"Caricature of Bergami [Majocchi?] presenting a Milan Catechism to George IV seated in a chair with Lady Conyngham looking our behind a screen."--British Museum online catalogue
Alternative Title:
Non mi Recordo's visit to the fat good looking gentleman in Pall Mall & their conversation by signs and Non mi Ricordo's visit to the fat good looking gentleman in Pall Mall & their conversation by signs
Description:
Title etched below image., Possibly by William Heath, to which the British Museum catalogue attributes many prints from this time period with S.W. Fores's address spelled "Picadilli" in imprint., Sheet trimmed to plate mark leaving thread margins., Not in the Catalogue of prints and drawings in the British Museum., Watermark: G. Pike 1820., Mounted to 58 x 39 cm., Mounted on leaf 97 in volume 1 of the W.E. Gladstone collection of caricatures and broadsides surrounding the "Queen Caroline Affair.", and Figures of "Geo. IV" and "Theodore Majocchi" identified in ink below image; date "10 Oct. 1820" written in lower right corner of sheet.
Publisher:
Pub. Oct. 10, 1820, by S.W. Fores, 41 Picadilli [sic]
Subject (Name):
Caroline, Queen, consort of George IV, King of Great Britain, 1768-1821., George IV, King of Great Britain, 1762-1830, Majocchi, Theodore, active 1820, and Conyngham, Elizabeth Conyngham, Marchioness, -1861
Subject (Topic):
Adultery, Mistresses, Witnesses, Screens, and Portraits
V. 2. Caricature magazine, or, Hudibrastic mirror.
Image Count:
1
Resource Type:
still image
Alternative Title:
Shon ap-Morgan's reconcilement to the fairy princess
Description:
Title etched below image., Date assigned by cataloger., A reduced copy of a print with the same title that was etched by Gillray and published 30 June 1796 by Hannah Humphrey. Cf. No. 8818 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 7., Plate numbered "81" in upper right corner., Plate from: Woodward, G.M. Caricature magazine, or Hudibrastic mirror. London : Thomas Tegg, [1808?], v. 2., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., Temporary local subject terms: Orders: Garter, Ribbon, and Star -- Jersey -- Reference to George III -- Mountains of Wales., and Leaf 26 in volume 2.
Publisher:
publisher not identified
Subject (Name):
George IV, King of Great Britain, 1762-1830, Caroline, Queen, consort of George IV, King of Great Britain, 1768-1821, Frederick Augustus, Prince, Duke of York and Albany, 1763-1827, Jersey, George Bussey Villiers, Earl of, 1735-1805, Jersey, Frances Villiers, Countess of, 1753-1821, Rosslyn, Alexander Wedderburn, Earl of, 1733-1805, and Cholmondeley, George James Cholmondeley, Marquess of, 1749-1827.
"On a small plateau on the top of a mountain the Princess of Wales (left) reaches up to kiss the Prince of Wales (right), who has the body, horns, and beard of a fat goat. He kneels on one knee, his forelegs round her waist; her arms are round his neck. A star and ribbon are indicated on his body. She wears her coronet with three tall feathers, and her draperies swirl about her. In the middle distance are two rocky pinnacles; on one (left) three men dance hand in hand: Loughborough in back view wearing his Chancellor's wig and gown, the Duke of York wearing a cocked hat and his star, and Lord Cholmondeley. From the other, Lady Jersey (with the arms and legs of a goat) staggers backwards, she has horns, and three feathers fall from her head. Lord Jersey, with the body of a goat and long horns, is about to fall. They are being hurled from the rock by thunderbolts inscribed with the words 'What? - What? - What?' (the King's well-known phrase) which issue from heavy clouds, showing that it is the King who has overthrown them. Behind them is the sea with a small island flying a flag inscribed 'Jersey'."--British Museum online catalogue
Alternative Title:
Shon-ap-Morgan's reconcilement to the fairy princess
Description:
Title etched below image. and Temporary local subject terms: Orders: Order of the Garter -- Islands: Jersey -- Thunderbolts -- Reference to George III -- Cuckolds -- Kissing -- Emblems: Prince's of Wales's feathers -- Coronets -- Symbols: goat as a symbol of Wales.
