door ..." The King is shown as a haggard beggar, his clothes torn and a pack on his back. He holds out his inverted crown with his left hand, seeking donations; his right hand grasps the cane he is leaning on. The sign post behind him says "To Bradenburg [sic] House" and points to the right, the direction in which the King travels. Brandenburgh House is seen in the background on the right, the Queen looking sternly out the window at the disheveled King. A sign at the gate to the house says "Beware of steel traps and sping [sic] guns." In the left background is a smaller house labeled "The Cottage".
Description:
Title from letterpress text below image., Date inferred from the depiction of Queen Caroline at Brandenburgh House, where she lived in 1820-21., Sheet trimmed within plate mark on three sides., "Entered at Stationers' Hall. Price one shilling"--Below imprint and above printer's statement., Not in the Catalogue of prints and drawings in the British Museum., 1 print : etching ; sheet 38 x 25 cm., Printed on wove paper; hand-colored., Imperfect; sheet trimmed resulting in loss of imprint statement and other text from bottom edge., and Mounted on page 39 of: George Humphrey shop album.
Publisher:
Published by J. Dawson, Camden Town; and sold by every bookseller and newsman in the kingdom and Printed by W. Smith, King Street, Seven Dials
Subject (Name):
George IV, King of Great Britain, 1762-1830, Caroline, Queen, consort of George IV, King of Great Britain, 1768-1821, and Brandenburgh House (London, England),
A song from Richard Brome’s comedy ’A joviall crew’., Verse - "There was a jovial beggar,"., The same woodcut (2 figures either side of a mother with children) is used in ESTC T36852 which has a Thomas Saint imprint. The English Broadside Ballad Archive (EBBA) suggests Thomas Saint was probably active 1761-1788., In four columns with the title and woodcut above the first two; columns 1 & 2 and columns 3 & 4 are separated by ornamental rules., Artist's signature in woodcut: Sculp. J.W., Previously identified by Wing as a London imprint with a conjectural date of 1700. Not in Foxon, D.F. English verse, 1701-1750., Mounted on leaf 7. Copy trimmed., and Bound in three-quarters red morocco leather with marbled boards, with spine title stamped in gold: Old English ballads, woodcuts, vol. 1.
Volume 2, page 99. Etchings by Henry William Bunbury, Esq. and after his designs.
Image Count:
1
Resource Type:
still image
Abstract:
"The beggar kneeling to left, holding a stick, his hat on the ground in front of him, at right a dog jumping up at a woman; after a drawing by Henry William Bunbury."--British Museum online catalogue
Description:
Title etched below image., "First state before letters of title filled in"--British Museum online catalogue, registration no.: 1888,0716.240., Sheet trimmed to plate mark., Eight lines of verse in two columns below image: A blind beggar that had long lost his sight, he had a fair daughter of beauty most bright, and many a gallant brave suitor had she, for none was so comely as pretty Bessey ..., Illustration to the anonymous ballad 'The blind beggar of Bethnal Green'., and Mounted on page 99 in volume 2 of: Etchings by Henry William Bunbury, Esq. and after his designs.
Publisher:
Publish'd Augt. 20, 1790, by T. Macklin, Poets Gallery, Fleet Street
Title above images., Date derived from publisher's dates of activity., Place of publication derived from street address., Vignettes titled: Bleeding, Cup-ping, Amputating, Sally-vating, Taking the Air, Exercise, Applying a Salve, In hot Water, Bathing, How to Releive the Chest, A Bliss-ter, Electrifying, Sweating, Taking a Cordial, A Leech, Lancing, Taking a Black Draught, How to Discharge a little Matter, Taking Pills., This electronic record is derived from historic data and may not reflect our current information. Review and updating of records is ongoing., and Temporary local Medical Library subject terms: Prescription of drugs.
Publisher:
Publishd by O Hodgson 10 Cloth fair and Straker's Lithr
Subject (Topic):
Therapeutics, Robberies, Eating & drinking, Beggars, Singing, Courtship, and Fighting
"Plate to the 'Scourge', iv, before p. 349. An illustration to 'Elections in the Isle of Borneo', pp. 349-55, relating a dream in which the Prince chooses his Ministers and Household officers according to their proficiency in adultery. A sequel to British Museum Satires No. 11899. The Regent is enthroned under a canopy in the centre of a long platform backed by the pillars of Carlton House. Below is the cobbled street, with passers-by and spectators whose heads are just below the platform, so that the figures are arranged in two tiers. The Regent's throne is on a triple dais; he puts one arm round the waist of Lady Hertford who sits on his knee, holding at arms' length a brimming goblet. She puts her right arm round his neck, and also supports herself by placing a finger on the branching antlers of her husband, who stands in his chamberlain's robes, and holding his wand of office, beside the dais, at which he points with a complacent grin. He says: "My gracious Master is personelly acquainted with my merits, they live in his bosom, & he will reward me, according to my Deserts." Lady Hertford wears a spiky crown, and her vast spherical breasts are divided by a jewel in the form of the Prince's feathers with his motto 'Ich Dien.' The drapery over the throne is centred by the crowned skull of a stag, with wide antlers; in its nostrils is a ring from which a birch-rod hangs above the Prince's head. A grinning demon, standing on the antlers, straddles across the crown, holding up the drapery. On the left of the throne the Duke of York, in uniform with cavalry boots, his hand on his sword, stands swaggeringly. A woman clutches his arm and whispers in his ear; beside them is a basket containing three infants and inscribed 'Mother Careys Chickin' [see British Museum Satires No. 11050]. He says: "I was turned out