Woodward, G. M. (George Moutard), approximately 1760-1809, artist
Published / Created:
[ca. 1790]
Call Number:
Drawings W87 no. 26 Box D180
Image Count:
1
Resource Type:
still image
Abstract:
A simple sketch of a pug dog in profile sitting on its hind
Description:
Title and date supplied by cataloger., Artist's signature inscribed in black ink below image in the artist's hand., and For further information, consult library staff.
SH Contents B87 no. 1 Framed, shelved in Object Room A:B
Image Count:
1
Abstract:
A view of Richmond Hill, near Twickenham
Description:
Title devised by curator., Unsigned., Formerly hung on the staircase at Strawberry Hill. See Description of Strawberry Hill, vol. ii, p. 420., and For further information, consult library staff.
Subject (Name):
Strawberry Hill (Twickenham, London, England) and Richmond Hill (Richmond upon Thames, London, England)
Four pastoral figures. A man holding a tool stands next to a woman carrying a sieve. She is looking at a woman and a child sitting down
Description:
Title supplied by cataloger., Signed in lower right: DB., Lady Diana Beauclerk, English artist, 1734-1808., and For further information, consult library staff.
The street scene in Act V of The tragedy of Jane Shore: A dying Jane Shore, played by Sarah Siddons, is held by Bellmour and Dumont. A towering archway is seen in the background
Description:
Title devised by cataloger., Artist from local card catalog record., and Date from contemporary prints depicting Sarah Siddons in the role of Jane Shore.
Subject (Name):
Siddons, Sarah, 1755-1831 and Rowe, Nicholas, 1674-1718.
A scene along the Thames River in Twickenham with modest functional structures on the wooded banks bustling with activity. Barges with sails float on the water. A man leads two horses from the shore while other horses ford the river. A man with a companion pushes a wheelbarrow while a family strolls in the middle distance. On the far shore smoke billows from a chimney stack among a cluster of buildings
Alternative Title:
Wooded river landscape and Thames at Twickenham
Description:
Title, artist and date on brass plate on frame: Scene at Twickenham by J. Laporte. 1785., Title from 2005 Christie's appraisal: A wooded river landscape, traditionally identified as The Thames at Twickenham., and Signed lower left: J. Laporte 1785.
Subject (Geographic):
Thames River (England), and Twickenham (London, England)
A drawing of a snuff box made from a Scottish ram's horn
Description:
Title devised by currator., Inscription in pencil In Thomas Kirgate's hand, upper right corner, above image: "Inscription: This trifle given by Sir James Calquhoun of Luss, Bart. to the Honble. Horace Walpole as a mark of respect.", Date based on letter from Horace Walpole to Sir James Calquhuon, thanking him for his gift of the "beautiful goat's horn ... with the inscription with which you have been pleased to overhonour me." See Yale edition of Horace Walpole's correspondence, v. 42, p. 322-3., Formerly shelved as part of the SH Views collection., Unidentified artist., and Not in Manuscript Catalogue of 1763.
Album of ca. 22 watercolors by Maria Sybilla Merian, of insects, reptiles, and fish probably done on the European continent (Germany or Netherlands), along with a collection of other watercolors by several artists, signed and unsigned, including a portrait of Dr. Mead and Dr. Misaubin surgeon, drawn by William Hogarth and a drawing by George Perfect Harding. Also included: Palace of the Rajah of Tassisudon / copied by M. Griffiths Junr. 1798; Back of Gibraltar Hills / W. Booth delin, ALS from Horace Walpole to Richard Bull dated 1784 July 14, thanking him for the loan of some books including this collection of drawings by Maria Merian which he describes as "very fine"., and Also laid in are various verses in Richard Bull's hand including a poem in memory of Catherine Bull and a narrative on Queen Caroline; a poem in French, "Address by the Queen of Holland to Buonaparte" [later published as Les Adieux by S̀̀ègur].
Alternative Title:
Bull's album of drawings
Description:
Title devised by curator., Album contains 402 pages, alternating white and blue sheets. Nothing laid in after p. 211., Ms. notes in Richard Bull's hand., Binding: Red morocco leather with single gilt ruled line; spine stamped in gold "Drawings.", Disassembled, some items matted and stored in 5 solander boxes. Original binding shelved separately., and When the album was digitized, blank pages were not scanned; original page location, however, is recorded which explains the gaps in the paginatioin in the virtual browse view. For further information, consult library staff.