Publisher:
Pubd. June 30th, 1796, by H. Humphrey, New Bond Street
Subject (Name):
George IV, King of Great Britain, 1762-1830, Caroline, Queen, consort of George IV, King of Great Britain, 1768-1821, Frederick Augustus, Prince, Duke of York and Albany, 1763-1827, Jersey, George Bussey Villiers, Earl of, 1735-1805, Jersey, Frances Villiers, Countess of, 1753-1821, Rosslyn, Alexander Wedderburn, Earl of, 1733-1805, and Cholmondeley, George James Cholmondeley, Marquess of, 1749-1827
"Ministers sit on a large sack (the Green Bag, see British Museum Satires No. 13735), surrounded by Grenadier Guards standing at attention with fixed bayonets. Most prominent is Eldon, holding a paper inscribed 'Precedent', with an arm round Castlereagh's shoulder. Sidmouth (left) holds his clyster-pipe. Canning (right) hides his face in his hand (cf. British Museum Satires No. 13971). Harrowby sits next him. Wellington stands with drawn sabre, to give an order to the Guards. P. 7: F, for the fun that enlivened the city, And flashed in Pall-Mall [Carlton House] till Grub-St. was witty. ... Ministers are trying 'To hatch the Green Egg ...'"--British Museum online catalogue
Alternative Title:
F, for the fun that enlivened the city, and flashed in Pall-Mall till Grub-St. was witty ...
Description:
Title etched below image., Alternative title from letterpress text on facing page of the bound work., Attributed to Theodore Lane in the British Museum catalogue., Sheet trimmed within plate mark., Plate from: Rosco. Horrida bella. London : G. Humphrey, 1820., Mounted on page 9 of: George Humphrey shop album., and Mounted opposite the sheet of corresponding letterpress text that would have faced the plate in the bound work.
Publisher:
Pubd. by G. Humphrey, 27 St. James's St.
Subject (Name):
Caroline, Queen, consort of George IV, King of Great Britain, 1768-1821., George IV, King of Great Britain, 1762-1830., Sidmouth, Henry Addington, Viscount, 1757-1844, Canning, George, 1770-1827, Castlereagh, Robert Stewart, Viscount, 1769-1822, Eldon, John Scott, Earl of, 1751-1838, Harrowby, Dudley Ryder, Earl of, 1762-1847, Wellington, Arthur Wellesley, Duke of, 1769-1852, and Rosco.
Subject (Topic):
Bags, Soldiers, Bayonets, Swords, and Medical equipment & supplies
"George IV dressed as Falstaff, and followed by a shambling rabble, advances towards the Queen (right) holding sword, and a round shield on which is a device of four wine-bottles and cork-screws. He stares with apprehensive defiance. She says with a dramatic gesture: "These are the Hireling Miscreants ye produce to Swear away the Life of your Neglected persecuted Queen ? for double fees they'd serve the Traitors Turn, & swear against their King--Leeches--vile Cooks for such a feast." The witnesses are seven men and a woman with patched face and damaged nose. The men are ragged and villainous; the tallest holds a stiletto, one is branded on the forehead with a gibbet. They are shepherded by a tall lean man (Cooke) holding a brief-bag, who walks behind the King; he answers: "I assure you these are the most Respectable Witnesses we could obtain." In his pocket are papers docketed 'Kangaroo Cook' and 'Million'."--British Museum online catalogue
Alternative Title:
Contents of the green bag in propria persona
Description:
Title etched below image., Attributed to William Heath in the British Museum catalogue., Sheet trimmed within plate mark., Printed on watermarked paper., Window mounted to 23.4 x 33.6 cm, the whole then mounted to 58 x 39 cm., Mounted (with one other print) on leaf 47 in volume 1 of the W.E. Gladstone collection of caricatures and broadsides surrounding the "Queen Caroline Affair.", and Figures of "Geo. IV" and "Caroline" identified in black ink at bottom of sheet; date "20 July 1820" written in lower right corner. Typed extract of five lines from the British Museum catalogue description is pasted at bottom of mounting sheet.
