"Satire on the "bad taste of the town" (as described by Hogarth, Daily Courant, 24.ii.1724); a composite street scene with a theatre on either side and an "Academy of Arts" (Lord Burlington's recently remodelled house in Piccadilly) beyond; on the left, a fool and a devil are leading a crowd of masqueraders into the Opera House in the Haymarket from which hang a banner advertising an opera (based on British Museum satire no. 1768 with the singers Cuzzoni, Senesino and Berenstadt) and a sign for "Dr. Faux's [Isaac Fawkes] Dexterity of Hand", the impressario John James Heidegger leans from an upper window; on the right, a crowd is flocking to see the pantomime "Dr Faustus"; in the centre, a woman pushes a wheelbarrow of waste paper including volumes of Congreve, Dryden, Ottway, Shakespeare, Addison, and Ben John[son]; the gate of the Academy beyond is topped with statues of Michelangelo, Raphael and William Kent, admired by three gentlemen."--British Museum online catalogue
Alternative Title:
Bad taste of the town
Description:
Titles, state, and date from Paulson., "Price 1 shilling"--Before date, centered on lower edge., Two columns of four lines of verse engraved below image: Could new dumb Faustus, to reform the age, Conjure up Shakespear's or Ben Johnson's ghost, they'd blush for shame, to see the English stage Debauch'd by fool'ries, at so great a cost. What would their Manes say? should they behold Monsters and masquerades, where usefull plays Adorn'd the fruitfull theatre of old, And rival wits contended for the bays., Sheet trimmed to plate mark., and Plate with text lacking; top plate with image only. Sheet 13.4 x 18.2 cm.
Publisher:
Wm. Hogarth
Subject (Name):
Heidegger, John James, 1659?-1748., Senesino, -1759?,, Kent, William, 1685-1748, Cuzzoni, Francesco, approximately 1680-1759, Fawkes, Isaac, -1731, Burlington, Richard Boyle, Earl of, 1694-1753, and Hercules (Roman mythological character),
Subject (Topic):
Britannia (Symbolic character), City & town life, Clergy, Costumes, Dogs, and Masquerades
"Satire on the "bad taste of the town" (as described by Hogarth, Daily Courant, 24.ii.1724); a composite street scene with a theatre on either side and an "Academy of Arts" (Lord Burlington's recently remodelled house in Piccadilly) beyond; on the left, a fool and a devil are leading a crowd of masqueraders into the Opera House in the Haymarket from which hang a banner advertising an opera (based on British Museum satire no. 1768 with the singers Cuzzoni, Senesino and Berenstadt) and a sign for "Dr. Faux's [Isaac Fawkes] Dexterity of Hand", the impressario John James Heidegger leans from an upper window; on the right, a crowd is flocking to see the pantomime "Dr Faustus"; in the centre, a woman pushes a wheelbarrow of waste paper including volumes of Congreve, Dryden, Ottway, Shakespeare, Addison, and Ben John[son]; the gate of the Academy beyond is topped with statues of Michelangelo, Raphael and William Kent, admired by three gentlemen."--British Museum online catalogue
Alternative Title:
Bad taste of the town
Description:
Titles, state, and date from Paulson., "Price 1 shilling"--Before date, centered on lower edge., Two columns of four lines of verse engraved below image: Could new dumb Faustus, to reform the age, Conjure up Shakespear's or Ben Johnson's ghost, they'd blush for shame, to see the English stage Debauch'd by fool'ries, at so great a cost. What would their Manes say? should they behold Monsters and masquerades, where usefull plays Adorn'd the fruitfull theatre of old, And rival wits contended for the bays., Sheet trimmed to plate mark., and On page 26 in volume 1.
Publisher:
Wm. Hogarth
Subject (Name):
Heidegger, John James, 1659?-1748., Senesino, -1759?,, Kent, William, 1685-1748, Cuzzoni, Francesco, approximately 1680-1759, Fawkes, Isaac, -1731, Burlington, Richard Boyle, Earl of, 1694-1753, and Hercules (Roman mythological character),
Subject (Topic):
Britannia (Symbolic character), City & town life, Clergy, Costumes, Dogs, and Masquerades
Copy of William Hogarth's satire on the "bad taste of the town", with different verses engraved below. The image is of a composite street scene with a theatre on either side and an "Academy of Arts" (Lord Burlington's recently remodelled house in Piccadilly) beyond; on the left, a fool and a devil are leading a crowd of masqueraders into the Opera House in the Haymarket from which hang a banner advertising an opera (based on British Museum satire no. 1768 with the singers Cuzzoni, Senesino and Berenstadt) and a sign for "Dr. Faux's [Isaac Fawkes] Dexterity of Hand", the impressario John James Heidegger leans from an upper window; on the right, a crowd is flocking to see the pantomime "Dr Faustus"; in the centre, a woman pushes a wheelbarrow of waste paper including volumes of Congreve, Dryden, Ottway, Shakespeare, Addison, and Ben John[son]; the gate of the Academy beyond is topped with statues of Michelangelo, Raphael and William Kent, admired by three gentlemen."--British Museum online catalogue
Alternative Title:
Bad taste of the town
Description:
Titles, state, publisher, and date from Paulson., Text and image on one plate., Two columns of four lines of verse engraved below image: Long has the stage productive been, Of offsprings it could brag on, But never 'till this age was seen, A wind-mill and a dragon. O Congreve, lay they pen aside, Shakespear, thy works disown, Since monsters grim, * nought beside. Can please this senseless town., Sheet trimmed to plate mark., Cf. No. 1742 in Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 2., Copy of Hogarth print. See Paulson, R. Hogarth's graphic works (3rd ed.), no. 44., On page 26 in volume 1., Ms. note in Steevens's hand above print: Copy., and Lengthy ms. note in Steevens's hand to the right of print describing how the print was pirated very soon after its publication.
