Title from item., Plate numbered '21' in upper right corner., Six lines of verse in two columns below image: The gen'rous steed no more will grace the field / But to the critic goose and cobbling turky [sic] yield ..., Plate from: A political and satyrical history of the years 1756 and 1757. In a series of ... prints. London: Printed for E. Morris, [1757]., Temporary local subject terms: Vehicles: go-cart -- Devil., and Mounted to 14 x 31 cm.
Publisher:
Publish'd according to act Oct. 25th, 1756, by Edwards & Darly facing Hungerford in the Strand
"Satire on the resignation of Lord Bute. George III is enthroned, Peace and Fame flying above and a large dog and a lion crouching at his feet; he welcomes the Duke of Newcastle and William Pitt who kneel before him (it was assumed that these two men would return to government, although in the event George Grenville replaced Bute). Britannia is seated in the centre of the print, facing a hydra-headed monster of faction; she is saying "See this and Tremble all you that wish evil to Israel" (Israel standing for England); behind her a Spaniard and a Frenchman despair at their loss. At top left, the Lord Mayor of London (probably intended for William Beckford) and a group of aldermen approach the king with a petition. At top right, a witch flies off on a broomstick over the "Flus Jordanus" to the "Alpes Herbronites" (the River Tweed and Scotland) carrying Henry Fox, two other ministers and the devil. One of the ministers wishes that "the Devil had the Author of Gisbal" (see BM Satires 3848) alluding to the role of the satirists in driving Bute to resign. Charles Churchill and John Wilkes fire at the broomstick, Wilkes wanting "One Pounce more and we will bring that Irish Owl to the Ground". In the foreground, on the right, Princess Augusta runs off carrying a diminutive Bute in a large boot on her back; she is chased by the Duke of Cumberland brandishing a sword and crying "Damn the Scotch Loon he flies faster than his Bretheren did in 45. If I come up with him I'll spoil his Running"; the young Duke of York runs with him. On the left, a group of sailors harrass a Scotsman declaring,"We will stand by our Noble Captain till not a Sawney be feft in the Land", "O O Jack see what this Dog has got to wet his Whistle with" and "Lend me your Sneaker [a rod] Tom I'll Probe him who knows but the Rascal has got his Belly full"; coins fall from the bagpipes clutched beneath the Scotsman's arm."--British Museum catalogue
Alternative Title:
Boot put to the flight
Description:
Title from item., Reduced and reversed copy of a print with the same title published on April 8, 1763. Cf. Stephens., Publication date from British Museum catalogue., Plate numbered '35' in upper right corner., Plate from: The second volume of The British antidote to Caledonian poison: ... for the years 1762 and 63, ... London : E. Sumpter's, [1764]., Temporary local subject terms: Mythology: Hydra -- Literature: Gisbal -- Resignations: Lord Bute's resignation, 1763 -- Personifications: Fame -- Personifications: Victory., and Mounted to 32 x 45 cm.
Publisher:
publisher not identified
Subject (Name):
George III, King of Great Britain, 1738-1820, Augusta, Princess of Wales, 1719-1772, William Augustus, Prince, Duke of Cumberland, 1721-1765, Edward Augustus, Prince, Duke of York and Albany, 1739-1767, Newcastle, Thomas Pelham-Holles, Duke of, 1693-1768, Pitt, William, Earl of Chatham, 1708-1778, Wilkes, John, 1725-1797, Churchill, Charles, 1731-1764, Holland, Henry Fox, Baron, 1705-1774, Bute, John Stuart, Earl of, 1713-1792, Bedford, John Russell, Duke of, 1710-1771, Dashwood, Francis, Sir, 1708-1781, Murphy, Arthur, 1727-1805, and Beckford, William, 1709-1770
Subject (Topic):
Britannia (Symbolic character), Devil, and Thrones
Two Native Americans attack a group of American loyalists. One of the loyalists lies dead on the ground, another, fallen on his back, is about to be slaughtered by the Indian saying "Shelbu-n for ever." The second Indian, with a feathered headdress, pulls a loyalist by the tails of his coat saying "No-th [North] to the devil." Lord Shelburne (William Petty) looks on, smiling, in spite of being attacked by Britannia who aims her spear at his heart and says, "Inhuman smiling Hypocrite thus to disgrace my unsullied fame." He responds, "be not angry Madam no peace no place." A butcher standing behind Shelburne and with inscription above his head, "Even Butchers weep," wipes tears from his face with a large handkerchief. One of the loyalists expresses the popular sentiment that the British government sacrificed them through peace terms: "Ungrateful Britons to Abandon thus your Loyal friends."