Publisher:
Pub. July 20, 1820, by S.W. Fores, 41 Picadilli [sic]
Subject (Name):
Caroline, Queen, consort of George IV, King of Great Britain, 1768-1821, George IV, King of Great Britain, 1762-1830, Cooke, William, 1757-1832, Leach, John, 1760-1834., and Falstaff, John, Sir (Fictitious character)
Subject (Topic):
Witnesses, Ethnic stereotypes, Shields, and Daggers & swords
"Satire on the royal divorce: George IV as Falstaff in armour facing a motley assemblage of testifers."--British Museum online catalogue
Alternative Title:
Witnesses arrived
Description:
Title etched below image., Sheet trimmed within plate mark., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., and Mounted on page 20 of: George Humphrey shop album.
Publisher:
Pub. June 20, 1820, by H. Fores, 16 Panton Str., Haymarket
Subject (Name):
George IV, King of Great Britain, 1762-1830, Caroline, Queen, consort of George IV, King of Great Britain, 1768-1821., and Falstaff, John, Sir (Fictitious character)
"Satire on the royal divorce: George IV as Falstaff in armour facing a motley assemblage of testifers."--British Museum online catalogue
Alternative Title:
Witnesses arrived
Description:
Title etched below image., Sheet trimmed within plate mark., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., 1 print : etching ; sheet 23.1 x 33.5 cm., Printed on wove paper with watermark "R. Barnard 1815"; hand-colored., Mounted to 58 x 39 cm., Mounted on leaf 25 in volume 1 of the W.E. Gladstone collection of caricatures and broadsides surrounding the "Queen Caroline Affair.", and With pencil annotation "The Kings witnesses" beneath image, referring to the figures depicted in the center and on the left side of the design; additional pencil annotation identifies the figure of "Geroge IV" on the right side of the design. Date "20 June 1820" added in black ink in lower right corner.
Publisher:
Pub. June 20, 1820, by H. Fores, 16 Panton Str., Haymarket
Subject (Name):
George IV, King of Great Britain, 1762-1830, Caroline, Queen, consort of George IV, King of Great Britain, 1768-1821., and Falstaff, John, Sir (Fictitious character)
"Caroline rejects 'the bribe' (see British Museum Statires No. 13730), protected by John Bull, Sandy, and Pat. The King, with his mistress, tramples on Religeon, Decency, &c. In a picture of Jupiter and Europa the naked Queen (presumably) rides a bull (J.B.)."--British Museum catalogue
Alternative Title:
Infamous proposal rejected
Description:
Title etched below image., Artist and printmaker unidentified., Imperfect; sheet trimmed within plate mark, resulting in partial loss of statement of responsibility and complete loss of imprint statement. Missing text supplied from the British Museum catalogue., Window mounted to 23.5 x 33.7 cm, the whole then mounted to 58 x 39 cm., Mounted (with one other print) on leaf 18 in volume 1 of the W.E. Gladstone collection of caricatures and broadsides surrounding the "Queen Caroline Affair.", and Identifications in ink of the real figures of "Sidmouth," "Londondery [sic]," "Lady Conyngham," "Geo. IV," and "Caroline" added at bottom of sheet; these are followed by the names of the stereotypical representations of "Ireland," "England," and "Scotland." Date "11 June 1820" written in lower right. Typed extract of three lines from the British Museum catalogue description is pasted beneath print.
