Portrait of Henry Tilson (1659-1695), English portrait painter, pupil of Sir Peter Lely
Description:
Title from item., Drawing that was later used for an engraving published in : Anecdotes of painting in England, with some account of the principal artists / by Mr. Horace Walpole. Strawberry Hill : Printed by Thomas Farmer, 1762, v. 3, opp. p. 103., and George Vertue, English artist, 1684-1756.
Harding, G. P. (George Perfect), 1780-1853, artist
Published / Created:
[not after 1824]
Call Number:
Folio 33 30 Copy 4
Image Count:
1
Resource Type:
still image
Abstract:
Half-length portrait of King Henry VII after a painting in the Great North Bedchamber at Strawberry Hill
Description:
Title written in ink below image., Unsigned; questionable attribution to George Perfect Harding from local card catalog record., Date based on date of William Bawtree's death., and Mounted on page 218 of William Bawtree's extra-illustrated copy of: Horace Walpole's A description of the villa of Mr. Horace Walpole (Strawberry Hill : Printed by Thomas Kirgate, 1784). See A.T. Hazen's Bibliography of the Strawberry Hill Press (1973 ed.), no. 30, copy 11.
Subject (Name):
Henry VII, King of England, 1457-1509, and Strawberry Hill (Twickenham, London, England)
Title below image., Plate engraved for: A catalogue of the extensive and most valuable collection of engraved portraits ... as originally collected by Horace Walpole. [London] : Smith and Robins, printers, [1842]., and Attributed to Fairholt who drew illustrations for the Strawberry Hill sale catalogue. See London magazine, ca. 1843.
Publisher:
Smith and Robins
Subject (Name):
Henry VIII, King of England, 1491-1547 and Strawberry Hill (Twickenham, London, England)
Watercolor drawing depicting a head of King Henry III carved in oak. The king wears a crown, and curled hair protrudes out from under it on both sides. The date(?) "12 III 16" and decorative symbols fill the space above the head
Alternative Title:
Henry III
Description:
Title from note in black ink below image, perhaps in the artist's hand., Artist's name added by Horace Walpole in brown ink in lower right corner., Date of production based on Horace Walpole's death date., Three lines of descriptive text written below title in black ink: This head (carv'd in oak) is in the possession of Dr. Palmer of Peterborough Northamton shire and was brought from Barnwell Church near Oundle Norn. shire about 40 years ago. Henry the Third endow'd this church. This drawing is half the size of the original head., Two additional annotations by Horace Walpole in brown ink are present; below the descriptive text is written "The upper part above the crown is modern, and the date wrong" and at the bottom of the sheet is written "Now at Mr. Walpole's at Strawberry Hill.", and Mounted on page 73 of Horace Walpole's extra-illustrated copy of his: A description of the villa of Mr. Horace Walpole. Strawberry Hill : Printed by Thomas Kirgate, 1784. See Hazen, A.T. Bibliography of the Strawberry Hill Press (1973 ed.), no. 30, copy 12.
Subject (Geographic):
England.
Subject (Name):
Henry III, King of England, 1207-1272, and Strawberry Hill (Twickenham, London, England)
Watercolor drawing of Henry III and Queen Eleanor, taken from a stained glass window originally in Bexhill and later acquired by Horace Walpole and kept in the Chapel at Strawberry Hill. The king and queen are shown three quarter length, under gothic tracery, wearing crowns, with architectural details behind them. A scale bar bar is drawn beneath them
Description:
Title written in ink below image on mounting sheet., Note in ink below title: The only portraits of them extant., Attribution to John Carter from local catalog card., Date of production based on probable date for Richard Bull's assembly of the extra-illustrated volume in which this drawing appears. See Hazen., Mounted on page 229 of Richard Bull's copiously extra-illustrated copy of: Walpole, H. A description of the villa of Mr. Horace Walpole. Strawberry Hill : Printed by Thomas Kirgate, 1784. See Hazen, A.T. Bibliography of the Strawberry Hill Press (1973 ed.), no. 30, copy 13., and For further information, consult library staff.
Subject (Name):
Henry III, King of England, 1207-1272,, Eleanor, of Provence, Queen, consort of Henry III, King of England, 1223 or 1224-1291,, and Strawberry Hill (Twickenham, London, England)
Harding, G. P. (George Perfect), 1780-1853, artist
Published / Created:
[ca. 1805]
Call Number:
Folio 24 27 798
Collection Title:
Opposite page 278. Reminiscences, written in 1788 for the amusement of Miss Mary and Miss Agnes B-Y ...
Image Count:
1
Resource Type:
still image
Abstract:
Portrait of Henry Hyde, Earl of Clarendon and Rochester; half-length, turned to the right; in a long, curled wig; wearing a coat and cravat
Description:
Title written in ink below image, on mounting page., Unsigned; attribution to G.P. Harding from signature on a similar drawing mounted in the same volume., Date of production inferred from similar drawing in the same volume with the date "1805" written on it., and Mounted opposite page 278 in an extra-illustrated copy of: Walpole, H. Reminiscences, written in 1788 for the amusement of Miss Mary and Miss Agnes B-Y ... From: The works of Horatio Walpole, Earl of Orford. London : Printed for G.G. and J. Robinson, Paternoster-Row, and J. Edwards, Pall-Mall, MDCCXCVIII [1798].