Alternative Title:
Shelburne's sacrifice
Description:
Title from item. and For further information, consult library staff.
Publisher:
Pubd. by E. Dashery Febth. 10 [sic], St. James's Street
Subject (Geographic):
Great Britain and United States
Subject (Name):
Lansdowne, William Petty, Marquis of, 1737-1805 and North, Frederick, Lord, 1732-1792
Subject (Topic):
Britannia (Symbolic character), Indians of North America, Headdresses, Tomahawks, Butchers, Politics and government, and History
Title etched above image., Publication information from that of the volume in which the plate appeared., Plate from: The British antidote to Caledonian poison : consisting of the most humorous satirical political prints, for the year 1762. ... [London] : Sold at Mr. Sumpter's bookseller in Fleet Street, and Mr. Harvest, printseller in Heming's-Row St. Martin's Lane, [1763]., Twelve lines of verse in two columns etched above image and below title: Monarchs, 'tis true, should clain [sic] the storms of war, nor urge the rage of victory too far ..., Plate numbered '28' in upper right corner., Temporary local subject terms: Peace negotiations: peace with France, 1762 -- Allusion to Havana -- Treaty of Paris: British territorial concessions -- British Lion -- Mythology: allusion to Nike., and Mounted to 31 x 43 cm.
Publisher:
E. Sumpter
Subject (Name):
Louis XV, King of France, 1710-1774, Charles III, King of Spain, 1716-1788, Pitt, William, Earl of Chatham, 1708-1778, Bute, John Stuart, Earl of, 1713-1792, and Bedford, John Russell, Duke of, 1710-1771
Subject (Topic):
John Bull (Symbolic character), Britannia (Symbolic character), and Olive branches
Title from item., Sheet trimmed within plate mark., Plate from: The Political register and London museum. London : Printed for J. Almon, v. 3(1768), p. 65., Temporary local subject terms: Altars: Baal's altar -- Reference to the liberty of the press -- Reference to the Constitution -- Reference to Habeas corpus -- Discharged sailor -- Scourge -- Bags of money -- Allusion to the East India Company -- Allusion to the Bank of England -- Allusion to the American colonies -- Emblems: an earl's coronet -- Pensions: allusion to Lord Chatham's pension., and Mounted to 32 x 41 cm.
Publisher:
publisher not identified
Subject (Name):
Bute, John Stuart, Earl of, 1713-1792, Grafton, Augustus Henry Fitzroy, Duke of, 1735-1811, Pitt, William, Earl of Chatham, 1708-1778, Hertford, Francis Seymour Conway, Marquess of, 1719-1794, Warburton, William, 1698-1779, Winchilsea, Daniel Finch, Earl of, 1689-1769, Mansfield, William Murray, Earl of, 1705-1793, Northington, Robert Henley, Earl of, 1708?-1772, Norton, Fletcher, 1716-1789, Granby, John Manners, Marquis of, 1721-1770, Rigby, Richard, 1722-1788, Rochford, William Henry Nassau de Zuylestein, Earl of, 1717-1781, and Wilkes, John, 1725-1797
Subject (Topic):
Britannia (Symbolic character), Gout, Beggars, Peg legs, and Musical instruments
Wonderfull phoenomenon, from the observatory at Scone and Wonderful phoenomenon
Description:
Title from item., Publication date from British Museum catalogue., Publication place and publisher identified from the publisher's address., Six lines of verse in theree columns below image: I strike at vice, be't where it will, and what if great foo-s [i.e., fools] take it ill? ..., Temporary local subject terms: Censorship: reference to Scandalatum Magnatum -- Personfications: fame -- Scotia (Symbolic character)., and Watermark: royal cipher (GR).
