Margaret Nicholson is shown in a large bonnet and shawl holding a knife in her left hand as she attempts to stab King George III as he stands before his royal carriage. She hands the King a folded note (?) which they both grasp. One of the two Beefeaters reaches out to prevent the assassination
Alternative Title:
Exact representation of an attempt made by Margaret Nicholson to stab his Majesty
Description:
Title from caption etched below image., Possibly by Cruikshank or Stubbs., Sheet trimmed to plate mark., and Watermark in center of sheet.
Publisher:
Pub'd Augt. 5 1786 by W.S. [sic] Fores at the Caracature Ware-house, No. 3 Piccadilly
Subject (Name):
George III, King of Great Britain, 1738-1820 and Nicholson, Margaret, 1750?-1828.
Subject (Topic):
Assassination attempts, Assassinations, Carriages & coaches, and Guards
"An adaptation of British Museum Satires No. 11904 (1812), by Cruikshank, reversed, with Lady Conyngham replacing Lady Hertford. The open barouche, with four galloping horses and the Cupid postilion, is closely copied. Behind the carriage, as footman, General Bloomfield replaces McMahon. Conyngham replaces Hertford on the donkey, with the antlers, dress, and (incorrectly) the staff of office of his predecessor. He says: "How fortunate am I to have a Handsome and Cunning wife or I should not wear those marks of Distinction!" Lady Conyngham repeats Lady Hertford's words: "We have had a glorious ride my Love! It is worth Half a Crown" [cf. British Museum Satires No. 13826]. George IV: "My Cunning-one I have not Half a Crown to give thee, Would that I had." The Devil drives, as before, but sits alone, instead of beside Lord Yarmouth; a long barbed tail has been added. The 'Female Asylum' (for discarded mistresses) is similarly drawn but less ramshackle; the women looking from the windows are altered; Lady Hertford replaces Mrs. Fitzherbert: the words are as before, but '. . . his Poor F' becomes 'his Poor H'. On the roof, in place of two cats as supporters of the inverted feathers and coronet, are three cats with a (heraldic) scroll and a chamber-pot. The tail of the procession (Sheridan and the wagon 'For Yarmouth . . .') is omitted. The signpost points 'To Brighton'; Ragley is replaced (left) by the domes and minarets of the Pavilion, burlesqued."--British Museum online catalogue
Description:
Title etched below image., Printmaker and date of publication from the British Museum catalogue., Three lines of quoted text following title: "For trifling sports I quitted grave affairs," "And let not wine or anger wrest," "Th' intrusted secret from your breast.", Mounted to 39 x 58 cm., Mounted on leaf 16 in volume 2 of the W.E. Gladstone collection of caricatures and broadsides surrounding the "Queen Caroline Affair.", and Figures of "Ld. Conyngham," "Geo. IV," and "[Lady] Conyngham" identified in ink below image; date "Nov. 1820" written in lower right corner. Typed extract of twenty-six lines from the British Museum catalogue description is pasted opposite (on verso of preceding leaf).
Publisher:
Pubd. by J.L. Marks, 28 Fetter Lane, Fleet St.
Subject (Name):
George IV, King of Great Britain, 1762-1830, Conyngham, Elizabeth Conyngham, Marchioness, -1861, Bloomfield, Benjamin Bloomfield, Baron, 1768-1846, Conyngham, Henry Conyngham, Marquess, 1766-1832, Hertford, Isabella Anne Ingram-Seymour-Conway, Marchioness of, 1760-1834, and Royal Pavilion (Brighton, England),
Subject (Topic):
Adultery, Mistresses, Carriages & coaches, Donkeys, Antlers, Devil, Pitchforks, Asylums, Cats, Chamber pots, Traffic signs & signals, and Official residences
A lady, wearing over her dress a military coat with epaulets, stands plying her whip as she drives the two small white ponies who pull her carriage past the Cox Heath signpost. Her clothes mirror those of the fat and elderly militia officer who sleeps in the seat at her side, his hands clasped around his sword. A large dog sits in front of her. Observing the spectacle from a side road are three country travellers in a covered wagon which bears a sign "The Maidstone Common Stage Waggon".
Description:
Title from item., Publication date erased from print., Date surmised from British Museum catalogue, v. 5, Appendix, "Key to the dates of the series of Mezzotints issued by Carington Bowles.", and Numbered in lower left of plate 391.
Publisher:
Printed for & sold by Carington Bowles at his map & print warehouse, No.69 in St. Pauls Church Yard, London
Subject (Geographic):
England
Subject (Topic):
Military uniforms, British, Military officers, Sleeping, Clothing & dress, Carriages & coaches, Covered wagons, Horses, and Hats
Title from heading above image., One line of dialogue below image: I say Sall, you arnt broke hany of your harms or legs, are you?, Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., and Temporary local subject terms: Fainting -- Carts -- City life.
An accident between a carriage and gentleman's cart on a city street
Description:
Title from heading above image., Two lines of dialogue below image: Well good fellow it is of no use saying anything about it now, but it was a magnificent smash, Julia, was it not?, and Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires.
Publisher:
Published by Thos. McLean, 26 Haymarket
Subject (Topic):
Accidents, Couples, Carriages & coaches, Carts, and City & town life
Title from caption below image., Lines of dialogue below title: "Commong porty wous munseer? O Oui, il est un tres belle jour"!, Sheet trimmed within plate mark., Companion print to: Anglo-Gallic salutations in London, or, Practice makes perfect., Reissue of no. 14441 in Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 10; originally published June 10, 1822, by G. Humphrey., and Numbered in ms. at top of sheet: 115.
Title from item. Translated title supplied by curator., Date supplied by curator., Place of publication derived from language of text., Below the image are six lines of verse., and This electronic record is derived from historic data and may not reflect our current information. Review and updating of records is ongoing.
"A man stripped to the waist is dragged at the cart's tail while a man flogs him ferociously with a cat-o'-nine-tails. The scene is a dusty suburban road, with one house and trees. Boys run up cheering; a fish-woman stands to jeer."--British Museum online catalogue
Alternative Title:
Backgammon
Description:
Title from caption below image., Printmaker from British Museum online catalogue., and First print in a series of four.
Publisher:
Pub. July 23, 1823 by G. Humphrey, 24 St. James's & 74 New Bond St.
Caricature with Queen Caroline with her arms linked to those of Bergami and her lawyer, as they step along the road between St Omer and Calais. The Queen wears a watch at her waist and two miniature portraits hang from cords at her bosom. In the background her coach awaits with a coachman in tall boots smiling at the scene. A re-issue with new background of a plate first published on 19 January 1821
Description:
Title etched below image., Attributed to Theodore Lane in the British Museum online catalogue., Reissue, with the plate extensively reworked; a new background and new borders have been added, the title and publication line have been re-etched, and slight changes to the figures have been made. For the earlier state, see British Museum online catalogue, registration no.: 1975,0118.30., Sheet trimmed within plate mark., and Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires.
Publisher:
Published by G. Humphrey, 27 St. James's St.
Subject (Name):
Caroline, Queen, consort of George IV, King of Great Britain, 1768-1821, Bergami, Bartolomeo Bergami, Baron, and Wood, Matthew, Sir, 1768-1843