Publisher:
publisher not identified
Subject (Name):
Heidegger, John James, 1659?-1748, Senesino, -1759?, Kent, William, 1685-1748, Cuzzoni, Francesco, approximately 1680-1759, Fawkes, Isaac, -1731, Burlington, Richard Boyle, Earl of, 1694-1753, and Hercules (Roman mythological character),
Subject (Topic):
Britannia (Symbolic character), City & town life, Clergy, Costumes, Dogs, and Masquerades
A silver medal from Holland, with satirical images of Oliver Cromwell. On the obverse is a bust of Oliver Cromwell, crowned with laurel leaves and in armor; on the reverse, Cromwell kneels in the lap of Britannia, with his breeches down, as the French and Spanish ambassadors in the background argue over who shall kiss first. Formerly housed in the Library at Strawberry Hill
Description:
Title devised by curator., Unsigned; artist not identified., Date based on date of William Bawtree's death., and Mounted on page 99 of William Bawtree's extra-illustrated copy of: Horace Walpole's A description of the villa of Mr. Horace Walpole (Strawberry Hill : Printed by Thomas Kirgate, 1784). See A.T. Hazen's Bibliography of the Strawberry Hill Press (1973 ed.), no. 30, copy 11.
Subject (Name):
Cromwell, Oliver, 1599-1658 and Strawberry Hill (Twickenham, London, England)
Circular design; in the center a sitting Britannia is shown holding the hand of a young sailor whose other hand holds a hat. Britannia's spear rests against her shoulder, and her shield rests against the pedestal on which she sits. A cannon lies by the feet of the sailor, and two ships are visible on the water in the background. The words "Marine Society institvted MDCCLXV" are inscribed along the inner edge of the top part of the circle, and within the bottom part of the circle is the inscription "Incorporated MDCCLXXII."
Description:
Title from local catalog card., Unsigned; artist unidentified., Date of production based on the inclusion in the design of the Marine Society's 1772 incorporation date., Formerly laid in with one other drawing at page 121 in an album containing 402 pages, bound in red morocco leather with single gilt ruled line; spine stamped in gold "Drawings." Now disassembled and matted separately: Bull, R. Scrapbook of drawings. [England], [not after 1806]., Matted together with two other drawings to 49 x 37 cm., and Original case shelved separately.
Title from from British Museum catalogue., Plate numbered '2' in upper right corner., Two columns of verse below image: Great people, like small ones, will have their sport and [the] diffrence is triffling 'twixt city & court ..., Plate from: The British antidote to Caledonian poison ... for the year 1762. [London] : Sold at Mr. Sumpter's bookseller, [1763]., Temporary local subject terms: See-saw -- Buildings: Windsor Castle -- Emblems: jack boot (Lord Bute)., and Mounted to 32 x 45 cm.
Publisher:
E. Sumpter
Subject (Name):
George III, King of Great Britain, 1738-1820, Augusta, Princess of Wales, 1719-1772, William Augustus, Prince, Duke of Cumberland, 1721-1765, Edward Augustus, Prince, Duke of York and Albany, 1739-1767, Bute, John Stuart, Earl of, 1713-1792, Pitt, William, Earl of Chatham, 1708-1778, and Newcastle, Thomas Pelham-Holles, Duke of, 1693-1768
Title and imprint from British Museum catalogue, Temporary local subject terms: Toppling buildings -- Staff of Liberty -- Pictures amplifying subject -- Allusion to many politicians of the day -- Allusion to Gustavus III, King of Sweden., Watermark: fleur-de-lis with initials G R below., and Mounted to 31 x 46 cm.
Publisher:
Publish'd as the act directs July 1, by J. Wjsen [sic] Walbrooke
Subject (Name):
George III, King of Great Britain, 1738-1820, Fox, Charles James, 1749-1806, and Pitt, William, 1759-1806
Subject (Topic):
Britannia (Symbolic character), Columns, Liberty cap, Rats, Emblems, Shields, and Thrones
Collins, A. Jefferies (Arthur Jefferies), 1893-1976
Published / Created:
[1935?]
Call Number:
SH Contents C712 no. 1 Box 100
Image Count:
1
Abstract:
Engraving of the 19-inch square-shaped tray, the center exquisitely chased in medallions, representing George I, on his throne, with the figures of Britannia and Justice, the royal arms, a view of the City of London, and allegorical devices, in a richly chased border and shell edge. The tray was created by Paul Jacques de Lamerie (Dutch goldsmith, 1688-1751) and engraved by William Hogarth (English painter and engraver, 1697-1764).
Description:
Title devised by curator., A counterproof of the engraving of the Walpole salver by A.J. Collins, plate LXI in Paul de Lamerie, citizen and goldsmith of London / by Philip A. S. Phillips. London : B.T. Batsford, 1935., Original silver salver in the collection of the Victoria and Albert Museum, London., "Whenever the Great Seal of England became obsolete, the silver matrix was converted by the holder into a grand piece of plate engraved with the design of the seal. The Walpole Salver was made by Paul de Lamerie in 1728/9 from the seal matrix rendered obsolete by the death of George I in the previous year. There is no documentary evidence that Hogarth was responsible for the engraving, but the attribution on stylistic grounds has not been disputed."--British Museum online catalogue., and For further information, consult library staff.
Publisher:
publisher not identified
Subject (Name):
George I, King of Great Britain, 1660-1727, and Hercules (Roman mythological character),
Subject (Topic):
Coats of arms, Britannia (Symbolic character), and Trays