of the Office I now solicit because I was too fond of a married Woman [Mrs. Clarke, see British Museum Satires No. 11216, &c.] & could not live without commiting Adultery I claim therefore to be once more elevated to the Office of Commander in Cheif." Behind Lord Hertford (and a pendant to Mrs. Carey) stands an elderly posturing peer, wearing a star, his hands deprecatingly extended. He says: "As for business I never had a Headfor't but I have laid the Country under a Massy load of Obligations in other respects Adultery is my Motto so give me ******ship of the H-." Next (right) is a group of three: the Duke of Cumberland in outlandish Death's Head Hussar uniform holding a sabre with a notched blade and seemingly dripping blood, though not so coloured. He stands between two young women; one, holding his arm, brandishes a razor over her head, the other holds a paper called 'Nugent'. The Duke says: "Considering my Exploits you cannot do less than make me a Field Marshal." On the extreme right is the Duke of Clarence in admiral's uniform with trousers, pointing to a broken chamber-pot ('Jordan') decorated with a crown and containing seven children, two in uniform. Mrs. Jordan takes him affectionately by the arm. He points downwards, saying, "I have lived in Adultery with an actress 25 years & have a pretty Number of illegetimate Children. I hope you will make me an Admiral of the Fleets." On the extreme left McMahon, dwarfish and ugly, stoops over the edge of the platform, pouring coins from a bag marked 'P P' [reversed letters], for Privy Purse (or Pimp), into the apron of a hideous bawd who grins up at him. He says: "Let her be forty at least, plump & Sprightly." Next stands Lord Yarmouth, wearing a star, his hands in his pockets, scowling at a young woman who puts her hands on his shoulders; he says: "Confound my Wishers if Venus alias Fanny Anny [Fagniani] may not go to Juno----I'm Vice all over. Let me con tinue so." Next is a tall man wearing a long driving-coat with a star and a small rakish top-hat (? Lord Melbourne); one leg terminates in a cloven hoof. He stands between two disreputable women of the lowest St. Giles type, ragged and hideous, an arm across the shoulders of each; both offer him drink, one takes him by the chin. A third and younger woman sits on the ground at his feet, drinking from a bottle. He says: "As for me my Name is sufficient, I am known as the Paragon of Debauchery and I only claim to be the-s [Regent's] Confidential Friend." On the ground (left to right) are the bawd receiving money from McMahon, a ragged dustman with the curved shin-bones then known as 'cheese-cutters', a result of rickets; George Hanger, with his bludgeon under his arm (cf. British Museum Satires No. 8889, &c.), saying, "Hang her She's quite Drunk"; Augustus Barry, grotesquely thin and very rakish, with long coat, standing with widely splayed-out feet. These three stare up at the throne, Barry looking through an eye-glass. A ragged, sub-human creature picks Barry's pocket, taking a paper: 'A Sermon to be Preached at Cripple gate by Revd Honble A Newgate'. A blind beggar (? a sailor) walks with a stick, and a dog on a string, holding out his tattered hat. A Quaker-like figure stares up at the platform where the legs of the seated prostitute hang over its edge, as does a beggar boy with badly twisted legs. Next, a fashionably dressed man and woman shake hands, bending to stare into each other's face. He takes her left hand. His dress resembles that of the dandy of a few years later: shock of hair, exaggerated neck-cloth, hussar-pattern trousers, and long tail-coat. The centre figure in this lower row is John Bull looking up angrily over his shoulder at the prostitute, and pushing away to the right three young girls; he says to them: "Get away get away, if you go near the Platform you'll be ruined." His bull-dog looks pugnaciously up at the platform. A tall emaciated cavalry soldier speaks to a woman in a poke-bonnet, while a little ragged boy clasps the long horse-tail which hangs from his helmet. On the extreme right is Sheridan in (ragged) Harlequin's dress (cf. British Museum Satires No. 9916), moribund or drunk, supported between two top-booted bailiffs; one holds a writ and says "Poor fellow his Magic wand is broken." On the ground lies his wooden sword in two pieces, one inscribed 'M', the other 'P'; at his feet is a paper: 'Princely Promises'."--British Museum online catalogue
Alternative Title:
Election in the island of Borneo
Description:
Title etched below image., Plate from: The Scourge, or, Monthly expositor of imposture and folly. London: W. Jones, v. 4 (October 1812), page 349., Sheet trimmed within plate mark., Window mounted to 36 x 51 cm., and Mounted opposite page 318 (leaf numbered '143' in pencil) in volume 2 of an extra-illustrated copy of: Moore, T. Memoirs of the life of the Right Honourable Richard Brinsley Sheridan.
Publisher:
Published November 1st, 1812, by W.N. Jones, No. 5 Newgate Street
Subject (Name):
George IV, King of Great Britain, 1762-1830, Hertford, Francis Ingram Seymour, Marquis of, 1743-1822, Hertford, Isabella Anne Ingram-Seymour-Conway, Marchioness of, 1760-1834, Frederick Augustus, Prince, Duke of York and Albany, 1763-1827, Ernest Augustus, King of Hanover, 1771-1851, William IV, King of Great Britain, 1765-1837, Jordan, Dorothy, 1761-1816, McMahon, John, approximately 1754-1817, Hertford, Francis Charles Seymour-Conway, Marquess of, 1777-1842, Melbourne, Peniston Lamb, Viscount, 1745-1828, Hanger, George, 1751?-1824, Barry, Augustus, Honble., 1773-1818, Sheridan, Richard Brinsley, 1751-1816, and Carlton House (London, England),
Subject (Topic):
Harlequin (Fictitious character), John Bull (Symbolic character), Dustmen, Thrones, Canopies, Columns, Adultery, Antlers, Cobblestone streets, Demons, Military uniforms, Baskets, Infants, Daggers & swords, Poor persons, Pickpockets, Beggars, Staffs (Sticks), Prostitutes, Soldiers, and British
