A clergy man with a bulbous nose and large wig (right) kneels before an elderly, well-dressed woman (left) who sits in a chair with a cat on her lap. She is very thin, with wrinkled face and pursed lips and wears multiple strands of pearls around her neck and wrist. Her cat hisses at her suitor
Description:
Title etched below image., Sheet trimmed to plate mark at bottom., Eight lines of verse, signed W.H., below title: Hear me, angelic object of my love ... ., and Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires.
Publisher:
Pub. September 3, 1793, by Will. Holland, No. 50 Oxford Strt
Subject (Topic):
Cats, Clergy, Single women, Courtship, and Marriage proposals
A sailor, his ship in the distant background on the left, holds the arm of a young girl as she stands weeping in front of a tree. In the background outside the doorway of a house sit a chair and spinning wheel
Description:
Title engraved below image. and Number '191' in lower right corner of plate.
Publisher:
Printed for R. Sayer, Map, Chart, and Printseller, No. 53 Fleet Street
"Four designs, each with a title, the plate divided into four quarters. [1] 'John Bull Happy'. A cottage interior: John Bull, a stout countryman with wrinkled gaiters as in BMSat 7889, 8141, dozes serenely in an arm-chair before a blazing fire, holding a pitcher on his knee. Behind (left), his wife sits spinning; two little boys feed a bird in a wicker cage. A pretty young woman approaches the open door with a milk-pail on her head. Brass utensils are ranged on the chimney-piece, beside which is a roasting-jack with wheel and chain. A well-fed cat and dog sleep amicably by the fire. [2] 'John Bull going to the Wars'. John Bull has enlisted and marches off (left to right) beside a file of soldiers with drawn sabres, the man next him blowing a bugle. He marches with awkward energy, gazing proudly in profile to the right, not to see his wife and children (left), who cling to him, weeping. He holds a musket and is dressed as in [1], with the addition of a grenadier's cap and bandolier. Behind (left) is a corner of his cottage. [3] 'John Bull's Property in danger'. John Bull's wife, followed by her three children, approaches the stone gateway of the Treasury, its iron gate open, the three balls of a pawnbroker above it, the inscription 'Money Lent by Authority'. Beside it are two bills: 'Wanted a Number of Recruits to serve abroad' and 'List of Bankrupts John Bull'. The woman carries her spinning-wheel and a bundle of household goods; the smallest boy, holding his mother's petticoat, carries the bird-cage; the girl carries the churn and a bowl. The elder boy carries spade, rake, and pitchfork (a kettle slung to the prongs) and leads a pig. [4] 'John Bull's glorious Return'. A gaunt, one-legged, and one-eyed soldier (right), in tattered uniform, limps on crutches into a miserable hovel in which his starving family crouch over a fire lit on the hearth. The little boy clutches a bare bone; onions and a broken dish are on the floor (cf. BMSat 8145). Mother and sons are ragged and emaciated, the daughter has a certain youthful grace. They look with frightened astonishment at their almost unrecognizable father."--British Museum online catalogue
Alternative Title:
John Bull happy, John Bull going to the wars, John Bull's property in danger, and John Bull's glorious return
Description:
Title etched below images., Four designs on one plate, each with a caption title., Sheet trimmed within plate mark., and Temporary local subject terms: Interiors: cottage -- Bird cages -- Kitchen utensils: churn -- Farming tools -- Spinning-wheel -- Children -- British soldiers -- Military uniforms: Grenadier's cap -- Bandolier -- Swords: sabres -- Guns: bayoneted musket -- Musical instruments: bugle -- Emblems: pawnbroker's three balls -- Veterans -- Medical: amputees -- Crutches -- Eye patches -- Poverty.
