Plate 23. Queen Charlotte's collection of Hogarth works. Leaf 23. Album of William Hogarth prints.
Image Count:
1
Resource Type:
still image
Abstract:
The second print in the series "Four Times of the Day" is set outside St Giles's-in-the-Fields. On the right an elegant crowd leaves the French Huguenot church; they are dressed in the height of French fashion. Two women kiss on the far right in the customary French way. They are contrasted with Londoners on the left. The two groups are separated by a gutter down the middle of the road; a dead cat lies in the gutter foreground. The Londoners stand outside a tavern with the sign of the Good Woman (one without a head); a woman and man in the second-storey window look surprised as the contents of her bowl are tossed out the window. In the foreground, left, under a sign with John the Baptist's head on a platter and reading "Good Eating", a black man embraces a servant girl and a small boy (evidently intended by his curly red hair to be identified as one of the Irish inhabitants of the area) cries because he has broken a pie-dish. A little girl squats as she eats the fallen pie off the ground. The clock in the steeple in the background reads 12:30.
Alternative Title:
Four times a day. Noon
Description:
Title engraved below image. and State and series from Paulson. Second in a series: Four times a day and Strolling actresses dressing in a barn.
Publisher:
Wm. Hogarth
Subject (Geographic):
England, London., and England.
Subject (Topic):
Huguenots, Irish, Blacks, Children, City & town life, Churches, Couples, Crowds, Crying, Kissing, Servants, Signs (Notices), Taverns (Inns), and Women
Plate 23. Queen Charlotte's collection of Hogarth works. Leaf 23. Album of William Hogarth prints.
Image Count:
1
Resource Type:
still image
Abstract:
The second print in the series "Four Times of the Day" is set outside St Giles's-in-the-Fields. On the right an elegant crowd leaves the French Huguenot church; they are dressed in the height of French fashion. Two women kiss on the far right in the customary French way. They are contrasted with Londoners on the left. The two groups are separated by a gutter down the middle of the road; a dead cat lies in the gutter foreground. The Londoners stand outside a tavern with the sign of the Good Woman (one without a head); a woman and man in the second-storey window look surprised as the contents of her bowl are tossed out the window. In the foreground, left, under a sign with John the Baptist's head on a platter and reading "Good Eating", a black man embraces a servant girl and a small boy (evidently intended by his curly red hair to be identified as one of the Irish inhabitants of the area) cries because he has broken a pie-dish. A little girl squats as she eats the fallen pie off the ground. The clock in the steeple in the background reads 12:30.
Alternative Title:
Four times a day. Noon
Description:
Title engraved below image., State and series from Paulson. Second in a series: Four times a day and Strolling actresses dressing in a barn., and Found loose in Heath volume.
Publisher:
Wm. Hogarth
Subject (Geographic):
England, London., and England.
Subject (Topic):
Huguenots, Irish, Blacks, Children, City & town life, Churches, Couples, Crowds, Crying, Kissing, Servants, Signs (Notices), Taverns (Inns), and Women
Eleven plain, elderly women walk in a procession from left to right between the tombstones of a country church yard. Two of them, at the head of the procession, carry a small coffin with a cat's effigy on it. Behind them walks a crying woman with a handkerchief raised to her eyes. She is the only one who does not carry a cat under her arm. The feline participants of the funeral appear agitated
Description:
Title from item., Eight lines of verse in two columns on either side of title: No lover's corse this virgin train attend ..., Printseller's announcement below title: In Holland's exhibition rooms may be seen the largest collection in Europe of caricatures and other humorous prints and drawings. Admittance 1 shilling., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., and Mentioned in the Catalogue of prints and drawings in the British Museum, under no. 8558, as in Anthony de Rothschild's collection, v. 2, p. 138.
Publisher:
Published by William Holland at Garrick's, Richard No. 50 Oxford Street
Subject (Topic):
Cats, Cemeteries, Churches, Coffins, Crying, Funeral rites & ceremonies, Single women, and Tombs & sepulchral monuments
Title from item., From the Laurie & Whittle series of Drolls., Two lines of caption below design: Arrah! but this is hard work for us both Smiler, if it keeps on pelting in our faces in this manner to the end of our journey, surely the wind will change when we return., Plate numbered '357' in lower left corner., and Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires.