Publisher:
[M. Darly], to be had in Cranforn Ally
Subject (Name):
Bute, John Stuart, Earl of, 1713-1792 and Mansfield, William Murray, Earl of, 1705-1793
In a large circle at center is Queen Caroline, dressed as Britannia and riding a horse that tramples a four-headed dragon lying on its back on the ground; the dragon has the human heads of the George IV and his ministers. The Queen, wearing armor and a helmet topped with a crown, shoves a long pike into the mouth of Liverpool; Castlereagh's head has been decapitated, Sidmouth's head has its eyes closed and seems to be unconscious, and the King's head looks on in horror. The border of the large circle reads "Carolina D.G. Britaniarum Regina" and a buckle at the bottom reveals it to be a belt. Four smaller circles in the corners of the design are labeled "Britannia," "Hibernia," "Cambria," and "Caledonia," and they contain symbols representing each region
Description:
Title etched below image., Not in the Catalogue of prints and drawings in the British Museum., Watermark: J. Whatman 1820., Mounted to 58 x 39 cm., Mounted on leaf 47 in volume 2 of the W.E. Gladstone collection of caricatures and broadsides surrounding the "Queen Caroline Affair.", and Figures of "Liverpool," "Geo. IV," "Londondery [sic]," and "Sidmouth" identified in ink below image; date "Jan. 1821" written in lower right corner.
Publisher:
Published January 1821 by J. Fairburn, Broadway, Ludgate Hill
Subject (Name):
Caroline, Queen, consort of George IV, King of Great Britain, 1768-1821, George IV, King of Great Britain, 1762-1830, Liverpool, Robert Banks Jenkinson, Earl of, 1770-1828, Sidmouth, Henry Addington, Viscount, 1757-1844, and Castlereagh, Robert Stewart, Viscount, 1769-1822
Subject (Topic):
Britannia (Symbolic character), Dragons, Horses, Pikes (Weapons), Armor, Crowns, and Symbols
Title from caption etched below image., Etched above image: Frontispiece., Frontispiece from: The Butiad, or, Political register ... London : Printed for E. Sumpter, 1763., Earlier state, without plate number. Cf. No. 4149 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 4., Temporary local subject terms: Dragons -- Personifications: Justice -- Emblems: scales of justice: cap of liberty vs. Scotch bonnet -- Personifications: Peace -- Emblems: palm leaf -- Syrens: with Hydra's heads as tail -- Jewels -- Crowns -- Reference to Lord Bute., and Mounted to 28 x 38 cm.
"An intricate design with small inset scenes, the background being walls of a room covered with free copies of caricatures against George IV, chiefly relating to the Queen. On the extreme left is an open door, showing Napoleon as a tiny colossus on the summit of St. Helena (see British Museum Satires No. 12611, &c.), a steep rock. In the centre George IV, his forehead inscribed '0', stands in deep dejection, looking down; he has ass's ears, and from his fob, in place of seals, hang bottle, corkscrew (cf. British Museum Satires No. 13299), pie, &c. Loops of rope hang from his pockets. He stands on thorn-branches, as do his Ministers and brother-sovereigns, orientals excepted. No. '1' (a small scene in the background). Six Ministers dance round Britannia who is chained to the ground: Castlereagh, Sidmouth, Liverpool, Bathurst, Melville, and Wellington (names from initials); they say: "We have put him in a pretty Situation." Answer: "Laugh & Rejoice I have New Years Gifts for you in my Pockets." (He threatens them with dismissal for their failure to obtain his divorce.)The next are '2, K--g of Pru--a', a very tall officer wearing a mortar-board cap (see British Museum Satires No. 12283) who points derisively at George IV, saying: "Stupid Ass he is right enough to be ashamed of himself"; '3. Em--r of R--a', adapted from British Museum Satires No. 13010, and laughing as in that plate, but wearing a barber's bowl (Mambrino's helmet) inscribed 'New Don' [Quixote]; he says: "It is enough to set one mad"; '4. Em--r of A--a', thin and shrivelled, with his grandson, '18, Napoleon 2', a tiny figure in his pocket who says: "I wish I could move this bowl"; Francis says: "What a