Manuscript on parchment of Cistercian statutes. In two sections, of the early fourteenth and late fifteenth century respectively. The manuscript is damaged by moisture, badly affecting parts of the text and the colours of the decoration
Description:
In Latin., Script: first section copied by a single hand in Southern Gothica Textualis Formata, with an addition written in Gothic documentary script. Second section copied by a single hand in Gothica Cursiva Formata (Bastarda) with unlooped d, and an addition in Gothica Cursiva Currens., First section: yellow heightening of majuscules. Red headings. Alternately red and blue 2-line flourished initials, with blue and red penwork respectively extending into the left margin. Some initials and majuscules are inscribed with human faces. On f. 1r the text is framed by a simple blue and red border. The opening letters of the acrostical verses in the second section have been retraced in red ink., Second section: red headings and chapter numbers, but otherwise no decoration., and Binding: Quarter binding s. XX: brown morocco spine and oak boards. Spine with four raised bands and gold-tooled morocco title label mounted on a piece of parchment (of the previous binding?) with the inscription: “OFFICIA ECCLESIASTICA”. On the front board a bronze bas-relief of Christ on the Cross (Russia, s. XVIII?) has been mounted.
Manuscript on parchment (goatskin) of Pseudo-Bernard of Clairvaux (Ps.-Bernardus Claraevallensis), 1) De interiori homine (Mediationes). 2) De illis qui ingrediuntur religionem ut abundent bonis. 3) De interiori domo. Due to the loss of a quire 20 pages are missing, foliated 49-58. Due to the loss of f. 83 the final paragraphs of this text are lost. 4) A compilation on virtues and vices, followed by quotations of a theological and moral nature. The beginning of this text was on the lost f. 83.
Description:
In Latin., Script: With the exception of f. 1r apparently copied by one hand, writing Southern Gothica Semitextualis Libraria; f. 1r, in the same type of script, is by another more rapid hand and is perhaps palimpsest., Headings in red added afterwards, with instructions for the rubricator in Gothica Cursiva in the margins (the headings are missing from f. 91r onwards). Red plain initials, 2-3 lines, sometimes with simple flourishing. A few pointing hands and Nota-marks., and Binding: Original deerskin over bevelled wooden boards. On each cover four small brass bosses. Four similar bosses at the four corners of the spine and at the attachment of a white leather strap attached to the front cover and clutching with a decorated brass piece over a pin in the rear cover. The front paste-down is a fragment of a 14th-century Latin grammatical treatise in two columns.
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Pseudo-Bernard of Clairvaux. and Cistercians.
Subject (Topic):
Christian literature, Latin, Manuscripts, Medieval, and Monasticism and religious orders
Manuscript on parchment of Ambrose, 1) De paradiso. 2) De Cain et Abel. 3) Exhortatio virginitatis. 4) De institutione virginis. Written perhaps at the Cistercian abbey of Hautecombe to which it belonged
Description:
In Latin., Script: Written by two scribes in late caroline minuscule. Scribe 1 (ff. 1r-61r): preference for uncial d, angular abbreviation strokes, and a slightly larger module of script than that used by Scribe 2 (ff. 61r-83r)., Plain red initials, 6- to 4-line, with small "pearls" on the thin strokes of the letters, introduce each text. Headings in red. Instructions to rubricator and guide letters., Heavily stained but with no loss of text., and Binding: 1800-1810, Italy. Half bound with a brown calf spine and goatskin corners, bright pink paper sides and red edges. Three green, gold-tooled labels on the spine: "Manuscri," "S Ambrosi de Cain" and "Seculi XII". Bound in the same distinctive style as Marston MSS 50, 125, 128, 135, 151, 158, 159 and 197, all of Hautecombe provenance.
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Ambrose, Saint, Bishop of Milan, -397. and Cistercians.
Subject (Topic):
Celibacy, Christianity, Fathers of the church, Manuscripts, Medieval, and Theology
Manuscript on parchment of Epistle readings for the temporale from Advent through the 25th Sunday after Pentecost
Description:
In Latin., Script: Written in large round gothic bookhand with red and black accent marks for recitation., The fourteen full-page miniatures constitute the most extensive extant cycle by the "Spanish Forger". All pages with miniatures have full borders of scrolling acanthus in red, blue, green and purple with hair-spray and gold balls. 3- and 2-line initials, red or blue, with purple or red penwork (6-line on f. 134r). Rubrics throughout., and Binding: Date? Worn red velvet with a silver-gilt crucifix (a fairly recent addition?) on the upper board. Brass clasp engraved with "S. Maria/ ora pro nobis." Rebacked.
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Catholic Church and Cistercians.