Subject (Name):
Clarendon and Rochester, Henry Hyde, Earl of, 1672-1753,
Harding, G. P. (George Perfect), 1780-1853, artist
Published / Created:
[between 1807 and 1812?]
Call Number:
SH Contents H263 no. 8 Box 105
Image Count:
1
Resource Type:
still image
Description:
Title written in ink below image, in George Perfect Hardning's hand. and One of a group of watercolors after works in the Strawberry Hill collection executed by Harding.
Subject (Name):
Rochester, Henry Wilmot, Earl of, 1612?-1658, and Strawberry Hill (Twickenham, London, England)
Title, artist, and date from note inscribed in black ink below image: W. Lock, March 1781. The subject fro this drawing is Hercules chasing the Napions, but the drawing was left unfinished & Hercules does not appear., W. Lock = WIlliam Lock the 2nd., 1767-1847., and For further information, consult library staff.
publish'd according to act of Parliament, May 1st, 1769.
Call Number:
769.05.01.01+
Collection Title:
Page 64. New London spy, or, A twenty-four hours ramble through the bills of mortality.
Image Count:
1
Resource Type:
still image
Abstract:
Print shows an interior view of a room; a duke has arrived home drunk at 5 a.m. (as shown on the longcase clock beside the door) accompanied by two attendants and watchman only to find his bedchamber occupied by another man. Through the open curtains around the bed can be seen a bare-breasted duchess. On the floor near the bed is an open book, "Memoirs of a woman of pleasure" (a reference to John Cleland's Fanny Hill ...) beside the chamber pot. As the duke with sword drawn, staggers forward, his rival climbs through a window in the background, leaving his clothes behind on a chair. A monkey dashes onto the table near the window on the heels of the husband's rival but pulls down the tablecloth causing the items on the table to be strewn across the floor in the foreground; a book opened to pages “Chastity in the nobility a farce. Dedicated to their Graces the Duke & Dutchess xxx”, breaking a broken mirror, and sending the bottles and jars onto the floor. The bottles have labels "Viper drops" and "Surfeit water" and the jar is labeled "Lip salve".
Description:
Title engraved below image., Text preceding publication statement: A recent transaction., "Price 1s. but given gratis to the purchasers of the Court Miscellany."--Following imprint., Eight lines of verse beneath image, four on either side of title: Persons in exalted station, Should patterns be of imitation; But if a duke must have his punk, And from the bagnio ride home drunk. What wonder if her wanton grace, Invites another in his place? He draws his sword raps out his oaths, But what redress? his rival's cloaths., Not in the Catalogue of prints and drawings in the British Museum., The reference to the duke is probably Henry Frederick, Duke of Cumberland, 1745-90., and Probably a 19th century impression, based on the quality of the paper.
publish'd according to act of Parliament, May 1st, 1769.
Call Number:
Quarto 724 771N
Collection Title:
Page 64. New London spy, or, A twenty-four hours ramble through the bills of mortality.
Image Count:
1
Resource Type:
still image
Abstract:
Print shows an interior view of a room; a duke has arrived home drunk at 5 a.m. (as shown on the longcase clock beside the door) accompanied by two attendants and watchman only to find his bedchamber occupied by another man. Through the open curtains around the bed can be seen a bare-breasted duchess. On the floor near the bed is an open book, "Memoirs of a woman of pleasure" (a reference to John Cleland's Fanny Hill ...) beside the chamber pot. As the duke with sword drawn, staggers forward, his rival climbs through a window in the background, leaving his clothes behind on a chair. A monkey dashes onto the table near the window on the heels of the husband's rival but pulls down the tablecloth causing the items on the table to be strewn across the floor in the foreground; a book opened to pages “Chastity in the nobility a farce. Dedicated to their Graces the Duke & Dutchess xxx”, breaking a broken mirror, and sending the bottles and jars onto the floor. The bottles have labels "Viper drops" and "Surfeit water" and the jar is labeled "Lip salve".
Description:
Title engraved below image., Text preceding publication statement: A recent transaction., "Price 1s. but given gratis to the purchasers of the Court Miscellany."--Following imprint., Eight lines of verse beneath image, four on either side of title: Persons in exalted station, Should patterns be of imitation; But if a duke must have his punk, And from the bagnio ride home drunk. What wonder if her wanton grace, Invites another in his place? He draws his sword raps out his oaths, But what redress? his rival's cloaths., Not in the Catalogue of prints and drawings in the British Museum., The reference to the duke is probably Henry Frederick, Duke of Cumberland, 1745-90., 1 print : engraving and etching ; sheet 22.2 x 33.1 cm., Imperfect; sheet trimmed within plate mark with loss of imprint statement from bottom edge., On laid paper. Folded to 22.2 x 25 cm; mounted to 32 x 26 cm., and Mounted on page 64 in a copiously extra-illustrated copy of: King, R. The new London spy, or, A twenty-four hours ramble through the bills of mortality. London : Printed for J. Cooke [and 3 others], [1771?].