face." George IV's answer to the three sovereigns is "Go to School before you laugh at me Small Heads upon Tall Bodies had it not been for me you would have been on the Parish, a long time ago [an allusion to British subsidies, cf. British Museum Satires No. 12875]. Come Come you are as black as myself or our Infernal Brother." He answers 'Napoleon 2': "Be comforted, in a little time you will roll it." '5' and '6', seated together cross-legged in the foreground, are 'Great T--k' and 'Em--r of P--a', who say "Turn Turk then since thy wife no longer pleases thee" and "Prends garde qu'on ne te mette en perce." The King answers them: "For a long time I have had a great mind to do it" and "That is what I Dread." Nos. '7' to '12' are sovereigns standing in a row behind '2' and' 3'. '7 The K--g of S--n' says: "For this long year I pity but cannot help laughing in seeing you"; answer: "We shall see who will laugh the last" (Ferdinand VII since early in 1820 was in the power of revolutionaries); '6. K--g of Na--s', his head a block of 'Naples Soap', says: "My brother in misfortune speeks [sic] the truth." (There was revolution in the Two Sicilies, cf. British Museum Satires No. 14132.) Answer: "Nay all the little Dogs will Bark look at this Cake ['cake' (slang) = fool, gull, or blockhead, cf. British Museum Satires No. 10750] of Naples soap you would do better to eat your Macaroni and come and Drink with me to comfort us." '9. K--g of B--a', "It would have been better to have said nothing"; answer: "I confess it would have been better." '10. K--g of W--g'. "Clamour in such cases is wore [sic] than silence"; answer: "Experience has taught it me." '11. K--g of S--x--y.' "I in your case would have taken my wife and lived politically with her"; answer: "It would have been the most advisable Plan." '12. K--g of N--ds.' "Gratitude compels me to pity you" [see British Museum Satires No. 12102, &c.]; answer: "Think rather to preserve the Administration of thy Cheeses" [a remark borne out by the Belgian revolution of 1830]. Even bulkier than George IV is '14. L--s. tout de Suite [XVIII]', who sits on thorns, and has cloven hooves for feet and hands, animal's ears, and a small black cap or tonsure; from his shoulders hangs a long rosary with a dangling cross. Looking up at George IV with a cynical smile he says: "Poor fool"; answer: "At last comes the Kick of the Ass, But I have a Dish ready forhim." Behind Louis is '13. Em--r of Ch--na', saying: "You look a thousand times more like a Chinese than myself in your B--s pavillion"; answer: "Thou art the only one I could not deceive." Standing in the doorway are three well-dressed young men who are 'People', they are 15-17, and look at the King with smiling contempt; the third points to Napoleon. '15.' "You are the laughing stock of your faithful brothers who are no better than yourself"; answer: "It is true when too late I have open'd my eyes, but look at my pockets and you will find Ropes for my M--n--st--rs and my Brothers." '16' "We have found you out at length in spite of your mask do us justice or we shall give you your deserts Whitehall is not gone and there is room for you all" [an allusion to Charles I's fate, cf. British Museum Satires No. 13269]; answer: "Do it yourselves, it will be the shortest way." '17.' "Boney Boney you alone deserve our tears your fall has been as fatal to them as to ourselves your return would save us all." Answer: "He is a Man I must allow it." (For 18 see under 4.) '19' is "Green Bag [see British Museum Satires No. 13735], inscribed Milan Commission [see British Museum Satires No. 13755]; it says: / am cruelly thrown aside and fallen into very bad hands" [see British Museum Satires No. 13986]; answer: "However all my hopes are in the [sic]." Prints (uncoloured), or ad hoc designs, completely cover the walls; only a few can be identified. The lunette under the domed ceiling contains apotheoses of Queen Caroline; these are flanked by designs, both on the vaulted ceiling, depicting the joy of John Bull (left) and Britannia (right) on her return to England, cf. British Museum Satires No. 