Publisher:
Pubd. June 3d, 1793, by H. Humphrey, N. 18 Old Bond Street
Subject (Topic):
John Bull (Symbolic character), Cats, Dogs, and Fireplaces
"Mrs. Cox, in décolletée evening dress with roses in her hair, sits on a sofa with Kean on her lap. He wears slashed doublet and trunk hose. She caresses him, saying, O Romeo, I would thy love were pure as is the virgin snow --. He gazes at her with an intent, cynical smile, answering, By Heaven 'tis as pure as ever lover felt in the purlieus of Drury -- pure as refined gold, as ere was seen in Great or little Britain dearest Juliet --!!!! He holds a glass of brandy; on a table (left) a decanter of Brandy, with a second glass, stands on a playbill: Theatre [Royal] Drury [Lane]. A bold Stroke for A Husband [Mrs. Cowley, 1783] with the Devil to Pay [Coffey, 1731]. On the sofa are a pile of 150 Love Letters; a book, Ovids Art of Love; a paper, Cox and Co. Above Mrs. Cox's head is a picture, Europa and the Bull, a nude woman astride the bull. On the right is a sash-window reaching to the floor. Through this stares Cox; on his head are bull's horns and huge antlers. He wears his alderman's chain, and holds a letter: Dear C- I advise you to keep a Keen eye on you [sic] wife, or Mr -- will --Yours truely E. K-. He shouts: Fire! Fury! and gold dust!! what do I see? K-Kissing my Wife! my head swims and my hair stands erect, but Damages, Damages, Damme!!!!- In front of the window two cats caterwaul angrily at each other: Waough!!! Waough!!!; Maoul Roouw!!"--British Museum online catalogue
Alternative Title:
Keenish sport in Cox's court! and Symptoms of crim. con in Drury Lane May 1824
Description:
Title from caption below image., Printmaker from British Museum catalogue., State with imprint. Cf. No. 14710 in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 10., and Temporary local subject terms: Costume: male, female, 1824 -- Brandy -- Bull's horns -- Huge antlers -- Crim con -- Cox, Mrs. Charlotte (Newman), fl. 1824 -- Cox, Robert Albion, fl. 1794-1826.
Publisher:
Pubd. May, 1824 by J. Fairburn Broadway Ludgate Hill
Leaf 47. Caricatures drawn & etched by those celebrated artists Gillray, Rowlandson, Cruikshanks
Image Count:
1
Resource Type:
still image
Description:
Title etched below image., Restrike. For a brief mention of the original issue of the plate, see British Museum online catalogue, registration no.: 1865,1209.76-111., Plate from: Caricatures drawn & etched by those celebrated artists Gillray, Rowlandson, Cruikshanks, &c. [London] : [Field & Tuer], [ca. 1868?], Four lines of dialogue below title: My dear friend! I lament your death exceedingly! ..., and On leaf 47 of: Caricatures drawn & etched by those celebrated artists Gillray, Rowlandson, Cruikshanks, &c.
Publisher:
Published by Thos. McLean, 26 Haymarket and Field & Tuer
Subject (Topic):
Dandies, British, Women domestics, Mops & mopsticks, Pails, and Cats
A companion plate to Le Départ (British Museum satire no. 12362), satirizing the haste of the English to visit France in 1814 and their gluttony and bad dressing. The Frenchman who cooks a cat is a subject of English caricatures on the favourite theme of the beggarly Frenchman and well-fed Englishman. In this print. "A lean Englishman strides on to the quayside from an (invisible) gangway leading to the deck of a packet, which is seen below (right), covered with the heads of passengers, looking eagerly upwards. The furled sails and rigging are on the extreme right; a dove holding an olive-branch sits on a spar. A jovial French cook leads the Englishman, who grasps his left wrist; he points to a doorway on the extreme left, below the sign 'Au Bien Venu'. He holds the white cotton night-cap which was the cap of the French cook, but is not foppish as in English caricature, but manly and sturdy. The traveller is a grotesque figure wearing a hat shaped like a flower-pot, [this hat appears in almost all satires on English costumes in Paris, c. 1814; it is worn by a man dressed à l'Anglais in No. 53 of the 'Bon Genre Series' (? 1813): 'Cheveux à Cherubin. Chapeau en pot à fleurs. Redingote en Robe de Chambre'; cf. J.-P. de Bérenger, 'Les Boxeurs', 1814: Quoique leurs chapeaux sont bien laids / Goddam! moi j'aime les Anglais] long tail-coat, wrinkled breeches, and long ill-fitting gaiters on very thin legs. His profile has an absurdly heavy chin (cf. British Museum no. 12364), and he registers eager expectation. On a flap projecting from a window beside the door are peaches, grapes, pears, &c. Within a courtyard a second cook leans from an attic window, knife in hand, to catch a cat by the tail, one of several scampering from the ridge-pole."--British Museum online catalogue
Description:
Title from caption below image., Description from impression in the British Museum catalogue., Lettered "Déposé" below image left., Attributed to printmaker Godisart de Cari and publisher Martinet. See British Museum catalogue., This plate was deposited by Martinet on 1 February 1815, although his name is not actually lettered on the plate. It is a pair to 'Le départ' (British Museum number 1868,0822.7249)., and Sheet trimmed within plate mark, with loss of text at lower left and portions of the image at the corners: irregular sheet 18.8 x 23 cm.