Subject (Topic):
Liturgy, Epistolaries, Illumination of books and manuscripts, Medieval, Manuscripts, Medieval, and Monasticism and religious orders
Manuscript on parchment (poor quality: thick, holes, ends, repairs) of Gregory the Great, Homeliae in Hiezechielem prophetam. Written perhaps at the Cistercian abbey of Hautecombe to which it belonged
Description:
In Latin., Script: Written by multiple scribes in spiky early gothic bookhand., Spaces left unfilled, f. 1r, for initials and headings at beginning of prologue and text. Decorative monochrome initials and headings, which extend the width of columns, of modest quality, in red (many oxidized). Minor initials, 5- to 2-line, some with simple penwork designs, headings, initial strokes in red., Many leaves damaged along outer edges, now repaired, but with loss of text; stained throughout., and Binding: 1800-1810, Italy. Half bound in mottled brown calf with bright pink paper sides. Two gold-tooled, brick red labels on spine: "Greg. Pape. in Ezechiel." and "Saecul. XIII". Red edges. Bound in the same distinctive style as Marston MSS 50, 125, 128, 135, 151, 153, 158, 197, also from the Cistercian abbey of Hautecombe.
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Gregory I, Pope, approximately 540-604. and Cistercians.
Manuscript on parchment, composed in two parts with different formats, of Jacobus de Voragine, Legenda aurea. With several Saints' Vitae by various authors. Part I was written in (probably Northern) Italy at the end of the 14th or beginning of the 15th century. Part II may have been written in Hainaut and added during the 15th century
Description:
In Latin., Script: Part I written in round gothic bookhand by a single scribe who made neat corrections, often on lines ruled in the margins. Part II written in well formed gothic textura., Part I: Border decorations: long stems, inner and top margins or between text columns, in blue, pink, and grey segments divided by small balls, sprouting curling foliage (blue, light blue, and orange), concentrated at corners, with large spiky leaves at terminals and large spiral angular returns filled with mauve or gold in the lower margins; large gold dots tucked under leaves and trailing from the tips of leaves on thin brown pen lines. Initials, 4- to 3-line, attached to stems, pink and grey with white highlights; foliage serifs, as above; letters filled with blue and gold, with some vine work (green and grey), against gold grounds with thick black edging. 2-line initials, set into text columns, blue or red, with very elaborate, minute penwork, blue, red, and occasionally green, built up of small spirals, roundels, and long "caterpillar"-like segments, often extending the full length of text columns; with curling flourishes in margin. 1-line initials in Table of Contents red or blue, with thin vertical strokes in the opposite color; chapter numbers in red. Headings and paragraph marks in blue or red; rubrics throughout., Part II: Plain initials, 5- to 3-line, alternating red and blue, with large serifs; one on f. 300v in red and blue. Headings and initial strokes in red., and Binding: Nineteenth century. Pinkish brown calf case.
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Jacobus, de Voragine, approximately 1229-1298. and Cistercians.
Subject (Topic):
Christian hagiography, Illumination of books and manuscripts, Medieval, Latin literature, Medieval and modern, Legends, and Manuscripts, Medieval
Manuscript on paper (coarse) of 1) Prudentius, Praefatio. 2) Prudentius, Psychomachia. 3) Final verses from Francesco Filelfo, Satyrarum hecatostichon septima decas, hecatosticha quinta. 4) Franciscus de Fiano, Deprecacio pulcherrima ad gloriosissimam matrem. 5) Fortunatus, selected verses from Carmina III.9.1 (Ad Felicem episcopum de pascha). 6) Sedulius, Carmen paschale. 7) Sedulius, Hymnus I. 8) Two unidentified poems. Written by a Cistercian monk
Description:
In Latin., Watermarks, in gutter: similar to Briquet Lettres Assemblees 9607; similar to Piccard Blume II.900, but with prominent stitching holes., Script: Written in humanistic bookhand with gothic features by a single scribe, above top line., Some headings, in red, for art. 6 only., and Binding: Nineteenth century, Italy (?). Bound in tan sheepskin, over wooden boards. Bluish green edges. "Prudentii" scratched on leather of upper board.
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Prudentius, 348- and Cistercians.