13743. Below, on the three walls, are thirty-one prints copied or adapted regardless of the size of the originals. The two largest, in the upper left corner, are from British Museum Satires No. 13843 (simplified and perhaps combined with British Museum Satires No. 13764) and British Museum Satires No. 13786. Others are British Museum Satires No. 13210, reversed and simplified; British Museum Satires No. 13998, reversed and altered, or a similar plate; British Museum Satires No. 13830, simplified, or a similar plate; British Museum Satires Nos. 13851, 13901, 14012; the King from British Museum Satires No. 13848 (throwing mud, the Queen not depicted, the right of the plate hidden by George IV). British Museum Satires No. 13508, a small woodcut, appears as a full-sized print; British Museum Satires No. 14029 is simplified and the domes of the Pavilion are introduced. The origins of twenty others have not been traced. On the floor behind Louis XVIII (left) are partly rolled caricatures, and on the right is a print (coloured) of Castlereagh standing behind a huge pie from which he carves portions for four supplicants, evidently the King of Prussia, the Tsar, the Emperor of Austria, and (?) Bernadotte (cf. British Museum Satires No. 13619). As a pendant to this is a battle scene: the statue of Napoleon presides over an empty throne; beside it stands a woman who offers crown and sceptre to a little boy (his son) who runs to take it, holding the hand of a Grenadier, beside whom is another soldier (cf. British Museum Satires No. 12707)."--British Museum online catalogue and "A Bonapartist satire in which the King's unpopularity and failure in the Queen's affair is related to the revolutionary state of Europe in 1820 (of which little specific knowledge is shown; cf. British Museum Satires No. 14113), and Louis XVIII is depicted as a priest-ridden fool. Cf. British Museum Satires No. 14050."--British Museum online catalogue
Alternative Title:
Dialogue between King Naughty and his Brothers Consorts, Caracature of all caracatures presenting the joke of the day, and To every one his due
Description:
Title etched below image., Manuscript imprint "Pubd. by John Milleville, Hampstead" added in ink in lower right portion of image. Impression at the British Museum has an identical imprint written in the same spot., Date of publication from the British Museum catalogue., Sheet trimmed within plate mark., "Below the title is the 'Dialogue' in parallel columns: (left) speeches of persons numbered '1-19'; (right) answers from George IV headed 'Answers of No. 0 (K--G Naughty)'"--British Museum online catalogue., Mounted to 58 x 39 cm., Mounted on leaf 52 in volume 1 of the W.E. Gladstone collection of caricatures and broadsides surrounding the "Queen Caroline Affair.", and Date "1820" written in ink in lower right corner. Two typed extracts (comprising twenty-four lines total) from the British Museum catalogue description are pasted above and below print.
Publisher:
Pubd. by John Milleville, Hampstead
Subject (Geographic):
Great Britain.
Subject (Name):
George IV, King of Great Britain, 1762-1830, Caroline, Queen, consort of George IV, King of Great Britain, 1768-1821, Napoleon I, Emperor of the French, 1769-1821, Sidmouth, Henry Addington, Viscount, 1757-1844, Castlereagh, Robert Stewart, Viscount, 1769-1822, Liverpool, Robert Banks Jenkinson, Earl of, 1770-1828, Melville, Robert Saunders Dundas, Viscount, 1771-1851, Wellington, Arthur Wellesley, Duke of, 1769-1852, Bathurst, Henry Bathurst, Earl, 1762-1834, Frederick William II, King of Prussia, 1744-1797, Francis I, Emperor of Austria, 1768-1835, Mahmud II, Sultan of the Turks, 1784-1839, Ferdinand I, King of the Two Sicilies, 1751-1825, Maximilian I Joseph, King of Bavaria, 1756-1825, Friedrich August I, King of Saxony, 1750-1827, William I, King of the Netherlands, 1772-1843, Louis XVIII, King of France, 1755-1824, and Jiaqing, Emperor of China, 1760-1820
Subject (Topic):
Britannia (Symbolic character), Politicians, Corkscrews, Dance, Military officers, Heads of state, Ethnic stereotypes, Prints, and Bottles