Publisher:
Publish'd July 16, 1804 by Laurie & Whittle, 53 Fleet Street
Subject (Topic):
Ethnic sterertypes, Messengers, Horseback riding, Rain, and Churches
Title etched below image., Sheet trimmed within plate mark., Not in the Catalogue of prints and drawings in the British Museum. Division I, political and personal satires., Temporary local subject terms: Buildings: Gothic church -- Corporations: country corporations -- Buildings: 16th-century houses., and Mounted.
Publisher:
Pubd. August 12, 1799, by T. Rowlandson, No. 1 James Street, Adelphi
Subject (Topic):
Churches, City & town halls, City council members, Mayors, Parades & processions, Signs (Notices), and Wells
Title from caption below image., Date supplied by curator., Schleuen may also be the printmaker., and This electronic record is derived from historic data and may not reflect our current information. Review and updating of records is ongoing.
Publisher:
I.D. Schleuen exc. Berolin
Subject (Topic):
Hospitals, Orphanages, Children, Buildings, and Churches
Title from item., Publisher and date supplied by curator., View is of an almshouse and a chapel consecrated to St. Mark (no longer extant), and Pfarre St. Augustine, outside the gates of Vienna., This electronic record is derived from historic data and may not reflect our current information. Review and updating of records is ongoing., and Temporary local Medical Library subject terms: Hospitals, Austria; St. Mark's Hospital (Vienna).
Publisher:
Johann Andreas Pfeffel
Subject (Geographic):
Austria and Vienna.
Subject (Name):
Pfarre St. Augustin (Vienna, Austria).
Subject (Topic):
Almshouses, Architecture, Croplands, Churches, Gates, and Farming
Title from item caption (given in Latin and German)., Date derived from printmaker's date of death., In lower margin center: Cum Priv. Sac. Coes. Maj., This electronic record is derived from historic data and may not reflect our current information. Review and updating of records is ongoing., and Temporary local Medical Library subject terms: Hospitals, Germany.
Publisher:
publisher not identified
Subject (Topic):
Hospitals, City & town life, Churches, and Convents
"An ancient Gothic church in the middle distance stands on a grassy hill inscribed 'Protestant Ascendency'; under the hill (left) is a cave, 'Cave of Catholic Ascendency', in which are barrels of 'Gun . Pow[der]'. A fat bare-footed friar walks away from the cave towards the picture-plane, carrying a lighted candle, and slyly laying a train of powder on the road to the cave. Standing round the church is a crowd of country people, listening to a parson who holds out to them a 'Petition to Parliament'. They are unconscious, not only that the ground beneath them is mined, but that men (right) are tugging at a rope looped round the steeple, which is about to crash. The rope-pullers are in the foreground (right); at the extreme end is Wellington with his back to the church, straining hard. Next is Peel, wearing an orange waistcoat (cf. British Museum Satires No. 15690) badly stained by the rope; Brougham, a broom-girl dressed as in British Museum Satires No. 14769, is next, with Mackintosh in Highland costume beside him. In front of them is Burdett, very tall and thin, holding up his hat and shouting 'Down with it--never mind the People' [see British Museum Satires No. 16058]. In front is O'Connell, in wig and gown, shouting, 'By St Patrick I've got the Rope over at Last.' Behind these principals are more men, tugging at a second rope. On a green field topping a cliff behind the church-breakers is Eldon wearing a smock and guiding a plough; he turns to shout to the petitioners by the church, who will be crushed by the falling tower: 'Look to your selves People.' Along the horizon (left) is a Papist procession with lighted tapers, the Host, crosses, a grotesque Pope, and figures under a canopy. It approaches St. Paul's whose dome rises above the sky-line. On the extreme right is the Monument (see British Museum satires no. 15688, &c.) in flames."--British Museum online catalogue
Description:
Title etched below image., Print signed using William Heath's device: A man with an umbrella., and Imprint continues: ... where political & other caricatuers are daily publishing.
Publisher:
Pub. March 19, 1829, by T. McLean, 26 Haymarket ...
Subject (Geographic):
Great Britain.
Subject (Name):
St. Paul's Cathedral (London, England),, Leo XII, Pope, 1760-1829., Wellington, Arthur Wellesley, Duke of, 1769-1852, Peel, Robert, 1788-1850, Brougham and Vaux, Henry Brougham, Baron, 1778-1868, Mackintosh, James, Sir, 1765-1832, Burdett, Francis, 1770-1844, O'Connell, Daniel, 1775-1847, and Eldon, John Scott, Earl of, 1751-1838
Subject (Topic):
Catholic emancipation, Churches, Caves, Crowds, Monks, and Vandalism