Subject (Topic):
Christian poetry, Latin, Manuscripts, Medieval, and Satire, Latin (Medieval and modern)
Manuscript on paper (heavy, rough) composed of four parts. Part I: Excerpts (divided into three parts) from the Malogranatum of Gallus, abbot of the Cistercian abbey of Koenigssaal, Bohemia. Part II: 3) Thomas a Kempis, Tractatus de imitatione Christi et contemptu omnium vanitatum mundi, Book I only. 4) Unidentified Fasiculus florum or Fasiculus morum. 5) Brief excerpts from Augustine and Jerome. 6) Unidentified excerpts dealing primarily with defects in the performance of the mass. Part III: 7) Unidentified extracts on virtues and vices. 8) Series of exempla of virtues and vices perhaps intended as illustrations for the selections quoted in art. 7. 9) Exemplum of Udo, Abp. of Magdeburg. Part IV (parchment): Unidentified text
Description:
In Latin., Watermarks: Part I: unidentified monogram buried in gutter. Parts II and III: similar in design to Piccard Buchstabe P XVI.301-29., Script: Part I (ff. 1-154): Copied by one person in a poorly formed, abbreviated gothic cursive. Part II (ff. 155-202): Written by two scribes: 1) ff. 155r-196r in hybrida; 2) ff. 196v-199v in hybrida. Part III (ff. 203-248): Written in neat gothic cursive by a single scribe. Part IV (ff. 249-256): f. 249r-252r (first column) written in small neat gothic textura; ff. 252r (col. b) - 255r written in gothic cursive., Part I: Small knobby initials, 3- to 2-line, in red. Underlining, paragraph marks, initial strokes, and circles enclosing marginal annotations by the scribe, in red, throughout. Part II: Scribe 1) Incipits, knobby initials (3-line), strokes on initials, in red; 2) Crudely drawn initials (2-line), paragraph marks, strokes on initials, and underlining for headings, in red. Part III: Many plain initials, 2- to 1-line, headings, initial strokes, and lines drawn through the names of authors cited, in red. Notes to rubricator, many perpendicular to text along outer edge of leaf. Part IV: Small plain initial (f. 249r) in red., The patterns of water damage and stains indicate that the codex originally consisted of several booklets., and Binding: Fifteenth century. Bound in the Charterhouse of St. Barbara in Cologne. Vellum stays in the center of the gatherings and their backs cut in about 3 mm. at each sewing station. Sewn on four, double, vegetable fiber supports laced into oak boards and pegged as are the plain, wound endbands. Covered in light brown calf with very narrow corner tongues and defined supports. Blind-tooled with intersecting diagonal fillets with roses, two-headed eagles, crowned swans and fleurs-de-lis in the compartments, inside an outer frame. Trace of a catch on the upper board; edge of the lower one cut in for a strap. Rebacked and clasp wanting. Front and back flyleaves, formerly pastedowns, from a liturgical manuscript (Germany, 12th-13th centuries) containing Office of the Dead. Responses to the first five lessons are Qui lazarum, Heu michi, Ne recorderis, Domine quando, Peccantem me cottidie.
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Catholic Church and Cistercians.
Subject (Topic):
Liturgy, Christian literature, Latin (Medieval and modern), Didactic literature, Latin, Exempla, and Manuscripts, Medieval
Manuscript on parchment (good quality) of 2) Jerome, Prologus beati Ieronimi presbyteri. 3) Ps.-Seneca, Epistolae Senecae, Neronis imperatoris magistri, ad Paulum apostolum et Pauli apostoli ad Senecam. 4) Complete 6-line text of Anthologia latina 667. 5) Seneca, Ad Lucilium epistulae morales. 6) Seneca, De beneficiis libri vii. 7) Seneca, De clementia libri ii. 8) Martin of Braga, Formula vitae honestae. 9) Ps.-Seneca, De remediis fortuitorum liber. 10) 19 sententiae attributed to Publilius Syrus and Seneca. 11) Claudian, Excerpta. 12) William of Saint-Thierry, De tribus dicendi generibus. Written in the Cistercian abbey at Igny near Rheims
Description:
In Latin., Script: Written in fine early gothic bookhand; arts. 11-12 in less expert hands., Carefully drawn monochrome initials with modest penwork designs, 12- to 2-line, in red, green and blue. Headings in red., and Binding: Eighteenth century, France. Bound in light brown, mottled calf with a gold-tooled spine and red label: "Opera Senecae MS". Red edges. Mended at tail. Discoloration from bosses (?) of earlier binding on first and last leaves.
Subject (Geographic):
Connecticut and New Haven.
Subject (Name):
Seneca, Lucius Annaeus, ca. 4 B.C.-65 A.D. and Cistercians.
Subject (Topic):
Didactic literature, Latin, Ethics, and Manuscripts, Medieval
Manuscript on parchment (thick, holes, end pieces), in two volumes, of a collection of sermons by various writers, including Bernard of Clairvaux, Geoffroi Babion, Jacobus Berengarius, Ivo of Chartres, and Hugh of St. Victor. Written perhaps at the Cistercian abbey of Hautecombe to which it belonged. The manuscript may originally have been a single volume
Description:
In Latin., Script: Written in late caroline minuscule by several scribes, above top line., Plain red initials, 4- to 2-line, some with small pearls added to the body of the letter. Spaces for rubrics remain unfilled., Folios 1r and 158v stained with loss of text., and Binding: Nineteenth century, Italy. Backs of quires of both volumes cut in at sewing stations. Sewn on three cords. Paper lining between supports on spine. Red edges. Both volumes half bound in brown mottled calf with bright pink paper sides and two red gold-tooled labels on each volume: "Manuscr. Homiliae Caes. Max. Cod. I [and II]" and "Saecul. XIII". Bound in the same distinctive style as Marston MSS 50, 125, 128, 151, 153, 158, 159 and 197, all of Hautecombe provenance.
Subject (Geographic):
France., Connecticut, and New Haven.
Subject (Name):
Catholic Church and Cistercians.
Subject (Topic):
Manuscripts, Medieval, Sermons, and Sermons, Latin