A sketchbook of drawings of antiquities, with brief notations about the objects depicted, in multiple hands. Horace Walpole describes the volume in his 1774 Description of Strawberry Hill as "a book of drawings of vases, bas-reliefs, and other antiquities." These very fine, detailed drawings in a variety of media -- graphite, pen and ink, wash, and watercolor -- are in some cases mounted onto the leaves, in other cases, drawn directly onto the rectos
Alternative Title:
Drawings from coins, medals, bronzes, etc. from Greek and Roman antiquities and Book of drawings of vases, bas-reliefs, and other antiquities
Description:
Pietro Santi Bartoli, Italian painter, etcher and engraver, active in Rome., Title from Hazen., No text; a few notes in Italian and Latin., Title from f. [1r] of item. "The title, distributed over six lines on the frontispiece ... was riddled with gaps -- "SO...TI [or "SC...TI"]/D... / VAR ... /COSE / ANTI / CHE"--which I suggest should be read as "Scritti di varie cose antiche" (Notes on various ancient objects)". From Irène Aghion's unpublished research. Aghion also identifies the artist as Bartoli., Cited in Allen T. Hazen's Catalogue of Horace Walpole's library, no. 2371 (New Haven : Yale University Press, 1969) and titled: Drawings from coins, medals, bronzes, &c., In his Description of Strawberry Hill (1774), Horace Walpole cites the volume as: A book of drawings of vases, bas-reliefs, and other antiquities., Rebound in blue morocco by Hodgson of Liverpool, with gold tooled borders and blind-stamping on boards. 'Antiquities. Original drawings' in gold on spine; gilt edges. Binder's stamp on verso of front flyleaf., With the armorial bookplate of Earl of Derby, 1775-1851 and press mark 26. B ; and with the bookplate of Horace Walpole (BP1)., Numbered pages bound in the following sequence: 1-2, 4-5, 3, 6-7, 9-10, 8, 11-16, 18-20, 17, 22-149., Blank leaves: 2-5, 7-8, 16-17, 65. Page 21 missing., and Rebound in blue morocco by Hodgson of Liverpool. Bookplate 1. Not in Manuscript Catalogue of 1763. Bookplate of Lord Derby.
Subject (Topic):
Art, Greek, Art, Roman, Classical antiquities in art, Antiquities, Roman, Greek, Bas-reliefs, Coins, Medals, and Vases
Circular design; in the center a sitting Britannia is shown holding the hand of a young sailor whose other hand holds a hat. Britannia's spear rests against her shoulder, and her shield rests against the pedestal on which she sits. A cannon lies by the feet of the sailor, and two ships are visible on the water in the background. The words "Marine Society institvted MDCCLXV" are inscribed along the inner edge of the top part of the circle, and within the bottom part of the circle is the inscription "Incorporated MDCCLXXII."
Description:
Title from local catalog card., Unsigned; artist unidentified., Date of production based on the inclusion in the design of the Marine Society's 1772 incorporation date., Formerly laid in with one other drawing at page 121 in an album containing 402 pages, bound in red morocco leather with single gilt ruled line; spine stamped in gold "Drawings." Now disassembled and matted separately: Bull, R. Scrapbook of drawings. [England], [not after 1806]., Matted together with two other drawings to 49 x 37 cm., and Original case shelved separately.
Volume 2, page 396.1. Inquiries into the origin and progress of the science of heraldry in England.
Image Count:
1
Resource Type:
still image
Abstract:
Drawing of six seals, each numbered from "No. 1" to "No. 6".
Description:
Title devised by curator., Artist identified as Tovey in the Sotheby's catalogue description of the volume in which this drawing is bound., Date based on publication date of the work in which this drawing is bound., "Plate I"--Written above image., and Mounted on page 396.1 in volume 2 of James Dallaway's interleaved, extra-illustrated copy of his: Inquiries into the origin and progress of the science of heraldry in England. Gloucester : Printed by R. Raikes, for T. Cadell, London, 1793.
Subject (Name):
Henry II, King of England, 1133-1189., Henry III, King of England, 1207-1272., and Edward I, King of England, 1239-1307.