Publisher:
Chez Martinet
Subject (Geographic):
France and France.
Subject (Topic):
History, Foreign public opinion, National characteristics, English, National characteristics, French, Cats, Cooks, Doves, Eating & drinking, Ethnic stereotypes, Gluttony, and Mail steamers
"John Bull stands full-face on the pavement outside a shop window, holding on his head a red cap (i.e., bonnet rouge) trimmed with fur of quasi-military, quasi-libertarian shape. He is the yokel with wrinkled gaiters ... with a tattered great-coat held together by a military belt. In his left hand is a ragged hat. He says, with a broad grin: "Wounds, when Master Billy sees I in a Red-Cap, how he will stare! - egad; I thinks I shall cook em at last. - well if I could but once get a Cockade to my Red Cap, & a bit of a Gun - why, I thinks I should make a good stockey Soldier!" The shop is that of 'Billy-Black-Soul [Pitt], Hatter, & Sword-cutler \ Licenced to deal in Hats and Swords.' Above the door (right) are the royal arms and 'Stamp-Office' (the tax on hats being levied by a stamp). Within the window are crossed swords and military cocked hats with a number of stamps bearing the royal arms. In the foreground (left) is a pile of dead cats with a paper: 'List of Cats Killed for making skin caps 20000 Red 5000 Tabb ...'"--British Museum online catalogue
Alternative Title:
John Bull evading the hat tax
Description:
Title etched below image. and Sheet trimmed within plate mark.
Publisher:
Pub. April 5th, 1797, by H. Humphrey, New Bond & St. James's Street
Subject (Geographic):
Great Britain and Great Britain.
Subject (Name):
Pitt, William, 1759-1806.
Subject (Topic):
Taxation, Taxation of articles of consumption, Law and legislation, John Bull (Symbolic character), Cats, Hats, Millinery, Slaughtering, Swords, Taxes, Show displays, and Window displays
Title from item., Date supplied by curator., From: Album Comique de Pathologie Pittoresque, Paris, A. Tardieu, 1823., Above image: Album Comique., This electronic record is derived from historic data and may not reflect our current information. Review and updating of records is ongoing., and Temporary local Medical Library subject terms: Insanity.
Publisher:
Ambroise Tardieu éditeur r du battoir No.12 and Lith de Langlumé r de l'Abbaye No.4.
Subject (Topic):
Mental illness, Pilgrims, Mentally ill persons, and Cats
"The Englishman, grossly obese, walks from the door of the inn (left) supporting his paunch on a wheelbarrow which the cook of British Museum satire no. 12361 helps to drag, exhausted by the effort, and mopping his face with his cap. A plank leads from the quayside to a packet-boat, the stern of which appears below, empty except for one expectant sailor. Another sailor's hand appears by the plank, ready to assist the embarkation. The sign of the inn is not depicted, the window flap hangs down. The second cook stands in the courtyard, offering food to a gorged cat on the roof."--British Museum online catalogue
Description:
Title etched below image., Dimensions from impression in the British Museum catalogue., Lettered "Déposé" below image left., Attributed to printmaker Godisart de Cari and publisher Martinet. See British Museum catalogue., This plate was deposited by Martinet on 12 Novemberr 1814, before its pendant 'L'Arrivée' (1868,0808.7249) which logically precedes it. Martinet's name is not actually lettered on the plate., and Sheet trimmed within plate mark, with loss of text at lower left; corners trimmed: 19 x 23.3 cm.
Publisher:
Chez Martinet
Subject (Geographic):
France and France.
Subject (Topic):
History, Foreign public opinion, National characteristics, English, National characteristics, French, Cats, Cooks, Eating & drinking, Ethnic stereotypes, Gluttony, Mail steamers, and Obesity