Publisher:
Published June 13th, 1820, by J. Fairburn, 2 Broadway, Ludgate Hill
Subject (Name):
George IV, King of Great Britain, 1762-1830, Caroline, Queen, consort of George IV, King of Great Britain, 1768-1821, Sidmouth, Henry Addington, Viscount, 1757-1844, Conyngham, Elizabeth Conyngham, Marchioness, -1861., and Castlereagh, Robert Stewart, Viscount, 1769-1822
Subject (Topic):
John Bull (Symbolic character), Adultery, Mistresses, Bribery, Crowns, and Ethnic stereotypes
"Caricature on the trial of Queen Caroline: five discomforted heads of her accusers are thrown into shadow by the radiant figure of the Queen in an aurole with Bergami [or George IV?] kneeling at her feet."--British Museum online catalogue
Description:
Title etched below image., Sometimes attributed to Robert Cruikshank., Date of publication from the British Museum online catalog, registration no.: 1990,1109.42., Not in the Catalogue of prints and drawings in the British Museum., Mounted to 58 x 39 cm., Mounted on leaf 22 in volume 2 of the W.E. Gladstone collection of caricatures and broadsides surrounding the "Queen Caroline Affair.", and Figures of "Wellington," "Liverpool," "Londondery [sic]," "Eldon," and "Sidmouth" identified in ink at bottom of sheet; date "Nov. 1820" written in lower right.
Publisher:
Pubd. by Dolby, 299 Strand
Subject (Geographic):
Great Britain.
Subject (Name):
Caroline, Queen, consort of George IV, King of Great Britain, 1768-1821, Bergami, Bartolomeo Bergami, Baron, Eldon, John Scott, Earl of, 1751-1838, Wellington, Arthur Wellesley, Duke of, 1769-1852, Liverpool, Robert Banks Jenkinson, Earl of, 1770-1828, Sidmouth, Henry Addington, Viscount, 1757-1844, Castlereagh, Robert Stewart, Viscount, 1769-1822, and George IV, King of Great Britain, 1762-1830.
"A large quasi-cylindrical Green Bag, see British Museum Satires No. 13735, stands at an angle with the ground like a mortar (and suggesting the Regent's Bomb, see British Museum Satires No. 12799), aimed at the Queen (left), who stands with right arm raised, left hand on breast, demonstrating innocence. Castlereagh touches it with a firebrand inscribed Lies, as if putting a match to a touch-hole; flames and papers shoot from the bag, but strike against the large shield, inscribed "Truth" and "Inocence," held by a woman in classical draperies, who is air-borne above the Queen, and raises the flaming sword Justice. She says fiercely: "Back to your Native Hell." She and the Queen are irradiated by a sun in the upper left corner. The flames are inscribed "Adultry" and "Charges"; the papers are "Evidence of the Baron Ompteda Lies &c" [see British Museum Satires No. 13745]; "Adultry with a servant" [Bergami]; "Charges." The blasts of flame strike on the shield and ricochet back against Castlereagh and his supporters, and downwards upon writhing serpents and a skull which have come out of the bag. These boomerang-flames are "Charges Repeld" and "Charges"; they terminate in great clouds of "Smoke." Behind Castlereagh (the only one who stands his ground, though alarmed) are Sidmouth holding his nose, (?) Sir John Leach (see British Museum Satires No. 13740), and two others, poorly characterized; these four are escaping to the right."--British Museum catalogue and A satire on Viscount Castlereagh as a leader in the prosecution of Queen Caroline
Alternative Title:
Green bag open'd and Green bag opened
Description:
Title etched below image., "Argus" was formerly a pseudonym of Charles Williams, but in this case an attribution to William Heath is instead suggested; see page 799 in the Catalogue of prints and drawings in the British Museum, v. 10., Watermark: J. Whatman 1819., Mounted to 58 x 39 cm., Mounted (with one other print) on leaf 43 in volume 1 of the W.E. Gladstone collection of caricatures and broadsides surrounding the "Queen Caroline Affair.", and The figures of "Caroline" and "Londondery [sic]" are identified in black ink in lower margin; date "10 July 1820" written in lower right corner. Typed extract of twelve lines from the British Museum catalogue description is pasted opposite (on verso of preceding leaf).
Publisher:
Publd. July 10th, 1820, by Richd. Fores, 71 Leadenhall Street, Aldgate
Subject (Name):
Caroline, Queen, consort of George IV, King of Great Britain, 1768-1821, Caroline, Queen, consort of George IV, King of Great Britain, 1768-1821., Castlereagh, Robert Stewart, Viscount, 1769-1822., Castlereagh, Robert Stewart, Viscount, 1769-1822, Sidmouth, Henry Addington, Viscount, 1757-1844, and Leach, John, 1760-1834
