"Portrait of James Edward Oglethorpe, full-length, in profile to the left, seated on a stool with his legs crossed at the sale of Dr. Johnson's books, with a walking stick in his hand, reading a book, with a tricorne over his long curling wig, dressed in an elegant frockcoat and breeches, a sword at his waist."--British Museum online catalogue and Full-length portrait of James Oglethorpe, English general and philanthropist, seated, in left profile
Description:
Title etched below image., Later state, with imprint burnished from plate. For an earlier state with the imprint "Publishd. Septr. 9, 1785, by I. Cary, No. 188, Strand", see British Museum online catalogue, registration no.: 1887,0406.58., Date of publication inferred from 1823 watermark., Picture caption, printed under image: Died 30th June 1785 Aged 102 said to be the oldest General in Europe - Sketch'd from life at the sale of Dr. Johnsons books Feby. 18, 1785 where the Genl. was reading a book he had purchas'd without spectacles - In 1706 he had an Ensigns commission in the Guards & remember'd to have shot snipes in Conduit mead where Conduit Street now stands., Cf. Catalogue of engraved British portraits preserved in the Department of Prints and Drawings in the British Museum, v. 3, page 368., 1 print : etching on wove paper ; plate mark 21.5 x 16.5, on sheet 27 x 20.8 cm., Window mounted to 39 x 28 cm., and Bound in as page 42 in volume 4 of M.C.D. Borden's extensively extra-illustrated copy of: Horace Walpole and his world. London : Seeley, Jackson, and Halliday, 1884.
Publisher:
publisher not identified
Subject (Name):
Oglethorpe, James, 1696-1785,
Subject (Topic):
Stools, Staffs (Sticks), Books, Reading, and Daggers & swords
Charles James Fox, standing on a pedestal in a posture of a fighting gladiator, strikes the royal arms with his outstretched left arm. In his right hand he holds a dagger hidden under a sheet of paper. Under his feet is a large volume inscribed "Good Ground of Opposi[tion] Subscription Book." On it stands a collection box
Description:
Title etched below image., Attributed to Sayers in the British Museum catalogue., Fifth of a set of seven prints "Outlines of the Opposition ..."; see British Museum catalogue., Temporary local subject terms: Royal arms -- Subscriptions: Subscription for Fox -- Boxes: Money box., 1 print : etching on wove paper ; plate mark 30.3 x 23.8 cm, on sheet 32.9 x 25.8 cm., and Mounted on leaf 59 of James Sayers's Folio album of 144 caricatures.
Charles James Fox, standing on a pedestal in a posture of a fighting gladiator, strikes the royal arms with his outstretched left arm. In his right hand he holds a dagger hidden under a sheet of paper. Under his feet is a large volume inscribed "Good Ground of Opposi[tion] Subscription Book." On it stands a collection box
Description:
Title etched below image., Attributed to Sayers in the British Museum catalogue., Fifth of a set of seven prints "Outlines of the Opposition ..."; see British Museum catalogue., Temporary local subject terms: Royal arms -- Subscriptions: Subscription for Fox -- Boxes: Money box., and Mounted on page 79 with one other print.
Charles James Fox, standing on a pedestal in a posture of a fighting gladiator, strikes the royal arms with his outstretched left arm. In his right hand he holds a dagger hidden under a sheet of paper. Under his feet is a large volume inscribed "Good Ground of Opposi[tion] Subscription Book." On it stands a collection box
Description:
Title etched below image., Attributed to Sayers in the British Museum catalogue., Fifth of a set of seven prints "Outlines of the Opposition ..."; see British Museum catalogue., Temporary local subject terms: Royal arms -- Subscriptions: Subscription for Fox -- Boxes: Money box., and Mounted to 45 x 35 cm.
Title from item., Date derived from original work., Place of publication derived from language of text., A reversed copy of Nicolas de L'Armessin's print of ca. 1695., Original work from: Habits de métiers., and This electronic record is derived from historic data and may not reflect our current information. Review and updating of records is ongoing.
Publisher:
publisher not identified
Subject (Topic):
Allegorical costume, Medicine, Physicians, Books, Owls, and Medical equipment & supplies
Title from item., Date supplied by curator., Place of publication from item., From: Habits de métiers., Prints have also been attributed to N. Larmessin II. Most recently to Larmessin III., and This electronic record is derived from historic data and may not reflect our current information. Review and updating of records is ongoing.
Publisher:
Chez N. de L'Armessin Rue St Jacques, à la Pome d'Or, Avec Privil du Roy
Subject (Topic):
Allegorical costume, Medicine, Physicians, Books, Owls, and Medical equipment & supplies
Title from item., Date derived from original work., Place of publication derived from language of text., A reversed copy of Nicolas de L'Armessin's print of ca. 1695., Original work from: Habits de métiers., and This electronic record is derived from historic data and may not reflect our current information. Review and updating of records is ongoing.
Publisher:
publisher not identified
Subject (Topic):
Allegorical costume, Medicine, Physicians, Books, Owls, and Medical equipment & supplies
"Satire on false piety: a man wearing a dressing-gown and white night-cap seated reading a book of 'Sleepy Sermons' beside a table, twisting to right and yawning with one hand raised in the air."--British Museum online catalogue, description of a variant state
Description:
Title engraved below image., Variant state, with publication date and without plate number. Cf. No. 4514 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 4., and Temporary local subject terms: Male dress: dressing gown -- Nightcap -- Sleepy sermons.
Publisher:
Printed for Carington Bowles, Map & Printseller, No. 69 in St. Paul's Church Yard, London
publish'd according to act of Parliament, May 1st, 1769.
Call Number:
769.05.01.01+
Collection Title:
Page 64. New London spy, or, A twenty-four hours ramble through the bills of mortality.
Image Count:
1
Resource Type:
still image
Abstract:
Print shows an interior view of a room; a duke has arrived home drunk at 5 a.m. (as shown on the longcase clock beside the door) accompanied by two attendants and watchman only to find his bedchamber occupied by another man. Through the open curtains around the bed can be seen a bare-breasted duchess. On the floor near the bed is an open book, "Memoirs of a woman of pleasure" (a reference to John Cleland's Fanny Hill ...) beside the chamber pot. As the duke with sword drawn, staggers forward, his rival climbs through a window in the background, leaving his clothes behind on a chair. A monkey dashes onto the table near the window on the heels of the husband's rival but pulls down the tablecloth causing the items on the table to be strewn across the floor in the foreground; a book opened to pages “Chastity in the nobility a farce. Dedicated to their Graces the Duke & Dutchess xxx”, breaking a broken mirror, and sending the bottles and jars onto the floor. The bottles have labels "Viper drops" and "Surfeit water" and the jar is labeled "Lip salve".
Description:
Title engraved below image., Text preceding publication statement: A recent transaction., "Price 1s. but given gratis to the purchasers of the Court Miscellany."--Following imprint., Eight lines of verse beneath image, four on either side of title: Persons in exalted station, Should patterns be of imitation; But if a duke must have his punk, And from the bagnio ride home drunk. What wonder if her wanton grace, Invites another in his place? He draws his sword raps out his oaths, But what redress? his rival's cloaths., Not in the Catalogue of prints and drawings in the British Museum., The reference to the duke is probably Henry Frederick, Duke of Cumberland, 1745-90., and Probably a 19th century impression, based on the quality of the paper.
